Theater

Hardcover. Honolulu, University of Hawaii, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 250 pages with 160 color and 20 black & white photographs of the elaborately carved and costumed puppets and portraits of the master puppeteers and carvers, list of Wayang characters, glossary, bibliography. Indonesia's wayang golek puppet theatre is among the world's oldest and richest puppetry traditions, contemporary with Japanese Noh drama and the mystery plays of Europe. In an unclipped dust jacket with some light fading to spine.

Hardcover. London, Hodder & Stoughton, 1st Thus, 1912, Book: Very Good, Dust Jacket: None, 198 pages. Hardcover. Green cloth boards with gilt decoration to front cover and spine. 25 tipped-in full color plates and black & white images by Hugh Thomson. Hinges intact but tender. Light wear. Clean, tight copy.

Hardcover. Jefferson NC, McFarland Publishing, 1st, 1997, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with white lettering, no dust jacket issued. A biography of the sole manager of Laura Keene's Theatre in New York City and one of the most influential members of the 19th century theatre community. Her career and her personal life...includes b&w photos, and an appendix of theatres, companies, plays and roles.

Hardcover. New York, Duell, Sloan and Pearce, 1st, 1941, Book: Very Good, Dust Jacket: None, Introduction by Morgan, her superb photographs reproduced in black & white photogravure. Essays by George Beiswanger and Louis Horst as well as a statement by Graham. 160 pages. Corners worn, some chipping of cloth at ends of spine. Light age tanning to cover and page edges.

Hardcover. New York, Pantheon, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 1330 pages. Hardcover. Small red remainder mark on bottom edge. Light wear. Clean, tight copy.

London, Rupert Hart-Davis, 1st, 1961, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with gilt lettering on spine, 292 pages. Maps on the endpapers. Black and white illustrations by Timothy Birdsall. A illustrated guide to the major theatres in London along with a brief history of each. No dust jacket. A bright, clean copy.

Hardcover. Charlottesville, University of Virginia, 1st Thus, 1977, Book: Very Good, Dust Jacket: Very Good, 106 pages. A Play with black & white illustrations by Faulkner. Clean, tight copy. Introduction by Noel Polk. In a bright yellow dust jacket.

Hardcover. Boston, Little, Brown & Co, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 242 pages, illustrated throughout in color and b&w. Light edge wear, rubbing to dust jacket. Clean, tight copy.

Hardcover. University Park, Penn State University Press, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a ightly worn dust jacket. 171 pages, INSCRIBED BY BALDWIN on the front fly leaf. The author explores the Christian symbolism throughout a major portion of Beckett;s mature works.

Hardcover. NY, Knopf, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, paper-covered boards quarter-bound in cream cloth with gilt lettering to spine, top edge tinted blue, halftone photos of the production, Directed by and starring Anthony Perkins, this play was produced way off-Broadway and revealed that God is a Puerto Rican steambath attendant. Name, date on front fly leaf, otherwise clean.

Hardcover. Columbia, University of Missouri, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 274 pages, b&w photos. 1942: Americans suddenly found themselves at war but were not about to be distracted from the National Pastime. The Brooklyn Dodgers and New York Yankees were looking to continue their World Series rivalry from the 1941 season, and a youthful team from St. Louis was determined to stop them. With only one player older than thirty, the St. Louis Cardinals were the youngest team to win the National League pennant and World Series. Built on good pitching and tremendous speed on the base paths and in the field, the team featured rookie Stan Musial, future Hall of Famer Enos Slaughter, and ace pitcher Mort Cooper, the National League's Most Valuable Player of 1942. With their winningest season ever, posting 106 victories, the 1942 Redbirds have been called the greatest Cardinal team of all time. Clean copy.

Hardcover. NY, Harcourt, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. B&w photos, 185 pages. Twenty years after his death, George Balanchine still dominates the world of ballet. Not only have his works been danced by the New York City Ballet continuously since 1948, but they also have been performed by more than two dozen other companies throughout the world. In clear and elegant writing, Terry Teachout brings to life the dramatic story of George Balanchine, a Russian emigre who fell in love with American culture, married four times and kept a mistress on the side, and transformed the art of ballet forever. Clean copy.

Hardcover. NY, Random House, 1st US, 1937, Book: Very Good, Dust Jacket: None, Hardcover, off-white cloth with red and gilt stamping. Tanning to edges of cloth, no markings. A two-act play.

Hardcover. Lausanne, Librairie Marguerat , 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 157 pages, b&w and tipped-in color plates. French text. Previous owner's signature on front fly leaf. Edge wear, rubbing to dust jacket. Foxing to top edge. Else a clean, tight copy.

Softcover. Los Angeles, Augustan Reprint Society, reprint, 1989, Book: Very Good, Dust Jacket: None, Softcover, facsimile reprint from 1717, 56 pages. with an introduction by Jack M. Armistead and Debbie K. Davis. The Augustan Reprint Society Pub. No. 253-254. Clean copy.

Hardcover. Milano, Skira, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 320 pages. Hardcover. Profusely illustrated in full color. Clean, tight copy. This catalog of over three hundred artworks related to the Saisons Russes between 1909 and 1929 is the official companion to an exhibition in Monte Carlo. The legendary productions are brought to life through stage designs, costumes, paintings, sculptures, photographs, and programs. The artwork comes from a wide variety of public and private collections, including the Fokine collection in the St. Petersburg Theatre Museum.

Softcover. NY, New York Theatre Program Corp., 1938, Book: Very Good, Dust Jacket: None, Softcover, 48 page playbill program for the Shubert revue "Hooray for What!" starring Ed Wynn (featured on the cover) and Vivian Vance ( of The Lucy Show). Great ads feature night spots like Sardi's and The Cotton Club. Light wear, stapled, clean. 6 3/4 X 9 1/4".

Softcover. Golden CO, Speck Press, 1st, 2004, Book: Very Good, Dust Jacket: None, Paperback, 144 pages, illustrated in color and b&w. Clean, bright copy.

Softcover. Louisville KY, Cole Brothers Circus, 1st, 1949, Book: Very Good, Dust Jacket: None, softcover, 20 page circus promotional brochure. 16 pages with 60 b&w photographs featuring behind the scenes circus activity- setting up the big top, loading the train, daily life of performers, etc. Light edgewear.

Hardcover. NY, Doubleday, Doran & Company, 1st, 1928, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth with dark blue lettering, 293 pages. Early book on Adolph Zuckor & the pioneer days of the motion picture industry. 15 photos. Zukor was a Hungarian-American who produced one of the first feature-length films (The Prisoner of Zenda, 1913) and was one of the three founders of Paramount Studios. The book covers his rise from nickelodeon arcades to the heights of Hollywood. No dust jacket. Clean copy.

Hardcover. NY, Harcourt, Brace and Company, 1st, 1951, Book: Very Good, Dust Jacket: None, Hardcover. light blue cloth stamped in dark blue. SIGNED BY ATKINSON on front fly leaf along with previous owner's inscription. Illustrated with 12 woodcuts by Don Freeman. One year in the life of the New York journalist and drama critic. Written in a diary format, by month and day. No dust jacket, very good copy.

Softcover. Los Angeles, The Augustan Reprint Society , reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover, 80,pages. A facsimile reprint, Introduction by Deborah C. Payne. Clean, bright copy.

Hardcover. NY, W. W. Norton, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 765 pages, b&w illustrations. John Lahr has produced a theater biography like no other. Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate. With vivid cameos of the formative influences in Williams's life-his fierce, belittling father Cornelius; his puritanical, domineering mother Edwina; his demented sister Rose, who was lobotomized at the age of thirty-three; his beloved grandfather, the Reverend Walter Dakin-Tennessee Williams: Mad Pilgrimage of the Flesh is as much a biography of the man who created A Streetcar Named Desire, The Glass Menagerie, and Cat on a Hot Tin Roof as it is a trenchant exploration of Williams's plays and the tortured process of bringing them to stage and screen. The portrait of Williams himself is unforgettable: a virgin until he was twenty-six, he had serial homosexual affairs thereafter as well as long-time, bruising relationships with Pancho Gonzalez and Frank Merlo. With compassion and verve, Lahr explores how Williams's relationships informed his work and how the resulting success brought turmoil to his personal life. Lahr captures not just Williams's tempestuous public persona but also his backstage life, where his agent Audrey Wood and the director Elia Kazan play major roles, and Marlon Brando, Anna Magnani, Bette Davis, Maureen Stapleton, Diana Barrymore, and Tallulah Bankhead have scintillating walk-on parts. This is a biography of the highest order: a book about the major American playwright of his time written by the major American drama critic of his time.

Hardcover. NY, Association Press, 1st, 1973, Book: Very Good, Dust Jacket: Good, Hardcover, 312 pages, very good in an edgeworn, chipped dust jacket. 82 Broadway plays reviewed by Atkinson and all illustrated with Hirschfeld's caricatures.

Hardcover. NY, Oxford University Press, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A critical biography of the comic genius who, as both a writer and a director, dominated the Broadway comedy theater during the twenties, thirties, and forties. Detailed accounts of GSK plays and how they came together -- or did not. Kaufman is captured as a man of the theatre who compulsively was involved in a show a year for decades, as writer or director. 503 pages, b&w photos. Clean copy.

Softcover. McKinleyville CA, Fithian Press/, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 238 pages, b&w illustrations. INSCRIBED BY COHEN on the front fly leaf. Robert Cohen is the founding Chair of Drama a the University of California, Irvine, and has written 20 book on theatre. In this memoir, he recounts the "lucky breaks" that took him from being a college student preparing for law school to a long career as a man of the theatre. The first lucky break took place in his junior year of high school when Judy Berkenbilt asked him to be in "Belles On Their Toes," a play she was directing. She wanted to cast him as a policeman but after reading the script, Cohen asked for the role as the family handyman, which she agreed to. He identifies Lucky Break #2, in the same year, as ending up in a Vocational Typing class when he transferred out of the Mechanical Drawing class to escape a creepy instructor. He became a fabulous typist and was able to earn lunch money in college by typing papers for other students. Lucky Break #3 was getting into the 12th grade Advanced English class taught by Miss Casey, which advanced his intellectual development and reading "like crazy." Lucky Break #6 was being asked to take over as coach of the swimming program at the camp where he was a counselor. When Cohen did not have the $20 needed to to get a Water Safety Instructor certification, the camp owner asked him take over the drama program instead. And so on.

softcover. New York, Theatre Communications Group, reprint, 2004, Book: Very Good, Dust Jacket: None, 127 pages. Softcover. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. Cambridge MA, The MIT Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with brown cloth spine. 246 pages, Includes black and white illustrations, appendices, chronology, index. "Marsden Hartley (1877-1943), the American modernist painter, was also a prolific writer who published dozens of essays and reviews and several volumes of poetry and prose. Yet the revealing memoir he wrote about his own life and relationships has remained unpublished until now." Transcribed from Hartley1s own handwritten manuscripts, this edition is accompanied by photographs (some never before published), notes, and an introduction discussing Hartley1s fascination with autobiography in the context of his struggle with notions of self-representation in art. Susan Ryan also describes the circumstances surrounding the composition of Somehow a Past, and explains the distinctions between this original version and two later ones also in the Beinecke Library. Clean copy.

Hardcover. Baton Rouge, Claitor's Publishing, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 305 pages, illustrated in b&w. Bookplate SIGNED BY CALVERT AND RAUSCHER on a bookplate pasted to inside cover. In a bright dust jacket, unclipped.

Hardcover. NY, Aperture , 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with minor wear. 315 pages illustrated in color and b&w. Incorporates images of performances and rehearsals, along with candid photographs by many important photographers, including Imogen Cunningham, Arnold Eagle, Peter Hujar, James Klosty, Annie Leibovitz, Barbara Morgan, and Max Waldman. The book also features examples of Cunningham's choreographic notes, as well as scores, and set and costume designs by the artists with whom he has collaborated over the years. Top corner bumped, causing a mild crease to corner of pages. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Disney Press, 1st thus, 1997, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 421 pages illustrated in color. illustrations from animated classics Includes Cinderella, Snow White and Seven Dwarfs, Sleeping Beauty, Pinocchio, Robin Hood, Ichabod Crane, Peter Pan, Alice in Wonderland, Bambi, Winnie the Pooh and the Honey Tree and more. The first combined edition which reprints two previously published books. Previous owner's inscription on front fly leaf. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Detroit MI, Wayne State University Press, 1st, 1978, Book: Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 263 pages, b&w illustrations. The author traces the origins of humor to primitive drama, folk ritual, and carnival play. from antiquity to the era of Laurel and Hardy. Light making to about 16 pages.

Softcover. NY, Routledge, reprint, 1997, Book: Very Good, Dust Jacket: None, Softcover, 511 pages. Illustrations by Zina Lee. 'Actors on Guard is the most comprehensive and detailed book on the art of theatrical swordplay available today. It provides the reader with the historical, theoretical and practical basis for learning, practicing and presenting theatrical sword fights.' Clean, bright copy.

Softcover. NY, Theatre Communications Group, 2nd printing, 2005, Book: Very Good, Dust Jacket: None, Softcover, 58 pages. SIGNED BY ACTRESS CHERRY JONES on title page. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. NY, Harcourt Brace Jovanovich, 1st, 1973, Book: Very Good, Dust Jacket: None, Hardcover, bright turquoise cloth with gilt stamping, dj flaps laid in. A look behind Graham's artistic interpretations of her work, reproducing her working notes. 464 pages, clean copy. NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New York , Random House , 1st, 1954, Book: Very Good, Dust Jacket: Very Good, Hardcover, 122 pages, b&w photographs from the 1953 play. In a very good dust jacket that's unclipped. Bright, clean copy.

Softcover. Los Angeles, Augustan Reprint Society, reprint, 1981, Book: Very Good, Dust Jacket: None, Softcover, facsimile reprint of the 1682 edition, 80 pages. Introduction by Diane Dreher. An early historical play about Anne Boleyn, second queen of Henry VIII. Clean copy.

Hardcover. London, George Routledge and Sons, 1st, Book: Very Good, Dust Jacket: None, Hardcover in maroon cloth with bright gilt lettering on spine. 439 pages + 8 pages of publisher's ads in rear.

Hardcover. NY, Zone Books, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. An examination of the ultimate power opera grants to singing: the reversal of death. In Operatic Afterlives, Michal Grover-Friedlander examines the implications of opera's founding myth-the story of Orpheus and Eurydice: Orpheus's attempt to revive the dead Eurydice with the power of singing. Grover-Friedlander examines instances in which opera portrays an existence beyond death, a revival of the dead, or a simultaneous presence of life and death. These portrayals-in operas by Puccini and other composers and performances by Maria Callas-are made possible, she argues, by the unique treatment of voice in the operas in question: the occurrence of a breach in which singing itself takes on an afterlife in the face of the singer's death. Clean copy, 252 pages.

Hardcover. NY, The Viking Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 79 pages. Illustrated by Arvis Stewart. Music by John Sebastian Brown. Small bookplate on front fly leaf. Otherwise clean.

Hardcover. Boston, John W. Luce and Company, 1st US, nd, Book: Very Good, Dust Jacket: None, Hardcover, olive green cloth over tan cloth boards, no dustwrapper; 149 pages. No date but appears to be circa 1900. A uncommon edition of a Tolstoy play. Title page states "Authorized Edition". Owner's signature on front fly leaf otherwise clean.

Hardcover. San Francisco, The Bohemian Club, 1st, 1983, Book: Very Good, Dust Jacket: None, Hardcover, red and green decorated white boards, no dj issued. 69 pages, Carl Eberhard, composer. J. Robert Minser, director. Color illustrated stage design spread by Herbert P. Buel. Clean copy.

Hardcover. London, Batsford Limited, 1st, 1970, Book: Very Good, Dust Jacket: Good, Hardcover, red cloth covers in a worn, chipped dust jacket. Black & white illustrations by the author. 120 pages. Contains drawings and instructions on: The characters of the drama; inside the glove puppet; making the head; making hands; making the body; clothes; trick puppets; theatres and more. NOTE: This book has a musty odor, otherwise a clean, bright copy.

Softcover. Los Angeles, The Augustan Reprint Society , reprint, 1988, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. A facsimile reprint of a satirical play written in 1700. Name on front cover, otherwise clean copy.

Softcover. NY, Skyhorse, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 361 pages, b&w illustrations. Burlesque was one of America's most popular forms of live entertainment in the first half of the 20th century. Gaudy, bawdy, and spectacular, the shows entertained thousands of paying customers every night of the week. And yet the legacy of burlesque is often vilified and misunderstood, left out of the history books.By telling the intimate and surprising stories from its golden age through the women (and men!) who lived it, Behind the Burly Q reveals the true story of burlesque, even as it experiences a new renaissance. Lovingly interviewed by burlesque enthusiast Leslie Zemeckis who produced the hit documentary of the same name, are former musicians, strippers, novelty acts, club owners, authors, and historians--assembled here for the first time ever to tell you just what really happened in a burlesque show. From Jack Ruby and Robert Kennedy to Abbott and Costello--burlesque touched every corner of American life. The sexy shows often poked fun at the upper classes, at sex, and at what people were willing to do in the pursuit of sex. Sadly, many of the performers have since passed away, making this their last, and often only interview. Behind the Burly Q is the definitive history of burlesque during its heyday and an invaluable oral history of an American art form. Funny, shocking, unbelievable, and heartbreaking, their stories will touch your hearts. We invite you to peek behind the curtain at the burly show.

Hardcover. Chicago, University of Chicago Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 178 pages. The drama is the most social of the arts, depending upon physical space, audience, and social factors for its existence. It is no surprise, therefore, that the most successful criticism approaches theater the way Barber and Mullaney do: as historical artifact. Barber is the better known, having authored the classic Shakespeare's Festive Comedy (1959); the present volume is based on his papers and examines three early Elizabethan tragedies"Tamburlaine" and "Dr. Faustus" by Marlowe and "The Spanish Tragedy" by Kyd. Particularly interested in locating these plays in the unstable religious atmosphere of the late 16th century, Barber ably demonstrates his understanding of the social, historical, and economic factors that defined the era. Mullaney takes the novel approach of examining the theater in light of London topography; the title thus refers to the physical location of the playhouses as well as the social importance of the theater. Mullaney points out that the prejudice that forced the great theaters of the age to operate outside the city walls encouraged a drama that was radical and iconoclastichence its greatness. Mullaney's argument is fascinating and thought-provoking, convincingly presented. Clean copy.

Hardcover. NY, Praeger, 1st, 1956, Book: Very Good, Dust Jacket: None, Cloth spine and border of boards faded, otherwise very clean, tight.

Hardcover. NY, Simon & Schuster, 1st, 1963, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers stamped in orange, yellow and white, 474 pages. The memoirs of a major American playwright, Pulitzer Prize winner for Street Scene. Clean copy.

Hardcover. Paris, Garnier, 1911, Book: Very Good, Dust Jacket: None, 625 pages, original blue paper wrappers here bound in half leather and marbled boards, spines with raised ribs and gilt design, floral end papers. Top edge gilt, 4 color plates.

NY, William Morrow, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. 364 pages, b&w photos. Novelist Peter Feibleman first met world-famous playwright Lillian Hellman when he was ten and she was thirty-five-years old, and out of that first encounter there grew romantic friendship that was to blossom into a love affair--one that ended only with her death. Drawing on many of her letters, private journals, and conversations recorded by them both specifically for this memoir, and on her later published and unpublished works, as well as on his own diaries, Feibleman brings to life one of the most glittering, fascinating, and complex women of our time. LILLY is replete with anecdotes about Miss Hellman's celebrated friends, including Dashiell Hammett, with whom she shared her life for many years; Dorothy Parker; Elizabeth Taylor, who made a triumphant stage appearance in 'The Little Foxes'; Mike Nichols; Elaine May; Leonard Bernstein; and her Martha's Vineyard neighbors--Jules Feiffer, Barbara and John Hersey, Ann and Art Buchwald, Rose and William Styron, and many, many others. Her animosities are depicted as well, including her lengthy and virulent feud with Mary McCarthy. What emerges is an intensely personal portrait, unique and fully realized, of an immensely talented writer, her ways of loving, and her world.