Hardcover. Solana Beach CA, Santa Monica Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 231 pages. Illustrated in color. "I Say, I Say . . . Son!" offers a rare behind-the-scenes look at the work of the McKimson brothers, three of the most accomplished and influential animators in history. Tracing the brothers' careers from the 1920s onward, this beautifully illustrated book details how Bob McKimson created such beloved characters as Foghorn Leghorn, the Tasmanian Devil, Sylvester Jr., and the original Speedy Gonzales, and explores Chuck and Tom McKimson's voluminous body of work at Warner Bros. Cartoons, Dell Comics, and Golden Books. Featuring original art from the Golden Age of Animation, "I Say, I Say . . . Son!" includes a wealth of material from the top animation archives--original drawings, reproductions of animation cels, comic book illustrations, lobby cards, and screen captures--along with never-before-seen photographs and other memorabilia from author Robert McKimson Jr.'s personal collection."I Say, I Say . . . Son!" is a vibrant tribute to three groundbreaking animators whose long careers included work on the Looney Tunes, Pink Panther, and Mr. Magoo series, as well as many other animation classics.
Hardcover. NY, Random House, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 500 pages, b&w illustrations. In this second volume of his definitive biography of Pablo Picasso, John Richardson draws on the same combination of lively writing, critical astuteness, exhaustive research and personal experience that made a bestseller out of the first volume and vividly re-creates the artist's life and work during the crucial decade of 1907-1917--a period during which Picasso and Georges Braque invented cubism. Clean copy in a bright dust jacket.
Hardcover. Boston, Houghton Mifflin, 1st, 1917, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt and red, white and blue decoration to front cover, gilt lettering on spine. 192 pages including index, frontis. portrait plus b&w pales including onr fold-out. Dr. Kimball was on the Yellowstone Expedition of 1873 with Generals Stanley and Custer and became quite a good friend of Custer. It was Dr. Kimball who attended to Lieutenant Charles Braden and may have saved his life, after Braden was shot through the left leg by Indians on August 4, 1873. The Battle of the Little Big Horn is also covered. Bright, clean copy.
Hardcover. NY, Knopf, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 592 pages, b&w illustrations. Samuel Fuller, independent director-producer extraordinaire, tells the story of his life, a life that spanned most of the twentieth century. His twenty-nine tough, gritty pictures made from 1949 to 1989 set out to capture the truth of war, racism, and human frailties, and incorporate some of his own experiences. He writes of his years in the newspaper business--selling papers as a boy on the streets of New York, working for Hearst's New York Journal American, first as a copyboy, then as personal runner for the famous Hearst editor in chief Arthur Brisbane. His film Park Row was inspired by his years as a reporter for the New York Evening Graphic, where his beat included murders, suicides, state executions, and race riots--he scooped every other New York paper with his coverage of the death by drug overdose of the legendary Jeanne Eagels. Fuller talks about directing his first picture (he also wrote the script), I Shot Jesse James . . . and how, as a result, he was sought after by every major studio, choosing to work for Darryl Zanuck of Twentieth Century Fox. We see him becoming one of the most prolific, independent-minded writer-directors, turning out seven pictures in six years, among them Pickup on South Street, House of Bamboo, and China Gate. He writes about making Underworld U.S.A., a movie that shows how gangsters in the 1960s were no longer seen as thugs but as "respected" tax-paying executives . . . about the making of the movie Shock Corridor--about a journalist trying to solve a murder in a lunatic asylum--which exposed the conditions in mental institutions . . . and about White Dog (written in collaboration with Curtis Hanson), a film so controversial that Paramount's then studio heads, Jeffrey Katzenberg and Michael Eisner, refused to release it. Clean copy.
Hardcover. New Haven, Yale University Press, 1st, 1985, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth, 262 pages. Illustrated with black & white photographs. Clean, tight copy. This portrait of Disderi and the carte de visite he patented in Paris in 1854 is far more than a biography. The c-d-v, or photographic calling card, was a relatively inexpensive product that made the photographic portrait available to the middle class . McCauley's carefully documented work explores Disderi's career and oeuvre , the impact of mass-produced celebrity cartes on the social and cultural life of mid-19th-century France, and aesthetics in c-d-v portraiture. The final third of the book is an art historical evaluation of the importance of the c-d-v for portrait painting of the period . The fine bibliography, generous illustrative matter, and detailed notes add to the value of this work for the avid student of photohistory or 19th-century studies.
Hardcover. NY, Free Press , 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 464 pages, b&w illustrations. A great but frequently overlooked figure in America during the early decades of the 19th century now gets his due. Military historian Eisenhower (son of the late president) describes a natural leader of imposing stature, overweening pride, exceptional courage, and wide learning, who possessed considerable organizational and diplomatic skills along with outstanding martial instincts. As the nation's youngest general, Scott distinguished himself in the War of 1812, and he was a hero of the Mexican War in the 1840s. After a brilliant campaign fought entirely on foreign soil, he stormed and captured Mexico City despite considerable political maneuvering on the battlefield and the homefront by a variety of influential enemies. In peacetime, he served successfully as a diplomat to the Canadians, the British, the Seminoles, and the Cherokees. Clean copy.
Hardcover. Chicago, University of Chicago, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth stamped in red gilt, 352 pages. Clean, bright copy, no dust jacket.
Hardcover. US, Edition Stemmle, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 208 pages, illustrated throughout in sepia. Light edgewear and tanning to dust jacket, else a clean, tight copy. Alvin Langdon Coburn (1882-1966) is remembered today as one of photography's early masters and great innovators. This monograph investigates the unconventional nature of his personal and artistic achievements. Coburn's landscapes, cityscapes, portraits, and Vortographs reflect his unprecedented steps towards the creation of a photography of symbol and abstraction.
Hardcover. NY, Meredith Press, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Ed Sullivan's variety show was an American institution, running Sunday nights for twenty-three years, from the dawn of television in 1948 until 1971. Even relatively young readers have probably seen clips of Sullivan introducing Elvis Presley, the Beatles, or saying, "We've got a really big shew." "Always on Sunday" gives us a broad view of Sullivan, who turns out much more complex than I would have guessed. Some stories you might have heard for years are debunked - not all of Elvis' appearance were from the waist up for example. Although the book focuses on the period from the debut of "The Toast of the Town" (the original name of the show) until the late-60s, when the book was originally published, it gives a decent overview of his life prior to the show and insight into what made Sullivan tick. For example, he was an early supporter of equal rights and booked appearances by stars regardless of race when that was uncommon. Clean copy.
Softcover. New York, Doubleday, 1st, 1990, Book: Very Good, Dust Jacket: None, 297 pages. Softcover. A very clean, unmarked copy with only minor edgewear to paper wrappers. Faded spine. A Livingston descendant once called the Hudson Valley, Livingston Valley, and with good reason. The original 1686 Royal patent of 160,000 acres on the east side of New York's Hudson River to Scottish merchant Robert Livingston grew within two generations to nearly one million acres and included vast portions of the Catskill Mountains as well. Intermarriages with other wealthy and influential Hudson Valley families, the Roosevelts, Delanos, Van Rensselaers, Schuylers, Astors, and Beekmans, to name a few created a dynasty and a landed aristocracy on the banks of the new republic s most important river an irony embedded at the core of the American experiment. At one time forty Livingston mansions lined the east shore, and the family s reach into NYS and American politics, economics, and social scene was profound and enduring. Their influence on early American politics was pervasive, with Livingstons on the Provincial Assembly, as members of the Continental Congress, on the committee to draft a Declaration of Independence, as first Chancellor of New York State and co-drafter with John Jay of the state s Constitution, justice of the NYS Supreme Court, Minister to France the list goes on. And, of course, there was the patron of Robert Fulton who brought a revolution to commerce with the world s first steamship, known as the Clermont after the Livingston estate in Columbia County that is now a State Historic Site Text includes a map of the Hudson Valley showing Livingston family land holdings, and a family genealogy from 1654 to 1964.
Hardcover. Boston, Lothrop, Lee & Shepard & Co., 2nd printing, 1933, Book: Very Good, Dust Jacket: Very Good, 318 pages. Blue cloth covers, gilt titles to front board and spine, blue dust jacket with illustration, b&w frontispiece of Hamilton's portrait, 7 additional b&w plates. Mild rubbing and chipping to dust jacket, previous owner's signature to front endpaper, otherwise pages crisp and unmarked, clean covers; overall, a very neat, tight copy.
Hardcover. London, Dent / Everyman's Library, reprint, 1976, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn blue dust jacket with fading to spine. 302 pages. The author was an actor, dramatist and theatrical manager and gives an account of the British stage in the first half of the Eighteenth century. First published in 1740. Clean copy.
Softcover. London, Illustrated London News , 1954, Original printed red card wrappers. Light rubbing of the covers, some thumbing of the leading edge; overall, this book is in good to very good condition. 68 pages. Gilt decorated red cover, color frontispiece portrait, gravure and color plates, photographs, illustrations, genealogical table. Contributors include Cyril Falls (Sir Winston Churchill in War), E.D. O'Brien (Sir Winston Churchill- the Man), Charles Petrie (Sir Winston Churchill's Place in History), Edward Winterton (Sir Winston Churchill in Parliament). Frontispiece by Yousuf Karsh.
Softcover. London, Illustrated London News , 1954, Original printed red card wrappers. Light rubbing of the covers, some thumbing of the leading edge; top spine worn, overall, this book is in good to very good condition. 68 pages. Gilt decorated red cover, color frontispiece portrait, gravure and color plates, photographs, illustrations, genealogical table. Contributors include Cyril Falls (Sir Winston Churchill in War), E.D. O'Brien (Sir Winston Churchill- the Man), Charles Petrie (Sir Winston Churchill's Place in History), Edward Winterton (Sir Winston Churchill in Parliament). Frontispiece by Yousuf Karsh.
Hardcover. NY, Scribners, 1st, 1946, Book: Very Good, Dust Jacket: None, Hardcover, 387 pages. The autobiography of a legendary advertising and marketing genius who was active in the early 1900s. Black & white illustrations. Previous owner's signature on front fly leaf, otherwise clean.
Hardcover. NY, Harper & Brothers, BC Ed., 1956, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 305 pages, 16 pages of b&w illustrations. A legend in her own time, Clara Barton, comes to life in these pages. One can almost sense the death and destruction of the battlefields (American Civil War) and disasters to which Barton was the first to bring aid and comfort to the suffering. Barton's life is great testimony as to the powerful influence that one person can have on the outcome of history, and was achieved in an age when women were secondary figures. A diminutive five-foot tall, she rose as a giant among her historical peers (e.g., Susan B. Anthony and Dorothea Dix, et al.) and forever shaped the topography of American society, healthcare, and emergency relief, by founding the American Red Cross [1881] at age 59. Clean copy.
Softcover. Princeton, New Jersey, Princeton University Press, 1998, Book: Very Good, Dust Jacket: None, Softcover. Historical and biographical volume on the architect Frank Lloyd Wright. 544 pages. Includes drawings, notes, and writings by Frank Lloyd Wright. Near fine condition; book is still in shrinkwrap that has some tears near the spine and on some corners.
Hardcover. Boston, Massachusetts, Little, Brown, and Company, na, 1900, Book: Good, Dust Jacket: None, Biography of American artist William Morris Hunt. 219 pages with 16 black/white plates of Hunt's paintings. Cloth bound book is in good condition, some marks on the cover and corners slightly bumped. Some pages still uncut. Previous owner's name and date written in ink inside the cover.
Hardcover. Trumbull, CT, Greenwich Workshop Press Inc., 1st, 1993, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket. Includes a bonus colored print with publishers note. Color illustrations throughout. A tight copy. James Bama is one of the best contemporary artists working today. His portraits - of people from the smallest child to the greatest hero - have garnered the respect and captured the imagination of art collectors and critics around the world. The Art of James Bama is a new, comprehensive collection of his finest work, showing real people of the new West recreating their history, and descendants of the Old West paying homage to their heritage. Bama's ability to convey their emotion gives his paintings a resonance like no other.
Hardcover. New York, Harry N. Abrams, 1st Edition, 2003, Book: Very Good, Dust Jacket: Very Good, 223 pages. Hardcover with illustrations to endpapers. Navy cloth boards with gilt titles to spine. Profusely illustrated in full page, full color illustrations beautifully presented, including fold out illustrations. Dust jacket with only minor wear. SIGNED BY BOTH SENDAK AND KUSHNER on half-title page. Clean copy.
Hardcover. New York, Harper Design, 1st, 2018, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor edgewear. A tight copy. Over 125 color illustrations, memorabilia, plus a framable print in the back.
Metuchen NJ, Scarecrow Press, 1st, 1991, Hardcover, 242 pages, b&w photos. Extensive interview with a veteran assistant director (who actually started out as a cameraman) whose career stretched over six decades, from 1918 to 1970. During the studio era he worked largely at Paramount and then 20th Century-Fox. Fun fact: He was also one of Clara Bow's boyfriends. No dust jacket issued.
Hardcover. Cambridge MA, The MIT Press, 1sr, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright gold foil dust wrapper, 476 pages. The artist Francis Picabia -- notorious dandy, bon vivant, painter, poet, filmmaker, and polemicist -- has emerged as the Dadaist with postmodern appeal, and one of the most enigmatic forces behind the enigma that was Dada. In this first book in English to focus on Picabia's work in Paris during the Dada years, art historian and critic George Baker reimagines Dada through Picabia's eyes. Such reimagining involves a new account of the readymade -- Marcel Duchamp's anti-art invention, which opened fine art to mass culture and the commodity. But in Picabia's hands, Baker argues, the Dada readymade aimed to reinvent art rather than destroy it. Picabia's readymade opened art not just to the commodity, but to the larger world from which the commodity stems: the fluid sea of capital and money that transforms all objects and experiences in its wake. The book thus tells the story of a set of newly transformed artistic practices, claiming them for art history -- and naming them -- for the first time: Dada Drawing, Dada Painting, Dada Photography, Dada Abstraction, Dada Cinema, Dada Montage.Along the way, Baker describes a series of nearly forgotten objects and events, from the almost lunatic range of the Paris Dada "manifestations" to Picabia's polemical writings. Clean copy.
Hardcover. Wilmington, DE, Scholarly Resources Inc., 1st, 1984, Book: Very Good, Dust Jacket: Very Good, 298 pages. Hardcover. Dust jacket unclipped. Cover boards bound in blue, gilt title on spine and front cover. Dust jacket has a touch of agewear, A little foxing on top edge. Clean inside, binding tight, in great shape.
Hardcover. New York, Century Co., 1st, 1890, Book: Very Good, Dust Jacket: None, 501 pages. Hardcover. AUTHORS SIGNED INSCRIPTION PASTED ON TITLE PAGE. 3/4 Leather marbled sections, raised bands on spine. Gilt titles and highlights. Marbled endpapers. Gilt top edge. Light rubbing to cover edges. Clean, tight copy.
Hardcover. New York, Spiegel & Grau, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, 720 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor dust jacket wear. Black and white images throughout. A tight copy.
Hardcover. New York, Spiegel & Grau, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, 720 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor dust jacket wear. Black and white images throughout. A tight copy.
Hardcover. New York, Ticknor & Fields, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 282 pages, illustrated throughout with vintage b&w photos, documenting the Yankee star's career. Small nick to dust jacket along fore-edge, light edgewear, otherwise very good.
Hardcover. New York, Alfred A. Knopf, 1st, 1949, Book: Very Good, Dust Jacket: Good, 374 pages. Hardcover. Dust jacket with short tape repaired tears along edges, fading to spine. Clean, unmarked pages.
Softcover. Berkeley CA, University of California Press, 1st, Book: Very Good, Dust Jacket: None, Softcover, 232 pages. "Professor DeNora's achievement in placing Beethoven, and the reception of Beethoven's music, in social context is all the more impressive because it goes so much against the grain of conventional habits of thought. In illuminating how changing social institutions created opportunities for Beethoven to gain contemporary and posthumous recognition, and, in so doing, created new forms for thinking and talking about musical achievement-the author at once provides fresh insights into the institutional origins of 'classical' music and offers an exemplary contribution to the sociological study of the arts." Clean copy.
Hardcover. New York, Sully and Kleinteich, 3rd, 1918, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt, red and white decoration, 342 pages, with frontispiece portrait of Belinda Melnotte by A. O. Scott. Previous owner's signature on front fly leaf, minor corner and edge wear, otherwise, very clean and tight copy.
Hardcover. New York, Vanguard Press, 1st, 1932, Book: Good, Dust Jacket: None, 306 pages. Hardcover. B/w illustrated frontispiece. Some age wear to covers. Bound in gray fabric. Previous owner's bookplate on front endpaper. Deckled edges. Some age yellowing to pages and edges. In good condition for its age.
Hardcover. New York, Norton, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover, 634 pages, b&w illustrations. In a bright, unclipped dj. In Berenice Abbott: A Life in Photography, author, archivist, and curator Julia Van Haaften brings this iconic public figure to life alongside outlandish, familiar characters from artist Man Ray to cybernetics founder Norbert Wiener. A teenage rebel from Ohio, Abbott escaped first to Greenwich Village and then to Paris-photographing, in Sylvia Beach's words, "everyone who was anyone." As the Roaring Twenties ended, Abbott returned to New York, where she soon fell in love with art critic Elizabeth McCausland, with whom she would spend thirty years. In the 1930s, Abbott began her best-known work, Changing New York, in which she fearlessly documented the city's metamorphosis. When warned by an older male supervisor that "nice girls" avoid the Bowery-then Manhattan's skid row-Abbott shot back, "I'm not a nice girl. I'm a photographer...I go anywhere." This bold, feminist attitude would characterize all Abbott's accomplishments, including imaging techniques she invented in her influential, space race-era science photography and her tenure as The New School's first photography teacher.With more than ninety stunning photos, this sweeping, cinematic biography secures Berenice Abbott's place in the histories of photography and modern art, while framing her incredible accomplishments as a female artist and entrepreneur.
Hardcover. New York, Dutton Books, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy.
Hardcover. New York, Coward, McCann & Geoghegan, Inc., 1st US, 1975, Book: Very Good, Dust Jacket: Good, Hardcover, 319 pages. Hardcover. Previous owners bookplate on preliminary pages. 16 pages of black & white illustrations. Foxing to top edge. Dust jacket with chipping along edges.
Hardcover. Norman OK, University of Oklahoma Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The author peels back the lid on one of the worst secrets of the Mormon settlement of Utah--the massacre of a wagon train by Mormon militiamen and their Native American allies at lowland creek called Mountain Meadows. In 1857, over 100 men, women, and children in a wagon train from Arkansas were murdered in southern Utah by local settlers aided by Southern Paiute warriors. For 50 years, Mormon historian Juanita Brooks's The Mountain Meadows Massacre has been the standard work on the subject. Here, independent historian and Salt Lake Tribune columnist Bagley claims only to extend Brooks's work. But by using documents not available to Brooks and by following her example in pursuing the truth wherever it led him while not going beyond the available evidence, he confirms her private opinion that territorial Mormon leader and governor Brigham Young was heavily involved in both the massacre and its cover-up. In the process, Bagley has produced the new standard work on the massacre. Clean copy.
Hardcover. New York, Simon & Schuster, First Thus, 2013, Book: Very Good, Dust Jacket: Very Good, 603 pages. Hardcover. Ivory & red cloth boards with gilt titles to spine. Dust jacket with only light marginal wear. Bright, clean & unmarked copy.
Hardcover. New York , Abaris Books, Inc., 1st, 1974, Book: Very Good, Dust Jacket: None, 344 pages. Oversized red decorated cloth cover, gilt lettering, minor wear to corners. This copy does not have original slipcase. Light foxing on top and fore edge, but inside is bright and clean, with many colored illustrations throughout. Contains a history of the Prayer Book and a synopsis of the life of Emperor Maximilian I.
Hardcover. US, Last Gasp, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Like new in publisher's shrink wrap. Clean, tight copy. The Book of Weirdo is the definitive - and hugely entertaining- examination of Weirdo magazine, renowned underground comix cartoonist Robert Crumb's legendary humor comics anthology, which was originally published throughout the 1980s. A "low-brow" counterpoint to Art Spiegelman and Francoise Mouley's rather high-faluttin' RAW comix publication, Weirdo influenced an entire generation of alternative and neo-underground artists, as well as creative refuge for the underground comix veterans, and this book features the complete story of the well-recalled comics magazine, along with testimonials from over 130 of the publication's contributors, including interviews with Weirdo's three editors - R. "Keep on Truckin'" Crumb, Peter "Hate" Bagge, and Aline "The Bunch" Kominsky-Crumb - and publisher "Baba Ron" Turner. 288 pages.
Hardcover. US, Atlas & Co, 6th, 2008, 240 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout.
Hardcover. US, Atlas & Co, 6th, 2008, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout.
Hardcover. Oklahoma Heritage Assn., 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 324 pages, b&w illustrations. SIGNED BY CO-AUTHOR THOMPSON on the title page.Bryce Harlow was one of the most extraordinary political figures in the United States in the second half of the 20th century. He served four presidents with great honor and distinction. His word was his bond. With his gentle manner and Oklahoma drawl, Harlow advised Presidents on more public issues than perhaps anyone in American history.Dr. Henry Kissinger says Harlow spent his entire adult life studying the ways of Washington, D.C., alternating between participant and observer. Harlow had a deep sense for the Presidency, its power, its majesty, and the awful responsibility it imposes. Clean, unread copy.
Hardcover. Chapel Hill, University of North Carolina, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 514 pages, b&w illustrations, in a bright dust jacket. Biography of Union general Ambrose Burnside, reassessing his reputation as an "incompetent leader" by viewing his entire career as a soldier during the war: along the Carolina coast, at Antietam, and his capture of Knoxville in East Tennessee, while still recognizing the debacle at Fredericksburg.
Hardcover. Albuquerque NM, University of New Mexico Press, 1st, 1955, Book: Very Good, Dust Jacket: Poor, Hardcover, 150 pages, b&w photo illustrations. Dust jacket present but badly worn, chipped. Book condition is very good. SIGNED BY AUTHOR on title page. Also INSCRIBED BY VAN VECHTEN on front fly leaf: "For Dannie with fond affection from Carlo/April 6 1955/New York". Laid-in: an original b&w photo/postcard embossed "Photograph by Carl Van Vechten", dark exposure with 3 unidentified individuals. With verso handwritten note signed Carlo with a mailing date of 12/30/1958. Also: 4-page mimeographed memorial (speech) by George S. Schuyler dated December 23 1964 and a similar one (5-page) by Lincoln Kirstein. Several clippings. obituaries on his passing at age 84.
Hardcover. Columbia, S.C., University of South Carolina Press, 1st, 1983, Book: Very Good, Dust Jacket: Good, Columbia, S.C., University of South Carolina Press, 1st, 1983, Book: Very Good, Dust jacket: Good, 344 pages. Hardcover with dust jacket. B&w illustrations and photographs throughout. Illustrated frontispiece. Gilt titles on spine. Decorative stain to top edge. Light edge wear to dust jacket, otherwise clean, tight copy. . Record # 467670
Hardcover. Boston, Northeastern University, 1st, 1986, Book: Very Good, Dust Jacket: Good, Hardcover. Light wear and rubbing to dust jacket, spine slightly sunned. Fowler attempts to restore to Catt her central role in the suffragist movement in the United States and in the founding of the League of Women Voters. Although the first three chapters do recount her life, the author himself notes that this is not a conventional biography. Rather, the work aims primarily at an analysis of Catt as a political leader and political visionary.
Hardcover. NY, McGraw-Hill, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 792 pages, b&w illustrations. David Robinson who was given unbridled access to Chaplin's records documents Chaplin's life from his childhood in London to his death in Switzerland. Great attention is given to his film making methods especially the great classics. The book contains many photos and over a hundred pages of appendices.
Hardcover. Norman OK, University of Oklahoma Press , 1st, 1971, Book: Very Good, Dust Jacket: Very Good, 238 pages. b&w and color illustrations. Pictorial dust jacket. Decorative endpapers. Minor edge wear. A very nice. clean and tight copy.