Hardcover. Boston, The Horn Book, 1976, Book: Very Good, Dust Jacket: None, Hardcover, six issues of the bi-monthly bound in tan cloth. Clean. Articles by and about Mollie Hunter, Jean Fritz, E.L. Konigsburg, Margaret Hodges, Susan Cooper, Leo and Diane Dillon, Sid Fleischman, Felice Holman, many more. 704 pages.Dozens of book reviews, ads.
Hardcover. Boston, The Horn Book, 1977, Book: Very Good, Dust Jacket: None, Hardcover, six issues of the bi-monthly bound in tan cloth. Clean. Articles by and about Geoffrey Trease, Eric Kimmel, Children's Bookstores, Alvin Schwartz, M.E. Kerr, The Dillons, Mildred D. Taylor, Paula Fox, John Tunis, many more. Dozens of book reviews, ads.
Hardcover. Boston, The Horn Book, 1978, Book: Very Good, Dust Jacket: None, Hardcover, six issues of the bi-monthly bound in tan cloth. Clean. Articles by and about Penelope Lively, Lawrence Yep, Mollie Hunter, Leonard Wibberley, Peter Spier, Katherine Paterson, Paula Fox, Virginia Hamilton, Ellen Raskin, Margaret Hodges, many others. Dozens of book reviews, ads.
Softcover. Boston, The Horn Book , 1st, 1971, Book: Very Good, Softcover, 95 pages. Reference of books and reading for children and young people. Featuring: 'Newbery and Caldecott Acceptance Speeches by Betsy Byars and Gail E. Haley, 'In Literary Terms' by John Rowe Townsend, 'A Second Golden Age? In a Time of Flood?' by Virginia Haviland and more. Light marking or library stamp on cover. Black & white illustrations. Interior clean and bright.
Hardcover. Burlington, VT, Lund Humphries, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 272 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color pictures throughout.
Hardcover. NY, Simon & Schuster , 5th Ed., 1953, Book: Very Good, Dust Jacket: None, Hardcover, blue glossy boards with gilt lettering, beige cloth spine, 319 pages. No dust jacket. Lavishly illustrated with color, black and white photographs. Many rooms illustrated were by well-known interior designers and belonged to the rich and famous of the 1940s. Valuable reference for movie or live theatre sets featuring interiors in the 50's, whether traditional or modern. Clean, bright copy.
Hardcover. New York , Doubleday, Page & Company, 1st, 1902, Book: Very Good, Dust Jacket: None, 130 pages. Light purple embossed cloth cover. Cloth faded on spine, corners and edges are worn. Library stamp on front endpage. Previous owner's inscription on front flyleaf. Minor foxing on frontispiece, title page, and rear flyleaf and endpage. Inside is bright and clean, with b&w illustrations. Includes instruction and patterns for weaving and dyeing woolen, ingrain carpet and cotton rugs. A nice copy.
Hardcover. Leiden, Netherlands, E. J. Brill, 1st, 1976, Book: Very Good, Dust Jacket: None, Hardcover, 377 pages. Blue cloth, gilt lettering to front and spine, no dust jacket. Light wear and smudges to covers. Clean, tight copy in excellent condition.
Hardcover. New York, Random House, reprint, Book: Good, Dust Jacket: None, Red illustrated boards, no dust jacket, lovely full page color illustrations. Pages crisp, clean and unmarked. Early printing, mid-50s, 16 titles on rear cover starting with Yertle the Turtle. This is the tall 12x9 retail edition; not the smaller book club edition. Copyright page has the Redbook reference that was removed in the bookclub editions. This copy has the original illustration of 2 Seuss characters with a black complexion from the fictional African island of Yerka; which has since become objectionable; also stereotypical drawings of Asian characters. The top 2 inches of the cardboard spine is missing. Binding sound. One of the six discontinued Seuss titles.
Hardcover. London, Hutchinson & Co., 1st, 1920, Book: Good, Dust Jacket: None, Hardcover, 267 pages. Minor spine edge wear. Cover corners lightly bent. Front cover lightly curved. Front and back flyleaf yellowed. Crease on frontispiece. Spotting throughout index, half title page, full title page and book edges. Otherwise, a clean and tight copy.
Hardcover. Garden City, Doubleday & Co, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, 549 pages. Tan cloth cover with gilt lettering to spine, color illustrated dust jacket, b&w illustrations, comprehensive reference work on Western American art. Light wear to dust jacket; overall a clean, tight copy.
Softcover. Bosto/NY/Philadelphis, Lame Duck Books, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 136 pages, illustrated in color. Beautiful catalog with many color illustrations. Wonderful reference for books you'll probably never run across at your local library sale. Clean, bright copy.
Softcover. np (Chicago), np, 1st, 1928, Book: Very Good, Softcover magazine, 32 pages plus 2-color illustrated stapled wraps. Features plans for The Penquin Ice Racer shown on cover. Lead article on "Shattering the Lowly Atom". Paper tanning, still very good.
Hardcover. New York, George Braziller, 1st, 1974, Book: Very Good, Dust Jacket: Good, 189 pages. Hardcover. Black & white illustrations. Dust jacket with spine fading, light wear at corners, edges. Clean, tight copy.
Softcover. NY, Swann Auction Galleries, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover. with pictorial covers, unpaginated. Contains 213 Lots with photographer and subject index. Illustrated throughout with color and black and white photographs. All pages are clean, crisp and tight.
Softcover. NY, Swann Galleries, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover. with pictorial covers, unpaginated, 598 lots, indexed. Fully illustrated with b/w halftones. Prices realized list laid in.
Hardcover. Hartfort CT, privately printed, 1st, 1881, Book: Very Good, Dust Jacket: None, Hardcover, 11 page introduction plus 93 pages, green cloth with black rules, lettering. One of only 250 copies. Previous owner's bookplate on inside front cover, otherwise very good.
Hardcover. London, Quin Press Ltd., 2nd Ed., 1957, Book: Very Good, Dust Jacket: None, Hardcover, bright blue cloth with gilt lettering on cover and spine, 800 pages. A cornucopia of information about steel and iron production in the mid-1950s. A comprehensive global review of plants worldwide. Include producers of pig-iron, raw steel, rolled products, tinplate, etc. Ads from various companies throughout the listings. Valuable historic information on tonnage produced in the period. Excellent condition, clean. Due to size and weight, DOMESTIC SHIPPING ONLY.
Hardcover. Germany, Hatje Cantz, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 80 pages, photos in color. Minor shelf-wear to boards, else a clean, tight copy. This book documents the two most recent works by the critically acclaimed British artist and filmmaker, Isaac Julien, both of which continue his investigation of issues of race and global politics. True North, shot in the spectacular landscapes of Iceland and Northern Sweden, is conceived around the expedition writings of the African-American explorer Matthew Henson, one of the key members of Robert E. Peary's 1909 Arctic expedition, and arguably the first person to reach the North Pole. True North's diametric counterpart, Fantome Afrique, weaves cinematic and architectural references through the rich imagery of urban Ouagadougou, Africa's cinematic center, and the arid spaces of rural Burkina Faso. The film is punctuated by archival footage from early colonial expeditions and landmark moments in African history.
Hardcover. Germany, Hatje Cantz, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 80 pages, photos in color. Minor shelf-wear to boards, else a clean, tight copy. This book documents the two most recent works by the critically acclaimed British artist and filmmaker, Isaac Julien, both of which continue his investigation of issues of race and global politics. True North, shot in the spectacular landscapes of Iceland and Northern Sweden, is conceived around the expedition writings of the African-American explorer Matthew Henson, one of the key members of Robert E. Peary's 1909 Arctic expedition, and arguably the first person to reach the North Pole. True North's diametric counterpart, Fantome Afrique, weaves cinematic and architectural references through the rich imagery of urban Ouagadougou, Africa's cinematic center, and the arid spaces of rural Burkina Faso. The film is punctuated by archival footage from early colonial expeditions and landmark moments in African history.
Hardcover. Seattle, Fantagraphics, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 304 pages. In 1976, the critic Paul Nelson spent several weeks interviewing his literary hero, legendary detective writer Ross Macdonald. Beginning in the late 1940s with his shadowy creation, ruminating private eye Lew Archer, Macdonald had followed in the footsteps of Dashiell Hammett and Raymond Chandler, but ultimately elevated the form to a new level. "We talked about everything imaginable," Nelson wrote-including Macdonald's often meager beginnings; his dual citizenship; writers, painters, music, books, and movies he admired; how he used symbolism to change detective writing; his own novels and why Archer was not the most important character-"my God, everything." It's All One Case provides an open door to Macdonald at his most unguarded. The book is far more than a collection of never-before-published interviews, though. Published in a handsome, oversized format, it is a visual history of Macdonald's professional career, illustrated with rare and select items from one of the world's largest private archives of Macdonald collectibles. Featuring in full color the covers of the various editions of Macdonald's more than two dozen books, facsimile reproductions of pages from his manuscripts, magazine spreads, and many never before seen photos of Macdonald and his friends (such as Kurt Vonnegut), including those by celebrated photojournalist Jill Krementz. It's All One Case is an intellectual delight and a visual feast, a fitting tribute to Macdonald's distinguished career. Full-color illustrations throughout
Hardcover. London, Phaidon, 1st, 1963, Book: Good, Dust Jacket: Fair, Part III of Pope-Hennessy's Introduction to Italian Sculpture. 3 Volumes - Plate Volume - non-paginated. Illustrated with black & white plates. Bump at top of spine. Dust jacket age darkened, wear along edges. Clean, tight copy. Text Volume - 126 pages. Black & white illustrations. Bottom right corner bumped. Dust jacket age darkened, wear along edges. Clean, tight copy. Catalogue Volume - 183 pages. Dust jacket age darkened, wear along edges. Clean, tight copy.
Hardcover. Philadelphia, Philadelphia Museum Of Art, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, illustrated throughout with 112 color plates and 55 b&w reproductions. Light shelf-wear to dust jacket. Clean, tight copy. A catalogue to accompany an exhibition at the Philadelphia Museum of Art. A beautiful publication examining Italian Maiolica. An essential reference work for historians, collectors, and anyone with an interest in ceramics.
Hardcover. New Haven, Yale University Press, 1st, 1973, Book: Very Good, Dust Jacket: Good, 146 pages of text followed by large section of black & white photographic illustrations. Hardcover. Previous owners name at top right corner of front endpaper. Dust jacket worn, with chipping along edges, fading to spine. Clean, tight copy.
Hardcover. Jane's Information Group, 19th, 1998, Book: Very Good, Dust Jacket: None, 920 pages, photographs and illustrations throughout. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. Janes Information Group, 104th, June 1, 2001, Book: Very Good, Dust Jacket: None, 907 pages, b&w and color photographs and diagrams throughout. Blue cloth covers w/ gilt lettering. First few pages slightly wrinkled. Else a very clean, tight copy.
Hardcover. Boston, Little, Brown, 1st, 1967, Book: Very Good, Dust Jacket: Good, 170 pages. SIGNED BY AUTHOR ON FRONT ENDPAPER. Dust jacket with rubbing to front cover, standard wear - jacket now protected with clear plastic cover. Spine slightly cocked. Clean, tight copy.
Softcover. Stanford CA, Stanford University Press, 1988, Book: Very Good, Dust Jacket: None, Softcover, 230 pages. Jean Baudrillard is one of the most topical and controversial theorists in France today. He has played a major role in the development of critical social theory and cultural sociology, and his writings are currently at the center of the 'post-modernism' debate. This volume makes his most important work widely available in English for the first time. It includes selections from the entire range of his writings, from his early work on advertising and commodity culture to his most recent writings on simulation and desire. Throughout the selections Baudrillard stresses the ways in which our lives are embedded in a world if images which have no clear reference and which are reproduced by the new mechanisms of cultural production in contemporary societies. Clean copy.
Hardcover. NY, Assouline Publishing, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 80 pages. Between 1932 and 1940, J.M. Frank completely reinvented the vocabulary of decorative arts. Working in Paris, New York and South America, Frank was inspired by neo-classicism, abstract art and primitive art. He sought to create an original style for the thirties, a style whose elegance gained him the patronage of an elite clientele. J.M. Frank's name has come to serve as a reference for collectors. The decorative principles he created are still today the basis for the minimalist style that dominates contemporary decor.
Hardcover. Cambridge UK, Cambridge University Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering on spine, 420 pages. John Locke's treatises on government make frequent reference to the Hebrew Bible, while references to the New Testament are almost completely absent. To date, scholarship has not addressed this surprising characteristic of the treatises. In this book, Yechiel Leiter offers a Hebraic reading of Locke's fundamental political text. In doing so, he formulates a new school of thought in Lockean political interpretation and challenges existing ones. He shows how a grasp of the Hebraic underpinnings of Locke's political theory resolves many of the problems, as well as scholarly debates, that are inherent in reading Locke. More than a book about the political theory of John Locke, this volume is about the foundational ideas of western civilization. While focused on Locke's Hebraism, it demonstrates the persistent relevance of the biblical political narrative to modernity. Light pencil marking to about 25 pages. Otherwise clean and tight. No dust jacket.
Hardcover. Boston, Little, Brown, and Company, 1st, 1932, Book: Good, Dust Jacket: None, Hardcover, dark blue cloth with gilt design and lettering, 437 pages. Includes [9] leaves of plates, illustrations, portraits, bibliographical references, and index. A fine biography on America's sixth President, and the second Adams to hold that office. Clark gives equal attention to Adams' early diplomatic career, his time in State politics, in the U.S. Senate, as Secretary of State, and of his extensive career as an elder-statesman after his Presidency. Spine gilt faded, corners worn, name on front endpapers, otherwise clean.
Hardcover. London, Oxford University Press, reprint, 2011, Book: Very Good, Dust Jacket: None, Two volume set complete, glossy boards, 977 pages in total. Professor Toomer's two-volume set is not only an indispensable reference work but also provides the first thorough treatment of the scholarship of John Selden, acknowledged as the most learned man of 17th-century England. All of his numerous published works, especially in the fields of history, law, and Hebraica, are critically examined and described in detail. The narrative also relates his writings to contemporary events, in the Civil War and the parliaments (including the Long Parliament) in which he played a prominent part, and to the work of other scholars in Europe (notably Scaliger and Grotius) and in Britain (including Camden and Ussher). Selden's involvement with the Universities, the support of libraries, and the promotion of scholarship is discussed. The work will be an essential resource, not only for the life of a major figure of his time, but also for the intellectual history of 17th-century England in general. No djs as issued, like new.
Hardcover. Boston, W. Andrews, Second American Edition, 1806, Book: Very Good, Dust Jacket: None, 276 pages. Brown leather covers. Title in gilt on spine. 1/2" abrasion has removed same amount of leather near top left of spine. Previous owners notes in fine pen on front endpaper. Clean, unmarked copy.
Hardcover. New York, Scalo, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. This is Lagerfeld's own album of the photographic stories and sequences that he has created over the last eight years. Shot in black and white, often with models and costumes, his photos are at once beautifully composed, stylish, sensuous, literate and full of fantasy.
Hardcover. New York, Scalo, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. This is Lagerfeld's own album of the photographic stories and sequences that he has created over the last eight years. Shot in black and white, often with models and costumes, his photos are at once beautifully composed, stylish, sensuous, literate and full of fantasy.
Hardcover. New York, Scalo, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. This is Lagerfeld's own album of the photographic stories and sequences that he has created over the last eight years. Shot in black and white, often with models and costumes, his photos are at once beautifully composed, stylish, sensuous, literate and full of fantasy.
Detroit, Wayne State Univ., 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Black & white, color illustrations. 211 pages. This catalog was compiled to document the complete holdings of the Detroit Public Library's Kate Greenaway Collection. Over 400 items catalogued here. 9 color plates + numerous black & white illustrations. Selected bibliography. 10" high X 7" wide.
Hardcover. NY, Harry Abrams, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 95 pages. 77 beautiful full color illustrations. Foreword by Bernard McTigue, Introduction by Rodney Engen. Like new. After more than a century, the never-before-published complete facsimile pages of the artist's two sketchbooks, in which she designed this little masterpiece, are presented in a single volume, the work as crisp and colourful as the day it was made.
Hardcover. NY, Schocken Books, 1st , 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 56 pages. Features Greenaway's original 12 pencil sketches for a planned edition that was never published because of her death in 1901. Afterword by Michael Patrick Hearn. Dust jacket with chip from rear panel at top edge.
Hardcover. London, Adam and Charles Black, reprint, 1905, Book: Good, Dust Jacket: None, Hardcover, 300 pages. Contains black & white and color illustrations. Faded spine and chipping to top of spine. Foxing to front edge. Gilt top edge.
Hardcover. Lavenham, Terence Dalton Limited, 1st, 1983, Book: Very Good, Dust Jacket: Good, Hardcover, 190 pages. Minor dust jacket edge wear, small chunk missing on top left corner, with protective clear cover. A very clean and tight copy. Many dramatic incidents recorded here for the first time. Large format. B/w photos and diagrams. Index.
Hardcover. Detroit, Gale Research Co., 1st, 1971, Book: Very Good, Dust Jacket: None, Hardcover, 86 pages. A bibliography of the publications of mystery writer Kenneth Millar who later wrote as Ross MacDonald. Illustrated with photographs that reproduce title pages of Macdonald's books. An excellent and informative introduction by Kenneth Millar. SIGNED BY BRUCCOLI on title page. Issued without a dust jacket. No names, writing, or marks in book.
Hardcover. Washington, D.C., National Rifle Association of America, 1st, 1924, Book: Very Good, Dust Jacket: None, 124 pages plus 6 page reference index. Hardcover. INSCRIBED BY EDITOR KENDRICK SCOFIELD ON FRONT ENDPAPER. Black & white photographs and illustrations throughout. Gilt title and decoration on blue cover. Corner and edge wear and fray, minor foxing throughout. Rubbing along spine and edges of blue cloth covers. Unmarked pages and text.
Hardcover. Boston, Little Brown & Co., 1st, 1927, Book: Very Good, Dust Jacket: Good, 290 pages, color frontispiece, many b&w illustrations. Top edge gilt. Dust jacket with light edgewear, chipping. Previous owner's bookplate and 5-line note on front fly leaf. Otherwise, clean and tight copy.
Hardcover. np, Mid-West Tool Collectors Association / Early American Industries Association, reprint, 1979, Book: Very Good, Dust Jacket: None, Four volume set, brick-red cloth with gilt lettering on spines. A facsimile reprint of volumes published 1876-84, limited to 600 sets. (This one #512) Profusely illustrated with b&w technical drawings of machinery and tools. 2831 plus 960 pages in fourth volume. Heavy set may require extra postage.
Hardcover. London, England, SPCK, 1st Edition, 1950, Book: Very Good, Dust Jacket: None, 175 pages. Hardcover. Red cover boards, fading to spine and edges, gilt title on spine. Pages unmarked. Binding tight. Spine straight. The Epitome covers a wide range of topics, including the nature of God, the creation of the world, the fall of man, the life and teachings of Jesus Christ, and the end of the world. It also discusses various aspects of Christian morality.
Hardcover. Cambridge, Cambridge University Press, 1st, 1906, Book: Very Good, Dust Jacket: None, 241 pages. Hardcover. Red cloth, gilt lettering to spine. Light pencil marking to some pages. Light wear to cover edges.
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 "Isaac Julien: True North Fantome Afriqueby: Anthony Appiah, Eveline Bernasconi, Lisa Bloom, Mark Nash, Cristina Albu, Isaac Julien, Veit Gorner (Foreword)")
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