Hardcover. Ostfildern GR, Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 279 pages, illustrated in color and b&w. The work of Paul Klee (1879-1940) was deeply influenced by his passion for the theater. Throughout his life, the artist fervently attended theatrical performances, from the opera to puppet shows. Characters from plays or operas Hamlet, Falstaff, or Don Giovanni, for example populate his cryptic visual world. Various types of characters or theatrical elements, such as the clown or the mask, were firmly established themes in his pictorial repertoire. However, Klee primarily forged links between the theater and life, and in so doing, he took up the traditional theme of the world as a stage: people became actors or marionettes; theatrical events converged with scenes from everyday life. This publication sheds light on all of these aspects of Klee's captivation with the stage. A chronology reconstructs a panoramic view of his multifaceted experience with the theater. Selected works by contemporary artists make it clear that not only Klee was fascinated by the sharp-eyed perception of theatrical situations it is a topic that continues to engage artists even today. 394 plates, 212 in color. Clean copy. DOMESTIC SHIPPING ONLY.

Softcover. Washington DC, Smithsonian Institute, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 95 pages, b&w illustrations. Originally conceived to accompany the exhibition, Photographs from the National Portrait Gallery. Presents the development of photography accompanied by portraits illustrating various photographic techniques. Includes suggestions for organizing and maintaining a collection of prints. Clean copy.

Softcover. Durham NC, Duke University Press, 2012, Book: Very Good, Dust Jacket: None, Softcover, 387 pages. Pictures and Progress explores how, during the nineteenth century and the early twentieth, prominent African American intellectuals and activists understood photography's power to shape perceptions about race and employed the new medium in their quest for social and political justice. They sought both to counter widely circulating racist imagery and to use self-representation as a means of empowerment. In this collection of essays, scholars from various disciplines consider figures including Frederick Douglass, Sojourner Truth, Ida B. Wells, Paul Laurence Dunbar, and W. E. B. Du Bois as important and innovative theorists and practitioners of photography. In addition, brief interpretive essays, or "snapshots," highlight and analyze the work of four early African American photographers. Featuring more than seventy images, Pictures and Progress brings to light the wide-ranging practices of early African American photography, as well as the effects of photography on racialized thinking. Still in publisher's shrinkwrap.

Hardcover. NY, Harper's Magazine Press, BC Ed., 1974, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket, 271 pages. 1st edition, 1st printing with complete number line at the last rear paper of: 74 75 76 77 10 9 8 7 6 5 4 3 2 1. Lacks a price on unclipped jacket so an assumed Book Club Edition. Winner of the 1975 Pulitzer Prize for Nonfiction. B&w illustrations by Dillard. No markings.

Hardcover. New York, Dial Books or Young Readers, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, 336 pages. Hardcover with dust jacket. SIGNED BY KELLOGG WITH ILLUSTRATION ON FRONT FLY LEAF. Tight copy. Light edgewear to dust jacket.

Hardcover. New York , Rizzoli, 1st, 1997, Book: Very Good, Dust Jacket: Good, Hardcover, black cloth with gilt lettering, no dust jacket. The complete history of the legendary Pirelli Calendar. Launched in 1963 to a privileged shortlist of customers, the quality and creativity of Pirelli's photographers have made the limited-edition calendar a paradigm of the genre and a coveted collector's item. This volume contains all the calendars published since 1964--including the 1997 edition photographed by Richard Avedon--for a total of 264 full color images. 407 pages. Clean copy.

Softcover. University of Pittsburgh Press, reprint, 1999, Book: Very Good, Dust Jacket: None, Softcover, 91 pages. SIGNED BY COLLINS on title page. Collins's fourth book of poems, remarkable for their wry, inquisitive voice and their sheer imaginative range, these poems are probing explorations, journeys into the unexpected. Questions About Angels reinforces Collins's place among the most talented poets of this generation. Clean copy.

Hardcover. Chicago, M.A. Donohue & Company, reprint, 1930, Book: Good, Dust Jacket: Fair, 95 pages. Hardcover with dust jacket. Dust jacket has heavy chipping and wear. Small chunk missing from top, corners and bottom/top spine. Chipping to cover boards, light internal soil, gutter cracked on page 19.

Softcover. Madison WI, University of Wisconsin Press., reprint, 1999, Book: Very Good, Dust Jacket: None, Softcover, 254 pages. This is the life story of Rosa Cavalleri, an Italian woman who came to the United States in 1884, one of the peak years in the nineteenth-century wave of immigration. A vivid, richly detailed account, the narrative traces Rosa's life in an Italian peasant village and later in Chicago. Marie Hall Ets, a social worker and friend of Rosa&;s at the Chicago Commons settlement house during the years following World War I, meticulously wrote down her lively stories to create this book. Clean copy.

Hardcover. NY, Charles Scribner's Sons, 1st, 1943, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket. Clean copy.

Hardcover. NY, Julian Press, 1st, 1958, Book: Very Good, Dust Jacket: None, Hardcover, 207 pages. Black cloth with gilt lettering on spine, decorative device on front cover. According to his biographers, Freud was not comfortable in making hand passes and touching the subject, which were the (limited) techniques available at the end of the 19th century. Freud studied with Charcot and Bernheim (the two schools of thought which conflicted with each other), but later gave hypnosis up in favor of his free association technique. This book begins by discussing the reasons Freud did that. It states that Freud at the end of life regretting not using hypnosis more. His followers balked at hypnosis, erroneously believing the cures were temporary since the ego was being bypassed (and their theoretical beliefs required the ego to be the agent). But this book reveals that Freud did not abandon hypnosis for the reasons commonly thought, and so it is essential reading for all students of Freud. The second part of the book goes into commentary on hypnosis in theory and practice. Small ink doodle to front fly leaf, otherwise clean.

Softcover. NY, W. W. Norton & Company, reprint, 1979, Book: Very Good, Dust Jacket: None, Softcover, 576 pages. Clean copy

Softcover. NY, American Italian Historical Assoc., 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 248 pages. This volume consists of a selection of 14 scholarly works examining the urban experience of Italian Americans in small towns and big cities, out of the approximately 60 stimulating papers presented at the 41st annual Conference of the American Italian Historical Association, held in 2008. Clean copy.

Hardcover. NY, Atheneum, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 181 pages. First appeared, in slightly different form, in The New Yorker. The traditional tale retold. In a series of short chapters the captious heroine is obliquely revealed as a woman regularly pleasured in a shower cubicle by the seven dwarves for whom she performs 'horsewifely' duties; the prince is a fop, and the stepmother is almost an incidental presence in relation to the potently amoral Hogo (one of several 'introduced' characters to the fable). Clean copy.

Hardcover. NY, Harper & Brothers, 3rd pr., Book: Very Good, Dust Jacket: None, Hardcover, dark blue cloth with yellow lettering on spin and front cover, 280 pages. Map endpapers, color frontis and 17 b&w illustrations by John Whiting. This is a fictional account of an Antarctic expedition that appears to be based on the Scott, Shackleton and with a little of the Byrd Little America 1928-30 expeditions. Includes a Forward by J. S. O'Brien, an engineer on the first Little America expedition commenting on the writing skills of the fictional "Jack Meredith" for "... the most realistic of any I have every read." Brief inscription on blank prelim page otherwise clean.

Hardcover. New Haven CT, Yale University Press, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 179 pages. From the prizewinning Jewish Lives series, a meditation on the deeply Jewish and surprisingly spiritual roots of Stan Lee and Marvel Comics Few artists have had as much of an impact on American popular culture as Stan Lee. The characters he created--Spider-Man and Iron Man, the X-Men and the Fantastic Four--occupy Hollywood's imagination and production schedules, generate billions at the box office, and come as close as anything we have to a shared American mythology. This illuminating biography focuses as much on Lee's ideas as it does on his unlikely rise to stardom. It surveys his cultural and religious upbringing and draws surprising connections between celebrated comic book heroes and the ancient tales of the Bible, the Talmud, and Jewish mysticism. Clean copy.

Hardcover. Terra Uitgeverij, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 248 pages. In the 60s and 70s, Amsterdam was the epicentre of new cultural development and a magnet for national and international celebrities. Dutch photojournalists Hans Sabel and Henk Daniels were on site to capture all events and advancements. 30 years of photojournalism has resulted in an archive of around 150,000 negatives. In cooperation with the heirs of the archive a selection of images has been brought together in this book. It offers many previously unpublished images, from Jacques Brel, Martin Luther King, John Lennon, Charles Aznavour, Elizabeth Taylor and Dutch celebrities like Johan Cruyff, princess Beatrix and prince Bernhard to Willeke Alberti. Starring Amsterdam is a unique photographic document from Amsterdam at a time when the city is alive and buzzing like never before. With a foreword by James Worthy and text by Joost Bastmeijer. Still in publisher's shrinkwrap.

Hardcover. NY, The Lyons Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 112 pages. A book of ninety exquisite and moving black & white photographs about the deep interior of the American West, stretching from the Mexican border to Montana. The world which photographer Lindy Smith has captured is a landscape of ranch-work, self-reliance and hard-won trust, a place as much defined by dogs, sheep, cattle and horses as by humans.

Hardcover. Boston, Bulfinch Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Large oblong hardcover in a lightly worn dust jacket. Features essays by Ian Frazier and Douglas R. Nickel. A powerful book of 60 color portraits from the photographer whose book "American Prospects" is widely considered a classic. Dust jacket with wear at corners, top and bottom of spine. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. NY, The Modern Library, reprint, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. Three novels in one volume: Young Lonigan (201 pages); The Young Manhood Of Studs Lonigan (412 pages); Judgment Day (465 pages). Farrell wrote these three novels at a time of national despair. During the Great Depression, many of America's most gifted writers and artists aspired to create a single, powerful work of art that would fully expose the evils of capitalism and lead to a political and economic overhaul of the American system. Farrell chose to use his own personal knowledge of Irish-American life on the South Side of Chicago to create a portrait of an average American slowly destroyed by the "spiritual poverty" of his environment. Both Chicago and the Irish-American Roman Catholic Church of that era are described at length, and faulted. Clean copy.

Softcover. NY, Picador/Farrar Straus Giroux, 1st US, 2022, Book: Very Good, Dust Jacket: None, Softcover, 398 pages, Illustrated in color and b&w. In 1922, Cyril Power, a fifty-year-old architect, left his family to work with the twenty-four-year-old Sybil Andrews. They would be together for twenty years. Both became famous for their dynamic, modernist linocuts-streamlined, full of movement and brilliant color, summing up the hectic interwar years. Yet at the same time, they looked back to medieval myths and early music, to country ways that were disappearing from sight. Jenny Uglow's Sybil & Cyril: Cutting Through Time traces their struggles and triumphs, conflicts and dreams, following them from Suffolk to London, from the New Forest to Vancouver Island. This is a world of futurists, surrealists, and pioneering abstraction, but also of the buzz of the new, of machines and speed, of shops and sport and dance, shining against the threat of depression and looming shadows of war. Remainder dot to top edge otherwise like new.

Softcover. Boston, MFA Publications, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 269 pages. Color and b&w reproductions of paintings throughout. A work issued in conjunction with an exhibition held in 1997, providing a survey of the extensive collection of paintings from China, including critical commentary on the work throughout, examining the cultural importance of the pieces discussed. 9 3/4" to 12" tall; interior is clean and unmarked.

Hardcover. NY, Simon and Schuster, 1st, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 301 pages. Stated First printing on copyright page, $5.95 price on front flap. A collection of articles written for The New Yorker 1958-1965. Some tanning to dj. small price stamp on front flap, otherwise clean.

Hardcover. Italy, NY University Casa Italiana Zerilli-Marimo, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, white pictorial boards with light gray cloth spine. 30 pages illustrated in color, several fold-out plates. Clean, bright exhibition catalog. Opening essay in Italian and English.