Hardcover. NY, Bradbury Press, 1st , 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover. Color illustrations by Goble. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. London, Methuen and Co., 1st, 1960, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, soiled dust jacket, 296 pages. Russet cloth lettered in silver on spine. Illustrated with 2-color line frontispiece, 16 half-tone photographsic plates and 5 line illustrations in the text. An important and early anthropoliogical study of a little known phenomenon. The title is taken from the given name of a native New Guinean who started the cargo cult, circa 1935. Similar to other messianic movements, Burridge's first hand account is a scholarly examination of the religious, political, and economic aspects which make up the cult.

Hardcover. NY, Abrams, 1st, 2008, Book: N, Hardcover, 168 pages. Nelson Mandela, an icon of the international struggle for freedom and equality, whose importance rivals that of Martin Luther King and Mahatma Gandhi, turns ninety in July 2008. Mandela spent twenty-seven years in prison for his opposition to the apartheid regime of his native South Africa. Released in 1990, he pursued a policy of reconciliation, steering his nation into the ranks of the world's multi-racial democracies. He was elected president of South Africa in 1994. Photographer David Turnley covered Mandela and South Africa for the world's press, beginning in the 1980s. He witnessed the turbulence of the last violent years of apartheid, was there when Mandela was released from prison, campaigned with him during the presidential election, and sought out the significant people and places of his life. In Mandela: Struggle and Triumph, he tells in words and photographs the dramatic and emotional story of the most powerful movement for civil rights since the American civil rights movement, through the eyes of its legendary leader.

Hardcover. New York, Abrams, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 168 pages. Nelson Mandela, an icon of the international struggle for freedom and equality, whose importance rivals that of Martin Luther King and Mahatma Gandhi, turns ninety in July 2008. Mandela spent twenty-seven years in prison for his opposition to the apartheid regime of his native South Africa. Released in 1990, he pursued a policy of reconciliation, steering his nation into the ranks of the world's multi-racial democracies. He was elected president of South Africa in 1994. Photographer David Turnley covered Mandela and South Africa for the world's press, beginning in the 1980s. He witnessed the turbulence of the last violent years of apartheid, was there when Mandela was released from prison, campaigned with him during the presidential election, and sought out the significant people and places of his life. In Mandela: Struggle and Triumph, he tells in words and photographs the dramatic and emotional story of the most powerful movement for civil rights since the American civil rights movement, through the eyes of its legendary leader.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1980, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket with sunning to spine, 237 pages. INSCRIBED BY AUTHOR on front fly leaf. Herbert offers a fresh perspective on Melville's Typee by considering it in the context of his encounters with the natives (including being held captive for a time) in the Marquesan Islands. Clean copy.

Hardcover. NY, Henry Holt, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Charles Mason (1728-1786) and Jeremiah Dixon (1733-1779) were the British surveyors best remembered for running the boundary between Pennsylvania and Maryland that we know today as the Mason-Dixon Line. Here is their story as reimagined by Thomas Pynchon, in an updated 18th-century novel featuring Native Americans and frontier folk, ripped bodices, naval warfare, conspiracies erotic and political, and major caffeine abuse. Clean copy.

Hardcover. NY, Archer House, reprint, 1958, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 110 b/w illustrations. 669 pages. This is a facsimile reprint of edition first published in 1886. Covering 60 years of merciless bloody conflict, it documents in detail every major Indian battle between 1815 and 1876. Dust jacket spine faded, otherwise a clean, very good copy.

Hardcover. San Francisco, CA, California Academy of Sciences, 1st, 1981, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages. b&w and color illustrations throughout. Cream cloth with blind stamp of Dixon's thunderbird logo, original cream slipcase with foxing to cloth. No dust jacket. A clean, tight copy.

Hardcover. Auburn, WA, Brigham Young University, 1st, 1974, Book: Very Good, Dust Jacket: Good, 237 pages. Hardcover. Illustrated with full color and black & white examples of paintings by Maynard Dixon. Faint damp smell. Small areas of abrasion to front cover of dust jacket, minor staining along bottom edge of jacket - jacket now protected with clear plastic cover. Clean, unmarked pages.

Hardcover. Washington DC, Smithsonian Institution , 1st, 1961, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with gilt lettering on spine, 586 pages. (Smithsonian Institution, Bureau of American Ethnology Bulletin 175). 10 b&w plates. Clean copy. Due to size and weight, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Time Life, reprint, 1982, Book: Very Good, Dust Jacket: None, 389 pages. Hardcover with no dust jacket. Dark blue leather bound with gilt titles to front cover and spine. Embossed decoration on front cover. Gilt text block edges, red ribbon marker. Clean, tight copy. The commander of a Georgia regiment through much of the Civil War mused later in his memoirs that the heaviest burden fell not upon the man at the front, but upon the woman who waited and prayed for victory: "While the men were carried away with the drunkenness of the war, she dwelt in the stillness of her desolate home." Sallie Brock Putnam spoke for Southern womanhood. She was a native of Madison County, Virginia, and seems to have come from a family of good social standing. The book contains an unexpectedly full history of the Civil War; the author exhibits a strong grasp of strategy and tactics. But at its heart is an incisive eyewitness account of life in a capital that was swollen to four times its normal population by the exigencies of war. Brock's descriptions of Jefferson Davis' inauguration and the Richmond Bread Riot of 1863 are dramatic, but no more so than her accounts of nameless refugees, race relations, opportunistic merchants and blockade runners. Confederate prisons and family matters. In contrast to other female Southern writers of the period, she was more sober and factual, less gossipy and speculative. She wrote with shrewdness and maturity, and with a remarkable lack of self-pity and exaggeration. Yet the reader cannot miss her courage, sacrifice and suffering. Sallie Brock Putnam died in 1911.

Hardcover. NY, Pegasus Books, 1st, 2020, Hardcover in a bright dust jacket, 242 pages. A finely wrought coming-of-age memoir about the author's relationship with her beloved grandfather Joe Simon, cartoonist and co-creator of Captain America. In the 1990s, Megan Margulies's Upper West Side neighborhood was marked by addicts shooting up in subway stations, frequent burglaries, and the "Wild Man of 96th Street," who set fires under cars and heaved rocks through stained glass church windows. The world inside her parents' tiny one-bedroom apartment was hardly a respite, with a family of five-including some loud personalities-eventually occupying the 550-square-foot space. Salvation arrived in the form of her spirited grandfather, Daddy Joe, whose midtown studio became a second home to Megan. There, he listened to her woes, fed her Hungry Man frozen dinners, and simply let her be. His living room may have been dominated by the drawing table, notes, and doodles that marked him as Joe Simon the cartoonist. But for Megan, he was always Daddy Joe: an escape from her increasingly hectic home, a nonjudgmental voice whose sense of humor was as dry as his farfel, and a steady presence in a world that felt off balance. Evoking New York City both in the 1980s and '90s and during the Golden Age of comics in the 1930s and '40s, My Captain America flashes back from Megan's story to chart the life and career of Rochester-native Joe Simon, from his early days retouching publicity photos and doing spot art for magazines, to his partnership with Jack Kirby at Timely Comics (the forerunner of Marvel Comics), which resulted in the creation of beloved characters like Captain America, the Boy Commandos, and Fighting American. My Captain America offers a tender and sharply observed account of Megan's life with Daddy Joe-and an intimate portrait of the creative genius who gave us one of the most enduring superheroes of all time.

Hardcover. University Press of Mississippi, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, text by Morris, color photos by David Rae Morris. The author's last book, written in his characteristically limpid, lyrical prose, offers a heartfelt appreciation of his home state, a place often dismissed as poor and backward by "outlanders," Morris' term for non-Mississippians. This is not a defensive recitation of Mississippi's virtues nor is it a whitewash of its less-than-attractive features. First, Morris wants the reader to understand the state's beauty--"physically beautiful in the most fundamental and indwelling way, [in that] it never leaves you." Then, with both pride and understanding, he brings into sharp focus Mississippi's peculiar tensions and ambivalence and also its passions--"we are a singular people," he says of his native folk. The second half of the book is an album of full-color photographs taken by Morris' son, a professional photojournalist. These shots informally capture ordinary moments in the lives of Mississippians, from a young couple standing next to their truck with their new baby in their arms to a group of local citizens hanging out in front of the main store in a small town. Together, the text and the photographs showcase Mississippians doing what they do best--being themselves completely without artifice. Clean copy.

Softcover. San Francisco, Mercury House , 1st, 2001, Book: Good, Dust Jacket: None, Softcover, pictorial wraps, 289 pages. An extraordinary story of a woman's experience among the Athabaskan Indians where she learns to see the visible and invisible world around her. Bump to top outside corner created a light wave to pages. Otherwise clean.

Hardcover. Washington, D.C., Government Printing Office, 1st, 1903, Book: Very Good, Dust Jacket: None, 347 pages. Includes Natick to English, and English to Natick dictionaries. Dark green cloth covers, introduction by Edward Everett Hale, section of abbreviations. Rubbing and light edgewear to covers, pages crisp and unmarked, stiff binding; overall, a very clean, tight copy in great condition.

Hardcover. Westport CT, Greenwood Press, 1st, 1988, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in black, 249 pages. This bibliography includes more than 1,100 entries from books, journals, newspaper articles, and dissertations concerning North American Indian basketry. More general cultural works with some information on basketry are also included, and the materials date from early ethnographic work in the late 19th and early 20th centuries to 1987. . . . The introduction offers a good overview of research in Native American basketry, and although the annotations vary greatly in thoroughness and length, they are generally useful. Bookplate on inside front cover. Otherwise a clean, bright copy.

Hardcover. NY , Warner Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 288 pages, b&w illustrations. In the early 1950s, a rising star flickered across millions of black-and-white TV sets. Nicknamed "The Grey Ghost, " Native Dancer was a blue-blood thoroughbred with a taste for drama, courtesy of his come-from-behind running style, and impressive credits: He finished first in 21 of his 22 career starts, his only loss by a nose in the 1953 Kentucky Derby; was named Horse of the Year--twice; and was inducted into the National Museum of Racing's Hall of Fame. His popularity was so great, Time® magazine put him on its cover, and TV Guide named him one of America's top three TV stars, along with Ed Sullivan and Arthur Godfrey. Clean copy.

Hardcover. New York, Knopf, 3rd printing, 1991, Book: Very Good, Dust Jacket: Very Good, INSCRIBED BY HIAASEN ON TITLE PAGE. Blue boards, red cloth spine with gilt titles, bright color illustrated jacket with acetate protective covering. Slight rubbing to acetate covering, otherwise dust jacket, covers and pages clean, crisp and unmarked; a very clean, tight copy in great condition.

Hardcover. Flagstaff, Arizona, Northland Press, 2nd pr., 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 98 pages. INSCRIBED BY PERCEVAL with personal note to previous owner from him and his wife. Cover shows very light wear and soiling. Internally clean. Beautiful color and black & white sketches of Navajos and Arizona landscape. With a descriptive text by Clay Lockett.

Hardcover. Lincoln NE, University of Nebraska Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 391 pages, b&w illustrations. An excellent study of a military commander who transformed the American Frontier and the West. Based on a wide range of sources, including materials only recently made available to researchers, this first complete, carefully documented biography of Miles skillfully delineates the brilliant, abrasive, and controversial tactician whose career in many respects epitomized the story of the Old Army. Nelson A. Miles was probably the best Indian fighter produced by the U.S. Army between 1865 and 1890, figuring prominently in some of the most famous and significant conflicts between whites and Native Americans. This carefully documented biography of Miles skillfully delineates the brilliant, abrasive, and controversial tactician whose career in many respects epitomized the story of the Old Army. Clean copy.

Hardcover. Bunker Hill Publishing Inc, Piermont, NH, 2009, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color pictures throughout. Neon Mesa: Wonders of the Southwest is a stunning photographic record of the vernacular landscape of the American Southwest - the roadside landscape littered with the signs, relics, sights and debris of countless anonymous road trips. The Four Corners is a unique region where Colorado, New Mexico, Arizona and Utah meet. Rob Atkins' photos capture the irony and pathos of the place in icons of the American Dreams, be they those of the Nuclear Age, the Frontier, the Cowboy, or the Native American, all caught in the stark majestic images of a present already passing, in rusting road-signs, flickering neon light, and derelict motels, set against some of America's most awe-inspiring natural scenery. The dazzling light of the Southwest, the enormous skies and stark desert imagery form the back drop to Rob Atkins stunning exploration of a quintessential American landscape. He captures visual gems with his camera from the ghostly quarries of old motels and roadside wrecks, of decaying signs and faded walls, and writes about the minutiae of lost Americana with affection and great style.

Hardcover. Bunker Hill Publishing Inc, Piermont, NH, 2009, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color pictures throughout. Neon Mesa: Wonders of the Southwest is a stunning photographic record of the vernacular landscape of the American Southwest - the roadside landscape littered with the signs, relics, sights and debris of countless anonymous road trips. The Four Corners is a unique region where Colorado, New Mexico, Arizona and Utah meet. Rob Atkins' photos capture the irony and pathos of the place in icons of the American Dreams, be they those of the Nuclear Age, the Frontier, the Cowboy, or the Native American, all caught in the stark majestic images of a present already passing, in rusting road-signs, flickering neon light, and derelict motels, set against some of America's most awe-inspiring natural scenery. The dazzling light of the Southwest, the enormous skies and stark desert imagery form the back drop to Rob Atkins stunning exploration of a quintessential American landscape. He captures visual gems with his camera from the ghostly quarries of old motels and roadside wrecks, of decaying signs and faded walls, and writes about the minutiae of lost Americana with affection and great style.

Softcover. Buffalo NY, Charles Rand Penney, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover in illustrated wraps, 80 page book with black & white illustrations. Small stamp on front fly leaf.