Softcover. Jersey City NJ, Talisman House, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 265 pages. A key figure in the San Francisco Renaissance, Madeline Gleason (1903-1979) is among the principal poets in the history of women's writing. Associated early in her career with Robert Duncan and James Broughton, she was also much respected by the Beats, and she was one of the few women whose work was included in Donald Allen's landmark anthology, The New American Poetry (1960). Here is a true born poet, of which there are always too few: a poet who cannot help thinking poetically and singing out of herself--James Broughton. In her own works she created a transition from the passional poetry close to Yeats as a master to an exuberant individual creation swinging in an ambit that could include Mother Goose and, long before 'Pop Art,' the voices of individual America--Robert Duncan. Edited and with a preface by Christopher Wagstaff.
Softcover. NY, Available Press/Ballantine, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 191 pages. Last Words is the first major collection of poems by a Milwaukee poet born soon after World War II who reached maturity during the late 1960s. It contains his highly acclaimed epic "Factory,"described by Allen Ginsberg as "a definitely powerful epic by one of Whitman's 'poets and orators to come.'" Antler was born in Milwaukee and grew up in Wauwatosa, Wisconsin. He "worked his way through college" in various factories. As John Muir left the University of Wisconsin at Madison for "the University of the Wilderness" in 1863, Antler left the Milwaukee campus for the same destination in 1973. Besides factories, he has explored wildernesses in Upper Peninsula Michigan, Minnesota, Ontario, Colorado, and California. Clean copy.
Softcover. NY, New Directions, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover, 276 pages. A collection of eight talk poems that were previously only performed spontaneously, by American poet and performance artist, David Antin. Clean, bright copy.
Softcover. Portland OR, Tin House Books, reprint, 2021, Book: Very Good, Dust Jacket: None, Softcover, 400 pages. Deadpan, epic, and searingly charismatic, A Sand Book chronicles climate change and climate grief, gun violence and bystanderism, state violence and complicity, mourning and ecstasy, sex and love, and the transcendent shock of prophecy, tracking new dimensions of consciousness for our strange and desperate times. Fading to front wrapper, otherwise clean.
Hardcover. Rochester NY, BOA Editions, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover. 251 pages. A later anthology of poems from this prolific writer. A fine copy in black cloth boards and in a fine dust jacket. INSCRIBED BY SNODGRASS on the title page.
Hardcover. New York, George Braziller, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 222 pages. Hardcover with dust jacket. Light edgewear to dust jacket and heavy fading on rear. Internally clean. Color illustrations by Hokusai.
Softcover. New York , Poetry East, 1st Ltd. Ed., 1980, Book: Very Good, Dust Jacket: None, Softcover. A collection of poems by Orr with an introduction by Stanley Kunitz. Copy 15 of 35 signed from a total edition of 175. A very near fine copy in stapled wrappers. SIGNED BY BOTH ORR AND KUNITZ on the limitation page. Poetry East Chapbook No. 2. Clean copy with just a trace of fading to pale blue wraps.
Hardcover. London, Reeves and Turner, 1st, 1891, Book: Good, Dust Jacket: None, Hardcover, 196 pages. Red cloth with gilt lettering to front and spine. No dust jacket issued. Sun-fade to front cover and spine. Previous owner's bookplate and inscription on front end paper.
Hardcover. Boston, Estes and Lauriat, 1st thus, 1887, Book: Very Good, Dust Jacket: None, Hardcover. Unpaginated, illustrated with b&w engraved plates by various artists. Cloth covers with color illustration on front and back. Previous owner's inscription on first blank page. All edges gilt. Includes
Softcover. Mexico , Flor Ruiz, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 80 pages, introduction by Jay Parini. Softcover with dust jacket, uncut pages. Limited to 1000 copies.
Hardcover. New York, Dodd, Mead, 1st, 1922, Book: Very Good, Dust Jacket: None, Hardcover, 158 pages. Color frontispiece. and 23 gorgeous color plates by Byam Shaw. Blue cloth with orange and light blue decoration. Small sticker from previous owner back paste-down. Hinge starting. Beautifully illustrated edition of this wonderful anthology of tragic and erotic poetry written by Nicolson (1865-1904), who created a scandal when these were first published in 1901 when she tried to pass them off as translated from classic erotic Indian poets. Shaw (1872-1919), was considered one of the most important pre-Raphaelite painters, and the Garden of Kama as his best illustrated work.
Softcover. Ann Arbor MI, University of Michigan Press, 2nd pr., 1985, Book: Very Good, Dust Jacket: None, Softcover, 462 pages. Illustrated in b&w. Includes bibliography. From rear cover: "From Kenneth Rexroth to the Czechoslovakian secret police, from Marianne Moore to the F.B.I., from Diana Trillling to Time magazine - Allen Ginsberg's work has always drawn a spirited response. Now, for the first time, these responses - remarks, reviews, and essays - have been collected in a single volume. Beginning with William Carlos Williams's early letters of support and ending with James Breslin's biographical analysis of 'The Origins of Howl and Kaddish', this collection reflects a full thirty years of praise, complaint, debate, and analysis of the work of one of the most innovative poets of our century". Previous owner's name on front fly leaf, otherwise clean.
Hardcover. NY, Century Company, 1st, 1897, Book: Very Good, Dust Jacket: None, Original green cloth, gilt. Top edge gilt. Printed by The DeVinne Press on white coated paper. The front cover features a silhouette of the doctor in his horse and buggy, stamped in colors, within a gilt box. Profusely illustrated with frontispiece, 26 full-page plates, and numerous drawings in the text, by C. M. Relyea. Previous owner's inscription on front fly leaf otherwise clean.
Hardcover. New York, Viking Press, reprint, 1957, Book: Very Good, Dust Jacket: Good, 87 pages, winner of the 1956 Lamont Poetry Selection. Minor dust jacket edge wear and fade, otherwise, very clean and tight copy.
Hardcover. NY, Farrar Rinehart, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover. Illustrations by Rockwell Kent. Previous owner's bookplate on front cover paste down. Hinges with small tears. Stained cloth and end papers.
Hardcover. New York, Farrar, Straus and Giroux, 1st, 1977, Book: Very Good, Dust Jacket: Good, Hardcover, 138 pages. Previous owners name at top right corner of front endpaper. Price clipped dust jacket shows standard wear with some darkening to spine. Clean, tight copy.
Hardcover. New York , G. P. Putman, reprint, 1864, Book: Very Good, Dust Jacket: None, Hardcover, 322 pages. Dark green cloth, gilt title to spine, top edge gilt. Light edgewear to covers, internally a very clean, tight copy
Hardcover. New York, Houghton Mifflin Harcourt, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 355 pages, in a bright unclipped dust jacket. INSCRIBED BY SIMIC on the half title page. Also a handwritten postcard from Simic laid in as well as two related newspaper clippings about the book.
Hardcover. New York , Random House , 1st, 1963, Book: Very Good, Dust Jacket: None, Hardcover, 79 pages. INSCRIBED BY AUTHOR on front end paper, with signed poem laid in. Black cloth, gilt title to spine, no dust jacket. Clean, tight copy.
NY, Harcourt , 2000, Book: Very Good, Dust Jacket: None, Softcover, 84 pages. SIGNED BY SIMIC on the title page. In this new collection of sixty-two poems Charles Simic paints exquisite and shattering word pictures that lend meaning to a chaotic world populated by insects, bridal veils, pallbearers, TV sets, parrots, and a finely detailed dragonfly. Suffused with hope yet unafraid to mock his own credulity, Simic's searing metaphors unite the solemn with the absurd. He received the Pulitzer Prize for poetry in 1990.
Hardcover. New York, Farrar Straus Giroux, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 127 pages. A very clean, tight copy. A prize-winning Irish poet's third collection of verse again brings his simultaneously witty and deeply profound insights into all aspects of modern life, sacred and profane, and includes a sequence of thirty sonnets set in a Paris restaurant.
Hardcover. New York, Charles Scribner's Sons, 1st, 1885, Book: Very Good, Dust Jacket: None, Hardcover, 184 pages, blue cloth, gilt decorated cover and title. Previous owner's signature on front fly leaf and minor edge wear, otherwise, clean and tight copy.
Hardcover. London, The Falcon Press, 1st, 1946, Book: Very Good, Dust Jacket: None, Hardcover, cream cloth stamped in maroon, Illustrated with six full page plates: portrait frontis, 2 drawings by Gregorio Prieto and 3 plates by Baudelaire, including 2 self portraits. Illustrated endpapers, with line drawings by Prieto. 131 pages, translated by Geoffrey Wagner; introduction by Enid Starkie. Mild soil, shelf wear.
Hardcover. Boston, Houghton Mifflin, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket 81 pages. SIGNED BY KINNELL on front fly leaf. Kinnell's twelfth book of poetry.
Paperback. Boston, Houghton Mifflin, 1st wraps, 1977, Book: Very Good, Dust Jacket: None, Dual language edition. Light spotting to spine otherwise VG. Paperback.edition. SIGNED BY KINNELL on front fly leaf.
Hardcover. Santa Barbara CA, Black Sparrow Press, 1st thus, 1981, Book: Very Good, Dust Jacket: Very Good, With a new Preface by the Author. Hardcover, numbered and signed issue, limited to 300 numbered hardcover copies, SIGNED BY PAUL BOWLES [# 65]. A fine copy in fine, unprinted acetate dust jacket. Octavo, cloth spine, paper-covered boards, 73 pages.
Softcover. Burlington VT, Rumble Press, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 28 pages, plain stiff white paper wraps, outer layer of light purple rice paper with title label pasted on front, pages tied with string at spine, hand printed by Bruce Conklin, #82/400 copies, poems of self-awareness published in celebration of Sarton's eightieth birthday, Clean copy.
Softcover. Fremont MI, Sumac Press, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover, 62 pages. One of 1000 copies of this slim collection of poetry. A clean and near fine copy in wrappers. A very nice copy of one of Harrison's best group of poems.
Softcover. Middletown CT, Wesleyan University Press, 1st, 1970, Book: Very Good, Dust Jacket: None, Softcover, 90 pages. Name on front fly leaf, otherwise clean.
Softcover. Providence RI, Burning Deck, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 16 pages, oblong stapled wrappers. One of 500 copies on Strathmore Pastell paper. Original silkscreen cover by Linda Lutes. This is an advance copy with publisher's note laid in, unnumbered. Tanning to spine edge, clean copy.
Softcover. Austin TX/NY, Curbstone Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 47 pages. Review copy with publisher's slip laid in. Name on front fly leaf, otherwise clean.
Softcover. Manchester UK, Carcanet Press , 1st UK, 2006, Book: Very Good, Dust Jacket: None, Softcover, 247 pages. SIGNED & INSCRIBED BY DELANTY on the title page. Bringing Greg Delanty's six books together, this book contains poems that draw on an inheritance from the different worlds that Delanty moves in: Ireland and America, Gaelic and English, traditional verse forms and modern colloquial. Clean copy.
Hardcover. US, Farrar Straus & Giroux (T), 1st US, 1985, Book: Very Good, Dust Jacket: Good, 123 pages. SIGNED AND DATED BY AUTHOR on front end paper. Light shelf-wear and sun-fade to dust jacket spine. Faint foxing to edges, otherwise a clean, tight copy.
Hardcover. NY, Farrar, Straus Giroux, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 427 pages. John Berryman's The Dream Songs are perhaps the funniest, saddest, most intricately wrought cycle of poems by an American in the twentieth century. They are also the vibrantly sketched adventures of a uniquely American antihero named Henry. Henry falls in and out of love, and is in and out of the hospital; he sings of joy and desire, and of beings at odds with the world. He is lustful; he is depressed. And while Henry is breaking down and cracking up and patching himself together again, Berryman is doing the same thing to the English language, Mild shelf wear, clean copy.
Hardcover. NY, Charles Scribner's Sons, 1st, 1901, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers, gilt title & design on spine, 84 pages. Clean copy.
Hardcover. London & Boston, Faber and Faber, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A series of poems inspired by the photographs taken by Fay Godwin, preceded by the Rainbow Press limited edition, which only had four of the sixty-three included here. The work reflects on the landscape and people of the Calder valley, the place of Hughes's birth and early childhood. Scarce in such nice condition.
Hardcover. London, Hamish Hamilton, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. First edition of the second collection of poetry by the author. INSCRIBED BY ACKROYD on the title page and dated 2002. Clean copy.
Hardcover. Minneapolis MN, Milkweed Editions , 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. INSCRIBED BY JAMES on the title page. Winner of the Max Ritvo Poetry Prize, The Milk Hours is an elegant debut that searches widely to ask what it means to exist in a state of loss. Clean copy.
Hardcover. New York, Robert M. McBride, 1st, 1935, Book: Very Good, Dust Jacket: None, Hardcover, 87 pages. B&w drawings by Bacon. Light rubbing to cover corners. Cloth covers with slight age fading. Clean, tight copy.
Softcover. Boston, Zephyr Press , 2nd pr., 1994, Book: Very Good, Dust Jacket: None, Softcover. One volume edition bound in stiff dull magenta wrappers, as issued. 908 pages. An authoritative edition containing all the poems, Edited by Roberta Reeder, with Introduction by Anatoly Naiman, and a memoir by Isaiah Berlin. Clean, bright copy.
Softcover. NY, Museum of Modern Art, Revised Ed., 1951, Book: Very Good, Dust Jacket: None, Softcover in red and green wrappers, 26 pages with b&w drawings by Shahn. First published in 1949 by Curt Valentine, this is the first printing by MOMA in June 1951. per the colophon on last page. Mild wear to wrappers, small inscription on title page.
Hardcover. London, Sylvan Press, Ltd. Ed., 1948, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with mild soil. Limited to 1000 copies. 64 pages, In French and English. The author takes on the task of offering readers four of Rimbaud's best-known poems in their original text, facing them with literal transcriptions with notes that make the renderings "documents" rather than poetic translations. In a separate section he offers his own versions, taking into consideration the character of the French language. Clean copy.
Hardcover. NY, Farrar, Straus and Giroux, 1st, 2006-04-18, Book: Very Good, Dust Jacket: Very Good, Hardcover, 52 pages. SIGNED BY AUTHOR on title page. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. Cambridge, Mass, The Limited Editions Club, 1st thus, 1966, Book: Very Good, Dust Jacket: None, Hardcover, 337 pages, with illustrations by David Gentleman throughout, SIGNED BY ILLUSTRATOR in rear, number 794 of a limited 1500 copies, introduction by Aileen Ward, leather spine with gilt title and decoration, slipcase included. Very clean and tight.
Port Townsend WA, Copper Canyon Press, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 513 pages. Poetry is vital to language and living. This anthology celebrates 50 years of Copper Canyon Press publications, one extraordinary poem at a time. Since its founding, Copper Canyon has been entirely dedicated to publishing poetry books; here Editor in Chief Michael Wiegers invites press staff and board--past and present--to help curate a retrospective. The result is a collection of beloved poems from books spanning half a century: representing Pulitzer Prize-winning books, debut collections, works in translation, and rare books from Copper Canyon's early days. This book is a tribute to Copper Canyon poets and readers everywhere, because, as Gregory Orr writes, "Certain poems / In an uncertain world-- / The ones we cling to: // They bring us back." Clean copy.
Softcover. London, Faber and Faber, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, pastel orange wrappers, 165 pages. SIGNED BY ARMITAGE on title page. Clean, bright copy.
 "Hokusai: One Hundred Poetsby: Morse, Peter")
 "Salt Wings: New and Selected Poems (SIGNED LTD. EDITION)by: Orr, Gregory And Stanley Kunitz")
 "In a U-Haul North of Damascusby: Bottoms, David")
 "India's Love Lyrics: Including the Garden of Kama by: Hope, Laurence and Byam Shaw")
 "On the Poetry of Allen Ginsberg (Under Discussion) by: Hyde, Lewis (editor)")
 "City Childby: Robinson/Rockwell Kent, Selma")
 "Guarded by Women (SIGNED COPY)by: Pack, Robert")
 "Letters to Yeseninby: Harrison, Jim")
 "Station Island (SIGNED COPY)by: Heaney, Seamus")
 "Cat-Callsby: Bacon, Peggy")
 "Riding Westward: Poems (SIGNED COPY)by: Phillips, Carl")
 "Ordinary Wordsby: Stone, Ruth")
 "Selected Poems (SIGNED COPY)by: Armitage, Simon")