Hardcover. Caldwell, Idaho, The Caxton Printers, 1st, 1938, Book: Very Good, Dust Jacket: Good, 265 pages, hardcover with dust jacket. Scarce. Illustrated by Anton Otto Fisher. A frank and detailed description of the life of a English deep-sea fisherman. Moderate edgewear to dust jacket, chipping most pronounced along top edge. Chipping to dust jacket spine as well. Foxing to all edges. Unmarked. A tight copy.
Hardcover. Boston, New Harvest, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 174 pages. Hardcover. Clean, unmarked copy with only minor wear to dust jacket. Hoban has written an insightful book into what may have made Lucian Freud the great painter he came to be. From his early days in Germany with his grandfather, Sigmund Freud, to his subsequent life in London, where his family moved before the war, we see Lucian Freud gradually developing from an intense adolescent who often resorted to physical violence in conflicts with others to the powerful figure who changed the face of Realism. His many liaisons with women are described in detail: Hoban offers us a candid sketch of who the most prominent women in his life were, his problems with commitment and other moral conundrums we are forced to consider in his character, such as his questionable demand on his lovers that they use no form of birth control, resulting in at least 14 children, most out of wedlock. Along with that, Freud's gambling addiction and his love of risk are explored by Hoban in a way that allows us a glimpse into Freud's psyche that is invaluable for anyone wanting to understand in a more in depth way the factors that might have contributed to his enormous talents and output.
Hardcover. NY, Bobbs-Merrill Company, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 379 pages. The origin and contents of the Magna Carta, its meaning in history and relevance today. Clean copy.
Hardcover. Birmingham AL, The Legal Classics Library, reprint, 1982, Book: Very Good, Dust Jacket: None, Hardcover, 612 pages, thick 8vo, full tan gilt decorated leather, all edges gilt, marbled endpapers, engraved frontispiece, decorative engraved borders each page. The charters of liberties and confirmations, granted by Henry III. and Edward I.; the original charter of the forests; and various authentic instruments connected with them: explanatory notes on their several privileges; a descriptive account of the principal originals and editions extant, both in print and manuscript; and other illustrations. Originally published in 1829.
Hardcover. NY, Harper & Row, 1st, 1966, Book: Very Good, Dust Jacket: None, Hardcover, turquoise cloth with gilt lettering on the spine, 272 pages, b&w illustrations. Bibliography. Index. The author considers the paradoxical period between the social and political revolutions of 1848 and the death of optimisn in 1914. Besides presenting a revealing and fascinating account of great social contrasts, the author introduces the reader into other aspects of life during this period, the relaxations and dissipations of both the rich and poor, from the showboat and the music hall to the lavish spectacles of the Nineties and the beginnings of jazz. Clean copy. No dust jacket.
Hardcover. Burlington VT, Ashgate, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, black cloth stamped in gilt, 263 pages. (Early Modern Englishwoman: a Facsimile Library of Essential Works) Name on front fly leaf otherwise clean.
Hardcover. London, George Routledge and Sons, 1st, Book: Very Good, Dust Jacket: None, Hardcover in maroon cloth with bright gilt lettering on spine. 439 pages + 8 pages of publisher's ads in rear.
Hardcover. Kent UK, Winterdown Books, 1st , 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 107 pages. Limited to 375 copies. Clean copy.
Hardcover. NY, Bobbs-Merrill, reprint, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 450 pages, b&w illustrations. Biography of William Lamb, 2nd Viscount Melbourne, who served twice as Prime Minister of England during the reign of Queen Victoria. Clean copy.
Hardcover. NY, Stein and Day , 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, blue dust jacket, 311 pages with index. Color frontis, b&w illustrations. "In Grimaldi's lifetime (1779-1837) he won fame and affection for his pantomines;" Dickens reordered the memoirs into a straight narrative of Grimaldi's life." Clean copy.
Hardcover. Edinburgh, Sterling and Slade, 1st Revised, 1819, Book: Good, Dust Jacket: None, Five volumes complete. Bound in half leather with marbled boards. Spines with raised bands and gilt lettering., Marbled design to all edges. Each volume with an engraved frontispiece portrait. Covers rubbed , worn, moderate foxing (mostly to early pages) otherwise clean, solid copies. Gilt lettering on spine faded, rubbing and wear to ribs and edges. Gutter crack in Vol. 1 at rear in middle of appendix, This is the first revised and corrected edition with a new appendix.
Hardcover. London, Folio Society, 1st thus, 1978, Book: Very Good, Dust Jacket: None, 362 pages, with illustrations throughout, edited and introduced by Christopher Hibbert. Gilt decorations and title on orange cloth boards with slipcase, spotless and bright copy.
Hardcover. Carlton Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages, illustrated throughout with numerous plates in color and b&w. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. London, Black Dog Publishing, 1st, 2010, Book: Very Good, Dust Jacket: None, 192 pages. Hardcover no dust jacket. Clean, unmarked copy with only minor wear to boards.
Hardcover. NY, Metropolitan Museum of Art, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 200 pages. A look at the artistic and technical innovation of British printmaking from World War I to the eve of World War II, as artists from the Grosvenor School and beyond harnessed an emerging modernist style. This richly illustrated volume reintroduces rare print works from the collection of Leslie and Johanna Garfield into the narrative of modernism, demonstrating their relationship to other movements such as Cubism, Futurism, and Constructivism. Essays explore how artists turned to printmaking to alleviate trauma, memorialize their wartime experiences, and capture the aspirations and fears of the twenties and thirties. Special attention is given to the linocut technique revolutionized by Claude Flight and his students at London's Grosvenor School of Modern Art. Highlighted as well are the pioneering works of artists such as C. R. W. Nevinson, Sybil Andrews, Cyril E. Power, Paul Nash, Edward Wadsworth, Edith Lawrence, Ursula Fookes, and Lill Tschudi. In their quest to promote a more democratic art, these artists created innovative graphics that portrayed in subject, form, material, and technique the dynamic era in which they lived. In publisher's shrinkwrap.
Hardcover. NY, Stein & Day, Book Club Ed., 1971, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, chipped dust jacket. Frontispiece, photographs, maps, appendix, bibliography, index. Name on front fly leaf, otherwise clean.
Hardcover. London, Arco Publishers Limited, 1st, 1953, Book: Good, Hardcover, red cloth, 232 pages. Gilt title on spine faded, Tanning to endpapers, book is tight and clean throughout.
Hardcover. New York , Henry Z. Walck, 2nd pr., 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover, 39 pages illustrated in color and b&w by Jane Paton. Bright dust jacket with light wear.
Hardcover. London, Methuen & Co., 1st, 1928, Book: Good, Dust Jacket: None, Hardcover, gray boards with a white label on front cover, blue cloth spine, 92 pages, b&w illustrations by Ernest Shepard. . The verses and pictures in this book first appeared in 'Punch' magazine. Edge wear, rubbing, light soiling to boards. Previous owner's inscription on front fly leaf and bookplate inside front cover. Else a clean, tight copy.
Hardcover. London, Oxford University Press, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 157 pages. A study of the popular English children's writer, Mrs Sherwood, 1775-1851 considering her style, writings, relations with publishers, etc. Includes reprints of The little woodman and his dog Caesar originally published: London, Houlston, 1850 and Soffrona and her cat Muff originally published: Wellington, Salop, Houlston, 1828. Includes a 38 page bibliography. "No study of nineteenth - century children's books in England can afford to ignore Mrs. Sherwood. She produced over four hundred different titles - books, tales, tracts, texts, magazines, articles in periodicals, cbapbooks, and Sunday School rewards. There is evidence that the writings of her Evangelical period, in particular, had a remarkable influence upon Victorian literature for the young.
Hardcover. Boston, Gambit, 1st, 1972, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth with blue and gilt stamping, 461 pages. This biography disclosed for the first time one of the strangest love stories of the Victorian age, as recorded one of the most remarkable private diaries of the 19th century. During his lifetime Munby was known as a versifier of small but distinctive talents, a barrister concerned primarily with ecclesiastical affairs, and a fashionable bachelor about town. At his death in 1910, Munby bequeathed to Trinity College, Cambridge three deed boxes full of diaries and personal documents. It is largely on the contents of these boxes that this biography is based. For Munby had a lifelong obsession with the whole sub world of female manual workers - colliery women, fishergirls, milkwomen, acrobats- women whose company he furtively pursued, whose photographs he avidly collected, and one of whom, a char woman called Hannah, he secretly married & kept as his unacknowledged wife for a quarter of a century. Clean copy.