Hardcover. Boston, A.J. Wright, 1st, 1848, Book: Good, Dust Jacket: None, Hardcover, 300 pages, illustrated with 6 b&w engravings from sketches done by the author. Interesting sailing, whaling adventures by a 14-year veteran seaman. Embossed brown cloth with gilt design on cover, gilt lettering and design on spine. Spine cloth chipped, worn at top and bottom. Previous owner's signature in pencil on front fly leaf. Corners show wear, internally very good with only minor foxing.
Hardcover. M Q Publications, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 383 pages, SIGNED BY AUTHOR on title page, profusely illustrated throughout with photographs and illustrations by the author. Light dust jacket corner wear, remainder line on top edge, otherwise, spotless and bright copy.
Hardcover. Columbia OH, Ohio State University Press, 1st, 2008, Book: Very Good, Dust Jacket: None, 368 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to corners. While "freaks" have captivated our imagination since well before the nineteenth century, the Victorians flocked to shows featuring dancing dwarves, bearded ladies, "missing links," and six-legged sheep. Indeed, this period has been described by Rosemarie Garland-Thomson as the epoch of "consolidation" for freakery: an era of social change, enormously popular freak shows, and taxonomic frenzy. Victorian Freaks: The Social Context of Freakery in Britain, edited by Marlene Tromp, turns to that rich nexus, examining the struggle over definitions of "freakery" and the unstable and sometimes conflicting ways in which freakery was understood and deployed. As the first study centralizing British culture, this collection discusses figures as varied as Joseph Merrick, "The Elephant Man"; Daniel Lambert, "King of the Fat Men"; Julia Pastrana, "The Bear Woman"; and Laloo "The Marvellous Indian Boy" and his embedded, parasitic twin. The Victorian Freaks contributors examine Victorian culture through the lens of freakery, reading the production of the freak against the landscape of capitalist consumption, the medical community, and the politics of empire, sexuality, and art. Collectively, these essays ask how freakery engaged with notions of normalcy and with its Victorian cultural context.
Hardcover. Boston, David R. Godine, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 49 pages, Hardcover with dust jacket. Includes b&w photos. Clean, tight copy. Spine lightly sunned.
Hardcover. New York, Alfred A. Knopf, 1st, 1949, Book: Very Good, Dust Jacket: Good, 374 pages. Hardcover. Dust jacket with short tape repaired tears along edges, fading to spine. Clean, unmarked pages.
Softcover. New York, Pocket Books, First Edition, 2007, Book: Very Good, Dust Jacket: None, 413 pages. Softcover with black, white & red graphic illustrations throughout. Full color illustrations to covers. Clean, bright copy, unmarked.
Hardcover. Los Alamitos, CA, Art Bagnall Publishing, 1st, 1990, Book: Very Good, Dust Jacket: None, Hardcover, 379 pages, with photographs throughout and illustrated cover. Minor corner and edge wear, previous owner's embossed stamp on title page, otherwise, very clean and tight copy. Richter was a professional auto racer in Southern California in the 1930s and 1940s who then founded Bell Auto Parts and devoted his life to creating specialty safety products for auto and motorcycle sports, including the Bell helmet, which quickly became an essential and popular part of driving gear.
Hardcover. New York, Random House, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 454 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy.
 "Atheist, The : Madalyn Murray O'Hairby: Le Beau, Bryan F.")
 "Victorian Freaks: The Social Context of Freakery in Britainby: Tromp, Ph.D. Marlene (editor)")
 "Heroin Diaries, The - A Year in the Life of a Shattered Rock Starby: Sixx, Nikki/Ian Gihins")
 "Old Bill Williams, Mountain Manby: Favour, Alpheus H.")
