Hardcover. Philadelphia, Musicdata, Inc., Reprint, 1980, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth covers, 464 pages. Clean, tight copy.

Hardcover. Netherlands, Springer, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket, 289 pages. This collection of new essays on John Locke by a constellation of leading Locke scholars focuses on his philosophy, biography, sources and influence. The topics discussed here include his theory of ideas, his debt to Stoicism, his relations the Dry Club and with his translator, Pierre Coste, and the hitherto overlooked critique by Thomas Beconsall. A major emphasis of the collection is the relationship between Locke and seventeenth-century philosophers, Descartes, Hobbes, Cudworth, Bayle, Malebranche and Leibniz. The coverage of Locke's legacy extends to into the eighteenth-century legacy as far as Rousseau and Kant. Ink name on front fly leaf, otherwise clean.

Hardcover. NY, Rizzoli/Electa/Brooklyn Museum, 1st, 2020, Book: Very Good, Dust Jacket: None, Glazed boards, 176 pages in color and b&w. Documents the infamous New York disco club in the 1970s. There has never been--and will never be--another nightclub to rival the sheer glamour, energy, and wild creativity that was Studio 54. This catalog accompanies an exhibition at the Brooklyn Museum exploring how Studio 54 was a unique zeitgeist of an era.From the moment it opened in 1977, Studio 54 celebrated spectacle and promised a never-ending parade of anything goes. Although it existed for only three years, it served as a catalyst that brought together some of the most famous, creative, and strangest people in the world. It quickly became known for its all-ages celebrity guest list and its uniquely chic clientele of superstars and freaks of all races and sexual preferences who would often show up half-dressed or in costume. From the cutting-edge lighting displays and sound system to its elaborate sets that would change on a whim, altering the environment and ambiance, it was the beginning of nightclub as performance art.

Hardcover. Hong Kong, Chinese University Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 598 pages, errata slip laid in. Spine slightly cocked, light shelfwear.

Hardcover. NY, Arno Press, reprint, 1975, Book: Very Good, Dust Jacket: None, Hardcover, lavendar cloth stamped in white, 155 pages.

Hardcover. New York , Mark Batty Publisher, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 286 pages, a comprehensive and inspirational guide to editorial design packed with contemporary examples of sophisticated and effective solutions for virtually any design challenge. Moser's thorough understanding of the process, combined with intriguing juxtapositions of layouts, no-nonsense comments and original insight make for an entertaining and useful book. Chapters range from Grid Systems and Formats to Covers, Logos and Inside Pages, Types of Page and Themes, even a section on the design of magazine spines-illustrated with over 1500 examples from publications around the world, and drawn from the author's personal collection of over one million magazines! A great reference book for all graphic designers, art directors and editorial writers.

Hardcover. New York, Weidenfeld & Nicolson, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket. Clean, tight copy. A comprehensive guide to nearly 4000 years of sword making from all over the world. Written by a distinguished team of experts and scholars, it provides an expert appraisal of the weapons themselves and is rich in historical and background detail. Fully illustrated throughout with photographs and art reproductions, this is a unique survey of a vast body of superb craftsmanship. It is an essential reference work for weapons enthusiasts, collectors and lovers of military history and fine art.

Hardcover. New York, Monacelli Press, Inc., 1st US, 2003, Book: Very Good, Dust Jacket: Good, 276 pages. Hardcover. Illustrated with full color photographs. Dust jacket with fading along spine and edges. Light wear. Clean, tight copy.

Hardcover. Chicago, University of Chicago Press;, 1st, 2002, Book: Very Good, Dust Jacket: None, Hardcover, 272 pages. One of Chicago's great cultural achievements, the Institute of Design was among the most important schools of photography in twentieth-century America. It began as an outpost of experimental Bauhaus education and was home to an astonishing group of influential teachers and students, including Lazlo Moholy-Nagy, Harry Callahan, and Aaron Siskind. To date, however, the ID's enormous contributions to the art and practice of photography have gone largely unexplored. Taken by Design is the first publication to examine thoroughly this remarkable institution and its lasting impact. With nearly 300 illustrations, including many never-before published photographs, Taken by Design examines the changing nature of photography over this critical period in America's midcentury. It starts by documenting the experimental nature of Moholy's Bauhaus approach and photography's new and enhanced role in training the "complete designer." Next it traces the formal and abstract camera experiments under Harry Callahan and Aaron Siskind, which aimed at achieving a new kind of photographic subjectivity. Finally, it highlights the ID's focus on conscious references to the processes of the photographic medium itself. In addition to photographs by Moholy, Callahan, and Siskind, the book showcases works by Barbara Crane, Yasuhiro Ishimoto, Joseph Jachna, Kenneth Josephson, Gyorgy Kepes, Nathan Lerner, Ray K. Metzker, Richard Nickel, Arthur Siegel, Art Sinsabaugh, and many others. Major essays from experts in the field, biographies, a chronology, and reprints of critical essays are also included, making Taken by Design an essential work for anyone interested in the history of American photography.

Hardcover. Oak Knoll Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 559 pages. First comprehensive bio-bibliography of one of the most loved children's book authors and illustrators in America and around the world. Not only does this book describe Tudor's sixty-year career, but also readers will enjoy the poignant stories about Tudor written by her two daughters, Bethany and Efner, and her editors, Patricia Gauch and Dorothy Haas. The daughter of naval architect, W. Starling Burgess, and portrait painter, Rosamond Tudor, Tasha Tudor, as a child, was greatly influenced by her father's engineering background and her mother's artistic life. She became particularly fascinated by life in the 1830's, which inspires her art, writing, and her own life. From 1938 onward, Tudor's children's books captivated a wide audience. Her fans are still intrigued by her magical stories and her romantic illustration of New England's countryside, drawn from her own experiences of family life. Her work is published in more than 90 books, which have been reprinted and republished many times. Through her eighties, Tudor remained active in publishing, meeting her fans, and autographing her books. In loving tribute, this work is illustrated with many drawings by Tudor's daughter, Bethany, as well as rare early photos of Tudor as a young woman, by Nell Dorr, and 16 pages of color photos of Tudor's book covers. The bibliography includes every known book illustrated and/or written by Tudor, including those published in the first half of 1998.

Hardcover. New Castle DE, Oak Knoll Press, 1st, 1998, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust wrapper. The Hares have collected and researched Tudor's works for over 15 years, and have worked closely with her two daughters, who granted them access to surviving publisher files and records at the Library of Congress. This work catalogs all of Tudor's work as well as those of her talented daughters and her husband. 559 pages includes index, bibliography, B&W and color plates.

Hardcover. DA Information Services, 1st, 1994, Book: Very Good, Dust Jacket: None, Hardcover, 431 pages, with charts and illustrations throughout. Previous owner's signature on front endpaper, minor edge wear, otherwise, very clean and bright copy.

Hardcover. Dallas TX, Taylor Publishing, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, in a bright, unclipped dust jacket. 168 pages. A brief history with some 300 color and b&w illustrations of covers, posters, publicity shots of detective and spy stories, TV, and cinema.

Hardcover. New York, Pantheon, 1st, 1948, Book: Very Good, Dust Jacket: None, 300 pages, b&w illustrations. Title on spine: "The American Art Museum". Blue cloth, gilt title, no dust jacket. Light wear to edges and spine, slight foxing to top edge, else a very nice, tight, clean copy.

Hardcover. NY, Dey Street Books, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, color illustrations. The Art of Archer is a true fan's guide to everything behind the scenes of the award-winning FX series. Featuring 240 pages of concept art, interviews with cast and crew, script excerpts, and the original pitch for the series, this collection offers a rare view of the Archer creative process. Commentary from the crew details how squiggles became the gorgeous final pictures fans saw, and exclusive interviews with the Emmy-nominated cast offer insights to their beloved characters and their favorite moments on the show. Storyboards, costume and set designs, reference photographs, immaculate background paintings, and more, this visually arresting collection is the ultimate guide to TV's greatest animated spy comedy. Clean copy.

Hardcover. New York, Scribner's, Reprint, 1919, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers with gilt design, title on spine,111 pages. Full color and black & white illustrations. Clean, tight copy.

Hardcover. Last Gasp, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 288 pages. Illustrated with photographs and back and white illustrations. Introduction by Drew Friedman. Fantastic reference work on the history and back story of the creation of R. Crumb's legendary humor comics anthology.

Softcover. Stanford CA, Stanford University Press;, reprint, 1992, Book: Very Good, Dust Jacket: None, Softcover, 584 pages. The only field guide to cover all North American butterfly species, this monumental work is also a complete natural history, fully describing the biological and ecological world of butterflies in general. It is without question the most important book on butterflies in several decades, and the most complete treatment of a major butterfly faun ever published. The book is written at several levels of detail, most of it accessible to anyone, and employs the minimum of technical terms necessary for ensuring scientific accuracy. Extensive introductory material-a book in itself-stresses butterfly biology and ecology: structure, flight, metamorphosis, hibernation, physiology, roosting, migration, mating, egg laying, intelligence, social behavior, larval and adult foods, enemies, mimicry, variation, evolution, habitats, distribution, and conservation. The main text is arranged in phylogenetic sequence, and characteristics or behavior common to all members of a family, subfamily, or tribe are discussed at those levels. The skippers, a large group often excluded, are treated in full. Several unique features make identification easier and more certain than with any other field guide. First, every species (and many subspecies) of butterfly ever recorded north of Mexico (or in Bermuda or Hawaii) is treated at length and illustrated in color. Over 1,800 butterflies representing all 679 species (males, females, uppersides, undersides, subspecies, etc.) are illustrated on 42 full-page plats. Another 136 color photographs illustrate the various life forms in natural habitat: eggs, larvae, pupae, and the more familiar and more spectacular adults.

Hardcover. Cambridge UK, Cambridge University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket with mild fading to spine, 949 pages. Volume 1 only of a 2-volume set. The Cambridge History of Seventeenth-Century Philosophy offers a uniquely comprehensive and authoritative overview of early-modern philosophy written by an international team of specialists. As with previous Cambridge Histories of Philosophy the subject is treated by topic and theme, and since history does not come packaged in neat bundles, the subject is also treated with great temporal flexibility, incorporating frequent reference to medieval and Renaissance ideas. The basic structure corresponds to the way an educated seventeenth-century European might have organized the domain of philosophy. Thus, the history of science, religious doctrine, and politics feature very prominently. Name on front fly leaf, about 12 pages with light pencil markings. Otherwise clean.

Hardcover. Cambridge UK, Cambridge University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket with mild fading to spine, 953-1616 pages. Volume 2 only of a 2-volume set. The Cambridge History of Seventeenth-Century Philosophy offers a uniquely comprehensive and authoritative overview of early-modern philosophy written by an international team of specialists. As with previous Cambridge Histories of Philosophy the subject is treated by topic and theme, and since history does not come packaged in neat bundles, the subject is also treated with great temporal flexibility, incorporating frequent reference to medieval and Renaissance ideas. The basic structure corresponds to the way an educated seventeenth-century European might have organized the domain of philosophy. Thus, the history of science, religious doctrine, and politics feature very prominently. Light pencil marking to about a dozen pages. Otherwise clean.

Hardcover. Winchester UK, St. Paul's Bibliographies, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 142 pages. Mary Elliott (then Mary Belson) began writing for children in 1809, at a time when increasing literacy and wealth and more progressive understanding of the reading needs of children were creating a growing demand for more and more books for young people. Beginning with two books in verse - one a lively tale about town and country mice, the other, an anthology including many of her own poems - she went on to produce a stream of books on a variety of subjects. Her stories, some eventful and exciting, were mostly about real children learning to tackle the everyday circumstances and difficulties which they encountered in the world around them. These books were made all the more attractive by her publisher, William Darton, who provided them with entertaining illustrations, many of them interesting today for their depiction of contemporary scenes and fashions. Mary Elliott's books soon spread across the Atlantic, and American publishers reissued many of them, sometimes adapting the text to local circumstances. Although her books are now forgotten, they cannot be disregarded by researchers into the history of childhood and of children's literature. This bibliography contains about 470 entries. Clean.

Hardcover. Athens GA, University of Georgia Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 145 pages, b&w illustrations. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Cleveland OH, privately printed, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Illustrated. 734 pages. #104 of a limited edition of 900 numbered copies signed by the authors. In the original blue cloth slipcase with complete color label, Monumental work on the early history of the game. A most important and thorough record of all references to golf in the English language for the four hundred year following the first reference to golf in The Scottish Acts of Parliament of 1457. Scholarly, investigative, and comprehensive examination of the history and foundations of golf. An instant classic upon its issue. It went immediately out-of-print just as the demand was gaining momentum. Like new condition. NOTE: DOMESTIC SHIPPING ONLY.

Softcover. UK, Cambridge University Press, reprint, 2004, Book: Very Good, Softcover, pages 423-902. Volume 2 ONLY of a three volume set of the classical articles and reviews of A. E. Housman. These papers were originally published between 1897 and 1914 in a variety of academic journals, many of which are now difficult to obtain. The editors have checked and, where necessary, supplemented and updated all the references and corrected errors in them, but have otherwise presented each paper, in full, with the minimum of editorial comment.

Hardcover. New York, Sotheby's, 1st, 1989, Book: Very Good, Dust Jacket: None, Unpaginated, hardcover, Includes 308 lots, every item with color or B&W photographic illustrations, many full-page. List of sale results is loosely inserted. A magnificent collection that brought magnificent prices. Sale 5927.

Kentucky, Collector Books, 1st, 1993, Book: Very Good, Dust Jacket: None, Hardcover, glazed boards illustrated in color. 252 pages. Black & white and color photographs.

Softcover. Ithaca NY, Cornell University Press, 1st pbk, 1973, Book: Very Good, Dust Jacket: None, Softcover, 180 pages. The spirit of an event consecrated in anarchist legend is captured in these documents. Eyewitness reports, accounts of participants, and archival documents are used by Dr Edwards to illustrate the many facets of the seventy-three-day Paris Commune of 1871, the largest urban insurrection in modern history. Each section of the book is preceded by an explanatory note, and footnotes clarify contemporary references The introduction to the documents provides a general survey of the origins and events of the Commune. Bright, clean copy.

Hardcover. NY, Harry N. Abrams, 1st, 1984, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly sunned dust jacket. Covers 11 seasons and 251 episodes of Korean War TV comedy. Profusely illustrated in color and b&w, 240 pages. Introduction by Larry Gelbart. Light paper clip mark to front endpapers, otherwise clean. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Crown Publishers, 3rd pr., 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. 312 pages, many b&w illustrations. An attractive copy of Maltin's encyclopedic companion to Disney's work.

Hardcover. Delmar NY, Scholars Facsimiles and Reprints, reprint, 1977, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine, 597 pages. A facsimile reproduction of the 1605 London edition. Du Bartas was extremely popular in early modern England, and was still being read widely in the later seventeenth century even as his reputation in France began to decline. His world-famous La Sepmaine, ou creation du monde (1578), an epic poem on the creation of the world, divided into seven parts, for each of the seven days of creation, was first translated into English in 1598 and published in 1605 and was reprinted six times up until 1641. "No other poem (besides those in the Bible itself) was read as widely as the Semaines were across early modern English and Scottish society. Based on references to Sylvester in print, Snyder believed that 'Clearly everyone in pre-Restoration England who had received a literary education read the 'Weekes' ande almost all.... Admired it'. Clean copy.

Softcover. Plesant Plain OH, David Zimmerman, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 348 pages illustrated in b&w and color. A visual reference for all kinds of tins for coffee, peanut butter, cocoa, tea, and various other food products. Also tins for talcum powder, soap, typewriter ribbons, needles, pens, medicines, etc. Clean copy.

Hardcover. NY, Crown Publishers, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 276 pages with over 400 b&w photographs. Foreword by Lillian Gish. A definitive pictorial and critical account of all the features, with a comprehensive illustrated general survey of the Biographs with a foreword by Lillian Gish. The book provides credits, plot summaries, and rare illustrations for every film he made; it is outstanding for its thoughtful and penetrating critical evaluation of each film. Clean copy.

Hardcover. Wheat Ridge CO, Hoflin Publishing, 1st, 1986, Book: Very Good, Dust Jacket: None, Hardcover, bright red cloth covers with gilt rules and lettering, color pastedown on front. 552 pages, 970 b&w illustrations. A wealth of information on every aspect of the German Shepherd Dog. Many contributors on a variety of topics: history, breeding, behavior and care. Front cover art with light rubbing, name and address on front fly leaf, otherwise clean. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. WHITE RIVER JUNCTION VT, Chelsea Green Publishing , 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 289 pages, color and b&w illustrations. Grapes are the most popular and widely grown fruit in the world. From the tropics to Alaska, grapes will grow successfully in almost every climate. Whether you raise them for fresh eating, or for making wine, juice, or jellies and preserves, the right grapes will reward you with abundant crops for a modest investment of time and effort. Now for the first time comes a book for grape growers who wish to use organic growing methods to raise healthy, thriving vineyards in the backyard or on a small commercial scale. The Grape Grower distills the broad knowledge and longtime personal experience of Lon Rombough, one of North America's foremost authorities on viticulture. From finding and preparing the right site for your vineyard to training, trellising, and pruning vines to growing new grapes from seeds and cuttings, The Grape Grower offers thorough and accessible information on all the basics. The chapters on grape species, varieties, and hybrids are alone worth the price of a college course in viticulture. Technical information on the major (and minor) insect pests and diseases that affect grapes, as well as their organic controls, makes this book an invaluable reference that readers will turn to again and again. Clean copy.

Hardcover. Kennebunkport ME, Cider Mill Press , 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 448 pages illustrated in color. SIGNED BY CO-AUTHOR CHRISTIE on title page. The handbook of stouts and porters is the ultimate, complete, and definitive guide to some of the most complex and original beers available in the market today. It has an extensive history of the two styles, has all the up-to-do info on the current brewing trends, and has hundreds of reviews, along with profiles and other food and tasting tips. Bright, clean copy.

Softcover. NY, Oxford University Press, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 366 pages illustrated in color. The widespread presence of jazz and blues in African American visual art has long been overlooked. The Hearing Eye makes the case for recognizing the music's importance, both as formal template and as explicit subject matter. Moving on from the use of iconic musical figures and motifs in Harlem Renaissance art, this groundbreaking collection explores the more allusive - and elusive - references to jazz and blues in a wide range of mostly contemporary visual artists. There are scholarly essays on the painters Rose Piper (Graham Lock), Norman Lewis (Sara Wood), Bob Thompson (Richard H. King), Romare Bearden (Robert G. O'Meally, Johannes Volz) and Jean-Michel Basquiat (Robert Farris Thompson), as well an account of early blues advertising art (Paul Oliver) and a discussion of the photographs of Roy DeCarava (Richard Ings). These essays are interspersed with a series of in-depth interviews by Graham Lock, who talks to quilter Michael Cummings and painters Sam Middleton, Wadsworth Jarrell, Joe Overstreet and Ellen Banks about their musical inspirations, and also looks at art's reciprocal effect on music in conversation with saxophonists Marty Ehrlich and Jane Ira Bloom. Clean, bright copy

Softcover. NY, Doubleday, Revised Ed., 1985, Book: Very Good, Dust Jacket: None, Softcover, yelow pictorial wrappers, 422 pages illustrated in b&w. Everything you ever could hope to know about 'I Love Lucy'. Behind-the-scenes look at the making of the show. Cast listings, ratings and original air dates. Dialogue and interviews with the stars, writer, directors, producers and more. Mold shelf wear, clean copy.

Softcover. Dalkey Archive Press, reprint, 2003, Softcover, 399 pages. The Inquisitory consists entirely of the interrogation of an old, deaf servant regarding unspecified crimes that may or may not have taken place at his master's French chateau. The servant's replies - which are by turns comic, straightforward, angry, nostalgic, and disingenuous - hint at a variety of seedy events, including murder, orgies, tax fraud, and drug deals. Of course, the servant wasn't involved with any of these activities - if the reader chooses to believe him. In trying to convince the inquisitor of his innocence, the servant creates a web of half-truths, vague references, and glaring inconsistencies amid "forgotten" details, indicating that he may know more than he's letting on.

Hardcover. Garden City, NY, Doubleday & Company, Inc., 1st thus, 1970, Book: Very Good, Dust Jacket: None, 1715 pages. Hardcover. color illustrations throughout, illustrated by Salvador Dali. Pages unmarked (including back pages intedend for recording of family information). 2 red ribbon book marks attached at spine. No slipcase. Marbled decorated endpapers. leather cover boards, gilt title and decoration on spine and front cover board. Gilt edges (slightly faded). Binding beautiful. Spine straight. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Funk and Wagnalls, reprint, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in slightly worn dust jacket, 354 pages. Frontis, illustration, footnotes, genealogical table, sources and references, index. Originally published in 1935. Name on front fly leaf, otherwise clean.

Hardcover. NY, Atlantic Monthly Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 198 pages. A rousing memoir of an ordinary man's extraordinary life - a great, true adventure tale. Celebrated scientist Tim Flannery has edited Nicol's original text, providing accompanying footnotes and an introduction that give historical context to the sailor's exploits. Contains a brief but interesting passage on Newfoundland, with references to other nautical destinations such as Canton, Gaspe, Hawaii, Bombay, Quebec, Nootka Sound, the Cape of Good Hope, and Cape Horn. In his many voyages the Scottish-born sailor John Nicol twice circumnavigated the globe, visiting every inhabited continent while witnessing and participating in many of the greatest events of exploration and adventure in the eighteenth-century.' Clean copy.

Softcover. Greenwich CT, Fairview Printers, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, glossy pictorial stiff wraps, softcover; 187 pages plus index; black and white illustrations and photographic illustrations; very good.

Softcover. Cleveland OH, The Society for American Baseball Research (SABR), 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps, 382 pages. Based on the field's most prolific, imaginative, and best-known scholars, this ultimate reference work on the Negro Leagues includes a complete register of all the players--3,400 names, with positions and teams from before the turn of the century into the 1950s--annual rosters, in-depth histories, and more than 75 original photographs.

Hardcover. NY, Knopf, 2nd pr., 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 963 pages. An updated edition of the film reference provides more than 1,300 entries on leading international actors and actresses, directors, and producers, along with critical essays, profiles, and film analyses. Like new condition. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. Los Angeles, Augustan Reprint Society, reprint, 1989, Book: Very Good, Dust Jacket: None, Softcover, 40 pages, b&w frontis. Facsimile reprint of 18th century (1732) edition. An anti-Catholic play by Fielding, Introduction by Connie Capers Thorson. Includes bibliographical references.

Softcover. Ithaca NY, Cornell University Press, 1st pbk, 1996, Book: Very Good, Dust Jacket: None, Softcover, 324 pages. An illustrated history of the theory and practice of perspective, looking at key texts from the Renaissance to the present. Fifty-six b&w plates. Appendix: Mathematics and Perspective. References. Index. Crease to front cover, Clean copy.

Hardcover. NY, Hudson Hills Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 304 pages. 243 color and 181 duo-tone illustrations. Extensive bibliography included at the back. Showcases these works by American artist Robert Motherwell (1915-1991). "Provides a definitive study of the artist's work as a printmaker. It includes a catalogue raisonne of all his graphic work from 1943 through 1984, covering nearly 350 prints in virtually every medium: engraving, lithography, silkscreen, etching, aquatint, mezzotint, monotype, collage, and others. Each work is documented and reproduced, more than 200 of them in full color." Clean copy.

Tulsa OK, Thomas Gilcrease Museum, 1st, 1986, Book: Very Good, Dust Jacket: None, Hardcover. light gray cloth with black lettering, 255 pages, b&w plates throughout. Thomas Moran (1837-1926) from Bolton, England was an American painter & printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. This catalog features 129 prints with extensive notes. Bibliography and index. Bright, clean copy.

Softcover. Cambridge University Press, reprint, 2007, Book: Very Good, Dust Jacket: None, Two softcover volumes: Vol. 1: Books 1-V, 364 pages. Vol. 2: Books VI-X and Indexes, 531 pages. Previous owner's name, otherwise clean. James Adam (1860-1907) was a Scottish classics scholar who taught at Emmanuel College, Cambridge. A strong defender of the importance of Greek philosophy in a well-rounded education, Adam published a number of Plato's works including Protagoras and Crito. This two-volume critical edition of the Republic (1902) was another major contribution to the field. Though his preface claims 'an editor cannot pretend to have exhausted its significance by means of a commentary,' Adam's depth of knowledge and erudite analysis of the Greek text ensured that his edition remained the standard reference for decades to follow, and it remains a thought-provoking evaluation of one of the great works of Western thought.