Biography

Hardcover. NY, Vintage Books, 2nd pr., 2002, Book: Very Good, Dust Jacket: None, Hardcover in a bright, unclipped dust jacket, 1167 pages, illus., bibliography, notes, index, Clean copy. In this third installment of Caro's epic biography he carries Johnson's story through one of its most remarkable periods: his twelve years, from 1949 to 1960, in the United States Senate. At the heart of the book is its unprecedented revelation of how legislative power works in America, how the Senate works, and how Johnson, in his ascent to the presidency, mastered the Senate as no political leader before him had ever done. It was during these years that all Johnson's experience--from his Texas Hill Country boyhood to his passionate representation in Congress of his hardscrabble constituents to his tireless construction of a political machine--came to fruition.

Hardcover. Boston, David R Godine, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 99 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Black and white images throughout. These letters were written between 1950 and 1964 as Lebrun moved between the United States, Mexico and Italy and provide a glimpse into the artist's thoughts during that period.

Hardcover. New York, Harry N. Abrams, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 56 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and Black and white pictures throughout. Shocking pink--hot pink, as it is called today--was the signature color of Elsa Schiaparelli (1890-1973) and perhaps her greatest contribution to the fashion world. Schiaparelli was one of the most innovative designers in the early 20th century. Many design elements that are taken for granted today she created and brought to the forefront of fashion. She is credited with many firsts: trompe l'oeil sweaters with collars and bows knitted in; wedge heels; shoulder bags; and even the concept of a runway show for presenting collections. Hot Pink explores Schiaparelli's childhood in Rome, her introduction to high fashion in Paris, and her swift rise to success collaborating with surrealist and cubist artists like Salvador Dali and Jean Cocteau. The book includes an author's note, a list of museums and websites where you can find Schiaparelli's fashions, endnotes, a bibliography, and an index.

Hardcover. NY, Thomas Crowell, 1st, 1926, Book: Very Good, Hardcover in a lightly worn dust jacket, 95 pages. B&w photo illustrations. A short biography of the book publisher. Clean copy.

Hardcover. Columbia, S.C., University of South Carolina Press, 1st, 1983, Book: Very Good, Dust Jacket: Good, Columbia, S.C., University of South Carolina Press, 1st, 1983, Book: Very Good, Dust jacket: Good, 344 pages. Hardcover with dust jacket. B&w illustrations and photographs throughout. Illustrated frontispiece. Gilt titles on spine. Decorative stain to top edge. Light edge wear to dust jacket, otherwise clean, tight copy. . Record # 467670

Hardcover. Boston, Little Brown & Co., 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The actor discusses his stage career in the 1920s, his film career, Hollywood parties, his blacklisting during the communist witch hunts of the 1950s, and anecdotes about Lauren Bacall, Jeff Bridges, Charlie Chaplin, Jimmy Stewart, and others. B&w photos. Clean copy.

Hardcover. Garden City, N.Y., Doubleday and Co., 1st, 1974, Book: Very Good, Dust Jacket: Very Good, 189 pages. Hardcover with dust jacket. 1st edition after limited edition. Illustrated in color and b&w. Cloth covers with gilt lettering. In a bright, price-clipped dust jackey.

Hardcover. New York, Mason Brothers, 1st, 1858, Book: Good, Dust Jacket: None, 696 pages, with frontispiece portrait and tissue guard. Previous owner's bookplate on front endpaper, edge and corner wear, small crack along top spine edge, and light foxing on some pages. Overall, in clean and tight condition.

Hardcover. NY, Penguin Press, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 256 pages, b&w photos. For Bill Cunningham, New York City was the land of freedom, glamour, and, above all, style. Growing up in a lace-curtain Irish suburb of Boston, secretly trying on his sister's dresses and spending his evenings after school in the city's chicest boutiques, Bill dreamed of a life dedicated to fashion. But his desires were a source of shame for his family, and after dropping out of Harvard, he had to fight them tooth-and-nail to pursue his love. When he arrived in New York, he reveled in people-watching. He spent his nights at opera openings and gate-crashing extravagant balls, where he would take note of the styles, new and old, watching how the gowns moved, how the jewels hung, how the hair laid on each head. This was his education, and the birth of the democratic and exuberant taste that he came to be famous for as a photographer for The New York Times. After two style mavens took Bill under their wing, his creativity thrived and he made a name for himself as a designer. Taking on the alias William J.--because designing under his family's name would have been a disgrace to his parents--Bill became one of the era's most outlandish and celebrated hat designers, catering to movie stars, heiresses, and artists alike. Bill's mission was to bring happiness to the world by making women an inspiration to themselves and everyone who saw them. These were halcyon days when fashion was all he ate and drank. When he was broke and hungry he'd stroll past the store windows on Fifth Avenue and feed himself on beautiful things. Fashion Climbing is the story of a young man striving to be the person he was born to be: a true original. But although he was one of the city's most recognized and treasured figures, Bill was also one of its most guarded. Written with his infectious joy and one-of-a-kind voice, this memoir was polished, neatly typewritten, and safely stored away in his lifetime. He held off on sharing it--and himself--until his passing. Between these covers, is an education in style, an effervescent tale of a bohemian world as it once was, and a final gift to the readers of one of New York's great characters.

Hardcover. New York, DialBooks, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, 340 pages. Hardcover with dust jacket. SIGNED BY STEVEN KELLOGG WITH ILLUSTRATION ON FRONT FLY LEAF. Dust jacket shows light rubbing. Cover boards show light edgewear, tight copy.

Hardcover. New York, Harcourt, Brace and Company, 1st, 1941, Book: Good, 345 pages. Hardcover. INSCRIBED BY AUTHOR. Gilt title on spine, faded. Covers have some age wear. Age yellowing to edges and pages.

Hardcover. NY/Chicago, Revell, 1st, 1910, Book: Very Good, Dust Jacket: None, Hardcover, light green cloth stamped in white and black, 226 pages, 12 photographic plates. Sir Wilfred Thomason Grenfell (1865 -1940) was a medical missionary to Newfoundland and Labrador. Beginning with Vikings of To-day (1895), he published between 1905 and 1938 a succession of books about Labrador, which was at the time a British colony. Frontis photo shows Grenfell and Perry (back from the N. Pole) on the deck of the 'Roosevelt'. This is a collection from six periodicals of 14 sketches by the 'Labrador Doctor.' He has fascinating stories to tell about the natives, the sailors, fishermen, the climate and his doctoring. Small tan stain affecting 10 pages, only in margin. Otherwise clean.

Softcover. New York, ILR Press, 1st, 2009, Book: Very Good, Dust Jacket: None, 170 pages. Softcover with light edgewear to wrappers. Color pictures throughout. "Career waitresses do more than just serve food. They are part psychiatrist, part grandmother, part friend, and they serve every walk of American life: from the retired and the widowed, to the wounded and the lonely, and from the working class to the wealthy. The classic diner waitress is an icon of American culture.... This book takes a moment to honor and recognize waitresses' contribution to our communities. Doing this project has helped me to redefine my perspective on life, work, and happiness. It has made me reevaluate the myth of the American dream that says you need to have an 'important' job to be happy."

Hardcover. New York, Viking Studio Books, 2nd pr., 1994, Book: Very Good, Dust Jacket: None, Unpaginated. Hardcover with no dust jacket in a slipcase. Clean, tight copy with only light fading to slipcase. Paper on top of slip case is starting to become unglued. Bright colorful pictures throughout.

Hardcover. New York, Ecco, 2016, 2016, Book: Very Good, Dust Jacket: Very Good, 734 pages. Hardcover. B&w photographs throughout. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. NY, Duell Sloan and Pearce, 1st, 1953, Book: Very Good, Dust Jacket: Good, Hardcover with dust jacekt. black & white photos, 165 pgs. dust jacket chipped, worn.

Hardcover. NY, Charles Scribner's Sons , 1st, 1899, Book: Very Good, Dust Jacket: None, Hardcover. 199 pages. Biographical notes by Douglas Taylor. the subject was an American actress, friend of Fanny Kemble, Edwin Booth, Edwin Forrest (all 3 pictured in the book) and many others. Illustrations, hardcover bound in coarse tan cloth with mounted leather spine label. Previous owner's bookplate, inscription on front endpapers, otherwise clean.

Hardcover. Baltimore, Johns Hopkins University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 576 pages. Dwight D. Eisenhower's meteoric rise to prominence during World War II was not -- as popular myth would have us believe -- accidental, but the logical outcome of years of preparation. Eisenhower had enormous talents, opportunities to develop them, and an attentive corps of senior officers who watched and encouraged his ascent to high command. The diaries, letters, and documents assembled in this volume for the first time present a fresh, detailed examination of Dwight D. Eisenhower's formative years and the evolution of his genius for organization, logistics, and strategy.

Hardcover. NY, William Morrow, 3rd pr., 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages, b&w photos. The Autobiography pulls no punches: Curtis debunks myths of stardom and glamour with a raw, uncensored, street-honed New York bite. The scope of his memoirs includes: rooming with Marlon Brando in Hollywood in the late forties; a glamorous marraige to Janet Leigh in 1951, and the extraordianry days during his first flush of success.a fully detailed description of his descent into alcohol and cocaine addiction in the 1970s and 1980s; and his therapeutic, ongoing work as a visual artist. Clean, bright copy in a similar dust jacket.

Hardcover. New York , Basic Books, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 651 pages, landmark biography of photographer Walker Evans, once labeled a propagandist, but in reality, was an observer of the true nature of things. Based on unrestricted access to all of Evan's diaries, letters, work logs and contact sheets as well as the diaries of Lincoln Kirstein. Clean copy in an unclipped dust jacket.

Hardcover. Boston, Gambit , 1st, 1973, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. Emissar of Charles the First, second governor of Massachusetts, pillar of the Protectorate, and victim of Charles the Second, atypical Puritan and passionate lover, Sir Harry Vane was a man of peace who initiated genocide in the New World and found martyrdom in the Old. His experience reaches from Indian wigwam to royal palace. This is an unparalleled picture of a formative age which is with us yet. Clean copy.

Hardcover. New York, Knopf, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 309 pages, Hardcover with dust jacket. b&w photographs. Clean, tight copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 487 pages. First full-length biography of Walter in English. Black boards, gray cloth spine with silver titles, illustrated dust jacket, 32 pages of b&w photographic plates on glossy paper. Slight rubbing to dust jacket, clean boards, pages crisp and unmarked; a very clean, tight copy.

Hardcover. New York, F. W. Dodge Corporation, 2nd pr., 1956, Book: Very Good, Dust Jacket: Very Good, 219 pages. Blue cloth covers, gilt titles to spine, blue dust jacket with color illustration, 75 b&w plates, 109 b&w drawings, sketches, plans, elevations, sections, etc. Clean boards, light rubbing and edgewear to dust jacket, with a few half-inch tears and 3-4" tear to bottom edge of rear dust jacket panel, pages very crisp and unmarked, stiff binding; overall, a very clean, tight copy in great condition.

Hardcover. NY, Arno Press, reprint, 1991, Book: Very Good, Dust Jacket: None, Hardcover, dark green cloth with gilt stamping, 220 pages including index. Reproduced in facsimile from the 1882 edition. One of Trollope's scarcer titles, especially in hardcover. No dust jacket issued.

Hardcover. France, Editions Artlys, 1st, 2005, Book: Very Good, Dust Jacket: None, 256 pages. Hardcover no dust jacket. Like new in publisher's shrink-wrap. At once Dior scrapbook, survey and autobiography, this magnificent compendium offers a panorama of the life and art of one of the twentieth century's most influential fashion designers. It reprints Dior's 1956 autobiography Christian Dior et moi--in which the designer contrasted his reputation as both an individual and as a company with his own sense of himself--alongside eight articles by Dior first published in Elle magazine in 1951, which were then collected as Je suis couturier. Throughout, the volume takes as its thematic anchor the designer's beautiful childhood home in Granville, elaborating his lifelong attachment to the house (now the Christian Dior Museum) and its gardens, and showing how his work was influenced by these resplendent environs--a theme that especially preoccupied Dior himself, who once affirmed his "tender and wonderful memories of my childhood home," declaring that "my life and my style owe everything to its location and architecture." Many of the copious illustrations that accompany these writings are supplied by the Christian Dior Museum collection, and reproduce family albums and archival photographs, fashion sketches and formal presentations of classic Dior dresses, hats, shoes and jewelry. Dior scholar Jean-Luc Dufresne conducts a tour of the Dior house and garden, narrating its long and fascinating history.

Softcover. Baltimore, Gateway Press, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 164 pages, b&w illustrations. SIGNED BY HAAS on the title page. This is the story of a 19th century German-American industrialist who made his fortune manufacturing hard rubber combs thanks to his friendship with Charles Goodyear and his invention, vulcanized rubber. Poppenhusen founded a town, College Point, New York, and became a much-loved philanthropist funding churches, libraries and an educational institute that is today both a National and New York City landmark, the Institute that bears his name. He was an innovator in education introducing the first free kindergarten for his workers and the people of the town, perhaps the first corporate day care facility in the U.S. He made the catastrophic mistake of getting involved in the railroads in the late 1860's and used his vast fortune to bring about the consolidation of what has come down to us today as the Long Island Railroad.

Hardcover. Buffalo NY, Prometheus Books, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 188 pages, b&w photos. "At night she was a loving wife and mother. During the day, she'd put her children on the school bus, pack her sequined G-strings and feather boas, and leave for New York City - to take her place in the world of Times Square as the 'Queen of Burlesque. '...Paris refused to compete on an X-rated level, presenting her audiences with old-fashioned burlesque: the gowns, the gloves, the feather fans. Much to her surprise, she beceme the favorite stripper on the New York circuit." Clean copy.

Hardcover. New York, Macmillan, 1st, 1917, Book: Very Good, Dust Jacket: None, Hardcover, 467 pages. SIGNED BY AUTHOR - ("SPECIAL AUTOGRAPHED EDITION"). Previous owners notes and related clippings adhered to inside front cover and front endpaper. Illustrations by Alice Barber Stephens. Covers show light wear, with some rubbing to cloth at top and bottom of spine. Clean, unmarked text.

Hardcover. NY, Crown, 2nd pr., 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket with minor edgewear. 394 pages, color and b&w illustrations. Stan Lee was one of the most famous and beloved entertainers to emerge from the twentieth century. He served as head editor of Marvel Comics for three decades and, in that time, became known as the creator of more pieces of internationally recognizable intellectual property than nearly anyone: Spider-Man, the Avengers, the X-Men, Black Panther, the Incredible Hulk . . . the list goes on. His carnival-barker marketing prowess helped save the comic-book industry and superhero fiction. His cameos in Marvel movies have charmed billions. When he died in 2018, grief poured in from around the world, further cementing his legacy. But what if Stan Lee wasn't who he said he was? To craft the definitive biography of Lee, Abraham Riesman conducted more than 150 interviews and investigated thousands of pages of private documents, turning up never-before-published revelations about Lee's life and work. True Believer tackles tough questions: Did Lee actually create the characters he gained fame for creating? Was he complicit in millions of dollars' worth of fraud in his post-Marvel life? Which members of the cavalcade of grifters who surrounded him were most responsible for the misery of his final days?

Hardcover. Boston, Little Brown, reprint, 1913, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth with gilt lettering on spine. 470 pages with index, b&w frontis of an English church. A detailed history of the Willard family first published 1n 1848. Clean copy.

Hardcover. NY, Harper and Brothers, 1st, 1928, Book: Good, Dust Jacket: None, Hardcover, blue boards with blue cloth spine. Tipped in frontis by Leon Underwood. Light edgewear, rubbing to cover label, spine label mostly gone, stamp on front fly leaf. 150 pages. At the age of 12, Woodward (1896-1961) had begun working in a London factory, and just one year later she had left home to take up another factory job making collars for men's shirts. Later she took positions as a receptionist and a freelance journalist, and allied herself with various socialist, suffrage, and free-thought groups. Jipping Street is "a graphic and absorbing account of growing-up in a London slum in the late 19th and early 20th centuries... [it is] a psychic reconstruction of childhood rather than a chronological narrative".

Hardcover. NY, Pegasus Books, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 338 pages, b&w illustrations. At the turn of the last century, the Guggenheim family ran the most powerful mining conglomerate on earth. Decades later came the Guggenheim museum, which became the hub of the world's most powerful art brand. In between, the Guggenheim name was uttered in every field from aviation to politics, from journalism to rocketry. But who was behind this epic sphere of influence? It took three generations of Guggenheims to build the wealth in its first era. Yet it was the singular force of Harry Guggenheim who would guide the family's next generation of businesses into modernity. Part angel investor, part entrepreneur, part technologist, Harry launched businesses whose impact on 20th century America went far beyond the Guggenheims' mines or museum. His visionary investments continue to profoundly influence our world and hold valuable business lessons for billionaire dynasty builders like Jeff Bezos and Elon Musk. A flawed but brilliant man, Harry Guggenheim was the confidante to five American presidents and a key financial force behind commercial aviation and space exploration, two innovations that catapulted the nation into the future. Clean copy.

Softcover. Los Angeles, The Augustan Reprint Society , reprint, 1988, Book: Very Good, Dust Jacket: None, Softcover, 29 pages. A facsimile reprint of a pamphlet published in 1727. The subject was a friend of Samuel Johnson who was pardoned after being sentenced to death for a murder in a coffeehouse altercation. The pamphlet, published anonymously, was a defense of Savage based on his character. Clean copy.

Hardcover. NY, Crown Publishers, 1st, 1961, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 251 pages. An true account of a couple's settling in the Great Smokey Mountains after living in the big city. Very detailed depiction of Appalachian life and written with humor. B&w illustrations by Glen Rounds.Clean copy.

Hardcover. London, Macmillan, reprint, 1891 , Book: Good, Dust Jacket: None, Hardcover, dark blue cloth with gilt lettering on spine. 318 pages, b&w frontispiece. Previous owner's signature on front fly leaf, handwritten poem on front end paper. Foxing, soiling to end papers and first few pages. Else pages clean and crisp. Mrs. Ward has inserted many new passages taken from the last French edition. Amiel was a Swiss poet & philosopher, professor of aesthetics and moral philosophy at Geneva Academy, author of this introspective diary.

Hardcover. NY, Doubleday & Company, 1st, 1956, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. 320 pages, b&w illustrations. Clean copy.

Hardcover. NY, Alfred A. Knopf, 2nd pr., 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 302 pages. A follow-up to Margaret Murie's classic Two in the Far North about their earlier life in Alaska, this book set in and around Jackson Hole was co-authored with her husband Olaus, who died before its publication. In alternating chapters, Olaus, a renown wildlife biologist, writes about his animal studies, especially of elk (wapiti), and Margaret writes more generally about "their life together, on the trail, in the various camps, and nature adventures in the wilderness during four seasons." The Muries were pivotal in the wilderness movement and lived at the base of the Tetons in Moose, Wyoming. Their home is now the Murie Center in the National Park. Margaret has been called "the grandmother of the conservation movement." With photographs and illustrations by Olaus. Clean copy.

Hardcover. NY, St. Martin's Press, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 381 pages. From the beginning of World War II through the early days of Vietnam, groundbreaking female photojournalist and war correspondent Dickey Chapelle chased dangerous assignments her male colleagues wouldn't touch, pioneering a radical style of reporting that focused on the humanity of the oppressed. She documented conditions across Eastern Europe in the wake of the Second World War. She marched down the Ho Chi Minh Trail with the South Vietnamese Army and across the Sierra Maestra Mountains with Castro. She was the first reporter accredited with the Algerian National Liberation Front, and survived torture in a communist Hungarian prison. She dove out of planes, faked her own kidnapping, and endured the mockery of male associates, before ultimately dying on assignment in Vietnam with the Marines in 1965, the first American female journalist killed while covering combat. Small remainder dot on bottom edge otherwise clean.

Hardcover. Cambridge MA, The MIT Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Clean, tight copy in publisher's shrinkwrap. Karl Blossfeldt (1865-1932) achieved overnight fame in the late 1920s with the first publication of his photographs of plants. Those photographs, which revealed the inner structures of the organic forms, immediately made him a pioneer of New Objectivity-an innovative movement in art and photography of the 1920s and 1930s. Blossfeldt, however, was neither a trained photographer nor a botanist. He was a sculptor and art professor who did his photographic work to generate teaching material for his students.The publication of this book is the result of an extraordinary event-the 1997 discovery in Blossfeldt's estate of sixty-one previously unknown collages, in virtually mint condition, of photographic contact prints arranged on large cardboard sheets. Blossfeldt apparently used these to study the relation and similarity of the photographs and to compare them graphically and aesthetically. On some, Blossfeldt had made marks or handwritten notations. Others show lines for cropping. The collages, published here for the first time, unveil a hidden treasure of modern photography and cast fresh light on the systematic approach Blossfeldt used in his photographic studies. All collages are reproduced in four colors. Introducing the book is an essay by Swiss art historian Ulrike Meyer-Stump, a Lecturer at the Zurich University of the Arts. Not for sale in France, Germany, Switzerland, Belgium, and Austria

Hardcover. New York, Bloomsbury, 1st US , 2010, Book: Very Good, Dust Jacket: Very Good, 359 pages, hardcover. 16 pages of color illustrations. Extensive b&w illustrations and photographs. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Jefferson NC, McFarland & Co., 1st, 2000, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth with gilt lettering. Part 1: A Korean Childhood in Japan, 1930-1944; Part 2: Growing Up in Korea, 1944- 1951. No Dust jacket issued.

Hardcover. NY/Chicago, Fleming H. Revell, 10th pr., 1915, Book: Very Good, Dust Jacket: Fair, Hardcover. Black & white frontis photograph of Muir (repeated on dust jacket). 11 other plates plus map. Dust jacket worn, chipped (about half of spine missing).

Hardcover. San Juan, P.R., Fundacion El Nuevo Dia, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 375 pages, Spanish text with copious photographs throughout. Volume 1 only. Light dust jacket edge wear, otherwise, very clean and tight copy.

Hardcover. Caldwell, Idaho, The Caxton Printers, 1st, 1938, Book: Very Good, Dust Jacket: Good, 265 pages, hardcover with dust jacket. Scarce. Illustrated by Anton Otto Fisher. A frank and detailed description of the life of a English deep-sea fisherman. Moderate edgewear to dust jacket, chipping most pronounced along top edge. Chipping to dust jacket spine as well. Foxing to all edges. Unmarked. A tight copy.

Hardcover. Garden City, N.Y., Doubleday and Co., 1st, 1974, Book: Very Good, Dust Jacket: Very Good, 189 pages. Hardcover with dust jacket. 1st edition after limited edition. Black and white pictures, some in color. Cloth covers with gilt lettering. Edge wear and fraying to top of dust jacket spine, small closed tear to back dust jacket. Remainder spray on bottom edge page block.

Hardcover. Woodstock NY, Overlook Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket with minor edge wear. Over 300 photographs (many in color), most never-before published, chronology, select recordings and videotapes, index. Text taken from Lenya's interviews, private conversations, letters, and other writings provide captivating glimpses into her on-stage and off-stage world. Married to Kurt Weill, the pair brought their talents to American theater when they left Nazi Germany in the 1930s. She gave unforgettable performances on stage and screen ('Threepenny Opera', 'Cabaret' etc) and established herself as one of the twentieth century's most enduring and talented performers. Clean copy.

Hardcover. New York, G.P. Putnam's Sons, 1st, 1922, Book: Very Good, Dust Jacket: Very Good, 131 pages. Hardcover with scarce dust jacket. Light edgewear to covers, and pages. Light foxing throughout. Tight copy.

Hardcover. New York , Farrar Straus Giroux, 1st, 1983, Book: Very Good, Dust Jacket: Good, Hardcover. INSCRIBED BY AUTHOR, AND CONTAINS SIGNED LETTERS AND NOTES. 456 pages. Blue cloth cover, some fading and wear to edges. Dust jacket has bumped bottom edge, small chip missing from top edge of spine. Light foxing on fore edge, but inside is very bright and clean, with b&w illustrations throughout.

Hardcover. NY, Meredith Press, 2nd pr., 1969, Book: Very Good, Dust Jacket: Good, Hardcover, 214 pages, b&w photos. INSCRIBED on half title as follows " ___________, I hope you enjoy the book as much as I did living it" and signed Toots. Tight binding text unmarked, closed tears repaired internally to back panel of jacket.