Paperback. London/Berkeley, James Curry/University of California, 1st wraps, 1985, Book: Very Good, Dust Jacket: None, Softcover, 244 pages. Focuses on the events in one key "operational zone" in the Zambezi valley in the struggle for Zimbabwe between 1966-1980. Preface by Maurice Block. Illustrated with many maps and photographs. Bibliography, index.
Hardcover. NY, Charles Scribner's Sons, 1st, 1948, Book: Good, Dust Jacket: None, Hardcover, tan cloth stamped in black, 154 pages. Numerous black & white photographs printed with the text; maps on endpapers. A survey of South African society, including much on traditional Zulu culture. The author was an Italian explorer, who wrote numerous books on sub-Saharan Africa and made documentary films of the region. Light envelope residue to rear paste-down indicating ex-lib, but no oher markings.
Hardcover. Seattle WA, University of Washington Press, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket, 259 pages, b&w illustrations. The homestead field method of farming. Clean copy.
Hardcover. NY, Farrar Straus & Giroux , 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. True account of the kidnapping of an adolescent Morocco girl, the economic problems this presents for her rascally parents, her recovery, and the restoration of her virginity. Originally ran in The New Yorker. Clean copy.
Hardcover. Greenwich CT, New York Graphic Society, 1st, 1962, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 337 pages. Ibamba is the name of 13 square miles of glorious lion country in Northern Rhodesia (Zambia), and also the African adventure of a young American couple who lived there for four years taming the land and its wild inhabitants as ranchers and zoologists.
Hardcover. Chicago, Rand, McNally & Co., 1st, 1925, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with gilt lettering, 686 pages. Maps on endpapers, frontis. portrait of author. Profusely illustrated with b&w photos. The social attitudes of the author are typical of his time, still, an interesting picture of Africa in the 1920s. Bookplate on first blank page, small tear to top of cloth spine, otherwise very good, clean.
Hardcover. London, Macmillan Co., 2nd pr., 1898, Book: Very Good, Dust Jacket: None, Hardcover, 604 pages, 3 fold-out color maps in rear of book. Red coth covers, hinges tender, spine with fading. An account of the landscape, vegetation and wildlife of southern Africa precedes an historical survey of the non-European inhabitants and the arrival and spread of the European settlers.
Hardcover. NY, The Century Company, 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth decorated in red, black and gilt. Illustrated throughout with black-and-white images. Includes two fold-out color maps. The publisher's laud Powell's travel book for its "discussion of historical, religious, racial, and political questions for those contemplating a travel to French North Africa, Tunisia, Algeria and Morocco during the 1920s." Rear hinge cracked, spine with small tears/punctures otherwise clean copy.
Hardcover. New York, Charles Scribners, 1st, 1890, Book: Very Good, Dust Jacket: None, 2 hardcover volumes. Volume 1 - 547 pages. Previous owners name on front endpaper. Features black & white Illustrations and fold-out map in rear pocket. Title in gilt on front cover and spine. Light wear to green cloth covers. Clean, tight copy. Volume 2 - 540 pages. Previous owners name on front endpaper. Features black & white illustrations and 2 fold-out maps in rear pocket. Title in gilt on front cover and spine. Light wear to green cloth covers. Clean, tight set. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Chicago, University of Chicago , 6th pr., 1989, Book: Very Good, Dust Jacket: None, Softcover, 236 pages, b&w illustrations. The tale of Paul Stoller's sojourn among sorcerors in the Republic of Niger is a story of growth and change, of mutual respect and understanding that will challenge all who read it to plunge deeply into an alien world.
Hardcover. NY, National Travel Club, 1929, Book: Very Good, Dust Jacket: None, Hardcover, black cloth stamped with red lettering, 298 pages. Illustrated with 88 b&w photos. A famous naturalist tells of his adventures in central Africa, accompanied by his photographs. Name and address on half-title page, otherwise clean.
Hardcover. NY, Harcourt Brace , 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Illustrated with 16 pages of black and white photographs, 338 pages. With wry humor and sharp observation, playwright Pifer elegantly mixes memory and research to reconstruct the world of his South African boyhood from 1933 to 1945. Pifer's father, an idealistic mining engineer in search of challenge and stability during the Depression, found it in Africa, but his earnest American egalitarianism soon put him in conflict with Afrikaner mine overseers, and his career under magnate Sir Ernest Oppenheimer stalled. The author deftly evokes his family--"my mother had the freedom of a disobedient daughter"--and the isolation of the desert town of Oranjemund. The book is even more resonant in its snapshots of mid-century Southern Africa: the still-simmering enmity between Afrikaners and the English; the ripples from Hitler's war in what prior to WW I had been the German territory of South West Africa (currently Namibia). Pifer's knowing account of the travails of servants--"the chasm that exists between white mistress and African maid"--still rings true today. Clean copy.
Hardcover. NY, Aperture, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Michael von Graffenried, an award-winning Swiss photographer, covertly photographed civil strife in Algeria from the early 1990s through 1998. In a land where Islamic terrorists have executed over sixty journalists and photographers in the last seven years, Graffenried's very survival is remarkable. His extraordinary accomplishment, however, is these photographs, which form a composite of Algeria that is more whole than the nation itself, fractured by one segment of the population in favor of democracy and another in favor of an Islamic state.Graffenried makes his pictures secretly, using an antique Widelux panoramic camera with a hidden lens. He would risk his picture and his life were he to raise a camera to his eyes. Instead, he shoots from the hip, with his hands clasped over what looks like a pair of binoculars. In learning to frame his photographs without a viewfinder, he opens himself to a rich array of surprise and irony in his pictures, and reveals a society that has been concealed from the international community for nearly seven years.
Softcover. Northampton MA, White Star Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 86 pages, exhibition catalog. Full of b&w plates. . Catalogue of works from the Charles Derby collection of African art. 136 pieces are pictured and described in brief. With an introduction by Derby, an exhibition checklist, and addendum.
Capetown SA, Fernwood Press/Rembrandt van Rijn Art Foundation, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with minor edgewear 156 pages. Irma Stern (1894-1966) became a renowned artist in South Africa, the country she chose to live and paint the diversity of life and objects. She painted numerous portraits and still life and Rose to fame as one of their great artists. Herart works are exhibitted around the world, and this book is an attempt to shed some lights on Irma Stern?s life and her paintings. Printed on high quality stock, this oversized volume is jampacked with some of her finest works. Clean copy.
Hardcover. Germany, Hatje Cantz, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 80 pages, photos in color. Minor shelf-wear to boards, else a clean, tight copy. This book documents the two most recent works by the critically acclaimed British artist and filmmaker, Isaac Julien, both of which continue his investigation of issues of race and global politics. True North, shot in the spectacular landscapes of Iceland and Northern Sweden, is conceived around the expedition writings of the African-American explorer Matthew Henson, one of the key members of Robert E. Peary's 1909 Arctic expedition, and arguably the first person to reach the North Pole. True North's diametric counterpart, Fantome Afrique, weaves cinematic and architectural references through the rich imagery of urban Ouagadougou, Africa's cinematic center, and the arid spaces of rural Burkina Faso. The film is punctuated by archival footage from early colonial expeditions and landmark moments in African history.
Hardcover. Germany, Hatje Cantz, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 80 pages, photos in color. Minor shelf-wear to boards, else a clean, tight copy. This book documents the two most recent works by the critically acclaimed British artist and filmmaker, Isaac Julien, both of which continue his investigation of issues of race and global politics. True North, shot in the spectacular landscapes of Iceland and Northern Sweden, is conceived around the expedition writings of the African-American explorer Matthew Henson, one of the key members of Robert E. Peary's 1909 Arctic expedition, and arguably the first person to reach the North Pole. True North's diametric counterpart, Fantome Afrique, weaves cinematic and architectural references through the rich imagery of urban Ouagadougou, Africa's cinematic center, and the arid spaces of rural Burkina Faso. The film is punctuated by archival footage from early colonial expeditions and landmark moments in African history.
Hardcover. Boston, John P. Jewett & Co., 1st, 1852, Book: Very Good, Dust Jacket: None, Hardcover, original blind stamped cloth with gilt stamped lettering on spine. 479 pages with mild foxing to a few pages. Very good plus, no markings.
Hardcover. New York , Harper and Brothers, 1st US, 1964, Book: Very Good, Dust Jacket: None, Hardcover, 590 pages plus publisher's ads. Frontispiece portrait of Speke, 2 maps (one folding at rear of book). Rebound in brown cloth, gilt lettering on spine. Marbled edges. Clean and bright.
Hardcover. Hatje Cantz, 1st, 2008-08-01, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. Like new in publisher's shrink-wrap. In the early 1950s, Berlin-born photographer Jurgen Schadeberg captured Nelson Mandela, (then a young attorney), singer Miriam Makeba and the nightlife in Sophiatown, a dynamic black neighborhood in Johannesburg. Revealing the poverty endemic to the majority of South Africa's black population became Schadeberg's chief focus. He arrived there in 1950, at the advent of apartheid, to work for Drum, the first magazine for black readers. In 1964, when Drum was banned, Schadeberg left South Africa for Europe and the United States, creating a body of portraits unique in their ability to cut across race, class and social standing. In 1994, Schadeberg created an iconic image of Nelson Mandela, by then the first black President of South Africa, standing at the window of his former prison cell on Robben Island, where he had been detained on charges of conspiracy from 1964-1982. Schadeberg, whose work has been highly influential to younger artists, now lives and works near Paris. This substantial volume collects 250 images from across his career.
Hardcover. Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. Like new in publisher's shrink-wrap. In the early 1950s, Berlin-born photographer Jurgen Schadeberg captured Nelson Mandela, (then a young attorney), singer Miriam Makeba and the nightlife in Sophiatown, a dynamic black neighborhood in Johannesburg. Revealing the poverty endemic to the majority of South Africa's black population became Schadeberg's chief focus. He arrived there in 1950, at the advent of apartheid, to work for Drum, the first magazine for black readers. In 1964, when Drum was banned, Schadeberg left South Africa for Europe and the United States, creating a body of portraits unique in their ability to cut across race, class and social standing. In 1994, Schadeberg created an iconic image of Nelson Mandela, by then the first black President of South Africa, standing at the window of his former prison cell on Robben Island, where he had been detained on charges of conspiracy from 1964-1982. Schadeberg, whose work has been highly influential to younger artists, now lives and works near Paris. This substantial volume collects 250 images from across his career.
Hardcover. New York, Viking Press, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 500 pages. Beige cloth spine with red-colored lettering. Dust jacket with clear plastic cover. Binding slightly wrinkled at top. First edition of this large adventure novel by the author of the Dortmunder series of humorous crime stories.
Hardcover. Cambridge MA, Harvard University Press, 1st, 1976, Book: Very Good, Dust Jacket: Good, Hardcover in an edgeworn dust jacket. This book is the product of a number of years of work by a variety of specialists who each brought their various talents and techniques to bear in studying the behavior of a small group of people, the San (Bushman). The intention was to understand a way of life, not some limited aspect of human behavior. The importance of the San comes from the fundamental role which hunting has played in human history. Contemporary peoples who still rely on hunting help give us a deeper understanding of a major segment of human history. Kalahari Hunter-Gatherers is a collection of studies that is bound to be of interest to a broad range of social scientists and general readers. 408 pages, 31 photos, 11 maps, 44 tables, 22 figures, bibliography., notes, index.
Hardcover. NY, Longmans, Green and Co., 1st, 1958, Book: Very Good, Dust Jacket: Very Good, Hardcover, 181 pages, illustrated in b&w by E. Harper Johnson. Dust jacket very good, price-clipped.
Hardcover. New York, Friendship Press, 1st, 1928, Book: Very Good, Dust Jacket: None, 62 pages, color illustrations by Wood. Red cardboard covers with black lettering and drawing of African child. Front fly leaf missing, otherwise very good.
Hardcover. Nairobi, The English Press,, 1st, 1954, Book: Good, Dust Jacket: None, Hardcover, blue cloth with black title on front, 117 pages + postscript. The Mau Mau, the black challenge to white supremacy and the need for British rule to remain in Kenya. Name on front fly leaf, light marking to margins on some pages.
Hardcover. NY, W. W. Norton & Company, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages. Extraordinary photographs, along with extensive captions, document the transition from a barely explored paradise to a modern nation.This stunning collection of 720 photographs, many of them drawn from family archives and scrapbooks and all carefully restored, is one of the most important visual records of Africa in the late nineteenth and early twentieth centuries ever to have been published. The early photographers captured the beauty and dangerous allure of life on this spectacular frontier: the ceremonies and traditional attire of the native people, the fantastic machinery used in construction of the Uganda Railway, the gradual development of trade on the coast and in the country's interior, the hardships of the East African Campaign during World War I, and the pioneering spirit of early European settlers and farmers. Many of the most famous names and places connected with Africa appear in these pages, including Karen Blixen's farm and Ernest Hemingway and Theodore Roosevelt on safari.
Hardcover. London, Oxford, 1st, 1964, Book: Very Good, Dust Jacket: Good, 562 pages. Blue cloth with blue titles. Light edgewear, tanning, and fraying to dust jacket, else a clean, tight copy.
Hardcover. Paris, Editions Charles Massin & Cie, 1st French, 1953, Book: Very Good, Dust Jacket: None, 176 pages. Illustrated with primarily black & white photographs. Darkening to endpapers. Black calf leather with raised bands on spine. Title in gilt on spine. Clean, tight copy. 16 color plates out of 131 total illustrations. Includes bw map. Text in French, translated from the original German by Maurice Muller-Strauss. The art of the central-latitude countries of the African continent. Includes (as named at the time of publication) Angola, Cameroun, Belgian Congo, Lower Congo, Ivory Coast, Gold Coast, Dahomey, Gabon, French Guinea, Liberia, Nigeria, Rhodesia, Sierra Leone, French Sudan, Togo, and Tanganyika. Map at back shows/lists these countries/territories, regional rivers, and local tribes.
Softcover. Boulder CO, Westview Press , 1st US, 1993, Book: Very Good, Dust Jacket: None, Softcover, 360 pages. B&w illustrations. The period 1000 to 1630 was the most dynamic era in the history of the Mande- and West Atlantic-speaking peoples living between the bend of the Niger River and the Atlantic littoral. Many of the economic, social, and cultural patterns that evolved during those centuries remain of fundamental importance.This study delineates historical processes in the context of climate change, expanding trade networks, and widespread state-building. The long dry period, c. 1100-c. 1500, impelled Mande-speaking traders and blacksmiths to move progressively southward and westward, founding chapters of Mande "power associations" among host communities. Smiths and traders were followed by horse warriors who founded conquest states and imposed a tripartite social stratification. During the brief c. 1500-c. 1630 wet period, the southward movement of horse warriors was temporarily checked, but Europeans and Eur-Africans promoted an expanding trade in slaves that ravaged the peoples of western Africa during the centuries following. Landlords and Strangers provides a comprehensive synthesis of documentary and oral data and includes numerous extracts from contemporaneous sources to vividly portray the peoples and lands of western Africa.
Hardcover. New York, Phaidon Press, 1st, 2005-07-06, Book: Near Fine, Dust Jacket: Near Fine, Like new in publishers shrink-wrap. Hardcover. Portraits of life in Benin from the 1960's and 70's. A collection of never-before-seen photographs made in West Africa whose discovery opens a new chapter in the history of African and world photography. 136 pages.
Hardcover. New York, Phaidon Press, 1st, 2005-07-06, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover. Portraits of life in Benin from the 1960's and 70's. A collection of never-before-seen photographs made in West Africa whose discovery opens a new chapter in the history of African and world photography. 136 pages.
Hardcover. NY, Atheneum, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket, 224 pages. Color and b&w photos. A memoir by the wife of Toni Harthoorn, one of the best-known vets and animal scientists in Africa. Clean copy.
Hardcover. New York , Knopf, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 115 pages. Light shelf-wear to dust jacket, else a clean, tight copy. Photography by David Goldblatt. Excerpts from Gordimer's prose alongside Goldblatt's striking black and white photographs. Goldblatt was an important South African photographer and documented apartheid under personal peril.
Hardcover. New York , Knopf, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 115 pages. Light shelf-wear to dust jacket, else a clean, tight copy. Photography by David Goldblatt. Excerpts from Gordimer's prose alongside Goldblatt's striking black and white photographs. Goldblatt was an important South African photographer and documented apartheid under personal peril.
Hardcover. London, Chatto and Windus, 1st, 1955, Hardcover in a bright dust jacket. 288 pages, color frontis, 23 color plates, 26 black and white plates, from photos by the author, map, index. Based on the author's extensive travels, over 17,000 miles during a year in eastern and south-east Africa, where he travelled with his wife and three children, from Cape Town, Basutoland, Swaziland, through the Congo to Uganda, Kenya, Tanganyika (Tanzania), Nyasaland, Zambesi, Rhodesia (Zimbabwe), etc, with much on the wildlife, peoples, conditions.
Hardcover. Boston, Bradbury Soden & Co., 1st thus, 1844, Book: Good, Dust Jacket: None, Hardcover, 336 pages, frontispiece engraving with tissue guard, extra engraved title page, several other full page engraved plates as well as text illustrations. Brown cloth with black leather spine stamped in gilt. Pages with tanning to edges, faint water stain to top corners of some pages, not affecting text or images. Covers show mottling, discoloration to foredges, front and rear. Interior clean, binding tight.
Softcover. NY, Ballantine Books, reprint, 1989, Book: Very Good, Dust Jacket: None, Softcover, 242 pages, b&w illustrations. Describes the causes and background of the Zulu War, recounts the experiences of British and Zulu survivors, and looks at the strategies and tactics of the war. Clean copy.
New York, Atheneum, 1st, 1986, Book: Very Good, Dust Jacket: Good, Hardcover in a bright dust jacket. 87 pages. Black & white and 3-color illustrations by author. Dust jacket has some small tears.
London, John Murray, 1st, 1963, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 229 pages illustrated in b&w by Victor Ambrus. The early (1914-34) and very readable Kenya memoirs of an administration official. Seaton presents his own particular vision of East Africa as it was from 1913 to 1926, the unsophisticated Africa with its peoples and wild life, before the golden age came to an end. Previous owner's name on front fly leaf, otherwise clean.
Hardcover. Boston, Little Brown , 1st, 1959, Book: Very Good, Dust Jacket: Very Good, 191 pages. Hardcover with dust jacket. B&w illustrations by James Teason. Light residue sticker to inside front cover, otherwise clean. Dust jacket with light fading to edge, spine.
Hardcover. NY, G. P. Putnam's Sons , 1st, 1929, Book: Good, Dust Jacket: None, Hardcover, red cloth with faded gilt lettering, 281 pages, illustrated with 63 full page photographs by the author and clean fold-out map at rear of book. Stated First Edition on copyright page. Inscription o first blank page, otherwise clean. Bump to cover fore-edge.
Hardcover. NY, Simon & Schuster, 1st, 1969, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 286 pages. frontis, map on endpapers, biblio, notes, index, Of all Livingstone's exploits, none was more daringly conceived, more ill-fated and more difficult than his expedition to the Zambezi- a monumental step in opening up the Dark Continent. The author recounts the insuperable difficulties that made the expedition an epic of endurance- sickness, strandings, endless toil and hardship, and almost unbelievable acts of courage. More than a story of an expedition, it is a portrait of Livingstone the man, a hero of superhuman contrasts-ruthless to his subordinates yet selflessly humanitarian; completely idealistic yet viciously spiteful; profoundly serious yet a reckless gambler.
Hardcover. Philadelphia, G.G. Evans, 1st, 1860, Book: Good, Hardcover, embossed Brown cloth cover worn with fraying to bumped corners. 442 pages, 11 b&w engravings. Gilt title on spine visible, but faded.Light dampstaining to prelim pages, frontis and title page. Interior of book clean and tight.
Hardcover. New York, Harcourt Brace Jovanovich, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Price-clipped dust jacket. Previous owner's name on front fly leaf. Light soil to top pages, abrasion on title page. Black and white pictures throughout, some color.
Hardcover. NY, E.P. Dutton , 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a nice, unclipped dust jacket, 214 pages. "A journey into the heart of primitive Africa, yesterday and today" based on the author's research and his first-hand observations. Wellard describes living among the Dawadans, a small isolated tribe,who still live in a state of pre-history and to whom the wheel is unknown. He also examines the art of prehistoric Africa and in particular the rock art of the Acacus Mountains. The third section deals with the Garamantes, an empire that flourished for more than a thousand years,until they were conquered by Arab invaders in the 17th century. Illustrated with 24 photographs and five maps. Bibliographical notes, index. Clean.
Hardcover. Durham NC, Carolina Academic Press, 1st, 1986, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket that has some fading to spine and edges. 443 pages, several maps. Clean copy.
Hardcover. Chicago, Rand McNally , 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover, 78 pages illustrated with b&w photographs by the author. The story of a little Arab girl. Clean, bright copy in a similar dust jacket.
Hardcover. NY, Abrams, 1st, 2008, Book: N, Hardcover, 168 pages. Nelson Mandela, an icon of the international struggle for freedom and equality, whose importance rivals that of Martin Luther King and Mahatma Gandhi, turns ninety in July 2008. Mandela spent twenty-seven years in prison for his opposition to the apartheid regime of his native South Africa. Released in 1990, he pursued a policy of reconciliation, steering his nation into the ranks of the world's multi-racial democracies. He was elected president of South Africa in 1994. Photographer David Turnley covered Mandela and South Africa for the world's press, beginning in the 1980s. He witnessed the turbulence of the last violent years of apartheid, was there when Mandela was released from prison, campaigned with him during the presidential election, and sought out the significant people and places of his life. In Mandela: Struggle and Triumph, he tells in words and photographs the dramatic and emotional story of the most powerful movement for civil rights since the American civil rights movement, through the eyes of its legendary leader.