Hardcover. New York, Harry N. Abrams, 1st US, 1998, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with dust jacket. Sun fading to dust jacket spine. Light foxing to top edge of text block. An otherwise clean, unmarked copy with only minor wear to dust jacket edges. Beardsley's work is looked at alongside the work of contemporaries such as Oscar Wilde, Max Beerbohm and W.B. Yeats and against the backdrop of the artistic, literary and social life of fin-de-siecle London, Dieppe and Paris. In addition to the drawings, the book includes examples of Beardsley's innovative book binding, prints and posters, revealing a gallery of portraits and photographs from that decadent period, the "Naughty Nineties." It also explores the diverse influences, such as ancient Greek vase painting and Japanese prints, upon which the young artist freely drew in the formation of his own style.

Hardcover. Paris, Les Belles Lettres , 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 211 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Color illustrations throughout. FRENCH TEXT.

Hardcover. England, Antique Collectors Club , 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 200 pages. Hardcover with dust jacket. Like new in publisher's shrink-wrap. 63 color plates, 56 b&w illustrations.

Softcover. NY, OK Harris, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 20 pages, b&w illustrations. Essay and interview by Linda Chase. Works in marble by the Egyptian sculptor.

Softcover. New York, Museum for African Art, 1st, 2001, Book: Very Good, Dust Jacket: None, 263 pages. Softcover with paper wrappers. Exhibition catalog, 9x12", color and b&w photographs of the art and culture of the Bamana people. Tight copy with only minor wear to wrappers.

Hardcover. Italy, Fabbri Editori, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 138 pages. Hardcover with dust jacket. Italian text. Color pictures throughout. Light wear to cover edges. Previous owner's bookplate on front end cover.

Hardcover. New York, Prestel, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, 294 pages, 259 color and 53 b&w illustrations. Focuses on Jean-Michel Basquiat's extraordinary breadth of influences, from graffiti to bebop jazz to Hollywood cinema, this exciting new survey charts his ground-breaking career. This work accompanied a major exhibition at the Barbican Art Gallery.

Hardcover. Prestel, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 288 pages. profusely illustrated in color and b&w. This book assembles key works by leading artists such as Max Beckmann, Otto Dix, Max Ernst, Oskar Kokoschka, and Alfred Kubin, and artists less familiar to audiences in the United States including Friedl Dicker-Brandeis, Albert Paris GA 1/4 tersloh, Karl Hubbuch, Richard Oelze, Franz Sedlacek, Josef Scharl, and Rudolf Wacker, who will each be represented by small groups of significant works. Clean copy.

Hardcover. Santa Fe, New MExico, Santa Fe East Gallery, 1st, 1981, Book: Near Fine, Dust Jacket: Near Fine, 96 pages, illustrated in color and black & white with Ben Shahn works of art; historical black & white photographs of New York City scenes; chronology. Textured, cream-colored cloth with titling in dark gray on the spine & front cover; onionskin-type paper dust jacket with titling in black on spine, and Shahn design on the front panel. Still in original shrink-wrap.

Softcover. Washington , Smithsonian Institution Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Exhibition catalog. 202 pages, illustrated throughout with 148 plates in b&w. White pictorial stiff wrappers. Light wear to covers, small tear to upper edge of spine, else a very nice, tight copy.

Softcover. New York, N.Y., Hirschl & Adler Galleries, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 63 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers.

Softcover. Salzburg, Museum der Moderne, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 53 pages illustrated in color. INSCRIBED BY THE ARTIST on the title page. Clean copy.

Hardcover. Manchester, VT, Hudson Hills, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 163 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout.

Softcover. NY, Andre Emmerich Gallery, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 24 pages with color photos of the artist's sculptures. Name on inside front cover, otherwise clean.

Softcover. NY, Andre Emmerich Gallery, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover, 32 pages with color illustrations. Introduction by Carter Ratcliff. Name on inside front cover, otherwise clean.

Softcover. NY, Andre Emmerich Gallery, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog, 20 pages. Six color pates. Name on inside front cover otherwise clean, bright copy.

Softcover. Phoenix, AZ, Phoenix Art Museum, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog. 181pages, illustrated throughout in color and b&w. Gray pictorial stiff wrappers. Light wear to edges and spine, else like enw.

Softcover. San Francisco, Chronicle Books, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. Accompanied traveling exhibition. Essays by Jane Livingston, Karen Tsujimoto, Henry T. Hopkins and Maurice Tuchman. Beautiful color plates, including a foldout and photos of the artist. Checklist for the exhibition. Chronology. Bibliography. Clean copy.

Softcover. Washington DC, Scalo/National Gallery of Art, 1st, 1994, Book: Very Good, Dust Jacket: None, Wraps are black, with white lettering on the spine. No date listed on title page. Copyright page dated 1994. Unpaginated; 34 b/w photographs reproduced. replica of a 1952 book which Frank produced in an edition of three unique examples.approximately 80 pages.

Softcover. Hanover NH, Hood Museum of Art, Dartmouth College , 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 374 pages illustrated in b&w and color. Issued in connection with an exhibition held March 8 to September 7, 2008, Hood Museum of Art, Dartmouth College. Black Womanhood examines an especially charged icon - the black female body - and contemporary artists' interventions upon historical images of black women as exotic Others, erotic fantasies, and supermaternal Mammies. This book presents icons of the black female body as seen from three separate but intersecting perspectives: the traditional African, the colonial, and the contemporary global. The display and contemplation of such iconic images addresses complex and often competing forces of self-presentation and the representation of others. Clean, like new. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Scalo Verlag , 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Thisbook contains a never-before published series of work from the early 1980s: Mikhailov photographed ''The Dancers'' in his hometown in the Ukraine during a period when the former Soviet Union was a reality, before the appearance of Gorbachov and "perestroika". We observe the open-air dancing scene with great astonishment; seeing older and younger people enjoy themselves in a way that might be contradictory to the images we might have about everyday life in the old Soviet Union. These cheerful images remind us how little women and men need to have a good time. An essay by Russian art critic Boris Groys and an exhaustive interview make this volume a must have for readers and libraries interested in contemporary art and photography. 65 duotone illustrations.

Hardcover. New York, Scalo Verlag , 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. This book contains a never-before published series of work from the early 1980s: Mikhailov photographed ''The Dancers'' in his hometown in the Ukraine during a period when the former Soviet Union was a reality, before the appearance of Gorbachov and "perestroika". We observe the open-air dancing scene with great astonishment; seeing older and younger people enjoy themselves in a way that might be contradictory to the images we might have about everyday life in the old Soviet Union. These cheerful images remind us how little women and men need to have a good time. An essay by Russian art critic Boris Groys and an exhaustive interview make this volume a must have for readers and libraries interested in contemporary art and photography. 65 duotone illustrations.

Hardcover. NY, The Metropolitan Museum of Art/Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, maroon cloth with gold lettering, 464 pages with 449 illustrations, including 320 color plates. The Mary Griggs Burke collection is the largest and most comprehensive outside Japan. The selections in this volume are arranged chronologically and includes astonishing and rare pieces. The collection provides an overview of the development of Japanese art over the centuries. A beautiful catalogue with excellent reproductions and extensive text. Like new condition. DOMESTIC SHIPPING ONLY.

Softcover. London, The Hayward Gallery, 1st, 1971, Book: Very Good, Dust Jacket: None, Softcover, 80 pages, illustrated in b&w and color. Catalog to accompany Bridget Riley's exhibition Paintings and drawings 1951-71 at The Hayward Gallery, 20 July - 5 September 1971 organized by The Arts Council. Introduction and biographical note by Bryan Robertson. Clean copy.