Hardcover. New Haven CT, Yale University Press,, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 235 pages. Includes bibliographical references, index, notes, and numerous black and white and color illustrations and maps. Bright dust jacket. light foxing to text block fore-edge.

Hardcover. London, Conran/Octopus, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 220 pages. Illustrated with full color photographs. Clean, tight copy. Vast, obsolete buildings are now taking on new life as people seek out living space. This work presents an international collection of conversions, including those of architects and designers such as Andree Putman and John Pawson. Through the designs and accompanying text, the reader witnesses how empty shells are transformed into unconventional homes.

Hardcover. NY, Rizzoli, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, More than a century ago, when Abbot Kinney built his Venice-of-America with its network of canals and fanciful buildings, cultural aspirations were high. Over the years, this aura of fantasy and imaginative possibility endured as integral to the zeitgeist of the place. Today, this spirit of innovation and creativity is richly expressed in the vintage bungalows and cottages that have been embraced and brought back to life by homeowners more in love with place than size. Stalwart survivors of the ebb and flow of the area's fortunes over a century, these small homes channel the creative spirit of the place and provide a welcome counterpoint to oversize houses. Color, landscape, treasured collections, personal narrative, contemporary overlays and additions, art and craft, and inventive design--all combine in various ways to produce domestic environments with unique and deeply personal points of view.

Hardcover. Boston, MA, University of Massachusetts Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 516 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. This volume documents Fenn's prolific career from the 1860s until his death in 1911. Sue Rainey also recounts his adventurous sketching trips in the western United States, Europe, and the Middle East, which enhanced his reputation for depicting far-flung places at a time when the nation was taking a more prominent role on the world stage.

Softcover. Gloucester MA, Rockport , 2nd pr., 2004, Book: Very Good, Dust Jacket: None, Softcover, 136 pages. Color illustrations. Clean copy.

Hardcover. Vilnius, Baltos Lankos, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 69 duotone plates, images taken by the Lithuanian photographer Jozef Chechowicz (1819-1888). Mostly landscapes of the city and it's buildings, some with people. Beautifully produced volume, limited to 2000 copies. Light edgewear to dust jacket.

Hardcover. Boston, Bulfinch, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Illustrated with 382 photographs and sketches, 152 in color. 9 3/4 x 10 5/8 inches. 224 pages. Dan Kiley has influenced generations of landscape designers, and his work has heightened our awareness of our surroundings through his lifelong tenet that the actions of people are integral to nature and its course. Despite his international renown, no comprehensive monograph has ever been published on Dan Kiley. Produced in close collaboration with the architect, this is the definitive book on the man and his oeuvre, from early projects to his most recent works. Remainder line to bottom edge, otherwise clean.

Softcover. London, Unicorn Press Ltd, 1st, 2015, Book: Very Good, Dust Jacket: None, 96 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. Many color illustrations and photographs throughout. Artist David Shillinglaw is as comfortable in the street as in the studio, as likely to paint on found objects as on canvas, as interested in tiny hand-made artist's books as in large-scale public murals. His mural in the Olympic Park in East London is the longest mural ever commissioned in Great Britain, while his brilliantly inventive creations enliven construction hoardings throughout London's changing cityscape. The Dance of 1000 Faces is the first book to gather a significant number of Shillinglaw's works. It presents his art in full color in all its many forms: not only paintings and murals, but journals drawings, sketches, and more. It reveals Shillinglaw's particular genius for depictions--and distortions--of the human face, grimacing and grinning, shifting and shaping as it becomes no one and everyone at once.

Hardcover. Buffalo, N.Y., Prometheus Books, 1st, 1992, Book: Good, Dust Jacket: Very Good, 137 pages. Hardcover. INSCRIBED BY AUTHOR on title page and front fly leaf. Extensive b&w photography throughout. Foxing to top edge, otherwise clean, tight copy. Dancing Naked in the Material World, a unique and illuminating photo-documentary, allows us to look beyond the exotic, sometimes grimy surface of the world of striptease and into the lives of the women who perform there. The dancers, whose humanity and intelligence is graciously depicted in Marilyn Futterman's brilliant black-and-white photographs, describe in their own words how they feel about themselves, their marginal profession, and the men who support it. How does such a sexual, competitive occupation affect the self-esteem of these women? What are their fears, hopes, and ambitions?Futterman, after deciding to do a photographic series on strippers, became a waitress in one of the clubs in Atlanta, Georgia. Working with and interviewing the dancers enabled her to better understand their diverse and complex lives. She witnessed first-hand the strippers' working environment, the people met there, and the relationships between the women.

Hardcover. Stichting Kunstboak , 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Illustrated in color and b&w.

Hardcover. Benteli Verlags , 1st, 2017, Book: Very Good, Dust Jacket: None, Oblong hardcover with a pictorial label, 192 pages. The faded remnants of a glorious past are captured in all their morbid beauty, in images that manifest the ephemeral and go beyond all conventional associations and conceptions of the American South: Days Gone By combines carefully crafted photographs from the past ten years with a cultural history of the region's social and structural changes. With an unflinching gaze, Jorg Rubbert presents the demise of countless small towns between Georgia, Mississippi and Texas, their suffering particularly tangible following the financial crisis. Rural towns, idyllic at first glance, are soon revealed as forgotten relics of times long past.

Hardcover. Scalo, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 308 pages. In 1987 Dirk Reinartz set out on his sad itinerary: Dachau, Auschwitz, Ravensbruck, Treblinka. The list goes on. Seven years later he compiled this series of 200 black-and-white photographs of the 24 ruins of the death camps. In 279 chilly, gray photographs taken at 25 different Nazi concentration camps, Reinartz successfully portrays the very purpose--death--of these horrific places. In the photographs, no figure intrudes on the stark emptiness and brutal orderliness of the camps' architecture. The photographs are carefully composed, and their tonal range deliberately compressed, so that there is no brightness in them, only shades of gray. Nor is there any shred of sentiment, only emptiness and silence. In his text, Krockow contrasts the truth of the pictures and the superficial, "amusement park" ambiance that greets actual visitors to the camps today. He meditates as well on the failings of the human mind that allowed the power to kill to go unchecked. Disturbing photographs, thoughtful text. Clean copy.

Softcover. NY, E. P. Dutton & Co., 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 116 pages illustrated in color. Documents the superb and amazing Art Deco buildings of Miami Beach. Bright and beautiful full color photos feature mainly the exteriors of these gems. Clean copy.

Hardcover. New York , Scribners, 1st, 1909, Book: Very Good, Dust Jacket: None, Hardcover, B&W plates, many tipped-in. Beveled boards, slight warp to covers, 215 pages.

Hardcover. E.L. Hildreth & Co., Inc. (printers), Ltd. Ed., 1937, Book: Very Good, Dust Jacket: None, Hardcover, brick-red cloth with bright gilt lettering an cover and spine. Signed by Booth on the limitation page, #193 of 500 copies. No dust jacket if issued. 98 pages, illustrated with b/w photographs. Clean copy.

Hardcover. Gibbs Smith, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Sim Van der Ryn is the president of Van der Ryn Architects, a northern California firm known worldwide for its work in sustainable architecture. He taught architecture and design at the University of California, Berkeley for more than thirty years, inspiring a new generation to create buildings and communities that are sensitive to place, climate, and the flow of human interactions. He is the author of six groundbreaking books about planning and design, including Sustainable Communities and Ecological Design. He lives and works in the San Francisco Bay area.

Hardcover. NY, Stewart, Tabori & Chang, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 192 pages illustrated in color. A complete guide to using wood in the home offers practical information and hard knowledge about types of wood and their uses, as well as inspiration on the uses for wood, complete with a buying guide and 250 color photos.

Hardcover. New Haven CT, Yale University Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages. From the 1920s through the 1950s, two individuals, Joseph Urban and Norman Bel Geddes, did more, by far, to create the image of "America" and make it synonymous with modernity than any of their contemporaries. Urban and Bel Geddes were leading Broadway stage designers and directors who turned their prodigious talents to other projects, becoming mavericks first in industrial design and then in commercial design, fashion, architecture, and more. The two men gave shape to the most quintessential symbols of the modern American lifestyle, including movies, cars, department stores, and nightclubs, along with private homes, kitchens, stoves, fridges, magazines, and numerous household furnishings.Illustrated with more than 130 photographs of their influential designs, this book tells the engrossing story of Urban and Bel Geddes. Christopher Innes shows how these two men with a background in theater lent dramatic flair to everything they designed and how this theatricality gave the distinctive modernity they created such wide appeal. If the American lifestyle has been much imitated across the globe over the past fifty years, says Innes, it is due in large measure to the designs of Urban and Bel Geddes. Together they were responsible for creating what has been called the "Golden Age" of American culture.

Hardcover. Washington, D.C., Prestel, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 408 pages, illustrated throughout in color. Large oversized book. Devi, the Great Goddess of India is beautiful, beneficent, terrifying, all-powerful, and glorious. Ubiquitous in India's social and spiritual fabric, she has, over the millennia, been painted, sculpted, carved, and wrought from silver and bronze in a myriad of shapes and forms. Devi: The Great Goddess brings together one hundred and twenty of these diverse examples of Devi and a group of distinguished essayists who explore facets of Devi worship and tradition, including ritual, architecture, literature, history and contemporary issues such as feminism and gender politics. Light edgewear to dust jacket, else a clean, tight copy. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. London, Cassell & Company, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, tan boards stamped in black, 82 pages with dozens of gorgeous b&w pen line drawings by Moreland. "The face of London is changing so rapidly that the time cannot be far distant when much that is recording these pages will have disappeared". As this was written in 1931, the anticipated changes came of course much sooner and much more dramatically than had been anticipated. The author has depicted Dickens' storied locations as they appeared when written. Previous owner's inscription, name stamp on front fly leaf, otherwise clean.

Hardcover. New York, Hudson Hills Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 175 pages, illustrated with 247 plates, 37 in color. In publisher's shrinkwrap. Nobel Prize-winner Heaney introduces a volume that richly reflects every aspect of Hadzi's career, from intimate studio photographs to large architectural commissions. Hadzi's works in bronze and stone are powerfully abstract and expressionist, yet involved with the past as a literary and aesthetic source.

Softcover. Mechanicsburg PA, Stackpole, 1st, 2005, Book: Very Good, Dust Jacket: None, 274 pages, paperback. A definitive guide to New England diners. Mild edgewear to wraps. With color photographs throughout. Bright and clean; a tight copy.

Softcover. NY, Harry N. Abrams, reprint, 1981, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. 117 illustrations including 50 plates in full color. Clean, tight copy. Included here are paintings and descriptions of more than 100 diners from every part of the United States. The artist's own captions introduce each diner - many of which no longer exist - and describe their food specialties, their sometimes quirky histories, and their owners, managers, or patrons. In the first edition 50 paintings were reproduced in color; for this new, revised, and updated edition, there are 69 in color. The artist has selected forty recent paintings to replace earlier works, most of which were shown only in black and white. New reminiscences, new anecdotes, and new facts accompany the paintings. Written by Baeder in his inimitable, conversational style, these brief texts tell the reader much about diner history, fashions in food and popular architecture, and about the amiable, slightly nutty man who pursues diners obsessively, yet views them with a perception that rivals that of a connoisseur of haute cuisine.

Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 580 pages profusely illustrated in color and b&w. Text in English and Italian.

Hardcover. Taschen, 1st, 2006, Book: N, Hardcover in a bright dust jacket. 792 pages. This volume covers the second half of the 1970s, an era marked by the oil crisis and the related global economic crisis. For the first time, architecture and design dealt with alternative resources, ecological building methods, and recyclable materials. Nevertheless synthetics remained present in many fields, especially in interior design. Examples of projects featured are the postmodern and lightflooded buildings by Richard Meier, the modernistic buildings by Foster Associates, the Centre Georges Pompidou by Renzo Piano and Richard Rogers, and the buildings of the Japanese architects Arata Isozaki and Kisho Kurakawa. The industrial design of modern transport systems, office machines, and electrical appliances is also highlighted.

Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 580 pages. The International style of the late 1920's and 1930's is the focal point of this volume. Along with groundbreaking buildings, interior decoration, and furniture by international architects and designers such as Le Corbusier, Ludwig Mies van der Rohe, Marcel Breuer, Robert Mallett-Stevens, Alvar Alto, and Richard Neutra, is above all the work of the Italian avant-garde, including names like Giuseppe Terragne, Carlo Mollino, Gio Ponti, Melchiorre Bega, Franco Albini or Studio BBPR, that provides precise insight into the formative decade of Modernism. Text in English and Italian. Clean copy.

Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 580 pages, profusely illustrated. This title covers the years 1985-1989 - the eighties in full force. The many styles of architecture and design that became prominent in the second half of the 1980s are the focus of this volume. Along with Postmodernism - represented by buildings, interior decoration, and designs by Peter Shire, Richard Meier, Gustav Peichl, Ricardo Bofill, Ettore Sottsass, Arata Isozaki, and the Arquitectonica firm - it was the buildings of the High-Tech Style which dominated. The most prominent examples are the Head Office of the Hong Kong & Shanghai Banking Corporation in Hong Kong, designed by the architectural firm Foster Associates, and the Lloyds Building by Richard Rogers in London. In publisher's shrink wrap.

Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Taschen's Domus collection is a major publishing achievement and a must-have item for all design and architecture teaching institutions, practicing architects, designers, collectors, students, and anyone who loves design. /// The first half of the 1990s represented a generational change in architecture and design.//// This title covers the years 1990-1994 - the next generation. The first half of the 1990s, this volume's focus, marked a shifting of the generations in architecture and design. "domus" - up to date as always - documented the work of this new generation with elaborate articles and reports. The architects Tadao Ando, Jean Nouvel, David Chipperfield, Philippe Starck, Rem Koolhaas, Peter Eisenman, Jacques Herzog, and Pierre de Meuron made their debuts in domus during this period. In addition, established architectural greats like Frank O. Gehry, Mario Bellini, Richard Meier, Renzo Piano, Norman Foster, Santiago Calatrava, and Zaha Hadid were also featured. In product design, Marc Newson, Rodney Kinsman, Jasper Morrison as well as the brothers Fernando and Humberto Campana appeared in the spotlight.

Hardcover. Taschen, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages. 1940-1949: Destruction and Reconstruction. This volume covers the 1940s, when fascism came to a climax and World War II led to the extensive destruction of Europe. But the second half of this decade was also a time of reconstruction, democratization, and the related search for new social values. Unlike in Nazi Germany, in fascist Italy Modernism was able to advance in architecture and design - as proved impressively by the buildings and designs by Carlo Mollino, Gian Luigi Banfi, Franco Albini, and Giuseppe Terragni that are documented herein. After the war, Organic Design emerged alongside the International style. This edition reflects upon the economic, social, and cultural problems of the time, but also shows how the force of the avant-garde continued to thrive in Italy, Switzerland, Scandinavia and the USA. Reports and features on modern industrial design and furniture, as well as domestic and business interiors stand side by side with articles about novel prefabricated houses. In publisher's shrink wrap. Due to size and weight, DOMESTIC SHIPPING ONLY.

Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages. 1950-1954: Architecture of the Avant-Garde. This volume covers the first half of the 1950s, a time characterized by great optimism. The consequences of World War II had largely been overcome, the most urgent needs of the population were satisfied, and economic prospects looked bright. Architecture and design looked for new forms of expression, for new materials and their applications - and the possibilities seemed limitless. Volume III shows contemporary trends of the time through detailed reports on the ninth Triennial in Milan and about designers like Tapio Wirkkala, Finn Juhl, Carlo de Carli, Carlo Mollino, Piero Fornasetti, Marco Zanuso, Harry Bertoia and George Nelson. Via features on Le Corbusier's famous Unite d'Habitation in Marseille, the groundbreaking Case Study Houses by Charles and Ray Eames, the efforts of Richard Neutra in California, the work of Oscar Niemeyer in Brazil, and the futuristic Olivetti Showroom by Studio BBPR in New York. In publisher's shrink wrap.

Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages. 1960-1954: Design Goes Pop. This volume concentrates on the architecture and design of the first half of the 1960s, characterized by the coexistence of a number of different styles. The aftermath of the International style and Good Design were still noticeable whereas Organic Design, which had developed in parallel since the late 1940s, gradually lost its influence. From the early 1960s onwards, a new force took its place, geared toward Pop Art and popular culture, leading to Pop Design. This trend is particularly recognizable in interior design, where a variety of new synthetics and foam plastics replaced traditional materials such as metal, glass or wood, pointing the way to completely new designs. Volume V documents this with examples of designs by Ray and Charles Eames, Verner Panton, Achille and Pier Giacomo Castiglioni, and Joe Colombo. On the architectural side, the impressive buildings of Gio Ponti, Carlo Scarpa, Angelo Mangiarotti, James Stirling, and others./// Hardcover, 580 pages. 1960-1954: Design Goes Pop. This volume focuses on the architecture and design of the first half of the 1960s. A new force lead to Pop Design. This trend is particularly recognizable in interior design, where a variety of new synthetics and foam plastics replaced traditional materials such as metal, glass or wood.

Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages. 1965-1969: A Break from the Past, a Nod to the Future. The late 1960s, when a radical change took place in the fields of architecture and design, are the focus of this volume. Old values such as functionality, elegance, and faithfulness to materials, which had been relevant for nearly half a century, lost their importance and made space for the ideas of pop culture and the sociocritical experiments of a new generation of architects and designers who no longer wanted to live within the styles of their fathers and grandfathers. Groups of architects and designers like Archizoom and Archigram questioned long-established status symbols, fashion, and consumption and created provocative alternative designs, which were reflected in Anti and Radical Design. Volume VI in the domus series features designs by Joe Colombo, Ettore Sottsass, Gae Aulenti, Olivier Mourgue, Achille and Pier Giacomo Castiglioni, Verner Panton, Kenzo Tange, Luigi Moretti, Oscar Niemeyer, and Gio Ponti.

Hardcover. New York, Aperture, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 96 pages, color photographs, Like new in publisher's shrinkwrap. Doors of the Kingdom is a unique collection of photographs depicting the ancient and disappearing craft of doormaking in Arabia. The Islamic concept of hurma, or sanctity of a place of dwelling or worship, is recurrent throughout Arabic poetry and literature. The door (bab), preserver of sanctity, becomes symbolic of the boundary between public and private space, and between the profane and the sacred. In 1995, Haajar Gouverneur traveled throughout the Arabian Peninsula photographing each region's distinctive doorways and the remaining artisans who make them. The doors of Arabia, painstakingly hand-carved from the wood of the Al-Athel trees, last in their exquisite variety for hundreds of years. This ancient craft, passed down from generation to generation in the central and northern regions of Saudi Arabia, is now nearly extinct. Modern materials, technology, and changing priorities threaten the continuity of the sacred and artisanal tradition of doormaking.

Softcover. Facts on File, 1st pbk, 1983, Book: Very Good, Dust Jacket: None, Softcover, 192 pages illustrated in b&w and color. Based on an exhibition at the Centre Georges Pompidou-with 303 illustrations, 65 in color. Clean copy.

Hardcover. London, B. T. Batsford Ltd, 1st, 1949, Book: Good, Dust Jacket: Good, Hardcover, 96 pages, with a foreword by A. E. Richardson, color and black & white illustrations and watercolors throughout. Dust jacket worn with fading and rubbing, closed tear on back cover, otherwise, internally very clean and tight.

Softcover. Cambridge, MIT Press, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalogue featuring the famed architect's travel sketches along with photographs of the buildings he encountered and essays on their influence on his work. 11'' x 8.5''. In original dark orange pictorial wrappers. Illustrated throughout in black and white, some color, 136 pages. Spine sun faded.

Softcover. Fleischmanns NY, Purple Mountain Press, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 80 pages with b&w photos and diagrams. Common features of these barns include a core structure composed of a steep gabled roof, supported by purlin plates and anchor beam posts, the floor and stone piers below. Another distinctive feature of the Dutch barn is that the ends of the cross beams protrude through the columns. These protrusions are often rounded to form tongues. This feature is not found in any other style of barn design. Pages are bright and unmarked, solid binding.

Softcover. Groningen, Holland, International Art Publishing, 1st, 1962, Book: Very Good, Softcover, illustrated card wraps, 32 watercolors in chromolithography by Molendijk. Introduction by B. Van Der Veen Czn. Spine edgewear. Clean.

Hardcover. NY, William Farquhar Payson, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, original brown half cloth and boards. Spine lettering faded, light soil and rubbing to covers else very good. Endpapers map showing Dutchess County above New York City, 280 pages of text, 204 photo-plates of doorways, house fronts and interior views and extensive index. Photography by Margaret de M. Brown. Clean copy.

Hardcover. UK, Phaidon, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 288 pages. A fascinating and informative document of the ways in which houses are constructed, decorated and inhabited around the world written by an internationally respected expert on vernacular architecture. Beautifully illustrated in color and black and white, largely by photographs compiled in the course of the author's field research . Clean copy.

Hardcover. Gottingen GR, Steidl, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 237 pages, b&w plates throughout. Hoppe traveled throughout Germany between 1925 and 1938, photographing movie stars, workers and peasants, the birth of the Autobahn, and the explosion of industrial building. This collection includes parts of his 1930 book "Deutsche Arbeit" and many photos never previously seen. Clean copy in a dust jacket.

Hardcover. Columbia, Univeristy of Missouri Press, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, 142 pages. B&W photography and illustrations throughout. pictorial dust jacket, slightly worn at corners and spine. Price clipped. Black boards with silver gilt title to spine. Frontispiece. Overall, a nice, clean copy.

Hardcover. Harrisburg PA, National Historical Society, reprint, 1988, Book: Very Good, Dust Jacket: None, Hardcover, glossy green pictorial boards. No DJ as issued. Volume 10 of the Architectural Treasures of Early America. From material originally published as White Pine Series of Architectural Monographs edited by Russell F. Whitehead and Frank Chouteau Brown. 248 page book with historic photographs and home plans. Clean copy.

Hardcover. Harrisburg PA, National Historical Society, reprint, 1988, Book: Very Good, Dust Jacket: None, Hardcover, glossy green pictorial boards. No DJ as issued. A like new copy, no marks. Volume 8 of the Architectural Treasures of Early America. From material originally published as White Pine Series of Architectural Monographs edited by Russell F. Whitehead and Frank Chouteau Brown. 236 page book with historic photographs and home plans. Clean copy.

Hardcover. Chapel Hill, University of North Carolina, 1st, 1957, Book: Very Good, Dust Jacket: None, Hardcover, very good in slipcase, no dust jacket issued. Decorated red-brown Cloth and Beige Cloth Covers; book is clean and tight and interior bright; pictorial red-brown endpapers. 292 pages, 270 b/w photographs including frontispiece by Frances Benjamin Johnston. Features foreword, and Index with text divided into six parts titled as: "The Land and the People," "Cities and Towns," "Domestic Architecture of Coastal Georgia". Illustrated slipcase with rubbing and edgewear, light soil, starting to split at seams.

Hardcover. Harrisburg PA, National Historical Society, reprint, 1988, Book: Very Good, Dust Jacket: None, Hardcover, glossy green pictorial boards. No DJ as issued. Volume 6 of the Architectural Treasures of Early America. From material originally published as White Pine Series of Architectural Monographs edited by Russell F. Whitehead and Frank Chouteau Brown. 239 page book with historic photographs and home plans. Clean copy.

Hardcover. Harrisburg PA, National Historical Society, reprint, 1987, Book: Very Good, Dust Jacket: None, Hardcover, glossy green pictorial boards. No DJ as issued. A like new copy, no marks. Volume 2 of the Architectural Treasures of Early America. From material originally published as White Pine Series of Architectural Monographs edited by Russell F. Whitehead and Frank Chouteau Brown. 236 page book with historic photographs and home plans. Clean copy.

Hardcover. London, Elek, 1st, 1975, Book: Very Good, Dust Jacket: Good, Hardcover, 537 pages, illustrated throughout with 420 plates, including 86 in full color. Very large, heavy book. Light edgewear, rubbing and de-lamination to dust jacket. Clean, tight copy.

Softcover. NY, Da Capo Press, 1st pbk, 1976, Book: Very Good, Dust Jacket: None, Softcover, 50 pages of text, followed by hundreds of b&w illustrations. The original edition of Early Victorian Architecture in Britain was published in two volumes, one containing an extensive discussion and appreciation of early Victorian architecture by Mr Hitchcock, and the other containing a list of the illustrations the author had collected and the plates themselves. This single-volume paperback edition includes the original Preface, Acknowledgements, and first chapter of the original, as well as the illustrations. Clean, bright copy, small ownership stamp to front fly leaf.