Hardcover. Washington DC, University Press of Washington D.C., 1st, 1953, Book: Good, Dust Jacket: Good,

Hardcover. Austin TX, The Steck Company, 1st, 1936, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt lettering, 131 pages. Clean, bright copy, no markings.

Hardcover. Washington DC, Vermont Historical Society, 1st, 1904, Book: Very Good, Dust Jacket: None, Hardcover, gray boards with white cloth spine, dark brown lettering on front cover with original seal of Vermont. Records of Conventions in the New Hampshire Grants for the Independence of Vermont 1776-1777. The publisher is not stated but the Society has an introductory letter. 26 pages of text and letters. Majority of text block is photo-copies of original documents (unpaginated). Clean, bright copy.

Softcover. Chicago, Chicago Review, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, literary journal with entire issue devoted to the poet. Fairly scarce. New and bright all around wraps. Poems by Dorn, plus an interview, correspondence to and from, LeRoi Jones and Tom Raworth, and Dale Smith, an interview with Eleni Sikelianos.

Softcover. Dayton OH, The Dayton Art Institute, 1st pbk, 2004, Book: Very Good, Dust Jacket: None, Softcover, measures 12" X 12" - 342 pages, with 90 B&W, toned, and 10 color plates, plus text illustrations. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. NY, McGraw-Hill, 8th pr., 1915, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with gilt lettering on spine, 250 pages. B&w illustrations throughout. Clean, tight copy.

Hardcover. NY, Enchanted Lion Books, 3rd pr., 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Enormous Smallness is a nonfiction picture book about the poet E.E. cummings. Here E.E.'s life is presented in a way that will make children curious about him and will lead them to play with words and ask plenty of questions as well. Lively and informative, the book also presents some of Cummings's most wonderful poems, integrating them seamlessly into the story to give the reader the music of his voice and a spirited, sensitive introduction to his poetry. In keeping with the epigraph of the book -- "It takes courage to grow up and become who you really are," Matthew Burgess's narrative emphasizes the bravery it takes to follow one's own vision and the encouragement E.E. received to do just that. Lovely color plates by Kris Di Giacomo enhance the story. Clean copy.

Hardcover. NY, John Wiley & Sons, 3rd Ed., 1943, Book: Very Good, Dust Jacket: None, Hardcover, light gray cloth with blue lettering, 611 pages with index. A detailed study of cooking from a scientific point of view. Charts, tables, a few b&w illustrations. Light fading to covers, bookplate on inside front cover otherwise clean and tight copy.

Hardcover. London, Thames and Hudson, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 384 pages. Hardcover with dust jacket. Clean, tight copy with black and white photographs throughout. Light wear ton dust jacket. The life of Erwin Blumenfeld, one of the century's best-known photographers, was by no means conventional. By turns acerbic, self-mocking, playful, even absurd, his autobiography is a compelling, virtuoso account of an extraordinary man. All his subjects--his Jewish family, the Germans, the Vichy French, his models, New York publishers--are dealt equal measures of wit, mockery, and merciless irony. He spares himself least of all. Born in turn-of-the-century Berlin, Blumenfeld was drafted to serve in the First World War, first as an ambulance driver (although he couldn't drive) and then as a bookkeeper in a field brothel, and he was awarded the Iron Cross for giving his sergeant French lessons. Between the wars he was part of an avant-garde circle that included such artists as Else Lasker-Schler, George Grosz, and members of the Dada movement. During the Second World War, Blumenfeld was interned in a series of French camps but eventually arrived in New York, where he found work with Vogue and Harper's Bazaar, producing many of their most memorable covers and becoming fashion's highest-paid photographer. From the creator of some of the most striking and influential photographs ever taken, Blumenfeld's autobiography--published here in English for the first time--is a biting and iconoclastic take on the century, and the insightful, gripping story of an exceptional life. Remainder line to bottom edge.

Softcover. Koln, Benedikt Taschen, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. At the turn of the 20th century the cigarette was both symbolic of emancipation and evocative of female eroticism. The photographs collected in this volume illustrate the piquant fascination of that blue-grey haze. sepia tone photos throughout of partially clothed and nude women smoking and holding cigarettes. Erotic. Clean, bright copy.

Hardcover. NY, Abradale Press, reprint, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, An authoritative study of 309 drawings - including 134 plates in full color - from Wright's Taliezin Studio by a renowned authority on Wright's work. First 20 pages with faint creases to pages, otherwise a bright, clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Macmillan, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 212 pages. Stone is an important, though often overlooked, element of creating the perfect garden. Stone can combine with plants and water in an infinite array to bring us landscapes that range from the serene and contemplative to the boisterous and exuberant. While much has been written about plants and water in the garden, only scant attention has been paid to stone. Jan Kowalczewski Whitner finds this an injustice. "Stone is eloquent, and it speaks in many voices," says Whitner. "Some of our most imaginative gardeners have used stone to transform ordinary plots of land into the cumulatively rich and evocative landscapes we all hope to create." With photographer Linda Quartman Younker, Whitner travels across America, exploring some of the most imaginative uses of stone in gardens ranging from orderly formal gardens to relaxed and cozy cottage plots. A good deal of the book is devoted to specific types of stones and stonework, such as using gravel or working with outcrops, with accompanying lists of plants that work well with each. Clean copy.

Softcover. Boston, David R. Godine, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 95 pages, b&w photos by Tice. The enduring work of photographer George Tice is represented here in 80 black-and-white images, beautifully presented in a small format book. Clean copy.

Hardcover. Gottingen, Steidl/ICP , 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 175 pages. In 1934, after reading John Dos Passos' 1919, Gerda Taro left her home in Stuttgart for Paris. There she met the now legendary photographer Robert Capa, with whom she traveled to Spain at the start of the Civil War. As his lover and photographic partner--and as his manager--she is often credited with launching his career. She was also the first woman photojournalist to enter the heat of battle. The couple worked together until Taro was killed while photographing a crucial clash near Madrid in July 1937, just six days shy of her twenty-sixth birthday. The International Center of Photography holds by far the world's largest collection of Taro's work, including approximately 200 prints as well as original negatives. This selective survey of the ICP's holdings is organized chronologically, and set in context with the inclusion of magazine layouts; it is the first major collection of Gerda Taro's photographs ever published. Clean, bright copy.

Softcover. NY, Museum of Modern Art , 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 340 pages illustrated in color and b&w. A survey of works by German artist Gerhard Richter (born 1932), one of the most influential painters working today from every phase of Richter's career. ranging from photography-based pictures to gestural abstraction, and includes a rare interview with the artist. This was the catalog for the traveling exhibit 2002-2003 at The Museum of Modern Art, NY, the Art Institute of Chicago, the San Francisco Museum of Modern Art and the Hirshhorn Museum in Washington DC. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. Hartford CT, J. B. Burr & Company, 1st, 1868, Book: Good, Dust Jacket: None, Hardcover in polished calf, black spine label with gilt lettering. Frontis portrait of Grant, additional full page engravings, 631 pages plus publisher's ads. Both cover hinges cracked but holding, and text block is solid. No foxing in text.

Hardcover. NY, Doubleday and Co., reprint, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, illustrations in 2-colors by Leonard Weisgard. Twelve poems reflect the author's feelings about various colors. A nice early printing ($3.95 on flap) of this classic first published in 1961.

Softcover. Philadelphia, Jewish Publication Society, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 238 pages illustrated in color. Today e-mail, Facebook, and Twitter are sometimes used to spread hateful messages and slurs masking as humor. In the late nineteenth and early twentieth centuries postcards served this purpose. The images collected in this volume make it painfully clear that anti-Semitic propaganda did not simply begin with the Nazis. Nor was it the sole province of politicians, journalists, and rabble-rousers. One of the most virulent forms of anti-Semitism during this time was spread by quite ordinary people through postcards. Of the millions of postcards exchanged during their heyday of 1890 through 1920, a considerable percentage carried the anti-Semitic images that publishers churned out to meet public demand, reflecting deep-seated attitudes of society. Over 250 examples of such postcards, largely from the pre-Holocaust era, are reproduced here for the first time-selected, translated, and historically contextualized by one of the world's foremost postcard collectors. Clean copy.

Softcover. Salem NY, Hebron Preservation Society, 2nd pr., 1988, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 276 pages with b&w illustrations. Covers with light curl to corners, mild crease to first 20 pages. Clean copy.

Hardcover. NY, Viking Kestrel, 1st, 1988, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, color illustrations by Kalman. Nighttime is the best time for stories. And Lulu is the best storyteller. She knows about the three cross-eyed dogs at a fancy restaurant, about blue and green mountains where fish fly, about the family party where Maishel Shmelkin forgot to wear his pants, and of course about the noodle woman the pointy red nose. The stories, told by a sister to her little brother, are short and sweet and make you remember things and forget things. Maira Kalman paints a wondrous and humor-filled world in a child's-eye view. It is full of wild invention, people familiar and outlandish, bittersweet moments and flights of fancy. Clean copy.

Hardcover. Rutland VT, Tuttle Co., 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover, green cloth, 83 pages, b&w illustrations. This copy has an actual photo of Peck taped to the page opposite the title page (taken in March 1929, 3 years after this book was published). The author was the town clerk for 40 years, the first 58 pages devoted to Ira's history. The second part is Peck's recollections of his experiences in the Great West 1866-67. Some of the white lettering on the book's cover has been chipped off but the volume is in very good, tight shape.

Hardcover. NY, Macmillan, reprints, 1913/1914, Book: Very Good, Dust Jacket: None, Two matching hardcover volumes, blue cloth with gilt lettering on spines, top edge gilt. Vol. 1: 1850-1854, 506 pages, title page dated 1913. Vol. 2: 1854-1860, 541 pages, title page dated 1914. NOTE: These are the first two volumes of what became an 8-volume set. Name on front fly leaf in both copies, otherwise lean bright copies.

Hardcover. Boston, Bulfinch / Little Brown, 1st, 1999, Book: Very Good, Dust Jacket: None, Hardcover. Large folio in color printed thick glossy boards in color printed thick glossy card box. LaChapelle offers readers insight into the book and his photographic process: "And when people come for a photo session with me, they are giving themselves over, sort of checking in. When you stay at a hotel you're living for one day in a place where you don't normally live. That feeling can be true with photographs, too." LaChapelle's photographs can be spotted a mile away. If you read magazines, you know his work: it jumps out like none other with the expertly created environments and alternate realities in which he places his subjects. These universes are complete and constantly evolving to fit dynamic personalities. Hotel LaChapelle is filled with a celebrity cast as well as what LaChapelle calls "characters on the peripheries." The colors are as vibrant and inorganic as the settings that encapsulate his models. In this world, heads are sewn onto different-colored bodies, a nurse holds a face with a pair of tweezers, Marilyn Manson works as a school crossing guard, Madonna is a Krishna goddess, Leonard DiCaprio becomes Marlon Brando, and Ewan McGregor's face peers into a dollhouse while his body bleeds from a gunshot wound fired from Barbie's diminutive gun. The list goes on, and what it says about LaChapelle's vision is that excess is never too much. Clean, bright copy. DOMESTIC SHIPPING ONLY.

Hardcover. NY, A. S. Barnes & Company, reprint, Book: Very Good, Dust Jacket: None, Hardcover, green boards stamped in black and red, red cloth spine, 401 pages with b&w illustrations, 3 color plates. Enlarged edition with selected readings. Latest date on copyright page is 1888. Previous owner's name, notation on blank prelim page, otherwise clean.