Poetry

Hardcover. Hanover, NH, Wesleyan University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY KOMUNYAKAA on title page.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 67 pages, INSCRIBED BY GRAHAM on half title page. The award winning poet's first book, scarce in hardcover. Very good in a similar dust jacket. There is a small ink notation on the last (copyright) page by the previous owner.

Hardcover. New York, Alfred A. Knopf, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 69 pages. Hardcover with dust jacket. SIGNED AND INSCRIBED BY AUTHOR on title page. Tight, bright copy. Light rubbing on rear dust jacket.

Hardcover. New York, J.B. Lippincott Company, reprint, 1966, Book: Very Good, Dust Jacket: None, 62 pages. Hardcover, no dust jacket. Illustrated by Edward Gorey. Clean tight copy with minor wear to spine.

Hardcover. Berkshire, England, Golden Cockerel Press, 1st Edition, 1922, Book: Very Good, Dust Jacket: None, 71 pages. Hardcover. "This edition of 750 copies finished March 24th, 1922." With a lithograph portrait of the author by Pamela Bianco (see image) with tissue guard. Bound in green boards (faded), and blue cloth spine, (sunned) with paper paste-down label. Hinge split at gutter on back endpapers and gutter split at pages 48-49 (see image), binding still completely attached and no pages missing. Uncut edges. Light tanning from age throughout. Has clear, plastic mylar cover. Errata insert at contents page (see image). A clean, very good copy. The 8th book published by the Golden Cockerel Press.

Hardcover. Brewster MA, Paraclete Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. This volume marks the first translation of these prayer-poems into English. Originally written in 1899, Rilke wrote them upon returning to Germany from his first trip to Russia. His experience of the East shaped him profoundly. He found himself entranced by Orthodox churches and monasteries, above all by the icons that seemed to him like flames glowing in dark spaces. He intended these poems as icons of sorts, gestures that could illumine a way for seekers in the darkness. As Rilke here writes, "I love the dark hours of my being, for they deepen my senses." Translated by Mark S. Burrows.

Softcover. London, Anvil Press, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 300 pages. Bright, clean copy. "Stanley Moss is American poetry's best-kept secret, better known as the innovative publisher of other poets than for his own highly charged, stingingly beautiful lyrics. That should change with the publication of his long-awaited and gorgeous new poems. " --John Ashbery.

Hardcover. Minneapolis MN, Milkweed Editions , 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. INSCRIBED BY JAMES on the title page. Winner of the Max Ritvo Poetry Prize, The Milk Hours is an elegant debut that searches widely to ask what it means to exist in a state of loss. Clean copy.

Hardcover. Forestdale VT, Paul S. Eriksson, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. INSCRIBED BY HAWLEY on the front fly leaf, Clean copy.

Softcover. NY, Delta, reprint, 1968, Book: Very Good, Dust Jacket: None, Softcover, 108 pages, selected poetry by the author, 1957-1968. Published as "Writing 20"; original price $1.95 on front wrap; cover photo by Edmund Shea (black-and-white photo of a barefoot woman sitting amid some rubble). Inscription on front fly leaf, otherwise clean.

NY, Henry Holt & Company, 1st, 1920, Book: Good, Dust Jacket: None, Hardcovers, matching light green boards with dark green cloth spines with gilt lettering. Top edge gilt. BOTH VOLUMES SIGNED BY DE LA MARE on front fly leaf. Cover and edges show shelf wear. Volume two with light soil, stain to cover. Name on inside front covers. Pages are clean and intact.

Hardcover. Boston, Houghton Mifflin , 1st thus, 1885, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers stamped in black and gilt, beveled boards, 89 pages, all edges gilt. Printed on heavy glossy stock. The frontispiece is an etching of Holmes by S.A. Schoff with a tissue guard. There are many wonderful illustrations throughout the book by 20 artists, including Howard Pyle, W.L. Tayor and W. Smedley. CLEAN COPY.

Softcover. Toronto, University of Toronto Press, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 334 pages. This revised edition of The Poem of Empedocles (1992) integrates substantial new material from a recently discovered papyrus and published by A. Martin and O. Primavesi. The papyrus contains evidence of over seventy lines or part lines of poetry, of which more than fifty are both new and usable. The integration of this material into the previously known fragments has significant impact on our understanding of Empedocles, one of the most influential philosophers and poets of antiquity. Name on front fly leaf otherwise a clean, tight copy.

Softcover. Athens GA, University of Georgia Press, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 75 pages. Galvin's 4th book, his photo on back cover. Name on front fly leaf, otherwise clean.

Softcover. Trumansburg,NY, self-published, 1st, 1969, Book: Very Good, Dust Jacket: None, Softcover, yellow wraps, unpaginated. First printing of this early collection of verse by Anderson, also known as a dance critic. Saddle stapled pictorial wraps. A very good copy. Mild toning to wraps' edges. Small name on title page.

Softcover. Carbondale IL, Southern Illinois University Press, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 62 pages. INSCRIBED BY GALVIN on the title page. These poems chronicle the waxing and waning of the seasons from one winter to the next in the area around Egg Island, the dunes near a small seacoast town on the outermost reaches of Cape Cod, Massachusetts. Galvin's training as a naturalist and environmental writer is evident as his practiced eye roves the waves, marshes, and forests, finding meaning and beauty in the smallest detail-- bird-watching, rebuilding a woodpile, or the flight of bobwhite quail. Other poems recall the poet's affectionate memories of his deceased wife and the life they shared together, acknowledging grief without veering into the maudlin. Always present beneath the surface is the question of where humans fit into this wild, ever-changing landscape. Mild crease to front cover otherwise a clean, bright copy.

Softcover. Riverdale-on-Hudson NY, The Sheep Meadow Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 115 pages. INSCRIBED BY BARNSTONE on the title page. Barnstone was a distinguished professor emeritus from Indiana University. He was in China during the Cultural Revolution, which is central to this collection. Clean, bight copy.

Softcover. Santa Rose CA, Black Sparrow Press, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 198 pages. INSCRIBED BY WAKOSKI on the title page to author and teacher Paul Christensen, Clean copy.

Hardcover. NY, Columbia University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 894 pages. Edited by Jay Parini and with poetry and poetry criticism by Anne Bradstreet and Edward Taylor by Francis Murphy, Early African American Poetry, by Carolivia Herron, The Epic in the Nineteenth Century, by John McWilliams, Longfellow in the Aftermath of Modernism, by Dana Gioia, The Transcendentalist Poets by Lawrence Buell, Emily Dickinson, Cynthia Griffin Wolff, Walt Whitman, by Donald Pease and many others, such as Dana Gioia, Gregory Orr, Ann Charters, William Pritchard, Helen Vendler, Edward Hirsch, and the work of Ezra Pound, William Carlos Williams, the Beat poets and Native American poets and others. SIGNED BY PARINI on the title page. Bright, clean copy.

Hardcover. NY, New Directions, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, quarter brick-colored cloth, green marbled paper boards. Winner of the 1969 Pulitzer Prize for Poetry. 64 pages, stated First Edition. Clean copy.

Softcover. Middletown CT, Wesleyan University Press, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 72 pages. A lovely copy of this vintage book of Edson's landmark prose poetry. The author's 7th collection. Clean copy.

Hardcover. New York, Farrar Straus & Cudahy, 1st, 1956, Book: Very Good, Dust Jacket: Good, Hardcover, 64 pages, b&w iilustrations by Ben Shahn. Dust jacket with closed tear on front panel, light chipping.

Hardcover. County Meath IR, Gallery Books, 1st , 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 78 pages, black cloth covers. Bright, unclipped dust jacket.

Hardcover. Portland ME, Thomas B. Mosher, 1st, 1896, Book: Very Good, Dust Jacket: None, Hardcover, half leather over marbled boards, 99 pages. "This First Edition on Van Gelder paper consists of 925 copies." Same date on title page and copyright page. Burton first published his famous poem in 1880, having written it twenty-seven years before, and posed as the translator and friend of a ficticious Arab writer. Covers with light edgewear, the top of the spine has a small nick to the leather. Otherwise very good.

Hardcover. New York, Ecco, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 153 pages. INSCRIBED BY AUTHOR on title page to fellow poet John Engels. Light shelf-wear to dust jacket. Clean, tight copy.

Hardcover. NY, Farrar Straus & Giroux , 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 387 pages. Previous owner's signature on front end paper. Light shelf-wear to dust jacket. Faint foxing to top edge, otherwise a clean, tight copy.

Softcover. Paris, Juvisy, 1st, 1935, Book: Very Good, Dust Jacket: None, 1Softcover, 69 pages, 9 b&w text illustrations by Andre Margat. INSCRIBED BY ALI-BERT on front fly leaf to American scholar and professor Stephen Freeman, dated 1945. Clean, tight copy.

Hardcover. New York, Robert M. McBride, 1st, 1935, Book: Very Good, Dust Jacket: None, Hardcover, 87 pages. B&w drawings by Bacon. Light rubbing to cover corners. Cloth covers with slight age fading. Clean, tight copy.

Hardcover. New York, E. P. Dutton & Company, Reprint, 1888, Book: Good, Dust Jacket: None, All edges gilt. Mustard cloth covers with beveled edges. Elaborate gilt pictorial design. Gravure plates, b&w line drawings and text illustrations by Edmund Garrett and Chas Copeland. Patterned end papers. Front hinge starting. Shelf worn cover. Spine ends worn. Blank prelim page missing. Otherwise clean, tight copy.

Hardcover. Cambridge, Mass, The Limited Editions Club, 1st thus, 1966, Book: Very Good, Dust Jacket: None, Hardcover, 337 pages, with illustrations by David Gentleman throughout, SIGNED BY ILLUSTRATOR in rear, number 794 of a limited 1500 copies, introduction by Aileen Ward, leather spine with gilt title and decoration, slipcase included. Very clean and tight.

Hardcover. New York , Harper & Row, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 pages, in a bright unclipped dust jacket. INSCRIBED BY ORR on title page. Previous owner's signature on front fly leaf. Otherwise clean, very good.

Hardcover. Norfolk UK, Black Dog Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 310 pages. Hardcover. Author signed. B/w illustrations throughout. Dust jacket front flap price clipped. Clean inside and out. From the dust jacket front flap: "These essays, written over a 30-year period and published to celebrate the Benson Medal for Literature awarded to Ronald Blythe in 2006, offer Blythe's lingering comment on his life as a writer."

Hardcover. New York, William Sloane, 1st, 1946, Book: Very Good, Dust Jacket: None, Hardcover, illustrated covers. SIGNED BY VAN DOREN opposite title-page . Front fly leaf missing. Some pages with dog ear creases, otherwise very good.

Hardcover. Port Townsend WA, Copper Canyon Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 117 pages. SIGNED BY PULITZER PRIZE WINNING AUTHOR on front end paper. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. New York, Farrar, Straus, and Giroux, 1st U.S., 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 152 pages. Brodsky's second major collection. Navy blue cloth boards and spine with gilt lettering on spine. Color dust jacket with clear plastic guard, photo of author on back. A couple marks on plastic guard. Blue end papers. Tight copy.

Hardcover. NY, Farrar Straus Giroux, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 76 pages, in a bright dust jacket.

Hardcover. Rochester, NY, Judaic Impressions, 1st Edition, 1974, Book: Very Good, Dust Jacket: None, Nonpaginated. SIGNED NOTE FROM TRANSLATOR LAID IN. Hardcover Folio. Cover boards bound in black cloth, white paste-on on spine with title, a touch of fading to spine and some shelf wear. 2 light smudges of soil to 1st poem title page (see image). 3Scarce 1st Edition, only 100 printed. "The five poems (written during the Holocaust) compiled in this book are witness of the unquenchable spirit of man. They are personal, lyrical and so very Jewish. They speak to God - arguing, protesting, demanding, pleading, accusing and longing...".

Hardcover. NY, Norton, 1sr, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In her first volume of new poems in twelve years, Rita Dove investigates the vacillating moral compass guiding America's, and the world's, experiments in democracy. Whether depicting the first Jewish ghetto in sixteenth-century Venice or the contemporary efforts of Black Lives Matter, a girls' night clubbing in the shadow of World War II or the doomed nobility of Muhammad Ali's conscious objector stance, this extraordinary poet never fails to connect history's grand exploits to the triumphs and tragedies of individual lives.

Softcover. Princeton NJ, Princeton University Press, Revised Ed., 1995, Softcover, pictorial wrappers, 296 pages. In this new edition of George Seferis's poems, the acclaimed translations by Edmund Keeley and Philip Sherrard are revised and presented in a compact, English-only volume. The revision covers all the poems published in Princeton's earlier bilingual edition. Clean,bright copy.

Hardcover. NY, Charles Scribner's Sons, 1st, 1885, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth with blue and gilt design on cover and spine. 184 pages, top edge gilt. Clean copy.

Hardcover. NY, Harper & Row, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Clean copy.

Softcover. NY, Knopf, 1st ARC, 1986, Book: Very Good, Dust Jacket: None, Softcover, 70 pages. Uncorrected proofs in blue printed wrappers, the second collection, third book by this MacArthur Fellowship winner. Pub material stapled in; other than staples and minor scratching (from staples). Clean.

Hardcover. London, Anvil Press, 1st, 1974, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket with faded spine. Errata slip tipped in. 158 pages clean and tight. Ronald Bottrall, born in 1906, emerged as a notable poet in the thirties when F. R. Leavis singled out his early work for attention. His Collected Poems (1961) was warmly received. The major part of his new book was written during 1972, and in these recent poems the mature talents of a very distinctive and distinguished writer are at their best. The book is in five parts; the first is a single long narrative poem, rich in humour, about the poet's Cornish childhood. There follow groups of shorter poems about people, events and places-lyrical, meditative, or satirical; and always superbly skilful.

Hardcover. Boston, Estes and Lauriat, 1st thus, 1887, Book: Very Good, Dust Jacket: None, Hardcover. Unpaginated, illustrated with b&w engraved plates by various artists. Cloth covers with color illustration on front and back. Previous owner's inscription on first blank page. All edges gilt. Includes

Softcover. NY, Stone Street Press, 1st , 1983, Book: Very Good, Dust Jacket: None, Softcover, black paper wrappers with illustrated label on front. SIGNED BY MCCORMICK on (C) page Lino cut Illustrations, calligraphy & translation by McCormick. Clean, bright copy.

Softcover. Daleville IN, Barnwood Press, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 102 pages. Frontis of Goedicke and her husband, author Leonard Wallace Robinson. Clean copy.

Softcover. NY, Available Press/Ballantine, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 191 pages. Last Words is the first major collection of poems by a Milwaukee poet born soon after World War II who reached maturity during the late 1960s. It contains his highly acclaimed epic "Factory,"described by Allen Ginsberg as "a definitely powerful epic by one of Whitman's 'poets and orators to come.'" Antler was born in Milwaukee and grew up in Wauwatosa, Wisconsin. He "worked his way through college" in various factories. As John Muir left the University of Wisconsin at Madison for "the University of the Wilderness" in 1863, Antler left the Milwaukee campus for the same destination in 1973. Besides factories, he has explored wildernesses in Upper Peninsula Michigan, Minnesota, Ontario, Colorado, and California. Clean copy.

Softcover. NY, New Directions, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 296 pages. A collection of Antin's staggering, tightly controlled yet freewheeling improvisatory performance-poem talks. Clean, bright copy.

Softcover. NY, Four Way Books, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 66 pages. These poems map out a topography where global movements of diaspora and war live alongside personal reckonings: a house's foreclosure, parents' divorce, the indelible night spent drunk with a best friend "[lying] down inside a chronic row of corn." Here, her father's voice "is the stray dog barking / at the snow, believing the little strawberries grow wilder / against a field." In these pages, she points to Russia and Poland and Germany, saying, "It was / another time. My people / another time. The synagogues burn decades / of new snow." The brilliance of this collection illuminates the relationship between memory and language; "another time" means different, back then, gone and lost to us, and it means over and over, always, again. With this linguistic dexterity and lyrical tenderness, Hoffman's work bridges private and public histories, reminding us of the years cloaked in shadows and the years when there was light. Clean, bright copy.

Hardcover. NY, W. W. Norton & Company, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover in a chipped dust jacket. Blue cloth. Previous owner's inscription on title page, otherwise clean