Hardcover. San Francisco, The Bohemian Club, 1st, 1983, Book: Very Good, Dust Jacket: None, Hardcover, red and green decorated white boards, no dj issued. 69 pages, Carl Eberhard, composer. J. Robert Minser, director. Color illustrated stage design spread by Herbert P. Buel. Clean copy.
Hardcover. NY, E.P. Dutton, 1st, 1955, Book: Very Good, Dust Jacket: Good, Hardcover, 219 pages, b&w photos. The author was the owner/manager of famous girl revue for 40 years and gives us this history. Preface by Maurice Chevalier. Dust jacket shoes wear, chipping.
Hardcover. NY, Random House, 1st, 1954, Book: Very Good, Dust Jacket: None, Hardcover, "A Random House Play", 131 pages illustrated with photographs from the stage production featuring Kaye Ballard and Jerry Stiller. Cover label illustration by Hirschfeld. John Latouche's Introduction is his unusual expository curtain speech recounting the circumstances of the plays inception and history. Front end paper tanned. No dust jacket.
Hardcover. NY, Oxford University Press, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A critical biography of the comic genius who, as both a writer and a director, dominated the Broadway comedy theater during the twenties, thirties, and forties. Detailed accounts of GSK plays and how they came together -- or did not. Kaufman is captured as a man of the theatre who compulsively was involved in a show a year for decades, as writer or director. 503 pages, b&w photos. Clean copy.
Hardcover. NY, Doubleday, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, 360 pages, b&w photos. Autobiography of the late great British comedienne. She recounts her childhood in Toronto, youth in Ontario, her successes in London and New York, loss of her son in WW II, her shows and films where she was known as "the funniest woman in the world." In a bright, unclipped dust jacket.
Hardcover. NY, Simon & Schuster, 1st, 1963, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers stamped in orange, yellow and white, 474 pages. The memoirs of a major American playwright, Pulitzer Prize winner for Street Scene. Clean copy.
Hardcover. NY, Birch Lane Press , 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 183 pages, b&w photos. Discussing the private life of a pioneer choreographer, an in-depth portrait notes how his father's absence, racism in the dance world, and the Katherine Dunham Company affected his work in such ballets as "Revelations" and "Blues Suite." Revelations, one of Ailey's most famous ballets, is the title he selected for his autobiography, which was richly told to his chosen coauthor, Peter A. Bailey. Bailey did not complete the manuscript until after Alvin Ailey's death in 1989. To that core manuscript, he added interviews with dancers, colleagues, and friends who remembered Ailey and his contribution to the world of dance. Ailey reveals for the first time intimate details of his professional hurdles, personal life, and relationships with family and significant others that influenced his life. He discusses politics and racism and their effect on his dancing, on Alvin Ailey American Dance Theater, and on his self-image. The chapters chronicle his life from his childhood days in Texas to his tours abroad to his Broadway productions in New York to his period of manic depression in 1980. Ailey's life was a series of triumphs and disappointments, yet he managed to overcome his insecurities to become a pioneer in the world of dance and a choreographer of international reputation. Mild wear to dust jacket edge, clean copy.
Hardcover. NY, Association Press, 1st, 1973, Book: Very Good, Dust Jacket: Good, Hardcover, 312 pages, very good in an edgeworn, chipped dust jacket. 82 Broadway plays reviewed by Atkinson and all illustrated with Hirschfeld's caricatures.
Hardcover. Gainesville FL, University Press of Florida, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 267 pages, b&w photos. Biography of the Russian ballet dancer and teacher Agrippina Vaganova (1879-1951).
Softcover. McKinleyville CA, Fithian Press/, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 238 pages, b&w illustrations. INSCRIBED BY COHEN on the front fly leaf. Robert Cohen is the founding Chair of Drama a the University of California, Irvine, and has written 20 book on theatre. In this memoir, he recounts the "lucky breaks" that took him from being a college student preparing for law school to a long career as a man of the theatre. The first lucky break took place in his junior year of high school when Judy Berkenbilt asked him to be in "Belles On Their Toes," a play she was directing. She wanted to cast him as a policeman but after reading the script, Cohen asked for the role as the family handyman, which she agreed to. He identifies Lucky Break #2, in the same year, as ending up in a Vocational Typing class when he transferred out of the Mechanical Drawing class to escape a creepy instructor. He became a fabulous typist and was able to earn lunch money in college by typing papers for other students. Lucky Break #3 was getting into the 12th grade Advanced English class taught by Miss Casey, which advanced his intellectual development and reading "like crazy." Lucky Break #6 was being asked to take over as coach of the swimming program at the camp where he was a counselor. When Cohen did not have the $20 needed to to get a Water Safety Instructor certification, the camp owner asked him take over the drama program instead. And so on.
Hardcover. NY, Viking Press, 1st, 1954, Book: Very Good, Dust Jacket: None, Hardcover, two-tone blue cloth covers, 120 pages. The blackly comic play about the oppressed lives of women in 1950s New York. One of literature's leading humorists, Dorothy Parker drew from the dark side of her imagination to pen The Ladies of the Corridor, a searing drama about women living on their own in a New York residence hotel. Loosely based on Parker's life, and co-written with famed Hollywood playwright Arnaud d'Usseau, The Ladies of the Corridor exposes the limitations of a woman's life in a drama teeming with Parker's signature wit. This copy INSCRIBED BY FRANCES STARR on the front fly leaf who had a leading role in the play as Mrs. Nichols.
Hardcover. NY, Atheneum, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 227 pages, b&w illustrations. In a clean, unclipped dust jacket. Rattigan was a renowned English playwright, the author of 22 plays.
Hardcover. San Francisco, The Bohemian Club, 1st, 1984, Book: Very Good, Dust Jacket: None, Hardcover, 74 pages, illustrated orange paper over boards with title on front cover and spine. Illustrated with woodcuts by Vincent Perez. Issued without dust jacket. Bohemian Club Library Notes brochure laid in.
Hardcover. College Station TX, Texas A & M University Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 174 pages, b&w photos. The show traveled in West Texas, Kansas, Oklahoma and Eastern Colorado from 1920 to 1945. Clean copy in a bright dust jacket.
Hardcover. London, Batsford Limited, 1st, 1970, Book: Very Good, Dust Jacket: Good, Hardcover, red cloth covers in a worn, chipped dust jacket. Black & white illustrations by the author. 120 pages. Contains drawings and instructions on: The characters of the drama; inside the glove puppet; making the head; making hands; making the body; clothes; trick puppets; theatres and more. NOTE: This book has a musty odor, otherwise a clean, bright copy.
Hardcover. NY, Harcourt, Brace & Company, 1st, 1935, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with spine label. Memoir of a life in the theatre. B&w photos. Small embossed stamp on front fly leaf, otherwise clean.
Hardcover. NY, Henry Holt, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover. 249 pages. Black and red striped dust jacket with light edgewear. A clean, tight copy.
Hardcover. NY, George H. Doran, 1st, 1915, Hardcover, black cloth covers with gilt title, top edge gilt. 523 pages, b&w photos. The author wrote this book to depict and commemorate "leading representatives of the Stage". He writes about: William Warren, laura Keene, Matilda Heron, Lester Wallack, James W. Wallace, Mark Smith, Edward Adams, Henry J. Montague; Edwin Booth, Augustin Daly, Henry Irving, Johnston Forbes-Robertson, Edward H. Sothern and Julia Marlowe. Index. Clean, bright copy.
Hardcover. Lausanne, Librairie Marguerat , 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 157 pages, b&w and tipped-in color plates. French text. Previous owner's signature on front fly leaf. Edge wear, rubbing to dust jacket. Foxing to top edge. Else a clean, tight copy.
Softcover. London, The Curtain Press, 1946-48, Book: Very Good, Dust Jacket: None, Softcovers, five stapled pamphlets. 1) Oscar Wilde and the Theatre, 23 pages. Contains eight pages of costume designs by Cecil Beaton four in color, along with other cartoons and drawings and a text by James Agate. 2) Notes on the Verse Drama by Christopher Hassall. 36 pages. With Wood Engravings By Joan Hassall. 3) The Masque of Christmas: Dramatic Joys of the Festival described by Laurence Whistler, 40 pages. 4) The Masque. a Theatre Notebook. the Old Vic. King Lear. Reviewed by Ivor Brown. No. 1 December 1946, 16 pages. 5) Designs for the Theatre by Rex Whistler (Part 1) with color and b&w illustrations, 20 pages. All very good, clean.