Hardcover. NY, Farrar & Rinehart, 1st, 1937, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. Historical novel of a Boston pastor drawn into the Abolitionist movement. Bookplate on inside front cover, otherwise clean.
Hardcover. NY, W.W. Norton & Company, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. B&w illustrations by Lonette Reisie. The author's grandmother's story about walking on an iceberg in the Baltic Sea.
Hardcover. Chicago, American Photo-Engravers Association, 1st, 1927, Book: Very Good, Dust Jacket: None, Hardcover, simulated leather decorated in blind and stamped with a red and yellow eagle on the front cover, top edge gilt. 488 pages.A massive compendium of articles and illustrations concerning the arts of photo-engraving and printing. Numerous printers submitted various inserts that to the Photo-engraver's and Printer's Union for compilation in this huge book. Hundreds of inserts from printers across the country reflect everything from black and white to eleven color zinc plate printing. This work offer a nice overview of the various printing techniques of the early twentieth century. Publisher's rare prospectus laid-in. DOMESTIC SHIPPING ONLY.
Hardcover. Seattle, Fantagraphics Books, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. In the vein of earlier comics-to-multimedia stars Buck Rogers and Flash Gordon, Atlas Comics launched their own pulp hero in 1951, looking ahead to the futuristic year 2000. Across five issues of Space Squadron (and one of Space Worlds), headline talents including George Tuska, Werner Roth and Allen Bellman (with back-up features by Joe Maneely, Christopher Rule, George Klein and Vern Henkel) showed Captain Jet Dixon and his Space Squadron blasting into action, facing cosmic threats like "The Armada of Death," "The Space Demons," "Terror from the Deep," "The Temptress of Jupiter," and "The Midnight Horror." Come 1953, Hank Chapman and Joe Maneely gazed further into the future, envisioning the distant year 2075 and the adventures of Speed Carter, Spaceman. Scripted throughout by Chapman, Maneely launched and drew the first three issues before handing off one issue each to Mike Sekowsky, George Tuska and Bob Forgione, with back-up features by John Romita, Maneely, and Bill Savage. As other aspects of the Atlas line leaned into the peak of pre-Code horror, the Captain of the Space Sentinels and young cadet Johnny Day battled monstrous aliens with stories including "The Space Trap," "A Slaughter in Space," "Die, Spaceman, Die," and "The Thing in Outer Space." Unseen in 70 years, scanned in high resolution, restored to perfection and packaged as one extra-sized, beautiful hardcover volume, In the Days of the Rockets! will open a wormhole to the early cold-war four-color era of futuristic science fantasy.
Hardcover. Camden ME, Down East Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. What happens to the denizens of the tidal zone when the sea recedes every 12 hours? This is the question that Hodgkins answers in a playful yet instructive way. Children are introduced to crabs, sea urchins, mussels, sea worms, starfish, lobsters, periwinkles, and other creatures that must adapt to constantly changing conditions. Color illustrations by Jim Sollers.
Hardcover. NY, E P Dutton & Co., 1st US, 1960, Book: Very Good, Dust Jacket: Very Good, Hardcover with a bright dust jacket with matching pictorial boards, Illustrated in color by Derrick Sayer. First American edition. Delightfully witty and utterly absorbing tales about Nichols' three cats, Four, Five, and Oscar. Clean, bright copy.
Hardcover. Boston, Houghton Mifflin, reprint, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. $3.50 on flap, no date on title page, so assumed reprint. B&w illustrations by W.T. Mars. Short repaired tear, light chipping to dust jacket, clean copy. Newbery Award-winning author Elizabeth George Speare adapted the true account by Charlestown NH colonial settlers for this youth historical fiction. The lead character was developed from the imagined adventures of Miriam Willard, younger sister to Susanna Johnson. Set on the brink of the French & Indian War, the Johnson family was captured and marched to the French enclave in Montreal, where they were sold. Susanna wrote her account when she was 70.
Hardcover. NY, W. W. Norton & Company, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 606 pages. In this definitive biography of Chester B. Himes (1909-1984), Lawrence P. Jackson uses exclusive interviews and unrestricted access to Himes's full archives to portray a controversial American writer whose novels unflinchingly confront sex, racism, and black identity. Himes brutally rendered racial politics in the best-selling novel If He Hollers Let Him Go, but he became famous for his Harlem detective series, including Cotton Comes to Harlem. A serious literary tastemaker in his day, Himes had friendships-sometimes uneasy-with such luminaries as Ralph Ellison, Carl Van Vechten, and Richard Wright. Jackson's scholarship and astute commentary illuminates Himes's improbable life-his middle-class origins, his eight years in prison, his painful odyssey as a black World War II-era artist, and his escape to Europe for success. More than ten years in the writing, Jackson's biography restores the legacy of a fascinating maverick caught between his aspirations for commercial success and his disturbing, vivid portraits of the United States. Clean copy.
Hardcover. San Francisco, Chronicle Books, 1st US, 1998, Book: Very Good, Dust Jacket: None, Hardcover in glossy pictorial boards. Juliette and her parade of stuffed animals prepare for this special holiday by choosing a tree, decorating the house, and baking cookies. Juliette explains that Santa will bring gifts for everyone, but when Christmas day arrives, she is so excited about her new presents she forgets all about her friends until she receives a special present that reminds her that friendship is the best gift of all. This delightful story, perfectly suited for the board book audience, captures the anticipationof Christmas and gently underscores the true spirit of the season. Clean copy.
Hardcover. Boston, Houghton Mifflin , 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages illustrated in color by Mary Azarian. Bright, unclipped dust jacket.
Softcover. Surrey UK, FAB Press, 6th pr., 2022, Book: Very Good, Dust Jacket: None, Softcover, 192 pages, b&w illustrations. A mind-melting compilation of gonzo writing, illustration and comics about the most insane, sexy, awkward, cheesy, hilarious, upsetting and jaw-dropping movies in the history of film, 'Cinema Sewer' joyously celebrates the sleaziest aspects of the moviegoing experience, whilst delving deep into bizarre cinematic history. Adults only material. Like new copy.
Softcover. Surrey UK, FAB Press, 4th pr., 2022, Book: Very Good, Dust Jacket: None, Softcover, 192 pages, b&w illustrations. A mind-melting compilation of gonzo writing, illustration and comics about the most insane, sexy, awkward, cheesy, hilarious, upsetting and jaw-dropping movies in the history of film, 'Cinema Sewer' joyously celebrates the sleaziest aspects of the moviegoing experience, whilst delving deep into bizarre cinematic history. Adults only material. Like new copy.
Hardcover. Oxford UK, Clarendon Press, 1st, 1935, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine, pages 349-708. A clean, tight copy. Volume 2 only of a two volume set.
Hardcover. Toronto, University of Toronto Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, pages 279-774. The aim of Erasmian education was a civilized life, expressed in Christian piety and the fulfillment of public and private duties and embellished by learning and literature. Towards these ends the soundest training for youth was what Erasmus often called bonne litterae, 'good letters,' a literary and rhetorical training based on Greek and Latin authors. The two works presented here in annotated translations are characteristic expressions of his dedication to learning and his confidence in the values of classical literature for the modern world of his time. Clean copy.
Hardcover. Geneva, Labor et Fides, 1st, 1960, Book: Very Good, Dust Jacket: None, Epitre aux Romains. Texte etabli par Jules-Marcel Nicole avec la collaboration de Pierre Marcel et de Michel Reveillaud. Edition nouvelle publiee par la Societe Calviniste de France. Hardcover, gold cloth stamped in gilt, 380 pages. FRENCH TEXT. Name on front fly leaf otherwise clean.
Hardcover. NY, Charles Scribner's Sons, 1st, 1933, Book: Good, Dust Jacket: None, Hardcover, red cloth with cover and spine lettered in gilt, 16 pages of b&w plates. Popular memoirs of Alice Roosevelt Longworth (1884-1980), eldest child of President Theodore Roosevelt and Alice Hathaway Lee Roosevelt. Rubbing and fading to boards and spine. Internally clean, Sound copy.
Softcover. Jefferson NC, McFarland & Company, 1st, 2015, Book: Very Good, Dust Jacket: None, Softcover, 222 pages. The changes Cuba experienced following the collapse of the Soviet Union compelled Cuban filmmakers to rethink the values developed after the 1959 Castro revolution. Long-forgotten genres re-emerged, established auteurs incorporated new aesthetics into their films and an influx of foreign capital led to the repackaging of revolutionary ideology into more visually attractive narratives. Films such as Alice in Wondertown (1991), Strawberry and Chocolate (1993) and Juan of the Dead (2011) stirred controversy, criticized revolutionary discourse and helped establish new models that allowed post-Castro cinema to find global audiences on an unprecedented scale. This book offers a detailed analysis of key post-Cold War Cuban films. Recurrent sociopolitical tropes are examined to reveal how Cuban cinema reflects the turbulent changes in the island.
Softcover. Durham NC, Duke University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 416 pages. Open from 1942 until 1945, the Hollywood Canteen was the most famous of the patriotic home front nightclubs where civilian hostesses jitterbugged with enlisted men of the Allied Nations. Since the opening night, when the crowds were so thick that Bette Davis had to enter through the bathroom window to give her welcome speech, the storied dance floor where movie stars danced with soldiers has been the subject of much U.S. nostalgia about the 'Greatest Generation.' Drawing from oral histories with civilian volunteers and military guests who danced at the wartime nightclub, Sherrie Tucker explores how jitterbugging swing culture has come to represent the war in U.S. national memory. Yet her interviewees' varied experiences and recollections belie the possibility of any singular historical narrative. Some recall racism, sexism, and inequality on the nightclub's dance floor and in Los Angeles neighborhoods, dynamics at odds with the U.S. democratic, egalitarian ideals associated with the Hollywood Canteen and the 'Good War' in popular culture narratives. Clean copy in publisher's shrinkwrap.
Softcover. Durham NC, Duke University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 416 pages. Open from 1942 until 1945, the Hollywood Canteen was the most famous of the patriotic home front nightclubs where civilian hostesses jitterbugged with enlisted men of the Allied Nations. Since the opening night, when the crowds were so thick that Bette Davis had to enter through the bathroom window to give her welcome speech, the storied dance floor where movie stars danced with soldiers has been the subject of much U.S. nostalgia about the 'Greatest Generation.' Drawing from oral histories with civilian volunteers and military guests who danced at the wartime nightclub, Sherrie Tucker explores how jitterbugging swing culture has come to represent the war in U.S. national memory. Yet her interviewees' varied experiences and recollections belie the possibility of any singular historical narrative. Some recall racism, sexism, and inequality on the nightclub's dance floor and in Los Angeles neighborhoods, dynamics at odds with the U.S. democratic, egalitarian ideals associated with the Hollywood Canteen and the 'Good War' in popular culture narratives. Clean copy in publisher's shrinkwrap.
Softcover. Burlington VT, University of Vermont, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 231 pages plus 9 pages of photos from the Leach family album. These 200+ letters were written during the Civil War to Leach's wife, Ann Leach, from June 1861 - June 1864. Leach's hometown was Fletcher, Vermont and many members of Fletcher, as well as surrounding towns of Fairfax and Fairfield, enlisted in what would become Company H of the 2nd Vermont Volunteer Infantry Regiment. It has been reported that during the Civil War, at least one out of every five military aged Vermont males served at some time. Leach gives his (and his Regiment's) opinion on the war as well as details history about developments, strategies, and occurrences. The close of the book also features 30+ pages titled "Who is Who." This is a large listing of Vermont Civil War soldiers, their rank, and details with dates (enlisted, commissioned, discharged, wounded, died, mustered, taken prisoner, etc.) INSCRIBED BY FEIDNER on the title page. Some sun fading to front cover, otherwise very good, clean. Newspaper review laid in.
Hardcover. New York , Henry Holt and Company, 1st, 1937, Book: Very Good, Dust Jacket: Good, Hardcover, 151 pages. 81 black-and-white wood engravings by Agnes Miller Parker. Dust jacket with light wear, chipping.on dust jacket. clean, tight copy.
Hardcover. London, Batsford, 2nd Ed., 1947, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 120 pages. Color frontis., many b&w photos and sketches. Bookplate on inside front cover, small note on half-title page, otherwise clean. A wonderful study of the historical small village house.
Hardcover. London, George Allen, 5th Ed., 1900, Book: Very Good, Dust Jacket: None, Hardcover, flexible black cloth with red and gilt stamping, edges stained red. 343 pages with a 10 page catalogue of Hare's other titles in rear. With 22 illustrations and a double page color map. Detailed information on the history and landmarks of Florence. Clean, bright copy of this vintage travel guide.
Hardcover. NY, Taschen, 1st thus, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 503 pages. Mark Rotenberg was inspired to begin collecting lost and forgotten erotic photographs after he stumbled upon over a thousand very graphic vintage photos in a dumpster in Brooklyn. His collection now tops out at about 95,000 photos covering the period from 1860 to 1960. This special 25th anniversary edition draws highlights from Rotenberg's collection of crazy hardcore photographs that would make your grandmother squirm. Adults only. Still in publisher's shrinkwrap.
Softcover. Durham NC, Duke University Press, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 331 pages. Based on her experiences as a stripper in a city she calls Laurelton-a southeastern city renowned for its strip clubs-anthropologist Katherine Frank provides a fascinating insiders account of the personal and cultural fantasies motivating male heterosexual strip club regulars. Given that all of the clubs where she worked prohibited physical contact between the exotic dancers and their customers, in G-Strings and Sympathy Frank asks what-if not sex or even touching-the repeat customers were purchasing from the clubs and from the dancers. She finds that the clubs provide an intermediate space-not work, not home-where men can enjoyably experience their bodies and selves through conversation, fantasy, and ritualized voyeurism. At the same time, she shows how the dynamics of male pleasure and privilege in strip clubs are intertwined with ideas about what it means to be a man in contemporary America. Franks ethnography draws on her work as an exotic dancer in five clubs, as well as on her interviews with over thirty regular customers-middle-class men in their late-twenties to mid-fifties. Clean copy.
Hardcover. Proctor VT, 1916, Book: Very Good, Dust Jacket: None, A unique personal diary filled with written entries, ephemera and photographs, all related to the Class of 1918 at Proctor High School in Vermont. Inscriptions and messages from teachers and classmates. Dozens of photographs, programs, clippings, tickets, etc. The owner, Nina Eckley (1900-1989) is listed in a couple school play programs. The "Commencement Memory Book" was published by Dodd Mead in 1916. This item captures the spirit of the times better than any scholarly work.
Hardcover. NY, Farrar Straus and Giroux, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 530 pages. A captivating exploration of A. E. Housman and the influence of his particular brand of Englishness. A. E. Housman's A Shropshire Lad made little impression when it was first published in 1896 but has since become one of the best-loved volumes of poetry in the English language. Its evocation of the English countryside, thwarted love, and a yearning for things lost is as potent today as it was more than a century ago, and the book has never been out of print. In Housman Country, Peter Parker explores the lives of A. E. Housman and his most famous book, and in doing so shows how A Shropshire Lad has permeated English life and culture since its publication. Clean copy.
Hardcover. Seattle, University of Washington Press, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. First edition. Introduction by Margery Mann. Small quarto. Illustrated with 94 photographs. Clean copy.
Hardcover. Hanover NH, University Press of New England, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 362 pages. This is the first full-scale biography of Nathan Smith -- medical pioneer, founder of Dartmouth Medical School and cofounder of three other medical schools (Yale, Vermont, and Bowdoin), and progenitor of a long line of physicians. Smith was a central figure in early American medical education, from 1787 when he began practicing in New Hampshire, to his death in New Haven in 1829. In his day, Smith was probably the nation's leading physician, surgeon, and medical educator, and well ahead of his time in insisting that doctors practice "watchful waiting" and emphasizing patient-centered care. In the process of telling Smith's life and story, authors Hayward and Putnam fill out in new ways the picture of medical treatment and medical education in post-Colonial America.
Hardcover. London, Stanley Paul, reprint, nd, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering and design on spine. Frontispiece portrait of the author. Society novel, 159 pages.Translated from the Polish by S.C. de Soissons. De Soissons also provides a eulogistic 5 page introduction.
Hardcover. London, Allen Lane, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 484 pages. INSCRIBED BY RAJ PATEL on the title page. "Physician Marya, cofounder of the Do No Harm Coalition, and University of Texas research professor Patel (The Value of Nothing) examine the social and environmental causes of ill health in this thought-provoking treatise . . . a persuasive argument for the need to address the systemic problems that plague people's minds and bodies." Clean copy.
Hardcover. NY, Alfred A. Knopf, 1943, Book: Very Good, Dust Jacket: Good, Hardcover in a worn dust jacket, 138 pages. B&w drawings by Major Donald L. Dickson, USMC. Edition not stated but 1943 on title page. "On the eighth day of October in the first year of our war, I went down into a valley with Captain Charles Rigaud of the United States Marines. A small skirmish took place down there. The Valley was on Guadalcanal Island, but it might have been anywhere. The skirmish was just an episode in an insignificant battle." Hersey's second book.
Softcover. San Francisco, Chronicle Books, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 133 pages illustrated in color. This lavishly illustrated volume offers a unique survey of Italian commercial graphic design during a period of both creative artistic vitality and extreme political turmoil. The first English-language book to showcase the bold typography and streamlined imagery of modern Italian design motifs on commercial products of the day, this fascinating and important resource for designers, history buffs, and collectors includes a discussion of the Futurist influence on the Italian Art Deco style and the success of such individualized expression despite a ruthless Fascist regime. Clean copy.
Hardcover. NY, Rizzoli International, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover, black cloth stamped in white. 192 pages, illustrated throughout in color. This Brant Foundation exhibition partially restages three of the artist's critical early shows, including an exhibition of the artist's paintings and drawings of heads at Robert Miller Gallery; his most important canvases from Gagosian Gallery's 1982 show in Los Angeles; and Basquiat's solo show at Fun Gallery in the East Village. Buchhart also considers in-depth the artist's so-called stretcher bar paintings, in which the normally hidden wooden supports for stretched canvases are exposed, works that have yet to be explored at length by scholars.
Hardcover. NY, Alfred A. Knopf, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 430 pages. The titanic choreographer, creator of memorable ballets, master of Broadway musicals, legendary show doctor and director, now revealed in his own words--the closest we will get to a memoir/autobiography--from his voluminous letters, journals, notes, diaries, never before published. Robbins was famous for reinventing the Broadway musical, creating a vernacular American ballet, pushing the art form to new boundaries where it had never gone before, integrating dance seamlessly with character, story and music, and as Associate Artistic Director, Ballet Master, and Co-Artistic Director, with George Balanchine, shaping the New York City Ballet with daring and brio for more than five decades through his often startling choreography in ballet's classical idiom. He was known as the king of Broadway, the most sought-after director-choreographer and show doctor who gave shape to On the Town (1944), Call Me Madam (1950), The King and I (1951), Wonderful Town (1953), Peter Pan (1954), The Pajama Game (1954), Silk Stockings (1955), West Side Story (1957), Gypsy (1959), A Funny Thing Happened on the Way to the Forum (1962), Funny Girl (1964), Fiddler on the Roof (1964), and many other classic musicals, winning four Tony Awards, two Oscars, and an Emmy. He shocked and betrayed those he loved and worked with by naming names to the House Un-American Activities Committee. ("I betrayed my manhood, my Jewishness, my parents, my sister," he wrote in a diary. "I can't undo it.") Clean, bright copy.
Softcover. Baltimore MD, Maryland Historical Society, 1st, 1987, Book: Very Good, Dust Jacket: None, Pictorial wraps with color illustration and white lettering; 173 pages. 45 color, 88 b&w plates. Exhibition catalogue lists 83 extensively annotated works, and a Supplemental Catalogue lists an additional 13 works. Selected bibliography and short-list of titles. Each essay includes extensive notes. The definitive work on the early Afro-American portrait painter. Published to accompany the exhibition held in Baltimore, MD: Maryland Historical Society, Sept. 26, 1987 to Jan. 3, 1988, three other locations. Scarce. Previous owner's stamp and bookplate, short inscription on inside front cover. Related clipping, brochure laid in.
Hardcover. Cleveland, World Publishing, 1st, 1959, Book: Very Good, Hardcover in a lightly worn, price-clipped dust jacket, mild soil to rear panel. In-depth biography of the author most well known for 'The Wind In The Willows', which also includes extensive information on the societal changes of the time. 399 pages with Index, Bibliography, and Notes, 6" X 8-3/4", several black and white photos through the text. There is small discard stamp on front fly leaf, no other markings.
Hardcover. NY, The Limited Editions Club, 1st thus, 1962, Book: Very Good, Dust Jacket: None, Hardcover Limited edition (No. 1075 of 1500 copies). Signed by the illustrator on the Limitation Page. Quarter bound in publisher's brown leather over gilt embossed khaki boards, gilt lettering and decoration on spine, gilt mystic maze decoration on covers. Illustrated with 16 full-page, full-color plates (including two double-page spreads) hand-colored by Frank Hudec, as well as in-text drawings, historiated initials, and head and tail-pieces by Robin Jacques. Introduction by Charles Edmund Carrington. Slipcase with light wear, soil. Book very good with a mild misty odor.
Hardcover. London, The Cresset Press, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear. 297 pages + 26 b&w plates. English language edition. Translated from the German and with an introduction by Innes and and Gustav Herdan. Contains very clever and funny remarks on Hogarth's engravings by an 18th century German professor of physics. Small owner's stamp on front fly leaf, otherwise clean.
Hardcover. NY, Harcourt, Brace and World, 1st, 1962, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket. A large and lovely appreciation of London, with text by Pritchett and photographs throughout by Evelyn Hofer, which capture the look of London in the early 1960s. The photographs include 18 pages in full color and 111 pages in monochrome gravure. There is a bookplate on the inside cover, a small stamp to the half-title page, and a crease to the dj flap. The interior of the book is clean and tight.
Hardcover. Baton Rouge, Louisiana State University Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 175 pages, b&w illustrations. Vermont-native Twitchell sets out from his current home in Florida on the inauguration day of America's first black president to find the "real" South and to try to understand the truth about his illustrious ancestor. He travels in an RV from Georgia's Okefenokee Swamp across Alabama and Mississippi to Coushatta, Louisiana. As he drives through the heart of Dixie, Twitchell sorts through the prejudices he learned from his northern rearing. In searching for the culture he had held at arm's length for so long, he tours small-town southern life -- in campgrounds, cotton gins, churches, country fairs, and squirrel dog kennels -- and uncovers some fundamental truths along the way. Notably, he discovers that prejudices of race, class, and ideology are not limited by geography. As one man from Georgia mockingly summed up North versus South stereotypes, "Y'all are rude and we're stupid." Unexpectedly, Twitchell also uncovers facts about his great-grandfather and sheds new light on his family's past. An enlightening, humorous, and refreshingly honest search, Look Away, Dixieland reveals some of the differences and similarities that ultimately define us as a nation. Clean copy.
Hardcover. NY, Studio / Viking Press, 1st US, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in an edgeworn, unclipped dust jacket. Oblong format. A collection of 90 black and white photographs commissioned by IBM "on man's continuing dialogue with machines." DOMESTIC SHIPPING ONLY.
Hardcover. NY, Whittlesey House, 4th pr., 1950, Book: Very Good, Dust Jacket: Very Good, Hardcover with a bright dust jacket that's price-clipped. 184 pages illustrated by Lee Townsend. Another story of Toby Clark and his Shetland Pony on a New England Farm. Clean copy.
Hardcover. Durham NC, Duke University Press, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with magenta gilt lettering on spine, 269 pages, b&w illustrations. Masculine Singular is an original interpretation of French New Wave cinema by one of Frances leading feminist film scholars. While most criticism of the New Wave has concentrated on the filmmakers and their films, Genevive Sellier focuses on the social and cultural turbulence of the cinemas formative years, from 1957 to 1962. The New Wave filmmakers were members of a young generation emerging on the French cultural scene, eager to acquire sexual and economic freedom. Almost all of them were men, and they wrote in the masculine first-person singular, often using male protagonists as stand-ins for themselves. In their films, they explored relations between men and women, and they expressed ambivalence about the new liberated woman. Sellier argues that gender relations and the construction of sexual identities were the primary subject of New Wave cinema.Sellier draws on sociological surveys, box office data, and popular magazines of the period, as well as analyses of specific New Wave films. No dust jacket, Clean copy.
Hardcover. NY, Ecco, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. For almost a decade, Claudia has counseled patients at Mercy Street, a clinic in the heart of the city. The work is consuming, the unending dramas of women in crisis. For its patients, Mercy Street offers more than health care; for many, it is a second chance. But outside the clinic, the reality is different. Anonymous threats are frequent. A small, determined group of anti-abortion demonstrators appears each morning at its door. As the protests intensify, fear creeps into Claudia's days, a humming anxiety she manages with frequent visits to Timmy, an affable pot dealer in the midst of his own existential crisis. At Timmy's, she encounters a random assortment of customers, including Anthony, a lost soul who spends most of his life online, chatting with the mysterious Excelsior11--the screenname of Victor Prine, an anti-abortion crusader who has set his sights on Mercy Street and is ready to risk it all for his beliefs. Clean, bright copy.
Hardcover. NY, Taschen, reprint, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 190 pages. A smaller edition of the book published in 2019. Rewind back to the midcentury, before the age of Instagram and Snapchat, where people were using 35mm cameras loaded with color film to document both monumental and mundane moments in their lives. They took pictures of their loved ones, their vacations, their celebrations. They memorialized the births of babies; a child in a cowboy outfit; a new color television set; sightseeing in National Parks; fishing trips; lazing on the beach; weddings; office parties; family reunions; holding hands, kissing and dancing. Imagining these lives and the possible stories that lie behind the images is what makes The Anonymous Project such a compelling journey into our past. Clean copy.
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