Hardcover. NY, Pantheon, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, glossy boards in an oblong format. 80 pages. Color art by Clowes. The fan-favorite Eisner Award-winning story, originally seri-alized in The New York Times Magazine, now collected and with forty pages of new material. Meet Marshall. Sitting alone in the local coffee place. He's been set up by his friend Tim on a blind date with someone named Natalie, and now he's just feeling set up. She's nine minutes late and counting. Who was he kidding anyway? Divorced, middle-aged, newly unem-ployed, with next to no prospects, Marshall isn't ex-actly what you'd call a catch. Twenty minutes pass. A half hour. Marshall orders a scotch. (He wasn't going to drink!) Forty minutes. Then, after nearly an hour, when he's long since given up hope, Natalie appears--breathless, apologiz-ing profusely that she went to the wrong place. She takes a seat, to Marshall's utter amazement. A captivating, bittersweet, and hilarious look at the potential for human connection in an increasingly hopeless world, Mister Wonderful more than lives up to its name. Clean copy.

Softcover. NY, PaceWildenstein, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 60 pages illustrated in color. Catalogue from the exhibit, Naum Gabo Pioneer of Abstract Sculpture November 4 - December 11, 1999. Essay by Graham Williams. Clean, bright copy.

Hardcover. NY, Doubleday, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket with minor edgewear. Illustrated throughout by black and white photographs, including frontispiece, title and contents pages. decorated by half title vignette. An early 1960s portrait of New York City and some of its inhabitants going about their daily business in words and evocative photographs. By journalist, Gilbert Millstein and photojournalist and street photographer, Austrian born Sam Falk (1901-91).

Softcover. Ithaca NY, Cornell University Press, reprint, 1991, Book: Very Good, Dust Jacket: None, Softcover, 204 pages. "Not of woman born," "the Fortunate," "the Unborn" - the terms designating those born by Caesarean section in medieval and Renaissance Europe were mysterious and ambiguous. In antiquity, children fortunate enough to have survived a Caesarean birth were believed to be marked for a special destiny. Vividly tracing the evolution of Caesarean birth from the early 1300s (when the operation was performed almost exclusively by midwives) through the Renaissance period (when midwives were considered witches and male surgeons took control), Blumenfeld-Kosinski . . . does more than provide [an] engrossingly accessible, historical account of the now-commonplace procedure--she unveils the roots of a medical misogyny that still prevails today. A richly cross-disciplined study utilizing depictions of Caesarean delivery in art, literature, and medical texts and illuminations (illustrations), [this book] is a captivating and revealing work that will be relished by readers of medical and cultural history, as well as by those who are interested in the subject of male dominance over women. Clean copy.

Softcover. Duke University Press, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 424 pages, 29 illustrations. Elvis Presley's television debut in January 1956 is often cited as the moment when popular music and television came together. Murray Forman challenges that contention, revealing popular music as crucial to television years before Presley's sensational small-screen performances. Drawing on trade and popular journalism, internal television and music industry documents, and records of audience feedback, Forman provides a detailed history of the incorporation of musical performances into TV programming during the medium's formative years, from 1948 to 1955. He examines how executives in the music and television industries understood and responded to the convergence of the two media; how celebrity musicians such as Vaughn Monroe, Frank Sinatra, and Fred Waring struggled to adjust to television; and how relative unknowns with an intuitive feel for the medium were sometimes catapulted to stardom. Forman argues that early television production influenced the aesthetics of musical performance in the 1940s and 1950s, particularly those of emerging musical styles such as rock and roll. At the same time, popular music helped to shape the nascent medium of television--its technologies, program formats, and industry structures. Popular music performances were essential to the allure and success of TV in its early years. Like new in publisher's shrinkwrap.

Hardcover. South Bend IN, Gateway Editions, 1st, 1978, Book: Very Good, Dust Jacket: Fair, Hardcover in an edgeworn, unclipped dust jacket. INSCRIBED BY EDITOR HARRISON on the title page. 628 pages, b&w illustrations. Thomas Cope was a wealthy merchant and ship owner, a force in city and state government, a philanthropist and--by no means least--a Quaker. He is best described in his own words about his writing and himself: "I have laid down no regular plan and I follow none. My diary is like myself, a chequered maze." He was committed to the service of others--the poor, the sick, the insane--and labored to improve the civic life of Philadelphia in far-sighted ways. He was a moving force behind the water system, a founder of the Mercantile Library, an advocate for the Penn. Railroad, and a supporter of poorhouses, among many other civic and philanthropic activities. He was also a deeply passionate man, whose fluent style at times seethes with emotion. Even into his eighties he struggled to control his temper. Perceptive and intelligently engaged, Cope comments on all the major historical events of his time, such as the yellow fever epidemics, the War of 1812, and the looming Civil War, as well as the more personal dramas of his own life. Some tape repairs ro dj, clean copy.

Softcover. Rochester NY, University of Rochester Press, reprint, 1994, Book: Very Good, Dust Jacket: None, Softcover, 539 pages. The essays in this collection illustrate the interdisciplinary approach to the history of ideas fostered by the Journal of the History of Ideas. Science, philosophy and religion were closely connected in the 17th and 18th centuries, and common threads run through all the articles. A number of essays revolve around Locke: the implications of his doctrines for religion, and their relation to and support of the new science; several of these articles refer to Descartes, Leibniz andHume. There are essays on optics and vision in the work of Berkeley, Reid and Newton, and on the relation between biology and physiology, especially as these disciplines contribute to the science of man. The authors include HENRY GUERLAC, MARGARET C. JACOB, SHIRLEY ROE, L. LAUDAN, NICHOLAS JOLLEY, JAMES FORCE, G. A. J. ROGERS and CATHERINE WILSON. Name on front fly leaf, otherwise clean.

Softcover. Durham NC, Historic Preservation Society of Durham, reprint, 2001, Book: Good, Dust Jacket: None, Softcover, 229 pages, mild shelf wear. Piedmont Plantation tells the history of a unique plantation complex in North Carolina and of the Bennehan and Cameron families that owned and developed it. The narrative covers one hundred and fifty years and is based primarily on research in the many thousands of family papers deposited in the Southern Historical Collection at the University of North Carolina at Chapel Hill. Interwoven with the family history of four generations are descriptions of their slaves and overseers and of the buildings they erected and lived or worked in, all correlated with the agricultural enterprise that underpinned this 30,000-acre domain. Carefully researched, Piedmont Plantation will appeal to the specialist and general reader alike. Scholars looking for primary material will discover here much useful information as well as guideposts to additional sources. Originally published in hardcover in 1985. Clean copy.

Hardcover. NY, Doubleday, Doran & Co., 2nd pr., 1942, Book: Very Good, Dust Jacket: None, Hardcover, red cloth, 332 pages, endpapers map, frontis photo of B-18s flying over Owahu, 5 other b&w plates. Spine cloth and lettering faded, otherwise clean and tight.

Hardcover. Indiana University Press, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 475 pages. Rembrandt's stunning religious prints stand as evidence of the Dutch master's extraordinary skill as a technician and as a testament to his genius as a teller of tales. Here, several virtually unknown etchings, collected by the Feddersen family and now preserved for the ages at the University of Notre Dame, are made widely available in a lavishly illustrated volume. Building on the contributions of earlier Rembrandt scholars, noted art historian Charles M. Rosenberg illuminates each of the 70 religious prints through detailed background information on the artist's career as well as the historical, religious, and artistic impulses informing their creation. Readers will enjoy an impression of the earliest work, The Circumcision (1625-26); the famous Hundred Guilder Print; the enigmatic eighth state of Christ Presented to the People; one of a handful of examples of the very rare final posthumous state of The Three Crosses; and an impression and counterproof of The Triumph of Mordecai. From the joyous epiphany of the coming of the Messiah to the anguish of the betrayal of a father (Jacob) by his children, from choirs of angels waiting to receive the Virgin into heaven to the dog who defecates in the road by an ancient inn (The Good Samaritan), Rembrandt's etchings offer a window into the nature of faith, aspiration, and human experience, ranging from the ecstatically divine to the worldly and mundane. Ultimately, these prints? modest, intimate, fragile objects?are great works of art which, like all masterpieces, reward us with fresh insights and discoveries at each new encounter. Clean copy.

Softcover. Washington DC, Island Press, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 337 pages. Repeat photography is a scientific technique in which photographs are taken from the same vantage point over different points in time. This text explores the technical and geographic scope of this method through a series of essays by 35+ scholars. Topics include techniques for creation and analysis of repeat photographs, applications in the geosciences, population ecology, and ecosystem change. Thirty two pages of color photographs are included. Clean copy.

Hardcover. London, Jonathan Cape, 1st, 1954, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket. An English clergyman who was also Naval Chaplain, aircraftman, schoolmaster, barman, and hotel manager recounts a eventful life writing from a remote part of Ireland. Clean copy.

Hardcover. NY, Random House, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The New Yorker magazine named Matt Klam one of the twenty best young writers in America, and the seven stories that comprise Sam the Cat are all the proof we need. Knowing, perceptive, and wickedly funny, Matt Klam loves his characters but spares them nothing: the swaggering womanizer Sam falls in love with a woman across a crowded room who, upon closer inspection, turns out to be not quite what he expected; a self-doubting young professional attends the posh wedding of his successful friend and delivers a disastrous toast; the chicken one man's girlfriend is preparing for dinner comes to embody the darkly corrosive element in their relationship. These stories crackle with humor, intelligence and style and add up to an outrageously funny, unforgettable debut. Clean copy.

Hardcover. London, Cecil Woolf , 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 80 pages, b&w illustrations by Brigid Peppin

Hardcover. NY, Abbeville Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, in a bright unclipped dust jacket. A one-of-a-kind collection of movie posters spanning fifty years, from silent films to Cinemascope For four decades film historian Ira M. Resnick has been amassing a superb collection of 2,000 vintage movie posters and 1,500 stills, which has never before been published. Starstruck: Vintage Movie Posters from Classic Hollywood features the best of Resnick's collection, with vivid reproductions of 250 posters and forty stills from the golden age of Hollywood, 1912 to 1962.In a moving introduction, Resnick relates how his love of vintage movie art translated into a career as a collector and the founder of the Motion Picture Arts Gallery, the first gallery devoted exclusively to the art of the movies. Resnick's firsthand account offers entertaining anecdotes about how he managed to acquire such stellar film artwork, as well as historical information about the stars and films shown on the pieces he collected. Guiding the reader through the best posters and stills of his collection, Resnick provides a tour of cinematic history, starting in the silent film era and continuing up to Breakfast at Tiffany's (1961). By showcasing several posters for each performer--such as Lillian Gish, the Marx Brothers, Marilyn Monroe, John Barrymore, and Audrey Hepburn--Resnick offers a unique method of charting the evolution of each movie star's career. Still like new in publisher's shrinkwrap. NOTE: Due to size and weight DOMESTIC SHIPPING ONLY.

Hardcover. NY, MacMillan Company, 1st US, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 312 pages. Includes footnotes, bibliography, and index. Foreword by Stephen Spender. A narrative study of the troubling phenomenon why many European intellectuals and artists were drawn to and embraced Fascism during the period between the world wars. This conundrum may find expression today. Clean copy.

Hardcover. NY, Abrams, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover, slipcase edition. Celebrate 30 years of DreamWorks Animation's visually rich worlds with this luxurious edition of the studio's artistic achievements in both film and television Brimming with rare concept art, preproduction designs, and character sketches, this comprehensive collection offers behind-the-scenes access to the DreamWorks archives. Featuring a foreword from Cameron Diaz, along with insider anecdotes and perspectives from actors, directors, producers, and artists, 571 pages in color. Over the past 30 years, the premier studio has produced some of the most groundbreaking and illustrious animated movies of all time, such as Shrek, Trolls, Kung Fu Panda, How to Train Your Dragon, The Bad Guys, Madagascar, and the newest addition, The Wild Robot, as well as acclaimed TV shows, such as Gabby's Dollhouse, Jurassic World: Camp Cretaceous, Trollhunters, and Spirit Riding Freeamong many others. Like new, in publisher's shrinkwrap. Due to size and weight, DOMESTIC SHIPPING ONLY.

Softcover. Durham NC, Duke University Press, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 384 pages. Noel Burch and Genevieve Sellier adopt a sociocultural approach to films made in France before, during, and after World War II, paying particular attention to the Occupation years (1940-44). The authors contend that the films produced from the 1930s until 1956--when the state began to subsidize the movie industry, facilitating the emergence of an "auteur cinema"--are important, both as historical texts and as sources of entertainment.Citing more than 300 films and providing many in-depth interpretations, Burch and Sellier argue that films made in France between 1930 and 1956 created a national imaginary that equated masculinity with French identity. They track the changing representations of masculinity, explaining how the strong patriarch who saved fallen or troubled women from themselves in prewar films gave way to the impotent, unworthy, or incapable father figure of the Occupation. After the Liberation, the patriarch reemerged as protector and provider alongside assertive women who figured as threats not only to themselves but to society as a whole. Still in publisher's shrinkwrap.

Hardcover. Last Gasp, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 288 pages. Illustrated with photographs and back and white illustrations. Introduction by Drew Friedman. Fantastic reference work on the history and back story of the creation of R. Crumb's legendary humor comics anthology.

Hardcover. NY, Holt, Rinehart and Winston, 1st US, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 231 pages, richly illustrated, primarily in color. This book is filled with gorgeous color illustrations. 1486 species illustrated, nomenclature edited by Douglas Kent. Clean copy.

Hardcover. NY, Aperture, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 112 pages. Clean copy.

Hardcover. Cambridge MA, Harvard University Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 592 pages. Alexander Herzen-philosopher, novelist, essayist, political agitator, and one of the leading Russian intellectuals of the nineteenth century-was as famous in his day as Tolstoy and Dostoevsky. While he is remembered for his masterpiece My Past and Thoughts and as the father of Russian socialism, his contributions to the history of ideas defy easy categorization because they are so numerous. Aileen Kelly presents the first fully rounded study of the farsighted genius whom Isaiah Berlin called "the forerunner of much twentieth-century thought." In an era dominated by ideologies of human progress, Herzen resisted them because they conflicted with his sense of reality, a sense honed by his unusually comprehensive understanding of history, philosophy, and the natural sciences. Following his unconventional decision to study science at university, he came to recognize the implications of early evolutionary theory, not just for the natural world but for human history. In this respect, he was a Darwinian even before Darwin. Clean, bright copy.

Hardcover. NY, The Viking Press, 1st, 1983, Book: Very Good, Dust Jacket: None, Bright glossy color illustrated boards. All pop-ups and moving parts very good. Bright color illustrated pages. 12 pages. A well preserved copy of the 1st printing of this higHly regarded mechanical book on the human body. Name on the first page, otherwise clean

Hardcover. NY, D. Appleton-Century, 1st, 1940, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 282 pages. The author (1870-1942) was born in Shelbyville, Kentucky at the home of her grandfather, but lived in Louisville all of her life. Her first novel "Mrs. Wiggs of the Cabbage Patch" was an overnight success, making her immediately famous. It had a remarkable publishing history, remaining on the best seller list for two years, going through more than a hundred printings, was made into a movie four times, and ran on Broadway for seven seasons. THE INKY WAY, her last book, published two years before her death, is her autobiography.