Hardcover. Cambridge, MA , Harvard University Press, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover. INSCRIBED TO LOUIS UNTEMEYER BY WHITMAN on half-title. Title-page engraving by Michael McCurdy (repeated on dust jacket ). Dust jacket with light edgewear.
Hardcover. Brussels, B. Le Francq, 1st Thus, 1798, Book: Good, Dust Jacket: None, 4 volumes. Leather bound hardcovers. Text in ENGLISH & FRENCH Books measure: 3.75"W by 5.75"L. Volume 1 - Front cover loose from book. Crack in leather length of spine - text block still firm. Previous owners bookplate on inside front cover. 2 black & white illustrations. Moderate rubbing to leather covers. Volume 2 - Previous owners bookplate on inside front cover. Half of front endpaper removed. 2 black & white illustrations. Moderate rubbing to leather covers. Volume 3 - Previous owners bookplate on inside front cover. 1 black & white illustration. Moderate rubbing to leather covers. Volume 4 - Previous owners bookplate on inside front cover. 1 black & white illustration. Moderate rubbing to leather covers.
Hardcover. NY, Grove Press, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 259 pages. When Ada Calhoun stumbled upon old cassette tapes of interviews her father, celebrated art critic Peter Schjeldahl, had conducted for his never-completed biography of poet Frank O'Hara, she set out to finish the book her father had started forty years earlier. As a lifelong O'Hara fan who grew up amid his bohemian cohort in the East Village, Calhoun thought the project would be easy, even fun, but the deeper she dove, the more she had to face not just O'Hara's past, but also her father's, and her own. The result is a groundbreaking and kaleidoscopic memoir that weaves compelling literary history with a moving, honest, and tender story of a complicated father-daughter bond. Also a Poet explores what happens when we want to do better than our parents, yet fear what that might cost us; when we seek their approval, yet mistrust it.
Hardcover. Providence RI, Brown University Press, 1st, 1963, Book: Very Good, Dust Jacket: None, Original gray boards, large format. Non-paginated (43 pages). William Blake's illustrations for Robert Blair's 'The Grave'. Some rubbing and lightly bumped corners on covers. Spine/hinge paper with narrow paper separation on upper 4". Clean, tight copy.
Hardcover. New York, Limited Editons Club, 1st Thus, 1981, Book: Very Good, Dust Jacket: None, 73 pages. Limited Editions Club. SIGNED ON LAST PAGE BY PHOTOGRAPHER RICHARD MEAD ATWATER BENSON. HAND NUMBERED #794 OF 2000. Bound in silvery gray cloth, with title stamped in dark blue on spine. Slipcase features a blue wave motif on paper, with cloth at top and bottom of case. 2 minor spots of rubbing at left top edge of paper on slipcase. A bright, clean copy.
Hardcover. NY, Viking, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In 1386, Geoffrey Chaucer endured his worst year, but began his best poem. The father of English literature did not enjoy in his lifetime the literary celebrity that he has today--far from it. The middle-aged Chaucer was living in London, working as a midlevel bureaucrat and sometime poet, until a personal and professional crisis set him down the road leading to The Canterbury Tales. Brought expertly to life by Paul Strohm, this is the eye-opening story of the birth one of the most celebrated literary creations of the English language. INSCRIBED BY STROHM on the title page.
Hardcover. London, Faber and Faber, 1st, 1969, Book: Very Good, Dust Jacket: None, Hardcover, light gray cloth with maroon and gilt title on spine, 608 pages. Clean copy.
Hardcover. Berkeley CA, University of California Press, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket, 248 pages. Errata slip laid in. Name on blank prelim pages. Otherwise clea.
Hardcover. NY, Rinehart & Co., 1st, 1958, Book: Very Good, Dust Jacket: Very Good, Hardcover, 241 pages. The author Cook was an English professor at Middlebury College for many years, and involved with Bread Loaf Writer's Conference almost from its inception, as Robert Frost was. INSCRIBED by Robert Frost (the subject) to Cook (the author).
Hardcover. Boston, William D. Ticknor, 1st, 1847, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth stamped with gilt design on front and spine, 144 pages, all edges gilt. An anthology of English and American poetry edited by Longfellow, with his prefatory "Proem" (later collected as "Pegasus in Pound"). Other contributors: Blake, Keats, Emerson, Wordsworth, Elizabeth Barrett Browning, Ben Jonson, Robert Herrick, Tennyson, etc. Edition of 1,150 copies. Previous owner's bookplate, previous owner's signatures on front end paper. Otherwise a clean, bright copy with only minimal foxing.
Hardcover. New York , Bollingen Foundation/Pantheon, 1st thus, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcovers, four volumes in a slipcase. Blue cloth covers with red spine labels, gilt lettering. Unclipped dust jackets. 345,547,540, and volume 4 index 109 pages and photo reproduction of the original 1837 edition in Russian. Bollingen Series LXXII. Slipcase is sound. Clean, bright set with only minoe shelf wear.
Hardcover. Philadelphia, John Patterson and Friends, 1st, 1924, Book: Good, Dust Jacket: None, 25 pages, b&w frontispiece portrait of Stevenson, green cloth spine over patterned boards. Some wear, fraying to spine, light residue to front pastedown where bookplate may have resided.
Hardcover. NY, Columbia University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 328 pages. William Logan has been a thorn in the side of American poetry for more than three decades. Though he has been called the "most hated man in American poetry," his witty and articulate reviews have reminded us how muscular good reviewing can be. These new essays and reviews take poetry at its word, often finding in its hardest cases the greatest reasons for hope. Logan begins with a devastating polemic against the wish to have critics announce their aesthetics every time they begin a review. "The Unbearable Rightness of Criticism" is a plea to read those critics who got it wrong when they reviewed Lyrical Ballads or Leaves of Grass or The Waste Land. Sometimes, he argues, such critics saw exactly what these books were-they saw the poems plain yet often did not see that they were poems. In such wrongheaded criticism, readers can recover the ground broken by such groundbreaking books. Logan looks again at the poetry of Wallace Stevens, Frank O'Hara, and Philip Larkin; at the letters of T. S. Eliot, Elizabeth Bishop, and Robert Lowell; and at new books by Louise Gluck and Seamus Heaney. Always eager to overturn settled judgments, Logan argues that World War II poets were in the end better than the much-lauded poets of World War I. He revisits the secretly revised edition of Robert Frost's notebooks, showing that the terrible errors ruining the first edition still exist. The most remarkable essay is "Elizabeth Bishop at Summer Camp," which prints for the first time her early adolescent verse along with the intimate letters written to the first girl she loved. Clean, like new.
Hardcover. US, University Of Chicago Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 228 pages. Hardcover with dust jacket. INSCRIBED BY AUTHOR on title page. Light edgewear to dust jacket with light soil to rear cover.
Hardcover. Cincinnati, Poe & Hitchcock, 1st, 1860, Book: Very Good, Dust Jacket: None, Hardcover, 762 pages, b&w illustrations. Cloth and leather covers. Some foxing to pages, edgewear to covers, some pages dog-eared, else a very nice, tight copy.
Hardcover. Gloucester, MA, Peter Smith, Reprint, 1959, Book: Very Good, Dust Jacket: None, 321 pages. Hardcover with no dust jacket. Green cloth covered boards with light wear to edges & black titles to spine. Faint soil to top edge. Otherwise clean inside and out. Tight copy.
Hardcover. London, John Lane, 1st, 1896, Book: Very Good, Dust Jacket: None, Hardcover, polished blue calf with ornate gilt rule to edges of both covers, spine with brown calf label with gilt lettering. Top edge gilt, blue and gray pattern endpapers. Decorative gilt design overall on spine. 107 pages, 6 etchings by E. Philip Pimlott. Edited by R.H. Case. A fine anthology of angling poetry, compiled by Buchan and published while he was still a student at Oxford. Sources include William Shakespeare, John Dennys, Phineas Fletcher, WilliamBrowne, Edmund Waller, John Floud, Sir Henry Wotton, Christopher Marlowe, Sir Walter Raleigh, William Basse, Izaak Walton, John Donne, John Chalkhill, Charles Cotton, John Bunyan, Alexander Pope, John Gay, James Thomson, John Armstrong, and others. Mild sunning to top edge of covers, ink name and short inscription dated '96 on first blank page. Otherwise clean and tight.
Hardcover. Cambridge, MA, Harvard University Press, 2nd printing, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover, 73 pages. Third book in the Poets' Theatre Series. Dark blue cloth covers, white titles to spine dust jacket with b&w illustration. Slight soiling to dust jacket, clean boards, pages crisp and unmarked; a very clean, tight copy.
Hardcover. Syracuse University Press , 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 493 pages. Remainder line and foxing to top edge, light edgewear to dust jacket, else a clean, tight copy.
Hardcover. Cambridge MA, Harvard University Press, 1st, 1930, Book: Very Good, Dust Jacket: None, Hardcover, 338 pages, several b&w woodcut illustrations. Black cloth spine with marbled boards, top edge gilt. Author Theodore Morrison's copy with his signature on front fly leaf. Minor corner wear.
Hardcover. Cambridge MA, Harvard University Press, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, 352 pages, several b&w woodcut illustrations. Black cloth spine with marbled boards, top edge gilt. Minor corner wear.
Hardcover. Cambridge MA, Harvard University Press, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, 319 pages, several b&w woodcut illustrations. Black cloth spine with marbled boards, top edge gilt. Minor corner wear.
Softcover. New York, Farrar, Straus and Giroux, Reprint, 1987, Book: Very Good, Dust Jacket: None, 228 pages. Softcover. SIGNED BY AUTHOR ON HALF TITLE PAGE. Pages with light bump to top right corner. Clean, unmarked text.
Hardcover. New York, Viking, 1st thus, 1931, Book: Very Good, Dust Jacket: Good, Hardcover, 135 pages. Previous owners name at top right edge of front endpaper. Minor foxing to preliminary pages. Maroon cloth covers with narrow section of fade at top edge of front cover. Dust jacket with edgewear, light chipping and tiny holes along folds - jacket now protected with clear plastic cover. Clean, tight copy.
Hardcover. London, Oxford University, 1st, 1912, Book: Very Good, Dust Jacket: Good, Hardcover, 275 pages. Edited from the old editions and numerous manuscripts with introductions & commentary by Herbert J. C. Grierson. Vol. 2 only - introduction and commentary. Discoloration on front flyleaf. Light foxing to endpapers and edges of textblock. Dark blue cloth with embossed design on front cover and gilt lettering on spine. Corners bumped, minor wear to top and bottom of spine. Beige dust jacket with blue writing, price-clipped. Edgewear, age soil, toned spine.
Hardcover. NY, Arrow Editions, 1st, 1937, Book: Very Good, Dust Jacket: Good, 146 pages. Hardcover. Previous owners bookplate on inside front cover. Light foxing to edges. Dust jacket with darkening, chipping along edges. Jacket now protected with clear plastic cover.
Hardcover. New York, Farrar, Straus and Giroux, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 212 pages. SIGNED BY AUTHOR on title page in black pen. Pages all near fine. White boards and black cloth spine with gilt lettering. Spine is very lightly toned at bottom and top edge. B/W pictorial dust jacket with photo of the poet on back. A few tiny fox spots, in acetate protector. Gold sticker "Winner of the Novel Prize in Literature" on front.
Hardcover. Boston, Le Roy Phillips, 1st, 1912, Book: Very Good, Dust Jacket: None, 652 pages. Hardcover. Brown cloth covers with titles in gilt. Top edge gilt. Illustrated with 46 full color tipped-in plates. Pages featuring illustrations show some age darkening. Clean, tight copy.
Hardcover. Bloomington IN, Indiana University Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped with gilt lettering and design. artfully explains the initial spirit and modern understanding of Tamil bhakti poetry. His fluent translations make the poems -- songs of the experience of God -- live for us as they did for their first audience nearly fifteen centuries ago. Clean, bright copy.
Hardcover. London, William Pickering, 1st, 1835, Book: Good, Dust Jacket: None, Hardcover, 298 pages. Black leather covers with gilt rules, faded gilt title on ribbed spine. All edges gilt. Covers with edgewear and the top 6th of the spine leather is gone. Marbled endpapers with bookplate inside front cover. Rear flyleaf with a chunk cut out. Interior is very good. Medieval and Renaissance French poetry, translated into English by an acclaimed poet, travel writer, historian, and painter. Louisa Costello (1799-1870), was an accomplished Anglo-Irish artist and prolific poet and author. She was also a fine miniature painter, and her illustrations show her exquisite sensibility. 4 beautifully hand-colored lithograph plates by the author. Not all copies contain these plates.
Hardcover. London, Faber & Faber, 1st, 2008, Hardcover, 524 pages, b&w illustrations. SIGNED BY BOTH HEANEY & O'DRISCOLL on title page. Widely regarded as the finest poet of his generation, Seamus Heaney is the subject of numerous critical studies; but no book-length portrait has appeared until now. Through his own lively and eloquent reminiscences, Stepping Stones retraces the poet's steps from his early works, through to his receipt of the 1995 Nobel Prize for Literature and his post-Nobel life. It is supplemented with a large number of photographs, many from the Heaney family album and published here for the first time.
Hardcover. NY, Horizon Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 264 pages with index. Carnevali, an Italian poet, came to the USA, suffered poverty and illness, and returned to Italy. Some of his poems are included here. Clean copy.
Hardcover. NY/Boston, Japan Society/Houghton Mifflin, 1st, 1934, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with white design of broom on front cover, white lettering on spine, 124 pages. Clean copy of a scarce title.
Softcover. Chapel Hill, University of North Carolina , 1st, 1984, Book: Good, Dust Jacket: None, Softcover, cream paper covers with red and black titling, 137 pages. There is underlining and notations to text in red ink to about half the pages.
Hardcover. NY, Charles Scribner's Sons, 1st thus, 1882, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth with red, black, and gilt embossed spine title, cover title, and bright cover illustration and decoration. Boards have beveled edges. All edges gilt. 70 pages, tissue-guarded frontispiece, 30 full-page illustrations; artists include A.B. Frost. Howard Pyle. Fredericks, J. S. Davis and others. A ballad written in Paris in 1841 at the time of the second funeral of Napoleon and is a narrative of French military history. Slender piece of cloth chipped away on rear cover, otherwise clean, very good.
Hardcover. Stratford-on-Avon, Shakespeare Head Press, Ltd. Ed., 1908, Book: Very Good, Dust Jacket: None, Eight hardcover volumes. The complete set published in an edition of 1060 copies. This set bound in gray boards with green cloth spines. Black lettering to spines, title pages in red and black, untrimmed edges. Mild wear to boards, Vol. 6 with cracked hinges and some pencil marking, otherwise a clean set. PLEASE NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. NY, Frederick Ungar, 1st thus., 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 402 pages. Includes appendices, chapter notes, footnotes, satires, odes, epistles, hymn, meters, The Complete Works of Horace. Clean copy.
Softcover. Minneapolis, University of Minnesota Press , 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 305 pages. "In The Dark End of the Street, Maria Damon brings a new sensitivity to modern poetic criticism. She adds an important dimension to cultural theory, revealing the struggles of one group of artists as they address improtant questions about art, social life, and the oppression they encounter. Taking as her premise that the intensity of poetic language is an appropriate venue for representing the 'dark end of the street' of social pain, Damon foregrounds the work and lives of a number of modern American poets in order to argue that the American avant-garde is located in the experimental literary works of social 'outsiders."
Hardcover. Charlestown MA, Printed and Sold By Samuel Etheridge, Revised Ed., 1810, Book: Very Good, Hardcovers, two volumes complete, 432 and 448 pages. bound in 3/4 calf, with red leather spine labels intact, bindings tight. New corrected edition. A collection of biographical studies on the life of important poets in the cannon of English literature, including: Cowley, Milton, Blackmore, Granville, Somerville, Thomson, Mallet, and Lyttelton. Written by Samuel Johnson, an English writer who made lasting contributions as a poet, playwright, essayist, moralist, critic, biographer, editor, and lexicographer. With the original advertisement to the first edition. originally published in 1779-81. Light edgewear to covers, mild water stain to first 4 pages of Vol. 2, otherwise clean, mild foxing, very good set overall.
Hardcover. NY, Pellegrini & Cudahy, 1st, 1952, Book: Very Good, Dust Jacket: Very Good, Hardcover in a mildly soiled dust jacket with tanning to spine,name on front fly leaf, otherwise clean.
Hardcover. NY, Harper & Row, 1st, 1967, Book: Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. Brown cloth stamped in gilt, 374 pages. The first printing of the standard translation into modern English of Homer's Odyssey. 'The best translation there is of a great, perhaps the greatest, poet. Name on front fly leaf, otherwise clean.
Hardcover. Albuquerque NM, University of New Mexico Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 217 pages. Includes essays on William Everson, Robert Duncan, Gary Snyder, Kenneth Rexroth, Michael McClure, Nathaniel Tarn, Thom Gunn and more. Notes, bibliography. Clean copy.
San Marino, Huntington Library, 1st, 1974, Book: Very Good, Dust Jacket: None, 446 pages. Hardcover. Black covers with title and decoration in silver. Black & white illustrations. Some light pencil marking scattered throughout. Clean, tight copy.