Hardcover. London, Sir Isaac Pitman & Sons, Ltd., 1st, 1955, Book: Good, Dust Jacket: Good, Hardcover, 233 pages, illustrated throughout in b&w. Minor dust jacket edgewear and foxing. Otherwise, a very clean and tight copy.

Hardcover. Cambridge, Mass, The MIT Press, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Illustrated throughout, traces the evolution of greenhouse construction. Minor rubbing and edge wear on dust jacket, otherwise, in very good condition.

Hardcover. New York, Collins Design, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 189 pages, profusely illustrated throughout in color. Spotless and tight copy.

Softcover. Albuquerque NM, University of New Mexico Press, 1st, 2002, Book: Near Fine, Dust Jacket: None, 178 pages, 70 color plates by Fitch of deserted buildings and locations in the Great Plains. Soft cover edition, published simultaneously with the hardcover. In publisher's shrink wrap.

Hardcover. NY, Pantheon, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Grand Avenues tells the riveting story of Pierre Charles L'Enfant and the creation of Washington D.C.--from the seeds of his inspiration to the fulfillment of his extraordinary vision.L'Enfant's story is one of consuming passion, high emotion, artistic genius, and human frailty. As a boy he studied drawing at the most prestigious art institute in the world. As a young man he left his home in Paris to volunteer in the army of the American colonies, where he served under George Washington. There he would also meet many of the people who would have a profound impact on his life, including Alexander Hamilton and James Monroe. And it was Washington himself who, in 1791, entrusted L'Enfant with the planning of the nation's capital--and reluctantly allowed him to be dismissed from the project eleven months later. The plan for the city was published under another name, and for the remainder of his life L'Enfant fought for recognition of his achievement. But he would not live to see that day, and a century would pass before L'Enfant would be given credit for his brilliant design. Scott W. Berg recounts this tale, richly evocative of time and place, with the narrative verve of a novel and with a cast of characters that ranges from Thomas Jefferson and the other Founding Fathers to the surveyor who took credit for L'Enfant's plans, the assistant who spent a week in jail for his loyalty to L'Enfant, and the men who finally restored L'Enfant's reputation at the beginning of the twentienth century.

Hardcover. Princeton Architectural Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. The Breakers, the Waldorf, the Biltmore, the Sherry, the Pierre--these landmark hotels are synonymous with grand luxury and style. When they were built, in the 1920s, their refined elegance and grandeur set the bar for hotels and resorts the world over. Responsible for creating these and countless other hotels throughout the United States, were the partners of a single architectural firm: Schultze & Weaver. Together, this duo--an architect and an engineer--virtually invented the glamorous lifestyle made famous in films like Grand Hotel. Catering to the social elite of which they were themselves a part, Schultze & Weaver synthesized the Old World style of Renaissance Italy, Moorish Spain, and Georgian England with all of the modern amenities that made hotel living luxurious. This book presents portfolios of fifteen of the firm's most spectacular hotels, culminating in the Art Moderne masterpiece of the Waldorf-Astoria. Over two hundred period photographs and hand-colored architectural renderings chart the ascent of the American hotel in all its glory and glamour, before the Great Depression forever changed the lifestyles of America's rich and famous. Essays address the cultural and technological developments that underpin the creation of resort and residential hotels, including the elemental role played by Schultze & Weaver.

Hardcover. Harrisburg PA, National Historical Society, reprint, 1988, Book: Very Good, Dust Jacket: None, Hardcover, glossy green pictorial boards. No DJ as issued. A like new copy, no marks. Volume 14 of the Architectural Treasures of Early America. From material originally published as the Georgian Period edited by Professor William Rotch Ware. 223 page book with historic photographs and home plans. Clean copy.

Hardcover. Thistle Hill Publications & Vermont Folklife Center, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 108 pages, 68 b&w photographs. SIGNED BY BOTH MOSHER AND MILLER on the half-title page. Granite and Cedar represents an unusual collaboration between a documentary photographer and a writer of fiction to produce a haunting portrait of the people and the land of Vermont's most rural area, often referred to as the "Northeast Kingdom." Veteran photographer JOHN M. MILLER uses his brilliant collection of elegiac, but unsentimental, images dating from the 1970s to evoke the disappearing folkways, the rugged people, and the desolate and abandoned landscape of his native corner of the Green Mountain State. Miller's austere, black-and-white photos richly detail the erosion and the breakup of the small farms of the region and of the families who worked those farms. While they emphasize the stark beauty of the land, they also pay homage to the innate dignity and fierce pride of the people who live in such hardscrabble circumstances.

Hardcover. Thistle Hill Publications & Vermont Folklife Center, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 108 pages, 68 b&w photographs. Granite and Cedar represents an unusual collaboration between a documentary photographer and a writer of fiction to produce a haunting portrait of the people and the land of Vermont's most rural area, often referred to as the "Northeast Kingdom." Veteran photographer JOHN M. MILLER uses his brilliant collection of elegiac, but unsentimental, images dating from the 1970s to evoke the disappearing folkways, the rugged people, and the desolate and abandoned landscape of his native corner of the Green Mountain State. Miller's austere, black-and-white photos richly detail the erosion and the breakup of the small farms of the region and of the families who worked those farms. While they emphasize the stark beauty of the land, they also pay homage to the innate dignity and fierce pride of the people who live in such hardscrabble circumstances.

Hardcover. Graphis Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 256 pages, 250 color plates featuring the best poster art of the year from all over the world. Like new in publisher's shrinkwrap. Outstanding creative works by world-renowned designers, selected from thousands of entries and reproduced in full-color, large format reproductions. As a contemporary reference and source of inspiration for successful promotional graphic design, Poster Annual 2002 is conveniently organized into a range of client categories ? from sports, film, architecture, and fashion, to festivals, museums, retail, public service, competitions, and corporate communications. This edition features extensive captions, detailed indexes, and informative credits, making it a valuable resource for designers, art directors, and clients.

Hardcover. NY, Whitney Library of Design, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 175 pages, color plates. A collection of fine color illustrations and text describing conversions of a variety of structures (a barn, firehouse, power station, martello tower...) to residential use. Exciting and refreshingly different homes. Great ideas in a charming book.

Hardcover. NY, Doubleday, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 510 pages. Bibliography, Index. Numerous b&w photographs, drawings, and maps throughout text. A portrayal of the history, geography, architecture, and people of fourteen ancient cities at their height, among them Thebes, Jerusalem, Babylon, Athens, Carthage, and Rome. Clean copy.

Hardcover. NY, Harmony Books, 1wt, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 152 pages. full blue cloth, silver lettering on spine. Illustrated with B&W and color photographs and reproductions. A visual tour of the great country English houses through the ages. Clean copy.

Hardcover. San Francisco, Chronicle Books, 1st, 1986, Book: Very Good, Dust Jacket: Good, Hardcover in a bright. lightly worn dust jacket. 240 pages illustrated in color. A full-color survey of the architectural firm of Greene & Greene that almost single-handedly defined the Arts & Crafts aesthetic in America in the first decades of the 20th century. An in-depth tour of 25 magnificent homes examines the creative evolution of their style as well as surveying their greatest works. Light tape repair to spine of dust jacket.

Hardcover. Portland, OR, Nazraeli Press, 1st, 2010, Book: Very Good, Dust Jacket: None, 108 pages. This printing limited to 1000 copies. Hardcover with no dust jacket. Creasing to a few pages. An otherwise clean, unmarked copy with only minor edgewear. In the mid-1980s, Stu Levy began making 'grid-portraits' in order to overcome his his frustration with traditional portraiture's limited point of view. These constructs of photographs, consisting of twelve to twenty-five individual images, scan the architecture and flow of time in a subject's living or working environment. The resulting portraits, usually of artists, craftspeople and musicians, are made in the subjects' studios or living spaces and serve as a backstage tour of the artist s mind and creative process. Levy is fascinated by the artifacts that fill these spaces the possessions by which the subjects are themselves possessed. Rather than confining himself to a single 'decisive' moment, Levy explore its antithesis, a maze of scrambled time. These are made with a view camera using 4 x 5-inch negatives to allow for precision of detail. The sections are printed together to form the illusion of glancing through a window at a 'snapshot' of an event, which in reality might consist of fragmentary views made months apart and in totally separate rooms or environments. Among the subjects included in this important new monograph are Dr. Stanley Burns, Linda Connor, Barbara Crane, Jay Dusard, David Hockney, Graham Nash, and Jerry Uelsmann. Beautifully printed in duotone on matt art paper and bound in black Japanese cloth, this first printing of Grid-Portraits is limited to 1,000 copies.

Hardcover. Boston, Bulfinch Press, 1st US, 1991, Book: Very Good, Dust Jacket: Very Good, 344 pages, Hardcover with dust jacket. B&w illustrations. Like-new.

Hardcover. Syracuse NY, Syracuse University Press, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 186 pages, 116 illustrations. "The first serious study of the totality of Stickley's accomplishments, especially his architecture", and as a central figure in the American Arts and Crafts Movement as founder of The Craftsman and of the Stickley Workshops. Bibliographical references, pages 169-181. Clean copy.

Hardcover. Chicago, IL, University of Chicago Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 171 pages. Hardcover with dust jacket. Minor foxing to front flyleaf. An otherwise clean, unmarked copy. Black and white photographs throughout. SIGNED BY AUTHOR ON FRONT FLYLEAF.

Hardcover. Chicago, University Of Chicago Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 364 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket. Wandering the streets of Harlem for the past forty years, Camilo Vergara has noticed and miraculously recorded those moments of great human invention that have been largely overlooked by the official chronicles of architecture and urban history. For this reason, his photographs are unique and indispensable.

Hardcover. Chicago, University of Chicago Press , 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 364 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket. Photographer Camilo Jose Vergara has been chronicling the neighborhood for forty-three years, and Harlem: The Unmaking of a Ghetto is an unprecedented record of urban change. Vergara began his documentation of Harlem in the tradition of such masters as Helen Levitt and Aaron Siskind, and he later turned his focus on the neighborhood's urban fabric, both the buildings that compose it and the life and culture embedded in them. By repeatedly returning to the same locations over the course of decades, Vergara is able to show us a community that is constantly changing--some areas declining, as longtime businesses give way to empty storefronts, graffiti, and garbage, while other areas gentrify, with corporate chain stores coming in to compete with the mom-and-pops. He also captures the ever-present street life of this densely populated neighborhood, from stoop gatherings to graffiti murals memorializing dead rappers to impersonators honoring Michael Jackson in front of the Apollo, as well as the growth of tourism and racial integration. Woven throughout the images is Vergara's own account of his project and his experience of living and working in Harlem. Taken together, his unforgettable words and images tell the story of how Harlem and its residents navigated the segregation, dereliction and slow recovery of the closing years of the twentieth century and the boom and racial integration of the twenty-first century. A deeply personal investigation, Harlem will take its place with the best portrayals of urban life.

Hardcover. US, Steidl, 1st, 2012, Book: Very Good, Dust Jacket: None, 32 pages. Like new in publisher's shrink-wrap. Harry Callahan was one of the most respected and influential American photographers of the modern era. He was a master of traditional genres such as portraiture, landscape, architecture and nature studies, but also experimented with new ways of using the medium. One of Callahan's favorite themes was the repeating pattern, whether in multiple reeds reflected on a lake's surface or the rows of windows on a building's facade. While lesser known than some of his other work, Callahan's collages demonstrate an intense interest in and profound understanding of the process of photographic seeing. His collages are rigorous yet playful explorations of a visual world created in his studio. The subject is either faces cut from magazines or rectangles cut from black or white paper. Callahan then photographed the collages pinned to his studio wall on his 8x10-inch view camera, one leading to the next to create this never before published series.

Hardcover. Woodstock, New York , Overlook Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 150 pages, large format. Incredible B & W photographs, 140 images in Quadratone on photo quality glossy pages of Havana. Culled down from more than 3000 images taken on 4 trips to the capital. From the famed Floridita bar, birthplace of the daquiri, to the sultry sands of its famed beaches; from the decaying majesty of its splendid architecture to the remarkable spirit of its people -- all are stunningly captured by Schommer's discerning eye.

Hardcover. NY, Prestel, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 104 pages. Ever since Fidel Castro came to power as the leader of Cuba's communist regime in 1959, Havana has remained all but impenetrable to the outside world. The revolution cut Cuba off from the West, but at the same time preserved a century of built substance and style through the accident of fmancial stagnation. Without capital investment, time stood still, and five epochs of architectural style have survived to the present day. From the majesty of colonial city palaces to the half-hearted hope of heroic modernism, Engels' photographs show a city in silent transition, a microcosm of architecture through the ages. All of the structures picttired here were built in the twentieth century, but for the most part they have suffered from neglect in the form of peeling paint and stucco, &M grime, and abandonment. Yet there is utter beauty and dignity here-a sense of being trapped in time-that is no longer evident in America's everchanging cities. Like the structures he photographs, Engels uses a timeless approach to the artistic and technical aspect of his work. He uses a Sinar catnera with a 4 x 5 inch format, standing under a darkening cloth, just as photographers did a century ago. Using a Polaroid image to feel and see the light, Engels takes a single shot of each building. Most of these images were taken during die month of February, in 1997 and 1999 respectively. These photographs of apartment dwellings, office buildings, private residences, and places of worship tell a story on their own. Their haunting images seem to speak about more than just the men who made them or the materials they are made of. The buildings and streetscapes depicted in Havana speak to us of yesterday, today, and tomorrow.

Softcover. Universtity Park PA, Pennsylvania State University Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 280 pages. This easily accessible volume, which grew out of a series of lectures presented at the Smithsonian Institution in 1991, aims to provide a coherent introduction to Byzantine culture with a focus on the interconnected realms of art and religion. The eight participants have revised their lectures into chapters on Byzantine history, theology, icons and icon theory, church architecture, monumental painting, silver church furnishings, illustrated liturgical books, and pilgrimage. In addition to presenting current research on this range of topics, the chapters each contribute original scholarship from authors who are recognized experts in their respective fields. The Introduction, by Linda Safran, deals with views and definitions of Byzantium over the course of its long history and considers why that civilization deserves our attention today. Illustrated in b&w and color.

Hardcover. NY, Delano Greenidge Editions, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 396 pages, lavishly illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy. Guimard is the pre-eminent architect of Art Nouveau in France. He influenced French architecture and design in the first half of the 20th century. He was also the architect of a number of Paris Metro entrances. He was regarded as an architect who wielded the greatest influence on the popular imagination in Paris during the late 19th- and early 20th centuries.

Hardcover. UK, Oxford University Press, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Pages 613-1289. Volume 2 ONLY. The only English edition of Hegel's Aesthetics, the work in which he gives full expression to his seminal theory of art. The substantial Introduction is his best exposition of his general philosophy of art. In Part I he considers the general nature of art as a spiritual experience, distinguishes the beauty of art and the beauty of nature, and examines artistic genius and originality. Part II surveys the history of art from the ancient world through to the end of the eighteenth century, probing the meaning and significance of major works. Part III (in the second volume) deals individually with architecture, sculpture, painting, music, and literature; a rich array of examples makes vivid his exposition of his theory. Name on front fly leaf, otherwise clean.

Hardcover. NY, Macmillan Company, 1st, 1932, Book: Very Good, Dust Jacket: None, Hardcover, brick-red cloth with bright gilt lettering on cover and spine. Illustrated with 56 reproductions of etchings, aquatints, and drawings by John Taylor Arms, each with a captioned tissue-guard.. A delightful travelogue with exquisite artwork of John Taylor Arms. He specialized in portraying the gothic architecture of France and Italy. Traveling the back roads and visiting the then out-of-the-way towns of northern Italy by car, he visually captures the look and feel as his wife provides a charming travelog. Clean, bright copy.

Softcover. Santa Monica CA, Arts & Architecture Press, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover, 172 pages. Building in the hills is an enterprise full of unpleasant surprises and traps just waiting to snare the inexperienced. Arthur Levin, a structural engineer and architect who has been involved in more than 2,000 hillside projects, offers a distillation of his 35 years of experience that will help the uninitiated to avoid the otherwise inevitable pitfalls and traps. The book has many real life examples of the unexpected encounters with unstable land, surface drainage problems, subterranean water, demanding owners, uncooperative building inspectors, inexperienced contractors, and other examples of the author's triumphs and occasional enlightening failures. All of these brief histories are instructive and guaranteed to be of invaluable help to the first or second time hillside designer and builder. More than 110 line drawings illuminate the text.

Hardcover. Philadelphia, J. B. Lippincott Company, 1st, 1915, Book: Very Good, Dust Jacket: None, 527 pages, with 316 illustrations throughout, gilt top edge and titles on green cloth board. Minor corner bumps and edge wear and fade, frontispiece page loose, and previous owner's bookplate on front fly leaf. Overall, clean and tight copy, a limited edition. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New York, Harper & Brothers, 1st, 1880, Book: Good, Dust Jacket: None, 331 pages, with gilt top edge and titles. Minor corner and edge wear, light crack along spine but no loose pages, overall, clean and tight copy.

Hardcover. Florida, Brevard County Historical Commission, 1st, 1995, Book: Very Good, Dust Jacket: Good, Hardcover, 271 pages. Extensive b&w photography throughout. Gilt decoration on cover. Gilt titles on spine. Small tear to bottom corner of dust jacket repaired with tape. Light wear to dust jacket. Otherwise clean, tight copy.

Hardcover. London, Architectural Press, 1931, Book: Very Good, Dust Jacket: Good, Hardbound, 487 pages. Oversized book. Black & white photography of English architecture. Light spinewear. Dust jacket with soiling and chipping. Small chunk missing from top of spine.

Hardcover. Haarlem Holland, Jon. Enschede En Zonen, 1st, 1939, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. A delightfully written and whimsically illustrated history of the Netherlands and its contributions to world history. Illustrated boards, 123 pages. Light rubbing to the edges and a little age-toning to the spine and tiny portion of the front cover, good hinges, sound text block, very clean pages free from names or other markings.

Hardcover. Gloucester, MA, Quarry Books, 1st, 2004, Book: Near Fine, Dust Jacket: Near Fine, 144 pages. Hardcover. Color and b/w illustrations throughout. Dust jacket unclipped, glossy, excellent. Black cover boards, gilt title on spine. Pages clean and unmarked. Binding tight, spine straight. In beautiful, nearly new condition. This book guides readers through all the aspects of creating a beautiful and comfortable home that elegantly takes advantage of media-related furnishings and emerging technologies.

Hardcover. New York, G. P. Putnam, 1st, 1853, Book: Good, 366 pages. Leather cover with raised bands and ornate decoration. Gilt all edges and marled endpapers. B&w frontispiece with tissue-guard and b&w and color illustrations with tissue guards throughout. Color illustrations on tipped-in plates. Rubbing and wear to cover edges and some light foxing throughout. Else a clean, good copy.

Hardcover. Harrisburg PA, National Historical Society, reprint, 1988, Book: Very Good, Dust Jacket: None, Hardcover, glossy green pictorial boards. No DJ as issued. A like new copy, no marks. Volume 5 of the Architectural Treasures of Early America. From material originally published as White Pine Series of Architectural Monographs edited by Russell F. Whitehead and Frank Chouteau Brown. 254 page book with black and white photos of the finer houses in New York and Connecticut.

Hardcover. New York, Doubleday, Page, and Company, 1st, 1925, Book: Fair, Dust Jacket: None, Volume to accompany the American Wing of the Metropolitan Museum of Art in New York. 302 pp. Features 20 color plates in addition to 217 other black/white illustrations (mostly photographs). Covers beginnings of New England through the Early Days of the Republic. Development of Interior Architecture and House Decoration from craftsmen influenced by old world style and the evolution.Shows significant wear due to age and water damage. Discoloration throughout, though text still entirely legible and color still vivid in the plates. Edges show significant wear as well. Prior owner's name and date (1929) written in ink twice inside the cover.

Hardcover. NY, Abrams, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A staff photographer for the "Philadelphia Inquirer" presents intimate pictures and lively personal anecdotes for readers nostalgic for their own hometown diner. 145 photos, 125 in color. Clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2008, Hardcover, 384 pages. When George Washington embarked on his presidential tours of 1789-91, the rudimentary inns and taverns of the day suddenly seemed dismally inadequate. But within a decade, Americans had built the first hotels--large and elegant structures that boasted private bedchambers and grand public ballrooms. This book recounts the enthralling history of the hotel in America--a saga in which politicians and prostitutes, tourists and tramps, conventioneers and confidence men, celebrities and salesmen all rub elbows. Hotel explores why the hotel was invented, how its architecture developed, and the many ways it influenced the course of United States history. The volume also presents a beautiful collection of more than 120 illustrations, many in full color, of hotel life in every era.

New Haven CT, Yale University Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 375 pages including index, color and b&w illustrations. When George Washington embarked on his presidential tours of 1789?-91, the rudimentary inns and taverns of the day suddenly seemed dismally inadequate. But within a decade, Americans had built the first hotels?, large and elegant structures that boasted private bedchambers and grand public ballrooms. This book recounts the enthralling history of the hotel in America?a saga in which politicians and prostitutes, tourists and tramps, conventioneers and confidence men, celebrities and salesmen all rub elbows. Hotel explores why the hotel was invented, how its architecture developed, and the many ways it influenced the course of United States history. The volume also presents a beautiful collection of more than 120 illustrations, many in full color, of hotel life in every era. Clean, bright copy.

Softcover. Seattle, WA, University of Washington Press, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 100 pages. Published to accompany traveling exhibit. Color and b/w illustrations and photography throughout. Photographs, sculpture, paintings, and works on paper from: Max Belcher, Beverly Buchanan and William Christenberry. Small rip along spine, cover slightly yellowed with age. Clean inside.

Hardcover. NY, Monacelli, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Driving the glossy shelter magazines -- Architectural Digest, House and Garden, and many more -- is an enduring fascination with other people's lives and houses. But the pristine photographs in these publications do not represent reality. In his "Households" series, artist and architect Mark Robbins has invented the "flip side" of interior design magazines: a compelling series of photographs of actual people in actual homes. A young family at a writers retreat, a gay couple in a Long Island beach house, a husband and wife in a family compound, a single parent in a city apartment: Robbins has photographed residents and environments that comment on contemporary life and relationships. Robbins's design and photography work, which bridges the fields of art and architecture, has long focused on the complex social and political forces that contribute to the built environment. The thoughtfully arranged compositions reinforce, undermine, and even confuse stereotypes; the collection as a whole comments on present-day customs and ways of life in all their complexity.

Hardcover. Boston, Houghton Mifflin, 1st US, 1993, Book: Very Good, Dust Jacket: Very Good, 64 pages. Hardcover with dust jacket. Color illustrations by the author. Illustrated end papers. Tight copy.

Hardcover. NY, D. Appleton-Century Co,, 1st, 1939, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with light blue lettering, 420 pages. Many b&w illustrations and photos. A resource for new home owners (circa 1930s) covering all aspects: financing, design, furnishings, improvements, household labor, etc. A nice visual resource for the time period. Name on front fly leaf otherwise clean.

Hardcover. NY, Thames & Hudson, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. An evocative portrait of mid-century New York City by master documentary photographer. It focuses on the work photographer Todd Webb produced in New York City in the 1940s and 1950s. Webb photographed the city day and night, in all seasons, and in all weather. Buildings, signage, vehicles, the passing throngs, isolated figures, curious eccentrics-from the Brooklyn Bridge to Harlem, this book is a rich portrait of the everyday life and architecture of New York. Webb's work is focused and layered with light and shadow, capturing the soul of this city shaped by the friction and frisson of humanity. Remainder line to bottom edge, otherwise clean.

Hardcover. NY, Thames & Hudson, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. An evocative portrait of mid-century New York City by master documentary photographer. It focuses on the work photographer Todd Webb produced in New York City in the 1940s and 1950s. Webb photographed the city day and night, in all seasons, and in all weather. Buildings, signage, vehicles, the passing throngs, isolated figures, curious eccentrics-from the Brooklyn Bridge to Harlem, this book is a rich portrait of the everyday life and architecture of New York. Webb's work is focused and layered with light and shadow, capturing the soul of this city shaped by the friction and frisson of humanity. Remainder line to bottom edge, otherwise clean.

Softcover. Yucatan, Mexico, Dante, 1st, 1997, Book: Very Good, Dust Jacket: None, 164 pages. Softcover with French flaps. B/w illustrations throughout. Touch of agewear to covers, a little foxing to top edge, otherwise clean inside. In very good condition.

Hardcover. NY/Boston, Bulfinch Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 203 pages. Introduction by Alan Trachtenberg. 170 duotone illustrations, chronology. Published in conjunction with a series of retrospective exhibitions chronicling forty years of the author's photographs of industrial and rural landscapes. Clean copy.

Hardcover. NY, powerHouse, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages. In 1999, photographer Thomas Roma found himself within the walls of Philadelphia's Holmesburg Prison, one of the most notorious prisons in the United States, doing a special photographic project for Steve Buscemi's Animal Factory. During downtime Roma wandered through this nineteenth-century fortress, walking in and out of many of its seven hundred or so cells. After Holmesburg's inception in 1896--on the occasion of which one Philadelphia reporter warned, "Abandon all hope all ye who enter here"--it quickly became the prison for Philadelphia's worst criminals, eventually packing up to five prisoners into six by eight foot cells designed for single-occupancy. After leaving the site, Roma found his mind often inhabiting the space of the prison with its halls of flaking paint and graffiti-covered cells. Overwhelmed by the evidence of the lives spent inside those small rooms, Roma returned to photograph on his own, creating the images now collected for In Prison Air: The Cells of Holmesburg Prison.

Hardcover. US, Taschen, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover, 239 pages, color illustrations. A pictorial journey through Havana with author Julio Perez Hernandez, a professor of Architecture in Havana, & lavish photographs by Gianni Basso.