Softcover. Collection du Musee Reattu , 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 110 pages, 4to in French wraps. Color and b&w reproductions. Clean, bright copy. FRENCH TEXT.

Softcover. San Francisco , Chronicle Books, 1st, 1992, Book: Very Good, Dust Jacket: None, 120 pages. Softcover. A very clean, unmarked copy with only minor edgewear. A history of American typography and graphic design throughout the industrial age. 200 color illustrations throughout.

Softcover. NY, Nohra Haime Gallery, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 20 pages, color cover, b&w photos of his sculpture inside. Clean copy.

Softcover. NY, Nohra Haime Gallery, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 32 pages, color and b&w photos of the sculptor's work. Clean copy.

Softcover. Provincetown MA, Cape Cod Museum of Art/Providencetown Museum, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 59 pages, exhibition catalog illustrated in color. Essays by Robert Henry, April Kingsley, Myra Harrison and Claire Sprague. Lillian Orlowsky painter, teacher, curator, critic and mentor (Born 1914 in New York City, died August 7, 2007 in Provincetown) I was fortunate to have taken part in one of the most important periods of art in this century. The 1930's through the 1950's saw a cultural upheaval where diverse concepts in painting went from one extreme to another: from realism to abstraction. In the forefront were the WPA (Works Projects Administration - Art Project) and in some measure the Provincetown Art Association. They promoted cultural awareness of the different pictorial concepts which were the beginning of the changing scene of plastic expression.

Softcover. Cape Cod Museum of Art/Providencetown Museum, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 59 pages, exhibition catalog illustrated in color. Essays by Robert Henry, April Kingsley, Myra Harrison and Claire Sprague. Lillian Orlowsky painter, teacher, curator, critic and mentor (Born 1914 in New York City, died August 7, 2007 in Provincetown) I was fortunate to have taken part in one of the most important periods of art in this century. The 1930's through the 1950's saw a cultural upheaval where diverse concepts in painting went from one extreme to another: from realism to abstraction. In the forefront were the WPA (Works Projects Administration - Art Project) and in some measure the Provincetown Art Association. They promoted cultural awareness of the different pictorial concepts which were the beginning of the changing scene of plastic expression.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 279 pages. Hardcover. Extensive color illustrations throughout. Includes extensive notes and appendices. Gilt titles on spine. Clean, unmarked copy with only minor wear to dust jacket.

Softcover. New York, Grey Art Gallery and Study Center/NYU, 1st, 1979, Book: Very Good, Dust Jacket: None, 63 pages. Softcover. Illustrated with full color and black & white examples of works by Louis Comfort Tiffany. Light toning to edges. Gallery sheet with biographical information and list of other objects by Tiffany laid in. Clean, unmarked copy. Uncommon.

Softcover. Washington DC, Hirshhorn Museum and Sculpture Garden and Smithsonian Institution Press, 1st, 1978, Book: Near Fine, Dust Jacket: None, Softcover exhibition catalog. 108 pages, illustrated in color and b&w. Gray pictorial stiff wrappers. Minor wear to edges and spine, else like new.

Hardcover. New York, Harry N. Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 175 pages. Hardcover with dust jacket. A very clean, unmarked copy with minor edgewear. Renowned as the world's leading female fashion photographer from the 1930s to the 1960s, Louise Dahl-Wolfe (1895-1989) was acclaimed for her fashion photographs, still lifes, and portraits.This book is the first comprehensive retrospective on this important photographer. In addition to her fashion images, the 200 photographs gathered here include Louise Dahl-Wolfe's experimental color work and black-and-white portraits of such luminaries as Mae West, Cecil Beaton, Josephine Baker, Christian Dior, Orson Welles, Isamu Noguchi, and others. In sum, they evoke a glamorous and unforgettable era.

NY, Robert Miller Gallary, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover in a color dust jacket, 48 pages, color plates. Clean copy.

Hardcover. New York, Assouline, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages, color photographs. In publisher's shrinkwrap. A beautiful collection of the work of contemporary artist Louise Lawler, who, for the past twenty years, has photographed art as it is situated and displayed, whether in private homes, public buildings, or museums, galleries, and auction houses. From an exhibition of Degas's materpieces to an Andy Warhol installation, this book invites you to discover Lawler's unique vision of modern and contemporary art. Lawler is fascinated by what "happens" to the art object after it leaves the artist's studio - where it goes, how it's displayed, how it's valued, what it means. In a Lawler photograph taken in a private home, the furnishings and objects surrounding the art are given as much attention as the art; in a museum, the view out of a window next to the artwork; in an auction house, the label identifying the artwork. Her striking and provocative photographs show us how the environment that surrounds it affects our perception of art and how it in turn affects all aspects of that environment.

Softcover. Phoenix, AZ, Phoenix Art Museum, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog, 71 pages. 47 B&W full page plates & smaller plates throughout. Very slight fading to edges of wrapper. Otherwise a very clean and tight copy.

Softcover. Manchester VT, Southern Vermont Arts Center, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover. 66 pages, 14 color and b&w illustrations. A collection of paintings by Italian-American artist Luigi Lucioni (1900-1988). One of his most-known pieces, 'Farewell to the Birches,' appears on the cover. With essays by Stuart P. Embury and Robert L. McGrath. Clean, bright copy.

Softcover. Washington DC, National Gallery of Art, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 178 pages, color illustrations. Offers a look at the life and work of Luis Melendez, one of eighteenth-century Europe's greatest still-life painters. This catalogue details thirty of Luis Melendez's wonderful still-life paintings beautifully presented with new insights about Melendez's life, the everyday objects in his paintings, and the materials and methods he used in creating these works.

Softcover. Hamilton NJ, Grounds for Sculpture, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 32 pages, profusely illustrated in color. Essay by Michael Brenson. Clean copy.

Softcover. NY, International Center of Photography, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. Profusely illustrated.

Softcover. Paris, Sodicart and Carla Arigoni, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog, color illustrations, 130 pages. FRENCH TEXT. Clean, like new.

Hardcover. Steidl, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. In 1935, when the influential New York collector Julien Levy conceived the exhibition Documentary and Anti-Graphic Photographs by Cartier-Bresson, Walker Evans & Alvarez Bravo, no one could imagine the eminent place this trio would come to occupy in the avant garde of their time, nor the immense influence they would have on future generations of photographers. Collected here for the first time since the famous 1935 exhibition, this treasure of images by three great masters of twentieth-century photography places us face to face with the history of the medium in the making. The show was one of the first exhibitions Henri Cartier-Bresson ever had, and this book is the last project he considered before his death in 2004.

Softcover. Paris, Musee D'art Moderne De La Ville De Paris, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 288 pages, illustrated in color and b&w, French text. Softcover exhibition catalog with dust jacket.

Softcover. Sarasota FL, John and Mable Ringling Museum of Art, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover. Non-Paginated. About 40 pages with 23 black & white illustrations. Some light spotting along top edge of front cover. Clean, tight copy.

Hardcover. Ostfildern, Hatje Cantz, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover in a white cardboard slipcase, 352 pages. One of the best-known Japanese artists of the international scene, Mariko Mori, born in 1967 in Tokyo, envisions fantastical worlds and beings in spectacular photographs and videos--frequently casting herself amid these scenarios as a Bjork-esque avatar in biomorphic and technological symbiosis. Mori studied fashion design in Tokyo, worked briefly as a model and later studied fine art in England, and this early education is visible in her elaborately produced photographs, videos and sculpture that are as reminiscent of Hollywood as they are of contemporary art. Her recent work involves exotic landscapes, computer-generated images and choreographed performances for which the artist designs her own costumes and plays the central characters.This extraordinary and substantial publication offers a retrospective of Mori's entire oeuvre, and is the first to present the complete Beginning of the End: Past, Present, Future, a photographic cycle produced over a period of 11 years, in which Mori presents herself as a time traveler in a plexiglass capsule at significant symbolic locations, from Giza to New York to Shanghai.

Softcover. NY, Whitney Museum of American Art, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog. 92 pages. B&W and color illustrations throughout. White pictorial front cover with slight wear to spine an soiling to covers. Frontispiece. Overall, a clean, tight copy.

Softcover. New York , Abrams, 1st wraps, 1987, Book: Very Good, Dust Jacket: None, Softcover, 208 pages. Profusely illustrated in color and b&w. Published in conjunction with an exhibition held at the Houston Museum of Art. Clean, bright copy