Softcover. Charleston SC, Arcadia Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, b&w illustrations throughout. Depicts the oldest city in the United States from the beginning of the picture postcard era to 1914, when a fire destroyed several downtown blocks. The volume presents more than 200 images from the archives of the St. Augustine Historical Society and the author's personal collection. Related street map laid-in. Clean copy.
Softcover. NY, Bard Graduate Center, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 208 pages illustrated in color and b&w. Although Jane Hading (1859-1940), Lily Elsie (1886-1962), and Billie Burke (1884-1970) gained fame as stage actresses, their popular appeal also rested on their ability to cultivate a glamorous appearance. Their careers illustrate the early transformation of actresses into marketable commodities whose celebrity status depended on the consumption of their images. This celebrity, in turn, was used to market an array of beauty and fashion goods to women striving to emulate them. The three women featured in Staging Fashion exemplify the factors that ensured success for 20th-century actresses. Each of these women was dressed by a leading couturier (or several couturiers), both onstage and offstage. In major cities such as New York, Paris, and London, actresses depended on exquisite, custom-made gowns both to secure principal roles and to maintain popularity. Their physical beauty, which was consistent with elite notions of class and race, was depicted on postcards and in popular fashion and theatre magazines and newspapers. Finally, these actresses developed distinct "personalities," which were conveyed by their stage roles and in numerous photos and articles.
Hardcover. NY, Stewart Tabori & Chang, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 113 pages. Anton Corbijn initiated a new era in portrait photography for the rock and pop music scene with his atmospheric, often melancholy images. Here is a photographer who travels the world, tirelessly seeking to capture its idols in quiet moments and catch a trace of their essential being behind all the fame and glamour. Taken primarily in black and white with a hand-held camera and without auxiliary lighting, most of Corbijn's photographs are shot in those quiet moments between performances. Beyond the reach of the glaring spotlights, on the dark side of the star cult - literally and metaphorically - Corbijn finds what interests him more than gesture, image or glamour: the unusual degree of privacy and closeness that turns his portraits into genuine character studies.Corbijn has now moved beyond the boundaries of music photography and Star Trak reads like a visual encyclopedia of the icons of our culture, gathering together outstanding personalities from the worlds of film, literature, rock music and fashion. He visits film directors Wim Wenders, David Lynch, and Martin Scorsese, actors Johnny Depp, Gerard Depardieu and Jodie Foster, and alongside the older rebels - like Mick Jagger and Leonard Cohen - he includes the enfants terribles of the Eighties and Nineties - Kurt Cobain, Billy Idol, and Slash. Corbijn couples the excesses of William S. Burroughs with the beauty of supermodels Naomi and Christy, and brings Salman Rushdie and Bono together in front of the camera.
Hardcover. St. Paul MN, Borealis Books, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. The photographs in this collection are taken from the files of the St. Paul Pioneer Press and the St. Paul Dispatch, and span a period from the nineteen-forties to the mid-sixties. Among the many records of long-forgotten civic functions are shocking crime-scene photographs, a reminder of an era when the country's newspaper photographers--an army of Weegees, equipped with oversized Speed Graphic flash cameras and radios tuned to the police scanners--regularly provided readers with lurid coverage of violent crimes and spectacular accidents. There is a harsh intimacy to these photographs, which bring us as close as possible to car-crash victims, suicides, and mass murderers confessing their crimes. But the welter of detail in the pictures--the seamed stockings of a murder victim, the huddle of bystanders after a bar shooting--provides a nuanced portrait of a Midwestern city and of American culture at mid-century.
Hardcover. Boston, David R. Godine, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, oblong format, 188 pages illustrated in color. Long before television and the internet, entertainment was often a performance at the local grange or Town Hall. Since there wasn't much money for costumes or props, the plays relied on all-purpose scenic backdrops - painted canvases of local scenes and interest. And they were often glorious. Many of these minor masterpieces of vernacular art still survive and are presented in all their glory in this richly illustrated book celebrating the colorful and memorable painted curtains that graced the stages of countless New England towns. A remarkable team of conservators from "Curtains Without Borders" has overcome a century of dirt, damage, and neglect to restore hundreds of these historic theater curtains. This book presents exquisite photographs of these enormous pieces of art that have been hidden away and neglected for too long. Bump to top corner, causing mild crease to pages. Otherwise bright and clean.
Softcover. London, Fischer Fine Art Limited , 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover, 92 pages. Published on the occasion of the exhibition held at the Fischer Fine Art gallery from November 1973 to January 1974. Profusely illustrated in color and black-and-white. Including works by Annenkov, Archipenko, Baranoff-Rossine, Bogomazov, Burljuk, Ermilov, Exter, Goncharova, Kliun, Larionov, Lentulov, Lissitzky, Malevich, Matsiushin, Popova, Puni, Rodchenko, Rozanova, Bakst, Chagall, Csaky, Kadar, Kandinsky, and Moholy-Nagy. Clean copy.
Hardcover. NY, Calla/Dover, reprint, 2012, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt decoration, 352 pages. A magnificent treasury of popular folklore, this rare, hardcover compilation offers a bounty of delightful illustrations by Charles Robinson -- there are black-and-white illustrations on every page as well as 16 plates of full- and two-color images. Decorative initials and borders, hand lettering, silhouettes, and other ornaments embellish renderings of 300 traditional verses, from "Little Tom Tucker" and "Baa, Baa Black Sheep" to "Good King Arthur" and "Shave a Pig." A facsimile reproduction of the 1903 edition.
Hardcover. NY, Doubleday & Company, Book Club Ed., 1960, Book: Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket. 187 pages, Illustrations by Shane Miler. Exciting adventure of Peter the Hermit's squire, Bennet and the story of the First Crusade in 1099 Europe. Endpapers map.
Hardcover. NY, Farrar Straus & Giroux, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A groundbreaking new biography of Ezra Pound, one of the most controversial poets of the twentieth century, told through the stories of his illustrious visitors at St Elizabeths Hospital, Washington, DC. An extraordinary book of real passionate research. In 1945, Ezra Pound was due to stand trial for treason for his broadcasts in Fascist Italy during the Second World War. But before the trial could take place Pound was pronounced insane. Escaping a potential death sentence he was shipped off to St Elizabeths Hospital near Washington, DC, where he was held for over a decade. At the hospital, Pound was at his most contradictory and most controversial- a genius writer - 'The most important living poet in the English language' according to T. S. Eliot - but also a traitor and now, seemingly, a madman. But he remained a magnetic figure. Eliot, Elizabeth Bishop, Robert Lowell and John Berryman all went to visit him at what was perhaps the world's most unorthodox literary salon- convened by a fascist and held in a lunatic asylum. Told through the eyes of his illustrious visitors, The Bughouse captures the essence of Pound - the artistic flair, the profound human flaws - whilst telling the grand story of politics and art in the twentieth century. Clean copy.
Softcover. Durham NC, Duke University Press, 1st pbk, 1994, Book: Very Good, Dust Jacket: None, Softcover, 279 pages. Much recent critical theory has dismissed or failed to take seriously the question of the self. French theorists--such as Derrida, Barthes, Benveniste, Foucault, Lacan, and Levi-Strauss--have in various ways proclaimed the death of the subject, often turning to German intellectual tradition to authorize their views. Stanley Corngold's heralded book, The Fate of the Self, published for the first time in paperback with a spirited new preface, appears at a time when the relationship between the self and literature is a matter of renewed concern. Originally published in 1986 (Columbia University Press), the book examines the poetic self of German intellectual tradition in light of recent French and American critical theory. Focusing on seven major German writers--Holderlin, Dilthey, Nietzsche, Mann, Kafka, Freud, and Heidegger--Corngold shows that their work does not support the desire to discredit the self as an origin of meaning and value but reconstructs the allegedly fragmented poetic self through effects of position and style. Offering new and subtle models of selfhood, The Fate of the Self is a source of rich insight into the work of these authors, refracted through post-structuralist critical perspectives. Clean copy.
Hardcover. NY, HarperCollins, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. From Caldecott Medalist Arnold Lobel (1933-1987) comes a brand-new collection of rhyming stories about frogs and toads. Discovered by his daughter, Adrianne Lobel, The Frogs and Toads All Sang has the same warmth, compassion, and humor that is found in his best-loved work. Brimming with sweet silliness, this new book reminds us why Arnold Lobel's characters continue to be so popular years after debut.
Softcover. UK/Burlington VT, Ashgate Publishing, reprint, 2012, Book: Very Good, Dust Jacket: None, Softcover, 187 pages. First published in hardcover in 2008, this is the expanded Second Edition. It must be noted, no illustrations. Clean, bright copy.
Softcover. self-published, reprint, nd, Book: Very Good, Dust Jacket: None, Softcover, light green stapled wrappers. 52 pages. Originally published in 1974 by the Vermont Historical Society. Thompson began his diary as a lad of 17 and continued to be a diary-keeper for 69 years. His jottings provide a telling portrait of himself and the world he lived in. Clean copy.
Hardcover. NY, Schwartz & Wade Books, 2nd pr, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 180 pages. Profusely illustrated in b&w. Here are the extraordinary lives of Abraham and Mary, from their disparate childhoods and tumultuous courtship, through the agony of the Civil War, to the loss of three of their children, and finally their own tragic deaths. Readers can find Mary's recipe for Abraham's 'favorite cake' and bake it themselves; hear what Abraham looked like as a toddler; see a photo of the Lincoln's dog; discover that the Lincoln children kept goats at the White House; see the Emancipation Proclamation written in Lincoln's own hand. Perfect for reluctant readers as well as history lovers, The Lincolns provides a living breathing portrait of a man, a woman, and a country. Clean copy.
Hardcover. Copenhagen, Jespersen & Pio, 1961, Book: Good, Dust Jacket: Good, Hardcover in a bright dust jacket with light wear, closed tear. 125 pages, color illustrations by Axel Mathiesen. No markings.
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