Hardcover. Library of American Comics, 1st, 2014, Book: Very Good, Dust Jacket: None, Oblong hardcover, 336 pages. In Alley Oop, Hamlin created a unique concept, marrying his fascination with dinosaurs and prehistoric times to a rollicking style of storytelling and drawing that was simultaneously serious, fantastic, and loaded with slapstick. The series was set in the kingdom of Moo and starred Alley Oop, the club-wielding caveman, his girlfriend Ooola, friends Dinny the dinosaur and Foozy (who speaks in rhyme), plus Oop's rival, King Guz, and Guz's Queen Umpateedle. Yet Hamlin knew that the strip's horizons in Moo were limited. So it was, in early 1939, that Alley Oop and Ooola see a mysterious box and, to the utter amazement of Guz and his minions, promptly fade from view, followed by the caption: "Dear Reader: you must now say goodbye to Moo...if you are to follow Alley Oop in this strangest of many strange adventures. --V. T. Hamlin". Oop and Ooola had entered a time machine and were now living in the modern-day 20th Century! Their host was the inventor of the time machine, Dr. Elbert Wonmug! No change of such magnitude had ever occurred in a continuing newspaper strip, and readers responded enthusiastically. With every time period in history available as a backdrop, Alley Oop became even more popular. This volume features Oop's final Moo adventure, followed by his trips to the 20th Century and ancient Greece, where he and Ooola share adventures with brave Ulysses, the lovely Helen of Troy, and the mighty Hercules. V.T. Hamlin would send his characters everywhere and everywhen--but the classic Alley Oop begins with the stories contained in this volume. The book is introduced by Michael T. Price, who first met V. T. Hamlin in the 1960s and remained friendly with him for the rest of the cartoonist's life. Price also composed the musical score for Hip Pocket Theatre's production, Alley Oop.

Hardcover. New York, Doubleday, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Very good pictorial dust jacket in mylar with very minor edge wear. SIGNED BY AUTHOR with drawing on title page.

Hardcover. NY, Garland Publishing, 1st, 1992, Book: Very Good, Dust Jacket: None, Black cloth with gilt lettering on the spine, 216 pages. A historical study of the textile industry in Lowell, Massachusetts. Clean copy.

Softcover. NY, Oxford University Press, reprint, 1999, Book: Good, Dust Jacket: None, Softcover, 292 pages. In the teens and twenties, New York was home to a rich variety of literary subcultures. Within these intermingled worlds, gender lines and other boundaries were crossed in ways that were hardly imaginable in previous decades. Among the bohemians of Greenwich Village, the sophisticates of the Algonquin Round Table, and the literati of the Harlem Renaissance, certain women found fresh, powerful voices through which to speak and write. Enda St. Vincent Millay and Dorothy Parker are now best remembered for their colorful lives; Genevieve Taggard, Gwendolyn Bennett, and Helene Johnson are hardly remembered at all. Yet each made a serious literary contribution to the meaning of modern femininity, relationship, and selfhood. Making Love Modern uncovers the deep historical sensitivity and interest in these women's love poetry. Light shelf wear. Clean copy.

Softcover. University of Toronto Press, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 264 pages. Two critical discourses central to current Canadian literary theory emerged in the late 1960s and early 1970s: post-colonialism as a political paradigm and postmodernism as a literary practice in Canadian and Quebecois fiction. Sylvia Soderlind considers the current debate about the relationship between these two discourses, and proposes a methodology that makes it possible to identify and distinguish between features pertaining to the two. Clean, bright copy.

Hardcover. NY, Marvel, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 248 pages. Collects Marvel Westerns from the 1960s: Marvel Comics has a long history of producing comics in the western genre, going back as far as the 1940s, before the company was even called Marvel. Some of their most popular gunfighters, like the Rawhide Kid, Two-Gun Kid, and Kid Colt, even hung on well after the superhero explosion of the 1960s, but it's been a long time since Marvel put any effort into its western universe. In this volume they attempt to harken back to their cowboy glory days by publishing a four-issue series called Marvel Westerns, which combines classic 1960s stories by Stan Lee and Jack Kirby with 21st-century interpretations of Marvel's classic western heroes. This hardcover contains the four issues of that series, along with some supplemental material. The Two-Gun Kid, Marvel Westerns: Western Legends, Marvel Westerns: Kid Colt and the Arizona Girl, Marvel Westerns: Strange Westerns Starring the Black Rider. Clean copy.

Hardcover. Cambridge UK, Cambridge University Press, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 414 pages. Translation by Richard Taylor. Dust jacket spine faded. Previous price sticker on dust jacket front flap. Else a clean, tight copy.

Hardcover. Limpsfield UK, Paper Tiger, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 70 pages. 30 fables collected by the mysterious Marie de France, lavishly illustrated by Jason Carter and with new translations from original manuscripts. Carter's ancient-look, colorful artwork adds to the appeal. (The publisher has added `pre-foxed' pages.) Three of the tales are : The Bitch and Her Litter, The King of the Frogs, and The Crow Who Found Peacock Feathers. Each has an attached moral. Previous owner's inscription on front fly leaf, otherwise clean.

Hardcover. Hatje Cantz, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. The years from 1945 to 1985 are often identified as the moment in which Los Angeles established itself as a leading cultural center in America. However, this conception of its history entirely excludes the very controversial presence of the Mexican muralists, as well as the work of other artists who were influenced by them and responded to their ideas. It is likewise often thought that Los Angeles' Mexican culture arrived full formed from outside it, when in fact that culture originated within the city--it was in Los Angeles and Southern California that Jose Vasconcelos, Ricardo Flores Magon, Octavio Paz and other intellectuals developed the iconography of modern Mexico, while Anglos and Chicanos were developing their own. David Alfaro Siqueiros, Clemente Orozco, Alfredo Ramos Martinez and Jean Charlot made some of their earliest murals in Los Angeles, influencing the Mexican, Mexican-American and Chicano artists of the 1970s and 80s. MEX/LA: Mexican Modernism(s) in Los Angeles 1930-1985 focuses on the construction of different notions of "Mexicanidad" within modernist and contemporary art created in Los Angeles. From the Olvera Street mural by Siqueiros, to the Golden Age of Mexican cinema and the Disney silver-screen productions, to the revitalization of the street mural, up to the performance art of Guillermo Gomez-Pena, MEX/LA explores the bi-national and hybrid forms of artistic practices, popular culture and mass-media arts that have so uniquely shaped Los Angeles' cultural panorama.

Hardcover. NY, Macmillan, 1st, 1932, Book: Very Good, Dust Jacket: None, Hardcover, 283 pages, blue cloth stamped with gilt design on front cover and gilt title on spine. Color endpapers, 6 color plates with tissue guards and additional b&w drawings by Rowland Hilder. An unusual fantasy/adventure by the English novelist. "...surreal logic as cats talk, witches fly, foxes plot against gamekeepers, model ships sail away with a water-rat captain and a hundred other odd and wonderful things, while Kay tries to discover the fate of his great-grandfather's lost treasure".... Front hinge tender, light fraying to top of cloth spine. Otherwise a bright, clean copy.

Hardcover. NY, Sterling, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with blue cloth spine, 12 pages with 6 pop-up spreads. Call me Ishmael." Three of the most famous words in all literature, they begin Herman Melville's masterpiece, Moby-Dick. Now, the epic saga of Captain Ahab's obsessive quest for the white whale comes vividly to life in this three-dimensional graphic novel, the first of its kind. This phenomenal work is the creation of multi-talented artist Sam Ita, apprentice to Robert Sabuda, one of the world's master paper engineers. Every amazing element is awe-inspiring: there's not just one pop-up per spread, but several, surrounded by colorful comic book-style panels that convey the story's drama. Some of the pops-ups are huge and incredibly detailed, like the Pequod itself, which rises gloriously from the page, complete with rigging. Others, smaller but no less wonderful, hide beneath flaps and folds. In one instance, readers actually get to look through a 3-D periscope and see Ishmael through the lens, drifting in the ocean. Clean copy w/o any flaws to paper.

Hardcover. NY, HarperCollins, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with mild edgewear. From a fantastic explosion is born the legendary Monkey King, the clever and courageous hero of one of the best-known stories from China. The Chinese folk tale is reinterpreted by the Caldecott medalist with paper collage. Two fold-out pages. Clean copy.

Softcover. Helena MT, FarCountry Press, 2nd pr., 2009, Book: Very Good, Dust Jacket: None, Softcover, 295 pages, b&w illustrations. In this remarkable and important book, Sarah Carter introduces us to some of Montana's first women homesteaders through their journals and other writings. By shedding light on these determined nineteenth- and early twentieth-century pioneers, Carter reveals inspiring stories filled with joy, tragedy, and redemption.

Softcover. Seattle, Fantagraphics Books, 1st, 2019, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 112 pages illustrated in b&w. A 50-year career retrospective of cartoonist Mort Gerberg, whose social-justice-minded-and bitingly funny-cartoons have appeared in magazines such as The Realist, The New Yorker, Playboy, and the Saturday Evening Post. And as a reporter, he's sketched historic scenes like the fiery Women's Marches of the '60s and the infamous '68 Democratic National Convention. This handsome edition collects Gerberg's magazine cartoons, sketchbook drawings, and on-the-scene reportage sketches. Clean, bright copy.

Hardcover. NY, Blue Sky Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Caldecott Honor artist Molly Bang celebrates the many wonders of the sun, with radiant words and images that illuminate the myriad ways in which the sun gives us energy and power from its light. Often taken for granted, the sun gives us more than its light. Here, Molly Bang presents a celebration of the wonder and power of the sun and its radiance. With dazzling paintings and a simple poetic text, MY LIGHT follows the paths of the sun's rays, showing the many ways in which we obtain energy from its light. Clean, bright copy.

Hardcover. London, Fourth Estate, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 247 pages. SIGNED BY AUTHOR on title page. Spotless and tight copy.

Hardcover. Chapel Hill NC, Algonquin Books, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 213 pages. Author's first book, a rather off-beat coming-of-age story. INSCRIBED BY AUTHOR on the title page. Clean copy.

Hardcover. New York , Summit Books, 1st US, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. SIGNED BY AUTHOR on title page. 236 pages. Small remainder-mark to bottom edge, else a clean, unmarked copy.

Softcover. Woodstock VT, Countryman Press, reprint, Book: Very Good, Dust Jacket: None, Softcover, 311 pages, b&w illustrations. Kate Austen was a young Australian nurse looking for adventure in the 1920s. She accepted an assignment working in a mission hospital in Labrador, Canada, and fell in love with the local people and harsh wilderness she found there. She also met and married her husband (the author) during her time in Labrador. Throughout the book, Kate relates in a no-nonsense voice the births, deaths, epidemics, injuries, burns and unusual medical cases she treated. She also tells affectionately of the people she served - trappers, wives, children, native Indians, fishermen, sailors, and various visitors. Some of the stories made me chuckle, and some of them made me hold my breath in suspense. She worked day and night to serve the community living around the hospital, which also served as general store and community center. The weather was dreadful most of the year, and they lived without running water, electricity, telephone, or indoor toilets. Kate reveled in the experience, often traveling hundreds of miles by dog-sled to treat sick people in out-lying homesteads. She loved the snow, ice, wind, and the dangerous ocean, and rarely complained about the primitive conditions or workload. Previous owner's inscription otherwise clean copy.

Hardcover. NY, Doubleday, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Clean copy.

Hardcover. New York, Frederick A. Stokes, 1st, 1939, Book: Good, Dust Jacket: None, Hardcover, light blue cloth, 388 pages. Black & white illustrations by Lois Lenski. Covers show standard wear, title on spine and decoration on cover no longer visible. Spine slightly cocked. Clean, unmarked copy.

Hardcover. NY, Library Of America, 1st thus, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 832 pages. From the Hugo, Locus, and Nebula Award-winning author of Kindred, the Parable novels, and Bloodchild, here in its spellbinding entirety is Octavia E. Butlers epic of human survival and transformation. Conceived against a backdrop of Reagan-era nuclear brinksmanship, Liliths Brood: The Xenogenesis Trilogya classic of Afrofuturist speculative fiction offers profound reflections on race, biology, colonialism, resistance, consent, sexuality, community, hybridity, technology, power, and the future of humankind.

Hardcover. Saranac Lake NY, Adirondack Yesteryears, 2nd pr., 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 152 pages, b&w illustrations. Edited and with Biographical Sketch by Maitland C. De Sormo. Endpapers map.

Hardcover. London, Jonathan Cape, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket,166 pages, SIGNED BY AUTHOR on title page. Spotless and tight copy.