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Hardcover. NY, Gourmet , 1st, 1958, Hardcover, cream colored buckram with Italian crest to front and spine; gilt title to spine. 593 pages with b&w photographs and illustrations by the author. SIGNED BY CHAMBERLAIN on the front fly leaf. Recipes translated from the Italian and adapted by Narcissa Chamberlain. Samuel V. Chamberlain (1895-1975) was an author, illustrator, photographer and artist who occasionally wrote under the pseudonym Phineas Beck. His works include books on historical architecture, interiors, fashion illustration, and cookbooks. White cloth covers soiled, Interior clean.

Hardcover. Gottingen, Steidl Verlag, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 160 pages. Full-page color plates. INSCRIBED BY STILLINGS on the half title page with the photographer's business card laid-in. With ATACAMA, Jamey Stillings shares his distinctive aerial perspective to examine dramatic large-scale renewable energy projects, the visual dynamic of enormous mining operations and the stark beauty of the Atacama Desert, so often scarred by human activity. Chile produces a third of the world's copper and has the largest known lithium reserves, and we utilize these resources daily in our cars, computers and smartphones. The country's mining industry has traditionally been dependent on imported coal, diesel and natural gas for its energy. Yet the Atacama Desert has excellent solar and wind potential: new renewable energy projects there now supply significant electricity to the northern grid, transmit power to population centers in the south, and are reducing mining's dependence on fossil fuel. Wrap-around band laid-in. Clean, bright copy.DOMESTIC SHIPPING ONLY.

Softcover. Paris / London, Paul Holberton, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 216 pages in color. Jean Helion (1904-1987) became a leading member of the international Abstraction-Creation group in the early 1930s. He then took abstraction to New York, where he advised the avant-garde collector A. E. Gallatin on purchases for his Gallery of Living Art, a crucial influence on the early phases of the developing New York School. In France after World War II, however, he evolved a unique language of painting, employing people and objects that are both contructivist and naturalistic--his own language of signs populated by shop-window dummies, newspaper readers, and startling nudes. In his return to figuration he may be compared to his close friends Balthus and Alberto Giacometti, even though his style is unique. This book is the first in English on the artist for some thirty years. Mild crease to front cover, otherwise a clean, bright copy. DOMESTIC SHIPPING ONLY.

Hardcover. Boston, Little, Brown & Company , 1st US, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 194 pages. Translated by Ewald Osers. Clean copy.

Hardcover. New York, D. Appleton and Co, 1st, 1890, Book: Very Good, Dust Jacket: None, 273 pages. Hardcover with no dust jacket. Silver gilt ornate decoration on front and spine. Previous owner's stamp on front fly leaf. Light soil on bottom spine, and light edgewear on edges. A period story set in the Okefenokee Swamp with illustrations by E.W. Kemble, including three images showing black people, and one scene of a dog fighting a cougar.

Hardcover. NY, Tibor de Nagy Gallery, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, unpaginated, illustrated in color. Introduction by John Yau. Clean, bright copy of this exhibition catalog.

Softcover. Fort Worth TX, Amon Carter Museum, 1st, 1986, Book: Good, Dust Jacket: None, Softcover in sun faded wraps, 339 pages. Laura Gilpin (1891-1979) was a photographer of the American Southwest for over sixty years. She was intrigued by the Navajo Indians but also made excursions to other parts of the United States and to Yucatan as well as documenting life during the Great Depression. The book accompanied a retrospective exhibition and includes a chronological bibliography of her other exhibitions and published work. 167 superb full-page reproductions in tritone, color and duotone. Paper cover with wear, inside bright and clean. DOMESTIC SHIPPING ONLY.

Hardcover. Philadelphia, David McKay, 1st thus, 1900, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with gilt lettering and black stamped detail to front board, gilt decorative detail/ lettering to spine, top edge gilt, portrait frontispiece with facsimile signature and dedication to David McKay with tissue guard, 2 pull-out sections of facsimile handwritten autobiography notes by author. Bright, clean copy.

Hardcover. London, George Allen & Unwin Ltd., 2nd pr., 1947, Book: Good, Dust Jacket: None, Hardcover in light tan cloth with red lettering to the spine, 361 pages. Although the life of London runs like a thread through the whole fabric of this book, it is not essentially a book about London. Life in Bloomsbury is but the center of a large circle, the point around which the rest of the book revolves, the origin of a disarming commentary on an infinite variety of topics - on Bloomsbury's squares, on the picturesqueness of London a generation ago, on what is true Cockney, on the differences of English and American humor, on the decay of English wit, on books and authors and publishers and the Press, on the literary lions of the past, on the religion of speed, on the charm of Americans, on how the Victorian age was neither so repressed nor so hidebound as most people today like to believe - and so on, one thing leading to another, like good conversation at a good luncheon overlooking the mellow squares of Bloomsbury. The book is full, too, of good stories and reminiscences, both humorous and pathetic, but there is shrewd comment besides on the deficiencies of contemporary society, not the less effective because the author knows how to soften the blow. Mild soil, sunning to covers, clean copy.

Hardcover. Osterfildern GR, Cantz, 1st, 1995, Book: Very Good, Dust Jacket: Good, Hardcover, 184 pages with 140 b&w images by Stock. A monograph surveying Stock's career from the 1950s through the 1970s. Photographs and introduction by Dennis Stock (1928-2010); essay by Richard Whelan. This is dual language German/English book containing the photographic works of Stock. Covers his years as photojournalist, refugees, jazz, James Dean, Hollywood, Hippies, being on the road and California. Biography list of photos and places taken. Dust jacket with several closed tears, interior clean, very good.

Hardcover. NY, The Viking Press, 6th pr., 1971, Book: Very Good, Dust Jacket: Fair, Hardcover in a bright, but chipped and worn dust jacket, 56 pages. Green cloth cover with a line drawing of a girl on a horse on the front, with brightly printed endpapers and full page color illustrations of Bemelman's charming paintings throughout. This was the authors fourth (4th) title in the "Madeline" series of seven titles. Small stain to dust jacket at the bottom of the spine. Internally clean and bright.

Hardcover. NY, The Viking Press, 12th pr., 1971, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, but chipped dust jacket with Caldecott sticker, 56 pages. Green cloth cover with a line drawing of Madeline in water with her dog. Brightly printed enpapers and full page color illustrations of Bemelman's charming paintings throughout. Madeline is saved from drowning by a dog who then returns with the girls and Miss Clavel. Wouldn't you know it, the dog will need the help of Madeline and her friends very soon after. Awarded the Caldecott Medal for 1954. No markings.

Hardcover. New York, E.P. Dutton, 1st, 1966, Book: Good, Dust Jacket: Good, 120 pages. Hardcover with dust jacket. Gutter cracked in preliminary pages. SIGNED ON HALF TITLE PAGE BY AUTHOR. Dust jacket shows chipping and small tears. Small sticker on front end paper bottom.

Softcover. Paris, Sodicart and Carla Arigoni, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog, color illustrations, 130 pages. FRENCH TEXT. Clean, like new.

Softcover. Santa Rose CA, Black Sparrow Press, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 198 pages. INSCRIBED BY WAKOSKI on the title page to author and teacher Paul Christensen, Clean copy.

Softcover. Merrick NY, Cross-Cultural Communications, 1st pbk, 2006, Book: Very Good, Dust Jacket: None, Softcover, 48 pages. Edited and translated from the Italian by Stanislao G. Pugliese. Ignazio Silone, anti-fascist and founding member of the Italian Socialist Party (PSI) offers a politically conscious and soul searching memoir which details his own PSI activities and the various factors engendering the "necessity for action on behalf of liberty and democracy among the working classes." Over the course of his political career, Silone wrote a number of fiction and non-fiction works, and was imprisoned in Italy, France, Spain, and finally in Switzerland where he composed this memoir in 1942. Often compared with Andre Malraux and Albert Camus, Silone was awarded an honorary degree by Yale University, was a recipient of the Jerusalem Prize, and was twice considered for the Nobel Prize in Literature. INSCRIBED BY PUGLIESE on the title page. Clean copy.

Hardcover. Boston, Houghton Mifflin, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 96 pages. Hardcover with dust jacket. SIGNED BY AUTHOR ON HALF TITLE PAGE. An author and artist who has continually stripped away the mystique of architectural structures that have long fascinated modern people, David Macaulay here reveals the methods and materials used to design and construct a mosque in late-sixteenth- century Turkey. Clean, tight copy with minor rubbing to edges.

Hardcover. Minneapolis, Milkweed Editions, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 252 pages. Some color photos. When National Geographic Adventurers of the Year Amy and Dave Freeman marry, they set out on an unusual honeymoon: a three-year, 12,000-mile journey across North America. From Alaska's Inside Passage to Florida's Key West, they traverse the continent by kayak, canoe, dogsled, and skis, encountering wildlife, sublime landscapes, and harrowing challenges.Along the way, the Freemans also bear witness to environmental degradation and climate change--from plastic-covered beaches to forest fires to retreating glaciers. And as they engage with Native and rural communities most impacted by the changes resulting from modern industrial society and meet individuals and organizations dedicated to protecting the natural world, their adventure deepens in ways they never imagined. Clean copy.

Softcover. Toronto, Between the Lines, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 134 pages, b&w illustrations. SIGNED BY PIETROPAOLO on the title page and also INSCRIBED on the front fly leaf. This collection of stunning photographs and inspired commentary documents the lives of Italian immigrants to Toronto. Award-winning photographer and cultural historian Vincenzo Pietropaolo has spent much of his life taking pictures inside the tightly knit Italian-Canadian community. While the images in this book are part of the fabric of life in Toronto, they transcend the specificity of place to evoke the lives of immigrants in cities around the world. Clean copy.

Hardcover. Washington DC, War Department, 1st, 1905, Book: Very Good, Hardcover, Large folio volume (17x12 inches) in pebbled red embossed cloth with gilt lettering, modest wear at the extremities with bottom corners bumped. Marbled edges, 584 pages. Hundreds of woodcut illustrations with no stains or flaws. Massive work which reproduces hundreds of black and white engravings of the Civil War. The illustrations originally appeared in Leslie's Magazine during the war. Narrative and descriptions by John Clark Ridpath, Rossiter Johnson, General Fitzhugh Lee, General John T. Morgan, George L. Kilmer, General Joseph B. Carr. No makings. DOMESTIC SHIPPING ONLY.

Softcover. Albuquerque, University of New Mexico Press, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, oblong format, color photos. The end of the twentieth century represents an unsettled time, and the contemporary Southwest, as seen by Virgil Hancock III in these fifty-two exquisite color photographs, is a strange place full of omens and signs. His images peer beyond the scenery, beyond the tourism-council view of this region as a storied land of golf courses and climate-controlled shopping centers. He gets at the soul of the Southwest, of the nation, and, in his best photographs, at the human condition itself, seizing on the accidental symbols that speak to our yearnings and shortfalls: skyward-pointing arrows and crosses and dreams just beyond reach at Indian casinos, failed department stores, retirement cities. He photographs signs of the violence that has been endemic to the region and shows us ruins, not of the Anasazi or Spanish missions, but of commercialization, scarcely twenty years old, already gone belly-up.

Hardcover. Boston, David R. Godine, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 391 pages. INSCRIBED BY PAYNE on the half-title page and also SIGNED on the title page. In Orion on the Dunes, the first biography of Beston, scholar Daniel Payne-granted unrestricted access to the writer's archives and drawing on interviews with friends and family-has crafted a scrupulously researched narrative; one presenting a masterful portrait that traces the intellectual growth and tumultuous life of a vital American writer whose work and thought have exerted a tremendous pull on poets, naturalists, and novelists alike. This is the story of a life, at once hidden and transparent, that is here finally revealed. Clean copy.

Hardcover. NY, Hyperion, 2nd Ed., 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. Canemaker's second volume on Disney animation (his first was Before the Animation Begins, pub. 11/15/96) covers new territory. Focusing on the birth and progression of the storyboard method, the noted animator/historian explores both the history and the personalities of the Disney storyboard department. He takes readers from the early Disney days (when Walt created the storyboard to add depth and substance to the animated shorts the early studio produced) to today (when ever-changing teams of story specialists gather material and prepare sequence drawings before artists flesh out those Disney masterpieces). Along the way, Canemaker reveals the human effort required to bring an animated film to life and throws in juicy tidbits garnered from his interviews with animation pioneers. Lavish illustrations accompany the text. Recommended for larger public libraries and essential for collections in film and animation history.

Hardcover. Ostfildern GR, Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 279 pages, illustrated in color and b&w. The work of Paul Klee (1879-1940) was deeply influenced by his passion for the theater. Throughout his life, the artist fervently attended theatrical performances, from the opera to puppet shows. Characters from plays or operas Hamlet, Falstaff, or Don Giovanni, for example populate his cryptic visual world. Various types of characters or theatrical elements, such as the clown or the mask, were firmly established themes in his pictorial repertoire. However, Klee primarily forged links between the theater and life, and in so doing, he took up the traditional theme of the world as a stage: people became actors or marionettes; theatrical events converged with scenes from everyday life. This publication sheds light on all of these aspects of Klee's captivation with the stage. A chronology reconstructs a panoramic view of his multifaceted experience with the theater. Selected works by contemporary artists make it clear that not only Klee was fascinated by the sharp-eyed perception of theatrical situations it is a topic that continues to engage artists even today. 394 plates, 212 in color. Clean copy. DOMESTIC SHIPPING ONLY.