Literature

Hardcover. NY, HarperCollins, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 572 pages. The author as written an admirable book that pulls no punches in recounting Hellman and Hammett's flaboyant lives and compulsions. like new in a protective brodart.

Hardcover. Gale Group, 1st, 2001, Book: Very Good, Dust Jacket: None, Hardcover, 196 pages, b&w illustrations. A scholarly examination of Camus and his work. Like new, clean.

Hardcover. NY, Da Capo Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Fug You is Ed Sanders's unapologetic and often hilarious account of eight key years of "total assault on the culture," to quote his novelist friend William S. Burroughs. Fug You traces the flowering years of New York's downtown bohemia in the sixties, starting with the marketing problems presented by publishing Fuck You / A Magazine of the Arts, as it faced the aboveground's scrutiny, and leading to Sanders's arrest after a raid on his Peace Eye Bookstore. The memoir also traces the career of the Fugs -- formed in 1964 by Sanders and his neighbor, the legendary Tuli Kupferberg (called "the world's oldest living hippie" by Allen Ginsberg) -- as Sanders strives to find a home for this famous postmodern, innovative anarcho-folk-rock band in the world of record labels.

Hardcover. Baltimore, Johns Hopkins, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 184 pages. Saving the Text cuts through Jacques Derrida's complex blend of philosophy, commentary, and elaborate wordplay to ascertain his place in the history of criticism and the significance of Glas as a literary event. Distinguished critic and scholar Geoffrey Hartman explores the usefulness of Derrida's style of close reading for English and American scholarship and establishes its relevance to the division that has arisen between European and Anglo-American critical approaches.

Hardcover. NY, Harper & Brothers, 1st, 1946, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket that is taped to covers, 554 pages. Name on front fly leaf, otherwise clean.

Softcover. NY, Oxford University Press, repriny, 1989, Book: Very Good, Dust Jacket: None, Softcover, 290 pages. Henry Louis Gates, Jr.'s original, groundbreaking study explores the relationship between the African and African-American vernacular traditions and black literature, elaborating a new critical approach located within this tradition that allows the black voice to speak for itself.Examining the ancient poetry and myths found in African, Latin American, and Caribbean culture, and particularly the Yoruba trickster figure of Esu-Elegbara and the Signifying Monkey whose myths help articulate the black tradition's theory of its literature, Gates uncovers a unique system forinterpretation and a powerful vernacular tradition that black slaves brought with them to the New World. His critical approach relies heavily on the Signifying Monkey--perhaps the most popular figure in African-American folklore--and signification and Signifyin(g). Exploring signification in black American life and literature by analyzing the transmission and revision of various signifying figures, Gates provides an extended analysis of what he calls the "Talking Book," a central trope in early slave narratives that virtually defines the tradition of black American letters. Gates uses this critical framework to examine several major works of African-American literature--including Zora Neale Hurston's Their Eyes Were Watching God, Ralph Ellison's Invisible Man, and Ishmael Reed's Mumbo Jumbo--revealing how these works signify on the black tradition and on each other. Clean copy.

University Park PA, Pennsylvania State University Press , 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Weintraub's compilation of Shaw's diaries reveal the day to day life of one of Britain's most famous playwrights. 558 pages. Vol. 1 only of a two volume set. Clean.

Hardcover. NY, Simon and Schuster, 2nd pr., 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Whitman's genius, passions, poetry, and androgynous sensibility entwined to create an exuberant life amid the turbulent American mid-nineteenth century. In vivid detail, Kaplan examines the mysterious selves of the enigmatic man who celebrated the freedom and dignity of the individual and sang the praises of democracy and the brotherhood of man. Clean copy.

Hardcover. NY, Columbia University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 328 pages. William Logan has been a thorn in the side of American poetry for more than three decades. Though he has been called the "most hated man in American poetry," his witty and articulate reviews have reminded us how muscular good reviewing can be. These new essays and reviews take poetry at its word, often finding in its hardest cases the greatest reasons for hope. Logan begins with a devastating polemic against the wish to have critics announce their aesthetics every time they begin a review. "The Unbearable Rightness of Criticism" is a plea to read those critics who got it wrong when they reviewed Lyrical Ballads or Leaves of Grass or The Waste Land. Sometimes, he argues, such critics saw exactly what these books were-they saw the poems plain yet often did not see that they were poems. In such wrongheaded criticism, readers can recover the ground broken by such groundbreaking books. Logan looks again at the poetry of Wallace Stevens, Frank O'Hara, and Philip Larkin; at the letters of T. S. Eliot, Elizabeth Bishop, and Robert Lowell; and at new books by Louise Gluck and Seamus Heaney. Always eager to overturn settled judgments, Logan argues that World War II poets were in the end better than the much-lauded poets of World War I. He revisits the secretly revised edition of Robert Frost's notebooks, showing that the terrible errors ruining the first edition still exist. The most remarkable essay is "Elizabeth Bishop at Summer Camp," which prints for the first time her early adolescent verse along with the intimate letters written to the first girl she loved. Clean, like new.

Hardcover. Ithaca NY, Cornell University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 835 pages. Sergey Prokofiev, a compulsive diarist and gifted and idiosyncratic writer, possessed an incorrigibly sardonic curiosity about individuals and events. When he left Russia after the 1917 Revolution, his diaries were recovered from the family flat in Petrograd and later hidden at considerable personal risk by the composer Nikolai Myaskovsky. Prokofiev himself smuggled them out of the country after his first return to the Soviet Union in 1927. The later diaries, written in the West, were brought back by legal decree after the composer's death in 1953, to be kept in an inaccessible section of the Soviet State Archive. Eventually Prokofiev's son Sviatoslav was allowed to transcribe the voluminous contents. When he and his son Sergei eventually emigrated to Paris, they undertook the gigantic task of reproducing the partially encoded manuscript in an intelligible form.Diaries, 1907-1914, the first of three volumes that extend to 1933, covers Prokofiev's years at the St. Petersburg Conservatoire. Simultaneously attached to and exasperated by the tradition exemplified by composers such as Rimsky-Korsakov, Glazunov, and Tcherepnin, the brash young genius relishes the power of his talent to irritate, challenge, and finally overcome the establishment. Clean copy.

Softcover. NY, Grove Press, reprint, 1997, Book: Very Good, Dust Jacket: None, Softcover, 239 pages. Hettie Jones presents an intimate memoir of her life--from her middle-class Jewish family in Queens to her marriage to the controversial black poet LeRoi Jones and her search for her own artistic voice. Clean copy.

Hardcover. NY, Knopf, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 897 pages. John Updike's fiftieth book and fifth collection of assorted prose, most of it first published in The New Yorker, brings together eight years' worth of essays, criticism, addresses, introductions, humorous feuilletons, and - in a concluding section, 'Personal Matters' - paragraphs on himself and his work. Herman Melville, Edith Wharton, Sinclair Lewis, Dawn Powell, Henry Green, John Cheever, Vladimir Nabokov, and W. M. Spackman are among the authors extensively treated, along with such more general literary matters as the nature of evil, the philosophical content of novels, and the wreck of the Titanic. Clean copy.

Hardcover. Burbank CA, DC Comics, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. These groundbreaking classic stories--which cemented Superman's place as the medium's most enduring hero--are gathered for the first time in this singular, expansive collection. Collects all the Man of Steel's tales from ACTION COMICS #48-65, SUPERMAN #16-24 and WORLD'S FINEST COMICS #6-10 and includes a foreword by legendary Superman editor Mike Carlin. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Barnes & Noble, reprint, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 194 pages. Includes a bibliography of Bannerman's books and 47 reproductions of the first British and first American editions and her illustrations for them. Phyllis Yuill and Justin Schiller helped with the publishing history and supplied illustrations. Hay shows that it was the illustrations of later artists that provoked the controversy over THE STORY OF LITTLE BLACK SAMBO, not Bannerman's original text or pictures. Bound in the original gilt-stamped red boards. From the dust jacket: "This first biography of Helen Bannerman covers much new ground and is based on the vast collection of letters to the children, usually lovingly illustrated, in the possession of the Bannerman family. As well as telling the story of one of the most popular children's books of all time, Elizabeth Hay's biography offers an intimate picture of the daily life of a British memsahib in the heyday of the Raj." Clean copy.

Hardcover. NY, Columbia University Press, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 194 pages. Index, map, biliographies, appendices. Clean copy.

Softcover. NY, Fordham University Press, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 387 pages. Focusing on major authors and problems from the Italian fourteenth and sixteenth centuries, from Petrarch and Boccaccio to Machiavelli, Ariosto and Tasso, A Local Habitation and a Name examines the unstable dialectic of "reality" and "imagination," as well as of "history" and "literature." Albert Ascoli identifies and interprets the ways in which literary texts are shaped by and serve the purposes of multiple, intertwined historical discourses and circumstances, and he equally probes the function of such texts in constructing, interpreting, critiquing, and effacing the histories in which they are embedded. Throughout, he poses the theoretical and methodological question of how formal analysis and literary forms can at once resist and further the historicist enterprise. Mild damp wrinkle to bottom corner of first 10 pages, otherwise very good, clean.

Hardcover. NY, Fleming H. Revell, 1st, 1913, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in gilt on spine and front cover, 224 pages, top edge gilt. Vermonter Humphrey was known as a prolific writer of essays with regional, nature, travel, and religious themes. The pieces in this volume were originally published in various periodicals of the period. Clean, bright copy.

Hardcover. Burlington VT, Ashgate , 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 259 pages. Despite the growing critical relevance of Shakespeare's two Venetian plays and a burgeoning bibliography on both The Merchant of Venice and Othello, few books have dealt extensively with the relationship between Shakespeare and Venice. Setting out to offer new perspectives to a traditional topic, this timely collection fills a gap.

Hardcover. London, Jonathan Cape, 1st, 1934, Book: Good, Dust Jacket: None, Hardcover, blue cloth faded on spine and cover edges, gilt lettering on spine. 315 pages, b&w photographic plates. Some fifty essays, reviews, studies and other short pieces, including a section devoted to Williamson's travels in North America and passages from 'The Sun in the Sands' which do not appear in the 1941 book of the same name. No markings.

Hardcover. London, Seeley And Co., reprint, 1895, Book: Good, Dust Jacket: None, Hardcover, dark green cloth with gilt lettering and decoration, 296 pages. B&w frontis portrait with tissue guard. Ex-lib with stamping, bookplate to endpapers, interior clean.

Hardcover. Madison WI, University of Wisconsin Press, 1st, 1989, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with fading to the spine. "Cary Nelson performs an invaluable service to the reader by recovering the work of dozens of forgotten poets, especially women, blacks, and writers on the left, while making it clear that the texts we recover inevitably gain new meaning from their positioning within contemporary culture." Nicely illustrated in b&w and some color, mostly book jackets and title pages of books discussed. Some light pencil marking in margins.

Hardcover. Bloomington IN, Indiana University Press, 1st, 1977, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 335 pages. Five Faces of Modernity is a series of semantic and cultural biographies of words that have taken on special significance in the last century and a half or so: modernity, avant-garde, decadence, kitsch, and postmodernism. The concept of modernity-the notion that we, the living, are different and somehow superior to our predecessors and that our civilization is likely to be succeeded by one even superior to ours-is a relatively recent Western invention and one whose time may already have passed, Name on front fly leaf, several pages with light ink markings.

Hardcover. NY, Macmillan, 1st US, 1950, Book: Very Good, Dust Jacket: Good, Hardcover in a worn dust jacket, 79 pages. Talks originally delivered on the BBC Third Programme, on what goes on in the body when men and animals are thinking. A Series of Broadcast Talks by Sir Charles Sherrington, E.D. Adrian, W.E. Le Gros Clark, S. Zuckerman, E.T.O. Slater, Wilder Penfield, W. Russell Brain, Viscount Samuel, A.J. Ayer & Gilbert Ryle. Dust jacket shows wear at edges and darkening to paper. Clean, tight copy.

Hardcover. NY, The Viking Press, 1st, 1936, Book: Good, Dust Jacket: None, Hardcover, bound in black cloth with design of a phoenix on the front cover. No dust jacket. First edition with Published in October 1936 on copyright page and no additional printings noted. Fading to the spine. 852 pages. A complete collection of D H Lawrence's unpublished essays. Discoloration to black cloth along bottom of front cover and spine, Interior is bright and clean.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 2010, Book: Very Good, Hardcover in a bright, unclipped dust jacket. In 1942, a timid, inexperienced twenty-one-year-old Lord reports to Atlantic City, New Jersey, to enlist in the US Army. This title tells the story of this young man's exposure to the terrors, dislocations, and horrors of armed conflict. Along the way he comes to terms with his own sexuality, experiences the thrill of first love and the chill of disillusionment with his fellow man, Clean copy.

Hardcover. Washington DC, Shoemaker & Hoard, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, gray boards with blue cloth spine, 150 pages, b&w illustrations. A singular life often circles around a singular moment, an occasion when one's life in the world is defined forever and the emotional vocabulary set. For the extraordinary writer James Salter, this moment was contained in the fighter planes over Korea where, during his young manhood, he flew more than one hundred missions. James Salter is considered one of America's greatest prose stylists. The Arm of Flesh (later revised and retitled Cassada ) and his first novel, The Hunters, are legendary in military circles for their descriptions of flying and aerial combat. A former Air Force pilot who flew F-86 fighters in Korea, Salter writes with matchless insight about the terror and exhilaration of the pilot's life. This book collects passages from two other books he wrote about his military flight career and entries from his personal journal kept during his tours of military flying duty through flight training in late WWII, into combat duty in Korea in 1952, and through his post war flying up into the early 1960s. Masterfully edited by Jessica and William Benton, it has been organized chronologically and simply is wonderful. You can read from the journal entry, and then it is followed by fiction he created using that experience. No dust jacket, clean, bright copy.

Hardcover. NY, Firefly Books, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 528 pages, b&w illustrations. Martha Gellhorn was a strong-willed, self-made, modern woman whose journalism, and life, were widely influential at the time and cleared a path for women who came after her. An ardent anti-fascist, she abhorred "objectivity shit" and wrote about real people doing real things with intelligence and passion. She is most famous, to her enduring exasperation, as Ernest Hemingway's third wife. Long after their divorce, her short tenure as "Mrs. Hemingway" from 1940 to 1945 invariably eclipsed her writing and, consequently, she never received her full due. Gellhorn's work and personal life attracted a disparate cadre of political and celebrity friends, among them, Sylvia Beach, Ingrid Bergman, Leonard Bernstein, Norman Bethune, Robert Capa, Charlie Chaplin, Chiang Kai-shek, Madame Chiang, Colette, Gary Cooper, John Dos Passos, Dorothy Parker, Maxwell Perkins, Eleanor and Franklin D. Roosevelt, Antoine de Saint-Exupery, Orson Welles, H.G. Wells -- the people who made history in her time and beyond. Yours, for Probably Always is a curated collection of letters between Gellhorn and the extraordinary personalities that were her correspondents in the most interesting time of her life. Through these letters and the author's contextual narrative, the book covers Gellhorn's life and work, including her time reporting for Harry Hopkins and America's Federal Emergency Relief Administration in the 1930s, her newspaper and magazine reportage during the Spanish Civil War, World War II and the Vietnam War, and her relationships with Hemingway and General James M. Gavin late in the war, and her many lovers and affairs.

Cambridge MA, Harvard University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 188 pages. Clean copy.

Hardcover. London, Jonathan Cape, reprint, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 368 pages, 33 illustrations + frontispiece and self-caricature. Prologue and epilogue by the editor. The autobiography of the author of the "Swallows and Amazon" books. Clean copy.

Hardcover. NY, Oxford University Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 512 pages. The second volume in this masterful biography finds Hughes rooting himself in Harlem, receiving stimulation from his rich cultural surroundings. Here he rethought his view of art and radicalism, and cultivated relationships with younger, more militant writers such as Richard Wright, Ralph Ellison, James Baldwin, and Amiri Bakara. Illustrated with black & white photographs, a few by Roy DeCarava with whom Hughes published "The Sweet Flypaper of Life" and a portrait by Henri Cartier-Bresson. Clean copy.

Hardcover. Austin TX, University of Texas Press, 1st, 1964, Book: Very Good, Dust Jacket: Fair, Hardcover in a lightly soiled and tanned dust jacket with a $4.75 flap price. 205 pages. Translated by Ruth L.C. Simms with an introduction by James Irby. A remarkable book by one of the great writers of the twentieth century includes essays on a proposed universal language, a justification of suicide, a refutation of time, the nature of dreams, and the intricacies of linguistic forms. Borges comments on such literary figures as Pascal, Coleridge, Cervantes, Hawthorne, Whitman, Valery, Wilde, Shaw, and Kafka. With extraordinary grace and erudition, he ranges in time, place, and subject from Omar Khayyam to Joseph Conrad, from ancient China to modern England, from world revolution to contemporary slang. Small stamp to front fly leaf, half title page clipped otherwise interior is bright, clean.

Hardcover. Athens OH, Ohio University Press, 2nd pr., 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 373 pages. Editors Groth and Castronovo have chosen from Wilson's previously uncollected works to present materials illuminating his growth as a literary critic and writer. The works are arranged chronologically, beginning with essays published in the High School Record in 1911 proceeding to works penned for the Nation, New Republic, and the New Yorker in the Thirties, Forties, and Fifties, and winding up with an acceptance speech delivered by Wilson in 1966. Among the subjects of the essays are underrated pleasures (including Edith Wharton, satin breeches, and the human body), overrated experiences (such as afternoon tea, youth, summer, and weddings), and literary critiques, both admiring and scathing. Many libraries already own the source periodicals, but this collection includes a few items that would be difficult to obtain.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 88 pages. Clean copy. First Printing stated.

Hardcover. University Press of Kentucky, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 338 pages. Nobel Laureate Seamus Heaney, author of nine collections of poetry and three volumes of influential essays, is regarded by many as the greatest Irish poet since Yeats. Passage to the Center is the most comprehensive critical treatment to date on Heaney's poetry and the first to study Heaney's entire body of work (including his recent volumes. It is also the first to examine the poems from the perspective of religion, one of Heaney's guiding preoccupations. According to Tobin, the growth of Heaney's poetry may be charted through the recurrent figure of "the center," a key image in the relationship that evolved over time between the poet and his inherited place, an evolution that involved the continual re-evaluation and re-vision of imaginative boundaries. In a way that previous studies have not, Tobin's work examines Heaney's poetry in the context of modernist and postmodernist concerns about the desacralizing of civilization and provides a challenging engagement with the work of a living master. Clean copy.

Hardcover. NY, Penguin Press, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 416 pages. In the summer of 1865, the former exile Dostoevsky found himself trapped in a cheap hotel in Wiesbaden, unable to leave until he'd paid the bill. Having lost the last of his money at the roulette table, his debts hung heavy over his head, his epileptic seizures were worsening, and his wife and beloved brother were dead. Desperate, a story came to him, a way to write himself out of his predicament: the murderer Raskolnikov, the hot, disorienting swirl of St Petersburg, the axe, the terrible crime, and the murderer's paranoia. The book was Crime and Punishment, and from the moment it was published it was a sensation. But how did this haunting tale of guilt come to be, and why does it still hold such a sway over us all these years later? The Sinner and the Saint gives us the story of the creation of a work of literature that has bewitched readers for over a century, and of the two men so central to it: Dostoevsky himself, and Pierre Francois Lacenaire, a notorious murderer and glamorous egoist who charmed and outraged Paris in the 1830s and whose sensational story provided the germ of the novel. Clean copy.

Softcover. NY, Archipelago Books, reprint, 2012, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 162 pages. Shortly after Albert Cohen left France for London to escape the Nazis, he received news of his mother's death in Marseille. Unable to mourn her, he expressed his grief in a series of moving pieces for La France libre, which later grew into Book of My Mother. Achingly honest, intimate, and moving, this love song is a tribute to all mothers. Cohen himself expressed, "I shall not have written in vain if one of you, after reading my hymn of death, is one evening gentler with his mother because of me and my mother." Clean copy.

Softcover. Paris, Bernard Grasset, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 165 pages, French text.

Hardcover. New York: , Henry Holt, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 210 pages. Hardcover with dust jacket. Clean, tight copy with minor if any wear to edges.

Hardcover. University Park, Pa., Penn State University Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 348 pages. Hardcover with dust jacket. Baudelaire's illustrations throughout. Minor dust jacket edge wear, otherwise, very clean, bright and tight copy.

Hardcover. New York, Viking Penguin, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages. SIGNED BY AUTHOR on title page. Light edgewear to dust jacket, else a clean, tight copy.

Hardcover. New York, Alfred A. Knopf, 1st, 1956, Book: Very Good, Dust Jacket: Good, Hardcover, 178 pages. Dust jacket slightly worn and with short tears. Some foxing on endpages, top edge stained red.

Hardcover. Brussels, B. Le Francq, 1st Thus, 1798, Book: Good, Dust Jacket: None, 4 volumes. Leather bound hardcovers. Text in ENGLISH & FRENCH Books measure: 3.75"W by 5.75"L. Volume 1 - Front cover loose from book. Crack in leather length of spine - text block still firm. Previous owners bookplate on inside front cover. 2 black & white illustrations. Moderate rubbing to leather covers. Volume 2 - Previous owners bookplate on inside front cover. Half of front endpaper removed. 2 black & white illustrations. Moderate rubbing to leather covers. Volume 3 - Previous owners bookplate on inside front cover. 1 black & white illustration. Moderate rubbing to leather covers. Volume 4 - Previous owners bookplate on inside front cover. 1 black & white illustration. Moderate rubbing to leather covers.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, 352 pages, several b&w woodcut illustrations. Black cloth spine with marbled boards, top edge gilt. Minor corner wear.

Hardcover. London, Chatto & Windus, 1st, 1893, Book: Good, Dust Jacket: None, Hardcover, 288 pages + ads in rear. Green cloth with gilt lettering to spine. Some fading and soil to boards with small tear to upper edge of spine. Binding is slightly shaken and there is a previous owner's inscription on front fly leaf. Internally very clean and bright.

Hardcover. Philadelphia, PA, Carey, Lea & Carey, Second series, 1829, Book: Very Good, Dust Jacket: None, Vol 1: 296 pages. Vol 2: 286 pagesHardcovers. Brown boards, paste down title on spine in black. Original owner inscription on front flyleaf of both books, original owner's signature on back pages. Pages untrimmed, rough edged, tanning and foxing to pages. Binding very good, spine straight. Agewear throughout, in very good condition for its age. Good solid volumes of Sir Walter Scott's tales as told to his grandson.

Hardcover. Cambridge, MA , Harvard University Press, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover. INSCRIBED TO LOUIS UNTEMEYER BY WHITMAN on half-title. Title-page engraving by Michael McCurdy (repeated on dust jacket ). Dust jacket with light edgewear.

Hardcover. New York, Doubleday, 1t, 2017, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Color illustrations throughout.

Softcover. St. Paul MN, Graywolf Press, 1st wraps, 1995, Book: Very Good, Dust Jacket: None, Softcover, SIGNED BY NOVAKOVICH on title-page.

Hardcover. Richmond VA, Dietz Press, 1st, 1938, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 87 pages. Frontispiece of author, foreword by Davd Jackson.

Hardcover. NY, Viking, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In 1386, Geoffrey Chaucer endured his worst year, but began his best poem. The father of English literature did not enjoy in his lifetime the literary celebrity that he has today--far from it. The middle-aged Chaucer was living in London, working as a midlevel bureaucrat and sometime poet, until a personal and professional crisis set him down the road leading to The Canterbury Tales. Brought expertly to life by Paul Strohm, this is the eye-opening story of the birth one of the most celebrated literary creations of the English language. INSCRIBED BY STROHM on the title page.