Hardcover. Orwell VT, Orwell Historical Society, 1st thus, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 175 pages, b&w illustrations, map in rear pocket. Name stamp and notation on front end papers, otherwise clean.

Hardcover. Burlington VT, Evergreen Press, 2nd pr., 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 105 pages, b&w illustrations. This pictorial history chronicles the rise and fall of the White River Valley railroad. Like new condition.

Hardcover. Roaring Brook Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 32 pages illustrated by author. Clean copy.

Hardcover. New York, Doubleday, 1st, 1939, Book: Very Good, Dust Jacket: Good, Unpaginated. Hardcover in pictorial boards with a black cloth spine. Lithograph illustrations. Cover boards show minimal wear, light rubbing, mild chipping to paper boards. Clean copy.

Hardcover. NY, Charles Scribner's Sons, 1st, 1935, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 499 pages illustrated in b&w by Thomason. Black cloth with gilt lettering.Marcellin Marbot (1782-1854) was a Napoleonic general who earned recognition for his military memoirs. This issue with illustrations by John Thomason (1893-1944), author, illustrator, and lieutenant colonel in the US Marine Corps. Previous owner's inscription opposite the title page.

Hardcover. Munich, Prestel, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 192 pages illustrated in color. INSCRIBED BY NICKELSBERG on the front fly leaf. Noted documentary photographer Robert Nickelsberg's photographs help bring into focus the day-to-day consequences of war, poverty, oppression, and political turmoil in Afghanistan. Since the attack on the World Trade Center, Afghanistan has evolved from a country few people thought twice about to a place that evokes our deepest emotions. TIME magazine photographer Robert Nickelsberg has been publishing his images of this distant yet all too familiar country since 1988, when he accompanied a group of mujahideen across the border from Pakistan. This remarkable volume of photographs is accompanied by insightful texts from experts on Afghanistan and the Taliban. The images themselves are captioned with places, dates, and Nickelsberg's own extensive commentary. Timely and important, the book serves as a reminder that Afghanistan and the rest of the world remain inextricably linked, no matter how much we long to distance ourselves from its painful realities. Clean copy.

Hardcover. NY, Pegasus , 2nd pr., 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 415 pages. Why did Agatha Christie spend her career pretending that she was 'just' an ordinary housewife, when clearly she wasn't? As Lucy Worsley says, 'She was thrillingly, scintillatingly modern'. She went surfing in Hawaii, she loved fast cars, and she was intrigued by the new science of psychology, which helped her through devastating mental illness. So why - despite all the evidence to the contrary - did Agatha present herself as a retiring Edwardian lady of leisure? She was born in 1890 into a world which had its own rules about what women could and couldn't do. With access to personal letters and papers that have rarely been seen, Lucy Worsley's biography is both authoritative and riveting. Clean copy.

Hardcover. London/NY, Frieze, London and Distributed Art Publishers, 1st, 1997, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Billy Name was the principal photographer of Andy Warhol's Factory. Now, All Tomorrow's Parties reproduces for the first time Billy Name's recently discovered photos of Warhol, his crowd, and the Factory years, images that give the era another dimensions. These color photos with their experimental use of weird color balances and diptych printing are uncannily contemporary. Together with Dave Hickey's essay and Collier Schorr's interview, Billy Name's photos reveal the Factory in all its intimate grunge and glamour. 135 photos, 122 in color. First 3 pages with mild wrinkling, otherwise very good.

Hardcover. Seattle/New York, Lucia Marquand and D.A.P., 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. offers a fresh look at the art, life and literature of seminal American modernist painter Arthur Dove (1880-1946). It also introduces Dove's long-forgotten biographer Suzanne Mullett Smith, who worked with Alfred Stieglitz and the artist from 1943 to 1944 assembling a chronicle of Dove's art and life as well as a catalogue raisonne. By examining previously unpublished material, this volume explores the differences between Dove's public and private personas, especially the development of his art while living in Westport, Connecticut, from 1910 to 1920; his successful career as a chicken farmer; his complex relationship with his family; and the impact of his Christian background on some of his best-known works. 239 pages, 100 pages of large color plates. 47 color figures in text section. Still in publisher's shrinkwrap.

Hardcover. NY, Abrams, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. Gray Malin is the artist of the moment for the Hollywood and fashion elite. His awe-inspiring aerial photographs of beaches around the world are shot from doorless helicopters, creating playful and stunning celebrations of light, shape, and perspective, as well as summer bliss. Beaches features more than twenty cities across six continents: Australia: Sydney/North America: Santa Monica, Miami, San Francisco, Kaua'i, Chicago, the Hamptons, and Cancun / South America: Rio de Janeiro / Europe: Capri, Rimini, Forte dei Marmi, Viareggio, Amalfi Coast, Barcelona, Lisbon, and Saint-Tropez / Africa: Cape Town / Asia: Dubai. Clean, bright copy.

Softcover. Chicago, University of Chicago, 1st pbk, 2014, Book: Very Good, Dust Jacket: None, Softcover, 461 pages. Philippe Descola has become one of the most important anthropologists working today, and Beyond Nature and Culture has been a major influence in European intellectual life since its French publication in 2005. Here, finally, it is brought to English-language readers. At its heart is a question central to both anthropology and philosophy: what is the relationship between nature and culture? Culture--as a collective human making, of art, language, and so forth--is often seen as essentially different from nature, which is portrayed as a collective of the non-human world, of plants, animals, geology, and natural forces. Descola shows this essential difference to be, however, not only a specifically Western notion, but also a very recent one. Drawing on ethnographic examples from around the world and theoretical understandings from cognitive science, structural analysis, and phenomenology, he formulates a sophisticated new framework, the "four ontologies"-- animism, totemism, naturalism, and analogism--to account for all the ways we relate ourselves to nature. Clean copy.

Hardcover. Paris, Flammarion, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 167 pages, illustrated in color and b&w. A rare discovery of more than 150 previously unpublished photographs in black and white and in color, from a legendary photographer. Despite strong personal and professional ties in the U.S.--Henry Miller, Harper's Bazaar's Carmel Snow, and Edward Steichen, who featured Brassai's work in many MoMA exhibitions--Brassai remained reticent about travel to the U.S. until 1957 when Holiday magazine offered generous compensation (and artistic freedom) to photograph New York and Louisiana. From the first symbolic image of this voyage--the Statue of Liberty appearing over the ship's prow--Brassai came under the spell of America and his photographs innately captured his new perspective. In New York, he was captivated by the graphic skyscrapers and the rhythmic to-ing and fro-ing of the crowds. Unlike his static photographs of Paris--posing prostitutes, embracing lovers, sleeping street people--here he captured sequences of movement--children playing, fashionable women parading by, or the effects of light filtering through the urban architecture. In Louisiana, he continued to photograph more languorous sequences, but here he reveled in color--the copper skin of sunbathers, the pastel tones of prom dresses, the vibrant neon of amusement park attractions. The New Orleans music halls, nightlife, women, and exotic vegetation recall scenes from 1930s Paris. This exuberant study of 1950s America offers the reader unprecedented access to Brassai's work, including previously unpublished color photography. Front dj flap with mild wear otherwise a clean, bright copy.

Softcover. Wien, mumok/ICA/Dancing Foxes Press, 1st, 2014, Book: Very Good, Dust Jacket: None, 60 pages. Softcover. Previous owners name and date on title page. Illustrated with full color photography. Light wear. Clean, unmarked text. In the oeuvre of New York artist Moyra Davey (born 1958), literature and writing are as significant as photography, film and video. In her latest text, Burn the Diaries, Davey considers the work of French playwright and political activist Jean Genet, while examining fugitive moments from her own life. An essay by her childhood friend and reading companion Alison Strayer, written in response, reflects on Davey's themes. The publication is part of a group of new works--also including photographs, a film and an installation of her signature mailers, which Davey sends to family, friends and acquaintances--that illuminate the relationship between image and language. This volume can be read both as an artist's book and a catalogue to accompany the exhibition at Mumok, Vienna, and the ICA, Philadelphia, in 2014.

Hardcover. NY, Ives Washburn, 1st thus, 1929, Book: Very Good, Dust Jacket: Fair, Hardcover, One of 200 copies in dust jacket and slipcase and SIGNED BY HOWARD SIMON on the half-title page. 16 wood engravings by Simon. Dust jacket chipped, tanning, slipcase with light edgewear, clean copy.

Softcover. privately printed, 1954, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalogue with bibliographical descriptions. With an introduction by Frederick R. Goff. Frontispiece; vi , 97 pages. stiff paper wrappers. small 4to..

Hardcover. NY, Overlook Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 317 pages. For seventy-five years, the kidnapping and murder of Charles Lindbergh's infant son has gone unsolved. Evidence, opinion, and logic have discredited the notion that Bruno Richard Hauptmann --electrocuted in 1936 --acted alone. In this meticulous and authoritative account of the crime, the trial, and the times of the Lindbergh kidnapping, Robert Zorn clears away decades of ungrounded speculation surrounding the case. Inspired by his father's relationship with the actual accomplices --including the mastermind --he presents the clearest ever picture of a criminal partnership, which would shake every class and culture of American society. Using personal possessions and documents, never-before seen photographs, new forensic evidence, and extensive research, Robert Zorn has written a shocking and captivating account of the crime and the original "Trial of the Century." Thin black remainder line on bottom edge otherwise a clean, bright copy.

Hardcover. San Francisco, Pomegranate, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Charles Burchfield's Seasons offers a wealth of visionary art rendered in his personal abstract stylistic shorthand that vividly expresses the moods and sounds of light and wind. Accompanied by quotations from Charles Burchfield's Journals, the color plates in this book resonate with the artist's vibrancy. Clean copy.

Softcover. New Haven VT, Antioch Press, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 282 pages. Clean copy.

Hardcover. Boston, Beacon Press, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Clean, bright copy of an uncommon book.

Softcover. Durham NC, Duke University Press , 2002, Book: Very Good, Dust Jacket: None, Softcover, 309 page, b&w and color illustrations. Light pencil marking in text. On the little-known and darker side of shamanism there exists an ancient form of sorcery called kanaima, a practice still observed among the Amerindians of the highlands of Guyana, Venezuela, and Brazil that involves the ritual stalking, mutilation, lingering death, and consumption of human victims. At once a memoir of cultural encounter and an ethnographic and historical investigation, this book offers a sustained, intimate look at kanaima, its practitioners, their victims, and the reasons they give for their actions.

Hardcover. A. Rotterdam, 1st, 1764, Book: Very Good, Hardcover, gilt-ruled calf, ribbed spine with gilt lettering, designs, 204 pages. Marbled endpapers and edges. FRENCH TEXT. Apparently there are at least three editions published in the same year, no priority established. Observations concerning economics, finances, justice, the army, education and population (the Christian morals are favorable to population whereas luxury is not): deals furthermore with 'L'Argent', 'Du Luxe', 'Des Subsides', 'Des Obligations de la Patrie envers les Citoyens', 'De L'Administration des Finances', 'Des Impots', 'Des Rentes', 'Des Pensions', 'Des Charges', 'Des Ambassades', 'Des Guerres', 'De la Discipline Militaire', 'Des Réformes', 'Des Désertions', 'Des Grades Militaires', 'Des Fondations', 'De L'Usure', 'Des Loteries', 'Des Monnoyes', 'Des Marchandises', 'Des Voitures & des Postes'. Clean copy.

Softcover. NY, Continuum, reprint, 1989, Book: Very Good, Dust Jacket: None, Softcover, 258 pages. Dialectic of Enlightenment is undoubtedly the most influential publication of the Frankfurt School of Critical Theory. Written during the Second World War and circulated privately, it appeared in a printed edition in Amsterdam in 1947. "What we had set out to do," the authors write in the Preface, "was nothing less than to explain why humanity, instead of entering a truly human state, is sinking into a new kind of barbarism." Yet the work goes far beyond a mere critique of contemporary events. Historically remote developments, indeed, the birth of Western history and of subjectivity itself out of the struggle against natural forces, as represented in myths, are connected in a wide arch to the most threatening experiences of the present. The book consists in five chapters, at first glance unconnected, together with a number of shorter notes. The various analyses concern such phenomena as the detachment of science from practical life, formalized morality, the manipulative nature of entertainment culture, and a paranoid behavioral structure, expressed in aggressive anti-Semitism, that marks the limits of enlightenment. The authors perceive a common element in these phenomena, the tendency toward self-destruction of the guiding criteria inherent in enlightenment thought from the beginning. Using historical analyses to elucidate the present, they show, against the background of a prehistory of subjectivity, why the National Socialist terror was not an aberration of modern history but was rooted deeply in the fundamental characteristics of Western civilization. Spine faded, Clean copy.

Softcover. London/NY, Verso, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 201 pages. Edward Thompson, perhaps the greatest post-war historian in the English-speaking world, died in 1993. In this readable and unabashedly appreciative survey of Thompson's histories and politics, Byran D. Palmer reviews include a passionate biographical account of the late-nineteenth-century Romantic William Morris, the hugely acclaimed The Making of the English Working Class, and a series of eighteenth-century studies that reach from customary culture to the antinomian poetics of William Blake. Clean copy.

Softcover. self-published, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 150 pages. A collection of random newspaper snippets from the early newspapers in the Sandusky, Ohio area. Not in chronological order, they range from the mid-1800s to late 1920s. Clean copy.