Hardcover. NY, Doubleday, Page & Co. , 1st, 1908, Book: Very Good, Dust Jacket: None, Hardcover, rust colored cloth binding decorated in silver and gilt. Color illustrated end papers. Four color plates by C. Cole Phillips. Gertrude Franklin Horn Atherton (October 30, 1857 - June 14, 1948) was an American author. Many of her novels are set in her home state of California. Her bestseller Black Oxen (1923) was made into a silent movie of the same name. In addition to novels, she wrote short stories, essays, and articles for magazines and newspapers on such issues as feminism, politics, and war. Light smudge to blank prelim page, otherwise clean.
Hardcover. NY, Ars Edition, 1st US, 1981, Book: Very Good, Dust Jacket: None, Hardcover, pictorial glazed boards. Approximately 5 3/4" x 4 3/4", 18 pages. English version by June Head. Bohatta was a Austrian writer/artist whose titles were republished in the U.S. in small printings. Color illustrations in the style of Thornton Burgess. Clean copy.
Hardcover. NY, Ars Edition, 1st US, 1981, Book: Very Good, Dust Jacket: None, Hardcover, pictorial glazed boards. Approximately 5 3/4" x 4 3/4", 26 pages. English version by Pia Kummer. Bohatta was a Austrian writer/artist whose titles were republished in the U.S. in small printings. Charming color illustrations. Clean copy.
Hardcover. NY, Stewart Tabori & Chang, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Cream parchment over brown cloth-covered boards, illustrated in color by Gary Kelley, designed by Rita Marshall. Clean copy.
Softcover. Stanford CA, Stanford University Press, reprint, 2004, Book: Very Good, Dust Jacket: None, Softcover, 837 pages. This volume presents the complete correspondence between two of the most important and influential American poets of the postwar period. The almost 500 letters range widely over the poetry scene and the issues that made the period so lively and productive. But what gives the exchange its special personal and literary resonance is the sense of spiritual affinity and shared conviction about the power of the visionary imagination. Duncan and Levertov explore these matters in rich detail until, under the stress of dealing with the Vietnam War in poetry, they discover deep-seated differences in the religious and ethical convictions underlying their politics and poetic stance. The issues that drew them together and those that drove them apart create a powerful personal drama with far-reaching historical and cultural significance. The editors have provided a critical Introduction, full notes, a chronology, and a glossary of names. Clean, bright copy.
Hardcover. NY, Oxford University Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 512 pages. The second volume in this masterful biography finds Hughes rooting himself in Harlem, receiving stimulation from his rich cultural surroundings. Here he rethought his view of art and radicalism, and cultivated relationships with younger, more militant writers such as Richard Wright, Ralph Ellison, James Baldwin, and Amiri Bakara. Illustrated with black & white photographs, a few by Roy DeCarava with whom Hughes published "The Sweet Flypaper of Life" and a portrait by Henri Cartier-Bresson. Clean copy.
Hardcover. Charlottesville VA, University of Virginia Press, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 476 pages, b&w illustrations. Rollyson has drawn on an unprecedented amount of material to present the richest rendering of Faulkner yet published. In addition to his own extensive interviews, Rollyson consults the complete and never fully shared research of pioneering Faulkner biographer Joseph Blotner, who discarded from his authorized biography substantial findings in order to protect the Faulkner family. Rollyson also had unrivaled access to the work of Carvel Collins, whose decades-long inquiry produced one of the greatest troves of primary source material in American letters. This first volume follows Faulkner from his formative years through his introduction to Hollywood. Rollyson sheds light on Faulkner's unpromising, even bewildering youth, including a gift for tall tales that blossomed into the greatest of literary creativity. He provides the fullest portrait yet of Faulkner's family life, in particular his enigmatic marriage, and offers invaluable new insight into the ways in which Faulkner's long career as a screenwriter influenced his iconic novels. Clean copy.
Softcover. The Woodlands,TX, New Century Books, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 210 pages. With a typewritten letter laid in containing an inscription and the author's signature, "Tom". The Man Who Was Dr. Seuss is the first major personal and literary biography of Theodor "Dr. Seuss" Geisel. It describes the origins of the rhyme scheme he used for many of his books; his views of international justice; the morals for children in his books; why parents are seldom seen in Dr. Seuss books and finally, among fabulouse facts and fanciful fables, how and why Dr. Seuss eventually became an American icon. Clean copy.
Hardcover. NY, Ars Edition, 1st US, 1981, Book: Very Good, Dust Jacket: None, Hardcover, pictorial glazed boards. Approximately 5 3/4" x 4 3/4", 18 pages. English version by John Theobald. Bohatta was a Austrian writer/artist whose titles were published in the U.S. in small printings. Color illustrations in the style of Thornton Burgess.Clean copy.
Hardcover. New York/London, Hodder and Stoughton, 1st thus, circa 1920, Book: Very Good, Dust Jacket: None, Hardcover. Dark blue cloth with black and gilt trim, decoration and lettering on front cover panel and spine. 126 pages with 11 (of 12) tipped-in color plates by Edmund Dulac (lacking the frontis-illustration). Bookplate on front fly leaf, otherwise bright, clean copy.
Hardcover. Cambridge MA, Candlewick Press, 2nd pr., 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Aristotle the kitten is so adventurous that it's a good thing cats have nine lives. What's even better is that Aristotle has found the kind witch Bella Donna to be his owner. Somehow she is always there when he gets into trouble, whether tumbling down the chimney, tipping over a giant milk jug, or tearing away from a snarling watchdog - just as a truck comes careening by. Is it luck? Or maybe a little bit of magic? Dick King-Smith's mischievous narrative and Bob Graham's sweet, humorous watercolors capture the first eight lives of a kitten. Clean copy.
Hardcover. NY, Stewart, Tabori & Chang, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 99 pages, illustrated throughout in color by Gennady Spirin. Pages without illustrations are decorated with elegant and delicate borders. Faux marbled endpapers. Translator Brodmann has been celebrated in her native Germany for her work with juvenile literature. Stated first printing. Clean, bright copy.
Softcover. NY, Onassis Foundation, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 131 pages illustrated in color. The Origins of El Greco focuses on the evolution of the multifaceted relationship of Cretan painters with Western art during this rich period. The icon painters in the workshops on Crete in the 15th and 16th centuries-the setting in which El Greco was trained-were renowned for their skill in painting impeccable panels not only in the traditional Byzantine manner but also in a style inspired by Western models. The Origins of El Greco presents an extraordinary group of 15th and 16th century paintings, including works by El Greco. The color-illustrated catalogue features detailed descriptions of all 46 masterpieces included in the exhibition, some of them published for the first time, as well as 3 informative essays: Anastasia Drandaki, Curator, Byzantine Collection, Benaki Museum, Athens writes on "Between Byzantium and Venice: Icon Painting in Venetian Crete in the Fifteenth and Sixteenth Centuries", Olga Gratziou, Professor of Byzantine Art and Archaeology, University of Crete writes on "Cretan Architecture and Sculpture in the Venetian Period" and Nicos Hadjinicolaou, Professor Emeritus in Art History, University of Crete, and Honorary Fellow of the Institute for Mediterranean Studies, writes on "Early and Late El Greco". Clean, bright copy.
Softcover. NY, Crowell/Alskog, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. This is one of a series of eight books on various aspects of photography. They were published in the mid Seventies and have a great deal of good information and diagram some of the shots featured in the book. This book is one of the best of the eight and that is saying something as they are all good. Sadly Art Kane committed suicide five or six years after this book came out, so it is now a retrospective of most of his work. This is an overview of some of Kane's most defining work at the height of the 60's culture wars, some pieces have gone on to define a generation. Fully illustrated in b/w & color with full page descriptions of techniques involved.
Hardcover. NY, Holt, Rinehart and Winston, 1st, 1964, Book: Good, Dust Jacket: None, Hardcover in pictorial cloth, 40 pages with wonderful 3-color woodcuts by Robert Quackenbush. Covers are worn and shabby looking, inside pages bright and clean. Small notation on title page. No dust jacket.
Hardcover. NY, Viking Childrens Books, 1st US, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Color illustrations by Magenta Fox. Meet Maud: a guinea pig who inexplicably wears a judo suit--and not everyone understands or approves. When Maud is thrown into a new and confusing situation, it takes brave decisions and serendipitous encounters for her to find her place and embrace her individuality. Clean copy.
Hardcover. NY, Farrar, Straus, and Giroux, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with minor edgewear, unclipped, 334 pages. Poet/critic's posthumously published third volume of essays, here mostly writer's he loved, including: Stead, Frost, Stevens, Kipling, Auden, Graves and Chekov and other Russians. Name on blank prelim page, otherwise clean.
Hardcover. NY, George Braziller, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket, 191 pages, 74 pages illustrated in color by Chobunsai Eishi. Exquisite illustrations in color throughout connecting beautifully with the text which includes one poem in English and Japanese by each poet. Historical background for each poet. Mild sunning to bottom edge of dust jacket. Clean copy.
Hardcover. NY, William Morrow & Company, Book Club Ed., 1964, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards,, 32 pages illustrated in color by Janet McCaffery. The story of a bad witch who runs a cattery specializing in magical black cats for sale to other bad witches. One day, she is horrified to discover that one of her new kittens is yellow---a good witch cat. Frightened that her business will be ruined, she tries everything she can to get rid of the kitten; but in the end, good triumphs over bad, and "now good witches and fairy godmothers" get their magical cats from Hissing Hill. Corners with light wear, clean copy.
Hardcover. Bristol UK, Thoemmes Press, reprint, 1998, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth, 537 pages. Gilt lettering on a green band on the spine. A reprint of the 1830 edition. Clean copy.
Hardcover. San Francisco, Scrimshaw Press, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Lovely copy of an early Crumb work, created over a six month period when he was "nineteen years old and still a virgin...", and subsequently given to his wife Dana as a gift when they first met. 142 pages illustrated by Crumb in color. A bright, pristine copy.
Hardcover. NY, George H. Doran Company, 2nd pr., 1921, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with orange lettering on the cover and spine, 433 pages. No colophon on title page or copyright page. Red top edge faded. This was Dos Passos' second book -- published when he was just 25 years old, and having spent the end of WWI as a volunteer with the ambulance corps in Spain and Italy during WWI. This is a profoundly anti-war book - and remains a high-water mark of realism in war writing. Second state with the correct "singing" on page 213. No dust jacket. Clean copy.
Hardcover. Seattle, Fantagraphics, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. Carl Barks' very first Donald Duck stories! This is where it all started, as Carl Barks took control of Donald Duck's comic book adventures and began a series of clever, creative, complex, and comedic stories that would continue under his cartooning brilliance for more than 20 years -- and guarantee his place in comics history. Volume 1 in The Complete Carl Barks Disney Library is, naturally, filled with firsts: Barks' first comic book story (starring Pluto), the first Donald Duck story created for an American comic book (and also the first to see Donald and his nephews go on a treasure hunt), Barks' first Donald 10-pager, Barks' first truly solo Donald Duck story, and Barks' first solo longer-form Donald Duck adventure ("The Mummy's Ring"). More than 200 pages of story and art, each meticulously restored and newly colored, Clean, bright copy.
Hardcover. Mountain View NY, privately printed, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 371 pages, b&w illustrations. An informative history of the Mountain View area of New York and the many small summer resorts in the Great North Woods in the Adirondacks. SIGNED BY HYDE on the front fly leaf. Clean copy.