Hardcover. London, Eliot Stock, 1st, 1896, Book: Fair, Dust Jacket: None, AUTHOR'S INSCRIPTION on tipped-in card. 241 pages, b&w illustrations by Alfred Beaver and others. Light green cloth covers w/ gilt lettering and design. Ink markings to first few pages. Wear to cover corners. Hinges cracked. Staining to end papers and some pages.

Hardcover. New York, Aperture, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with price-clipped dust jacket. Black and white photographs by Bill Brandt throughout. Clean, tight copy.

Hardcover. London, George Allen & Unwin Ltd., 2nd pr., 1947, Book: Good, Dust Jacket: None, Hardcover in light tan cloth with red lettering to the spine, 361 pages. Although the life of London runs like a thread through the whole fabric of this book, it is not essentially a book about London. Life in Bloomsbury is but the center of a large circle, the point around which the rest of the book revolves, the origin of a disarming commentary on an infinite variety of topics - on Bloomsbury's squares, on the picturesqueness of London a generation ago, on what is true Cockney, on the differences of English and American humor, on the decay of English wit, on books and authors and publishers and the Press, on the literary lions of the past, on the religion of speed, on the charm of Americans, on how the Victorian age was neither so repressed nor so hidebound as most people today like to believe - and so on, one thing leading to another, like good conversation at a good luncheon overlooking the mellow squares of Bloomsbury. The book is full, too, of good stories and reminiscences, both humorous and pathetic, but there is shrewd comment besides on the deficiencies of contemporary society, not the less effective because the author knows how to soften the blow. Mild soil, sunning to covers, clean copy.

Hardcover. NY, St. Martin's Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 511 pages, b&w illustrations. When Hitler unleashed a fierce barrage of weapons on the defiant capital of England, London's resilient citizens were undaunted. With colorful detail and rich insight, historian Maureen Waller takes readers through London in the last year of war. She reveals the magnificence of human spirit that carried a besieged people through agonizing travails and the long, giddy transformation the metropolis made as it passed through battle, to celebration, and back to life as usual. Clean copy.

Hardcover. Berkeley, CA, University of California Press, 1st Edition, 1975, Book: Very Good, Dust Jacket: Very Good, 424 pages. Hardcover. B/w illustrations throughout. Blue cloth cover boards, gilt title on black on spine. Light tanning to pages. Spine straight. Binding tight. Takes its place in the eight-volume History of London series, but it is a self-contained enquiry into the place of ninth- to twelfth-century London in the history of the City and of the urban renaissance.

Hardcover. New York, Hill and Wang , 1st, 1966, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover. Extensive b&w drawings by Paul Hogarth throughout. Gilt titles on spine. Clean, tight copy.

Hardcover. NY, Hill and Wang, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket, 144 pages. B&w drawings throughout by Paul Hogarth. Small ownership stamp to front fly leaf, otherwise clean.

Hardcover. Loa Angeles, J. Paul Getty Museum, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, 136 pages. Offering a fresh account of developments that have since characterized postwar British painting, this catalogue focuses on Michael Andrews, Frank Auerbach, Francis Bacon, Lucian Freud, R. B. Kitaj, and Leon Kossoff-- artists who worked in close proximity as they were developing new forms of realism. If for many years their efforts seemed to clash with dominant tendencies, reassessment in recent decades has afforded their work a central position in a richer and more complex understanding of postwar British art and culture. Rigorous and gorgeously illustrated, the essays reflect on the parallel yet diverse trajectories of these artists, their friendships and mutual admiration, and the divergence of their practice from the discourse of high modernism. The authors seek to dispel the notion of their work as a uniquely British endeavor by highlighting the artists' international outlook and ongoing dialogue with contemporary European and American painters as well as masters from previous generations.

Hardcover. Cambridge MA, MIT Press , 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 311 pages, b&w illustrations. In the 1930s and 1940s, English fashion houses, spurred by economic and wartime crises, put London on the map as a major fashion city. In this book, Michelle Jones examines the creation of a London-based couture industry during these years, exploring how designer collaboration and the construction of specific networks and narratives supported and shaped the English fashion economy. Haute couture-the practice of creative made-to-measure womenswear-was widely regarded as inherently French. Jones shows how an English version emerged during a period of economic turbulence, when a group of designers banded together in a collective effort to shift power within the international fashion system. Clean, bright copy.

Hardcover. New York, Bulfinch Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, 190 historical photos of London. In a bright, unclipped dust jacket. Clean.

Hardcover. NY, Pantheon, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages. A collection of b&w images Brandt made in the 1930s of how the various classes of English society lived their lives. Brandt personally supervised the printing of the plates. In a bright, unclipped dust jacket. Previous owner's signature on front fly leaf, otherwise clean copy.

Hardcover. London, Omnibus Press, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 176 pages. While many books, films and documentaries claim to have captured the phenomenon that was Swinging London, just one magazine was present in the capital during the 1960s to illustrate this extraordinary moment as it unraveled. London Life emerged in October 1965 and, over the next fifteen months, would document the capital's action at its absolute zenith. With imagery from the likes of David Bailey, Duffy and Terence Donovan, designs from Peter Blake, David Hockney, Gerald Scarfe and fledgling artist Ian Dury plus words and opinions from those riding high on the city`s cutting-edge, London Life remains the coolest document from the capital's most exciting period. Still in publisher's shrinkwrap.

Hardcover. NY, Harcourt, Brace and World, 1st, 1962, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket. A large and lovely appreciation of London, with text by Pritchett and photographs throughout by Evelyn Hofer, which capture the look of London in the early 1960s. The photographs include 18 pages in full color and 111 pages in monochrome gravure. There is a bookplate on the inside cover, a small stamp to the half-title page, and a crease to the dj flap. The interior of the book is clean and tight.

Hardcover. London, Marcus Ward and Co., 1st Edition, 1883, Book: Very Good, Dust Jacket: None, 56 pages; color llustrated boards with brown cloth spine with colored plates by the authors throughout. Verses by Felix Leigh. Cover exhibits edgewear, heaviest at the corners of the boards, which are bumped and have the underlying cardboard exposed. Back cover has a bump at the fore-edge and another at the bottom. Both covers slightly spotted. Interior: binding cracked at page 9; missing between front fly leaf and dedication page (evidence of something tipped in with glue and later removed along reverse of front fly leaf)-- however, the book is otherwise intact. All illustrations present in this edition: lovely plates depicting life in Victorian England, interior very clean.

Softcover. Burlington, VT, Lund Humphries , 1st, 2008, Book: Very Good, Dust Jacket: None, 240 pages. Softcover. A very clean, unmarked copy. Color illustrations throughout. London Transport Posters celebrates a century of outstanding graphic design commissioned by the Underground, London Transport, and its present-day successor, Transport for London. Drawing on newly researched sources in the archives of the London Transport Museum and Transport for London, the book discusses and illustrates the different styles and themes emerging from the posters over the last hundred years. It includes examples of over 250 posters from all periods and will be an invaluable reference book and visual resource for all those with an interest in 20th-century design.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 1971, Hardcover in a bright dust jacket, 378 pages. From dust jacket notes: "For most Americans, the Second World War started on December 7, 1941, and much of the fighting took place in strange, faraway places. For the British, the war started on September 3, 1939, and much of the action took place in the skies over England. In the spring of 1940, after months of uneasy calm, Germany invaded the Lowlands and conquered France within a few days, leaving England without her only meaningful ally on the Continent. A year would pass before the Soviet Union was drawn into the war, and eighteen months before the Japanese attacked Pearl Harbor. The United Kingdom, with a land area about the size of Wyoming, was alone, all alone, with only the Straits of Dover separating the island from Hitler's war machine. For six years Mollie Panter-Downes covered the war for The New Yorker magazine from her native England. Even at the height of the air war over London, when 'all that is best in the good life of civilized effort appears to be slowly and painfully keeling over,' she continued to file her fortnightly reports in an understated but dramatic fashion that reflected the fortitude of her fellow countrymen: 'The announcements of the first air-raid deaths are beginning to appear in the obituary columns of the morning papers. No mention is made of the cause of death, but the conventional phrase "very suddenly" is always used.' William Shawn, editor of The New Yorker, has assembled Miss Panter-Downes' 'Letter from London' columns into a consecutive, on-the-spot chronicle of the war in England."

Softcover. Corte Madera CA, Gingko Press, 1st, 1998, Softcover, 96 pages. This book is a collection of rare, previously unpublished, photographs from The International Historical Press Photo Collection of Stockholm that provide fascinating glimpses of everyday life in one of the world's greatest cities during the 1920s and 1930s. These remarkable, large format images open a window to the past that is absolutely stunning. London in the twenties and thirties was still a hub of a powerful empire - an exciting, lively place that brought people and goods together fromall over the world. It is shown here wearing many different faces, but one thing is clear: London has always been full of hustle and bustle. Pulsating street scenes, vibrant architectural portraits, and touching human encounters all come together to create an image of a city that was every bit as exciting then, as it is now.

Hardcover. London, William Luscombe, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 256 pages, b&w illustrations. This is a broad and long history of the Thames. Inscription on the front fly leaf, otherwise clean.

Hardcover. Taschen, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 552 pages, large format. This book salutes all those Londoners, their city, and its history. In addition to the wealth of images included in this book, many previously unpublished, London's history is told through hundreds of quotations, lively essays, and references from key movies, books, and records. From Victorian London to the Swinging '60s; from the Battle of Britain to Punk; from the Festival of Britain to the 2012 Olympics; from the foggy cobbled streets to the architectural masterpieces of the millennium; from rough pubs to private drinking clubs; from royal weddings to raves, from the charm of the East End to the wonders of Westminster; from Chelsea girls to Hoxton hipsters; from the power to glory: in page after page of stunning photographs, reproduced big and bold like the city itself, London at last gets the photographic tribute it deserves. Photographs by: Slim Aarons, Eve Arnold, David Bailey, Cecil Beaton, Bill Brandt, Alvin Langdon Coburn, Anton Corbijn, Terence Donovan, Roger Fenton, Bert Hardy, Evelyn Hofer, Frank Horvat, Tony Ray-Jones, Nadav Kander, Roger Mayne, Linda McCartney, Don McCullin, Norman Parkinson, Martin Parr, Rankin, Lord Snowdon, William Henry Fox Talbot, Juergen Teller, Mario Testino, Wolfgang Tillmans, and many, many others. DOMESTIC SHIPPING ONLY.

Hardcover. London, The Studio, 1st, 1916, Book: Very Good, Dust Jacket: None, Hardcover, 194 pages, gray boards with black lettering, mustard cloth spine with paper label. Numerous illustrations, several in color, some folding. text pages are tanning, plates are bright. Explores the history of London, richly illustrated with maps and color plates. Light pencil name to front fly leaf, otherwise clean.

Hardcover. New York, Thames and Hudson, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages with 52 color and 102 b&w plates. A unique portrait of the artist by an scholar, who draws on his personal experience of Bacon. A survey of his artistic development precedes critical studies of selected aspects of the artist and his work. Previously unpublished extracts of the author's conversations with Bacon are reproduced and followed by a brief account of Bacon's life.

Hardcover. Netherlands, Dordrecht/Republic of Letters, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, illustrated glossy boards, 281 pages. For the first four decades of the twentieth century Philip Kerr, the Eleventh Marquess of Lothian, hovered on the fringes of power in Britain. As a commentator on public affairs, private secretary to Liberal prime minister David Lloyd George, secretary to the Rhodes Trust, Liberal peer, and ambassador to the United States at the beginning of World War II, Lothian's greatest interest was in preserving and strengthening the British Empire and building close bonds with the United States. This international collection of essays by seven scholars explores Lothian's impact on Anglo-American relations and his role, behind the scenes and as a government official, in forging what would eventually become known as the "special relationship." Clean copy.

Hardcover. Norman, OK, University of Oklahoma Press, 1st Edition, 1967, Book: Very Good, Dust Jacket: None, Two Volume set. DOMESTIC SHIPPING ONLY. Volume 1: 568 pages.Volume 2: 517 pages.Hardcovers. In slipcase, very good. B/w illustrations throughout. Decorated edges. Black cloth cover boards. Pages clean and bright. Spines straight. Bindings tight. North's reputation among historians has varied wildly, reaching its lowest point in the late 19th century, when he was depicted as a creature of the king and an incompetent who lost the American colonies.

Hardcover. NY, Arno Press, reprint, 1991, Book: Very Good, Dust Jacket: None, Hardcover, dark green cloth with gilt stamping, 220 pages including index. Reproduced in facsimile from the 1882 edition. One of Trollope's scarcer titles, especially in hardcover. No dust jacket issued.