Rare & Out-of-Print Literature Books

Hardcover. NY, Harper & Row, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, 306 pages, b&w photographs. Light edge wear to dust jacket. Previous price sticker on front fly leaf. In this memoir, Morris chronicles the development of his craft, allowing the reader to look inside the man as the creative process takes place. Never forgetting his Midwestern roots, Morris traveled extensively in this country and around the world photographing as he went. This volume is illustrated with many of those photographs and serves as a travelogue that takes us to places like the plains of Nebraska, sultry Mexico, and romantic Venice; Covers slightly bowed. Else a clean, tight copy.

Softcover. JHG Editions/Latitudes Press, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 208 pages plus index. SIGNED BY EDITOR BONAZZI on contents page. Clean copy.

Hardcover. Berkeley CA, University of California Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 480 pages, b&w illustrations. When Theodore Dreiser first published Sister Carrie in 1900 it was suppressed for its seamy plot, colloquial language, and immortality--for, as one reviewer put it, its depiction of "the godless side of American life." It was a side of life experienced firsthand by Dreiser, whose own circumstances often paralleled those of his characters in the turbulent, turn-of-the-century era of immigrants, black lynchings, ruthless industrialists, violent labor movements, and the New Woman. This masterful critical biography, the first on Dreiser in more than half a century, is the only study to fully weave Dreiser's literary achievement into the context of his life. Jerome Loving gives us a Dreiser for a new generation in a brilliant evocation of a writer who boldly swept away Victorian timidity to open the twentieth century in American literature. INSCRIBED BY LOVING ("Jerry") on the half-title page. Clean copy.

Hardcover. NY, Harper's Magazine Press, BC Ed., 1974, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket, 271 pages. 1st edition, 1st printing with complete number line at the last rear paper of: 74 75 76 77 10 9 8 7 6 5 4 3 2 1. Lacks a price on unclipped jacket so an assumed Book Club Edition. Winner of the 1975 Pulitzer Prize for Nonfiction. B&w illustrations by Dillard. No markings.

Hardcover. Los Angeles, Rare Bird Books, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 312 pages. The highlight of Desolation Peak is the journal Kerouac kept, starkly revealing the depth of his poverty, the extremity of his mood swings, and the ongoing arguments with himself over the future direction of his life, his writing, and faith. Along with the journal, he worked on a series of projects, including "Ozone Park," another installment of the Duluoz Legend beginning in 1943, after his discharge from the Navy; "The Martin Family," an intended sequel to The Town and the City, and "Desolation Adventure," a series of sketches that became part 1 of Desolation Angels. In writing it, Kerouac was re-committing himself to his more experimental, then-unpublishable style, declaring in the journal that "the form of the future is no-form." Also included in Collected Writings is "The Diamondcutter of Perfect Knowing," Kerouac's "transliteration" of the Diamond Sutra, his "Desolation Blues" and "Desolation Pops" poems, and assorted prose sketches and dreams. Clean copy.

Hardcover. London, Oxford University Press, 1st, 1927, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with gilt lettering on spine, 274 pages. Nine lectures. Contents: Introductory; What is Meant by Tradition; The Molpe; Drama; Metre; Poetic Diction; Unity and Organic Construction; The Heroic Age; Hamlet and Orestes; Poetry; Index. Clean copy. Top of cloth spine frayed. Remnants of dust jacket laid in.

Hardcover. NY, Knopf, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 346 pages. An intimately perceptive account, by a poet who knew them all, of the brilliant circle of poets who lived and worked in Boston through the half-decade beginning in 1955. That was the year Peter Davison, coming to Boston as a book editor. was swept up in a world -- in a tumult -- of poetry. He rediscovered his father's old friend Robert Frost. He briefly squired Sylvia Plath. He came to know Robert Lowell (whose poems and private disasters dominated the period) and Adrienne Rich, Stanley Kunitz, Richard Wilbur. Anne Sexton, W. S. Merwin, and others who, closely bound together in friendship or rivalry or both, defined the shape of American poetry at mid-century Through their eves as well as his own, and often in their words, Davison presents a sharply fresh vision of the shift from confidence to a troubled questioning that overtook America -- a transformation that was, in a sense, foreshadowed in the sensibilities, in the writings, sometimes in the lives, of some of our finest poets. Clean copy.

Softcover. Cambridge MA, Harvard University Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 139 pages. How does a poet repeatedly make art over a lifetime out of an arbitrary assignment of fate? By asking this question of the work of four American poets--two men of the postwar generation, two young women writing today--Helen Vendler suggests a fruitful way of looking at a poet's career and a new way of understanding poetic strategies as both mastery of forms and forms of mastery. Fate hands every poet certain unavoidable "givens." Of the poets Vendler studies, Robert Lowell sprang from a family famous in American and especially New England history; John Berryman found himself an alcoholic manic-depressive; Rita Dove was born black; Jorie Graham grew up trilingual, with three words for every object. In Vendler's readings, we see how these poets return again and again to the problems set out by their givens, and how each invents complex ways, both thematic and formal, of making poetry out of fate. Clean copy.

Hardcover. NY, Viking Press, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 146 pages. Lukacs was a Hungarian Marxist philosopher, aesthetician, literary historian, and critic. He was one of the founders of Western Marxism, an interpretive tradition that departed from the Marxist ideological orthodoxy of the Soviet Union. He developed the theory of reification, and contributed to Marxist theory with developments of Karl Marx's theory of class consciousness. He was also a philosopher of Leninism. Clean copy.

Hardcover. NY, Random House, 1st, 1974, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket with light tape repairs, 318 pages. Stated First Edition. No markings.

Hardcover. NY, Knopf, 2nd pr., 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 221 pages plus index. Clean copy.

Hardcover. NY, Atheneum, 1st, 1969, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 594 pages. A landmark in postwar American literary criticism, forty-one extended essays on contemporary poets, including Robert Bly, Sylvia Plath, Allen Ginsberg, W.S. Merwin, Denise Levertov, and James Merrill. Blending biography, textual analysis, and philosophical reflection, it defined a generation's poetic discourse. The book stands as both a map of mid-century American verse and a statement of Howard's erudite critical voice. Light shelfwear, fraying to top, bottom of dust jacket spine. Clean copy.

Hardcover. NY, Harcourt, Brace & World, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a price-clipped dust jacket with light wear, 408 pages. The circumstances surrounding Montaigne's writings are described in a review of his life and important personal relationships. Gutter crack after front fly leaf. A sound, clean copy.

Hardcover. New York, Oxford University Press, 3rd Ed., 1931, Book: Very Good, Dust Jacket: None, Five volumes complete, 594, 576, 543. 645 and 593 pages. Olive cloth binding with gilt lettering on spine, top edge gilt.Couple hinges tender. Bright, clean set. DUE TO WEIGHT, DOESTIC SHIPPING ONLY.

Chicago, Ivan Dee, 1st US, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages, in a bright, unclipped dust jacket. Author of The Moonstone and The Woman in White, Wilkie Collins has been hailed as "the father of the detective story." His own life story has a similar mysterious ring to it. When Collins died in 1899 he shocked Victorians by dividing his estate equally between two mistresses. He also acknowledged the three children of one of the mistresses as his own. In The Secret Life of Wilkie Collins, William Clarke has pieced together the truth behind this menage a trois, uncovering and exploring, with insight and sympathy, the private relationships of a fascinating writer who was a contemporary of Dickens, Constable, Wordsworth, Coleridge, Blake, and Rossetti. "A literary coup ... casts a fresh beam of light on the great, dark seam of Victorian sexual mores."--The Observer.

Softcover. Jackson MS, University Press of Mississippi, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover. Still in shrink-wrap. Spine faded. Else very good. As the acclaimed author of The Autobiography of Miss Jane Pittman and A Lesson Before Dying, Ernest J. Gaines (b. 1933) has been publishing stories and novels for more than sixty years. His brilliant portrayals of race, community, and culture in rural south Louisiana have made him one of the most respected and beloved living American writers. Ernest J. Gaines: Conversations brings together the author's own thoughts and words in interviews that range from 1994 to 2017, discussing his life, his work, and his literary legacy. The interviews cover all of Gaines's works, including his two latest books, Mozart and Leadbelly: Stories and Essays (2005) and The Tragedy of Brady Sims (2017). The book provides a retrospective of his work from the viewpoint of a senior writer, now eighty-five years old, and gives an important international perspective on Gaines and his work.

Hardcover. NY, Spiegel & Grau, 1st, 2009-10-20, Book: Very Good, Dust Jacket: Very Good, 198 pages. Hardcover with dust jacket. Photos in color and b&w. SIGNED BY MORGAN on title page. Light edgewear to dust jacket, else a clean, tight copy.

Hardcover. NY, Charles Scribner's Sons, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with spine label, 319 pages. First printing with 1931 on title page and Scribner's "A" on copyright page. Edmund Wilson's first book of literary criticism - a landmark book that explores the evolution of the French Symbolist movement and considers its influence on six major twentieth-century writers: William Butler Yeats, Paul Valery, T. S. Eliot, Marcel Proust, James Joyce, and Gertrude Stein. As Alfred Kazin later wrote, "Wilson was an original, an extraordinary literary artist . . . He could turn any literary subject back into the personal drama it had been for the writer." Light tanning to spine label, clean, tight copy.

Hardcover. London, UK, Frederick Warne , 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 446 pages, illustrated throughout in color and b&w. Red leatherette, silver lettering to spine, top edge with red cosmetic stain. Pictorial, price clipped dust jacket. Slight wear to edges and spine, light scratching to covers, else a very nice, tight, clean copy.

Hardcover. New York, Random House, 1st US, 1998, Book: Very Good, Dust Jacket: Very Good, 638 pages. Hardcover. Illustrated with black & white photographs. Minor rubbing to surface of dust jacket. Clean, tight copy.

Hardcover. Garden City, NY, Doubleday, Doran & Co., 1st, 1935, Book: Very Good, Dust Jacket: Fair, Hardcover, 277 pages. Dust jacket with extensive ripping and wear. Covered in mylar for protection. Dark red boards with gilt title to spine. Red staining to top edge. Soiling to ell edges. Overall, a tight copy.

Hardcover. Chapel Hill, NC, University of North Carolina Press , 1st, 1950, Book: Very Good, Dust Jacket: Good, Hardcover, 292 pages. Light edgewear, rubbing to dust jacket, else a clean, tight copy.

Hardcover. NY, McGraw Hill, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 230 pages. Cultural commentary and autobiography of life in Alabama. The euthor's second book.

Hardcover. New York, Harcourt Brace, 1st, 1939, Book: Very Good, Dust Jacket: None, 485 pages. Hardcover with red cloth covers.SIGNED BY DOROTHY CANFIELD FISHER on front fly leaf. Light fraying to edges, fading, otherwise tight.

Hardcover. Boston, David R Godine, 1st US, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 389 pages. Clean, unmarked copy in excellent condition.

Hardcover. US, Casanova Press, Ltd.Ed., 1935, Book: Good, Dust Jacket: None, Hardcover, 71 pages. Covers worn, spine faded, frayed. Slight browning to pages. SIGNED BY FISHER. Number 282 of 300.

Hardcover. NY, Harcourt Brace Jovanovich, 1st US, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, 206 pages, with b&w illustrations. Very clean and tight copy. Remainder line bottom edge, otherwise unmarked.

Softcover. Oakland CA, PM Press;, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 336 pages. The first comprehensive account of how the rise of postwar youth culture was depicted in mass-market pulp fiction. As the young created new styles in music, fashion, and culture, pulp fiction shadowed their every move, hyping and exploiting their behavior, dress, and language for mass consumption and cheap thrills. With their lurid covers and wild, action-packed plots, these books reveal as much about society's deepest desires and fears as they do about the subcultures themselves. Featuring approximately 400 full-color covers, many of them never before reprinted, along with 70 in-depth author interviews, illustrated biographies, and previously unpublished articles, the book goes behind the scenes to look at the authors and publishers, how they worked, where they drew their inspiration and--often overlooked--the actual words they wrote. It is a must read for anyone interested in pulp fiction, lost literary history, retro and subcultural style, and the history of postwar youth culture.

Hardcover. NY, Columbia University Press, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 339 pages.

Hardcover. Cambridge MA, Belknap/Harvard University,, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, wrinkled dust jacket. 438 pages, appendices, index. Clean copy.

Hardcover. Seattle, Fantagraphics, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 304 pages. In 1976, the critic Paul Nelson spent several weeks interviewing his literary hero, legendary detective writer Ross Macdonald. Beginning in the late 1940s with his shadowy creation, ruminating private eye Lew Archer, Macdonald had followed in the footsteps of Dashiell Hammett and Raymond Chandler, but ultimately elevated the form to a new level. "We talked about everything imaginable," Nelson wrote-including Macdonald's often meager beginnings; his dual citizenship; writers, painters, music, books, and movies he admired; how he used symbolism to change detective writing; his own novels and why Archer was not the most important character-"my God, everything." It's All One Case provides an open door to Macdonald at his most unguarded. The book is far more than a collection of never-before-published interviews, though. Published in a handsome, oversized format, it is a visual history of Macdonald's professional career, illustrated with rare and select items from one of the world's largest private archives of Macdonald collectibles. Featuring in full color the covers of the various editions of Macdonald's more than two dozen books, facsimile reproductions of pages from his manuscripts, magazine spreads, and many never before seen photos of Macdonald and his friends (such as Kurt Vonnegut), including those by celebrated photojournalist Jill Krementz. It's All One Case is an intellectual delight and a visual feast, a fitting tribute to Macdonald's distinguished career. Full-color illustrations throughout

Hardcover. NY, Knopf, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a nice, unclipped dust jacket with light tanning to spine. 290 pages plus index. Clean copy. THE ENLIGHTENMENT has long been the victim of uninformed or hostile criticisms. Even so respected a source as the Shorter Oxford English Dictionary defines the Enlightenment as "shallow and pretentious intellectualism, unreasonable contempt for authority and tradition," thus collecting in one sentence most of our current prejudices. In this provocative book--at once a scholarly study and a vigorous polemic--Peter Gay sets out to shatter old myths, to sort out illusion from reality, and to restore the men of the Enlightenment--Voltaire, Rousseau, Diderot--to the esteem they deserve.

Hardcover. Gale Group, 1st, 2002, Book: Very Good, Dust Jacket: None, Hardcover, 195 pages, b&w illustrations. A scholarly examination of Camus's famous short novel. Like new, clean.

Hardcover. NY, The Macmillan Company,, 1st, 1948, Book: Very Good, Dust Jacket: Very Good, Three hardcover volumes in bright dust jackets, complete set. Blue cloth covers and gilt spine lettering. Volumes 1 & 2 are historical and cover the development of American literature from its European roots, and volume 3 is a comprehensive bibliography. This is a standard work in its field. Vol. 1: 636 pages, Vol.2: 639-1422; Vol. 3: 817 pages. The contents are clean and unmarked--there are no bookplates or ownership names. Dust jackets in protective mylar, no slipcase.

Hardcover. Baltimore, Johns Hopkins, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 184 pages. Saving the Text cuts through Jacques Derrida's complex blend of philosophy, commentary, and elaborate wordplay to ascertain his place in the history of criticism and the significance of Glas as a literary event. Distinguished critic and scholar Geoffrey Hartman explores the usefulness of Derrida's style of close reading for English and American scholarship and establishes its relevance to the division that has arisen between European and Anglo-American critical approaches.

Hardcover. NY, Harper & Brothers, 1st, 1946, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket that is taped to covers, 554 pages. Name on front fly leaf, otherwise clean.

Hardcover. NY, Philosophical Library, 1st US, 1948, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers, 265 pages. B&w frontis. portrait. Previous owner's long inscription on front fly-leaf, otherwise clean.

Hardcover. NY, Farrar Straus & Giroux, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 663 pages. Clean copy. Edited and with an introduction by Leon Edel. This is the highly acclaimed fourth volume in the series that began with The Twenties and it is complimented with photographs and journal excerpts of some of the most interesting characters of the decade.

Softcover. New Haven CT, Yale University Press, reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 426 pages. How do we evaluate the power and utility of language when it has been made to articulate falsehoods in certain totalitarian regimes or has been charged with vulgarity and imprecision in a mass-consumer democracy? How will language react to the increasingly urgent claims of more exact speech such as mathematics and symbolic notation? These are some of the questions Steiner addresses in this elegantly written book, first published in 1967 to international acclaim. Clean, bright copy.

Hardcover. Berkeley CA, University of California Press, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket, 248 pages. Errata slip laid in. Name on blank prelim pages. Otherwise clea.

NY, Coward-McCann, 1st, 1983, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt title on spine, 383 pages. INSCRIBED BY ROREM on front fly leaf. Clean copy, lacks dust jacket.

Hardcover. NY, Knopf, 1st US, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 512 pages, b&w illustrations. Penelope Fitzgerald was a great English writer whose career didn't begin until she was nearly sixty. She would go on to win some of the most coveted awards in literature--the Booker Prize and the National Book Critics Circle Award. Now, in an impeccable match of talent between biographer and subject, Hermione Lee, a master biographer and one of Fitzgerald's greatest champions, gives us this remarkable writer's story. Lee's critical expertise is on dazzling display on every page, as it illuminates this extraordinary English life. Fitzgerald, born into an accomplished intellectual family, the granddaughter of two bishops, led a life marked by dramatic twists of fate, moving from a bishop's palace to a sinking houseboat to a last, late blaze of renown. We see Fitzgerald's very English childhood in the village of Hampstead; her Oxford years, when she was known as the "blonde bombshell"; her impoverished adulthood as a struggling wife, mother and schoolteacher, raising a family in difficult circumstances; and the long-delayed start to her literary career.

NY, The Macmillan Company, 1st, 1958, Book: Very Good, Dust Jacket: Very Good, Hardcover in a nice dust jacket with light tanning to spine. A study and interpretation of Yeats' five plays and related lyrics. Includes notes, bibliography & index.

Softcover. NY, Morrow, reprint, 1974, Book: Very Good, Dust Jacket: None, Softcover, 331 pages. A remarkable pre-Freudian account of schizophrenia written by the son of a prime minister of England. Certifiably insane from 1830 to 1831, he wrote the autobiography of his illness and recovery with vigor and insight. Clean copy.

Hardcover. NY, Oxford University Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, glazed boards, 205 pages. Much has been written about Graham Greene's relationship to his Catholic faith and its privileged place within his texts. His early books are usually described as "Catholic Novels" - understood as a genre that not only uses Catholic belief to frame the issues of modernity, but also offers Catholicism's vision and doctrine as a remedy to the present crisis in Western civilization. Greene's later work, by contrast, is generally regarded as falling into political and detective genres. In this book, Mark Bosco argues that this is a false dichotomy created by a narrowly prescriptive understanding of the Catholic genre and obscures the impact of Greene's developing religious imagination on his literary art. Clean copy.

Hardcover. NY, New York University Press, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 200 pages. Joyce Cary long a popular author among discriminating readers, is gaining a wider audience for his novels every year. This critical study of his work considers the developing relationship between his matter and his manner. It especially emphasizes his growth as artist and thinker. Looking closely at the language and structure of Cary's books, the author examines all the novels- the African ones, the historical ones, and the two trilogies most of them in detail. To gain an overall view he also considers Cary's nonfiction and some as yet unpublished material. While this study is essentially non-biographical, it does analyze Cary's interpretations of history, sociology and politics as they are gathered from the actions and words of his colorful characters. One of the most intriguing features of Dr. Wolkenfeld's book is the dialogue between characters of the various novels, where likenesses as well as dissimilarities, which reveal so much about Cary as a writer, become evident. Clean copy.

Softcover. Hanover NH, Dartmouth College Press, reprint, 2012, Book: Very Good, Dust Jacket: None, Softcover, 277 pages. One of Rousseau?s later and most puzzling works and never before available in English, this neglected autobiographical piece was the product of the philosopher?s old age and sense of persecution. Long viewed simply as evidence of his growing paranoia, it consists of three dialogues between a character named ?Rousseau? and one identified only as ?Frenchman? who discuss the bad reputation and works of an author named ?Jean-Jacques.? Dialogues offers a fascinating retrospective of his literary career. Clean copy.

Hardcover. NY, G.P. Putnam's Sons, 1st, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket with minor wear. 532 pages. An essential guide to the life and work of one of America's most controversial writers, Advertisements for Myself is a comprehensive collection of the best of Norman Mailer's essays, stories, interviews and journalism from the Forties and Fifties, linked by anarchic and riotous autobiographical commentary. Laying bare the heart of a witty, belligerent and vigorous writer, this manifesto of Mailer's key beliefs contains pieces on his war experiences in the Philippines (the basis for his famous first novel The Naked and the Dead), tributes to fellow novelists William Styron, Saul Bellow, Truman Capote and Gore Vidal and magnificent polemics against pornography, advertising, drugs and politics.

Hardcover. London, Hodder & Stoughton, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 351 pages. Green cloth with embossed gilt lettering on spine. With an Introduction by Peter Green and chapters including: The Meaning of Influence / Mr Eliot and the French Symbolist Poets / The Perspective of History / The Perspective of Language / The Perspective of Myth / etc. Short inscription on front fly leaf, darkening to dj, otherwise clean.

Hardcover. Athens GA, University of Georgia Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Foreword by Michael Connelly. 414 pages. In 2010, Ted Geltner drove to Gainesville, Florida, to pay a visit to Harry Crews and ask the legendary author if he would be willing to be the subject of a literary biography. His health rapidly deteriorating, Crews told Geltner he was on board and would even sit for interviews and tell his stories one last time. Ask me anything you want, bud, Crews said. But you'd better do it quick. The result is Blood, Bone, and Marrow, the first full-length biography of one of the most unlikely figures in twentieth-century American literature, a writer who emerged from a dirt-poor South Georgia tenant farm and went on to create a singularly unique voice of fiction. With books such as Scar Lover, Body, and Naked in Garden Hills, Crews opened a new window into southern life, focusing his lenson the poor and disenfranchised, the people who skinned the hogs and tended the fields, the grits, as Crews affectionately called his characters and himself. Clean copy.