Softcover. Koln, Benedikt Taschen, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. At the turn of the 20th century the cigarette was both symbolic of emancipation and evocative of female eroticism. The photographs collected in this volume illustrate the piquant fascination of that blue-grey haze. sepia tone photos throughout of partially clothed and nude women smoking and holding cigarettes. Erotic. Clean, bright copy.
Hardcover. NY, Taschen, 1st thus, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 503 pages. Mark Rotenberg was inspired to begin collecting lost and forgotten erotic photographs after he stumbled upon over a thousand very graphic vintage photos in a dumpster in Brooklyn. His collection now tops out at about 95,000 photos covering the period from 1860 to 1960. This special 25th anniversary edition draws highlights from Rotenberg's collection of crazy hardcore photographs that would make your grandmother squirm. Adults only. Still in publisher's shrinkwrap.
Hardcover. New York , PowerHouse Books, reprint, 2006, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. Every city-dweller has seen them, and ever city-dweller could list the telltale signs: the fur, the gold, the hats, the cars. They are the original macks, the original players. They are Big City pimps--the heroes of gangsta rap. Bob Adelman and Susan Hall dive headlong into their world in the classic investigative docudrama Gentleman of Leisure: A Year in the Life of a Pimp, an in-depth exploration of the underworld figures that populate our streets at night. The first book of its kind, Gentleman of Leisure, originally published in 1972 and now reproduced in a facsimile edition, is a collection of photographs and interviews dramatically documenting the private life of a pimp and his prostitutes. The people who appear in this book are not models: they are real people with real lives. Only their names have been changed to protect the guilty, their stories are real. Armed only with a camera and a tape recorder, Adelman and Hall entered the lives of the pimp Silky and his women. What they found flew in the face of prevailing prejudices: stripped of stereotype and myth, the pimps and whores that shared their tales were complex people embroiled in romantic dramas, with a code of behavior as intricate as the Mafia's, and a defined sense of self.
Hardcover. NY, New American Library, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white photos by Bob Adelman. 189 pages. The life of a pimp. Text by Hall.
Hardcover. US, Taschen, reprint, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 188 pages. Like new in publisher's shrink-wrap. Taken between the mid-1960s and early 1980s, this selection of Newton fashion editorials-one of the first books he ever published-is accompanied by journal entry-style texts by Newton providing anecdotes and describing the circumstances of each shoot. On every page is evidence of Newton's groundbreaking vision that transformed fashion photography-an influence that can still be seen today in the pages of the greatest fashion magazines.
Hardcover. New York , Goliga, 1st, 2012, Book: Very Good, Dust Jacket: None, Folio, hardcover. Like new in publishers shrink-wrap. 191 pages. Black and white and color photos throughout. A look at high heels in fashion and fashion photography, with several essays focusing on fetishism and photography. With an interview with Manolo Blahnik, among others. Many high fashion and art photos throughout of women in high heels, including nude photos.
Hardcover. New York, Taschen, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover. Illustrated throughout in color. Still in publisher's shrinkwrap. Clean, bright copy with hundreds of nudes and scantily-clad women in color and b&w photographs and illustrations.
Hardcover. New York, Taschen, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover. Illustrated throughout in color. Still in publisher's shrinkwrap. Clean, bright copy with hundreds of nudes and scantily-clad women in color and b&w photographs and illustrations.
Hardcover. New York, Dey Street Books, 1st, 2018, Book: Very Good, Dust Jacket: None, 220 pages. Hardcover with laminated cover boards. Clean, tight copy with light edge wear and rubbing to covers.
Hardcover. New York, Collins Design, 1st, 2008, Book: Very Good, Dust Jacket: None, 80 color plates of female celebrities, photographed as Vargas-style pin-ups. including Gina Gershon, Kate Hudson, Susan Sarandon, Molly Sims, Vanessa Williams, and many more . . . Red slipcase, in publisher's slipcase.
Hardcover. Takarajima Books, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 119 pages. The female nude has long been an important subject for photographer Gibson, but in earlier books, his nudes appeared as elements in sequences of all kinds of images. With Infanta, Gibson abandons the sequencing, presenting instead a collection of big, rather simplified black-and-white images. Like Lee Friedlander in his Nudes (1991), in middle age Gibson expresses an intense fascination with the bodies of young women. Whereas Friedlander used the camera to awkwardly describe specific details, Gibson uses his to idealize beautiful body fragments. Gibson's high-contrast, grainy printing style and abstract compositions have hardly changed in two decades. Alexandra Anderson-Spivy's accompanying essay perceptively responds to Gibson's work, but Mary Gaitskill's vulgar afterword (the memoir of a stripper) seems jarringly inappropriate to the idealism of the photographs.
Hardcover. New York , Universe, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover. Approximately 100-150 full page and double page b&w and color intimate photos of female nudes. Large format. The award-winning and renowned photographer behind the lens of Beautiful, Marc Baptiste offers us another very intimate look at women. Baptiste's inspired, unique, and sensual classicism is bolder than ever in Intimate. Surpassing standard portraiture, his photographs manifest a strong eroticism while incorporating the cinematic power of his fashion work.
Hardcover. Atglen PA, Schiffer, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages, color photographs by Janes. What is burlesque? Who better to ask than burlesque performers themselves? With this question in mind, the author traveled over 14,000 miles across the United States visiting today's burlesque performers, photographing them in their homes, and asking them: "What does burlesque mean to you?" Their answers and 104 accompanying portraits may surprise you. For these performers, burlesque is so many things, including fun and empowerment on stage, an escape from life's doldrums, a fantasy, a career. This book also presents a study in contrasts between the public persona of each performer and that performer's private life.
Hardcover. NY, Universe, 5th pr., 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 272 pages. Despite Prohibition, the '20s was the decade of jazz, flappers and hip flasks. While some took their vote and joined the Woman's Christian Temperance Movement, others, well, took liberties. Compiled here for the first time are more than 200 publicity stills and photos of some of America's first "It" girls--the silent film-era starlets who paved the way for the cacophony of Monroes and Madonnas to follow. Accompanying these iconic images are the stories behind them, including accounts from surviving Ziegfeld Girls, as well as ads featuring them that helped perpetuate the allure of It girl glamour. When rare and striking portraits of these women surfaced on the internet in 1995, author Robert Hudovernik began researching their source. What he discovered was the work of one of the first "star makers" identified most with the Ziegfeld Follies, Alfred Cheney Johnston. Johnston, a member of New York's famous Algonquin Round Table who photographed such celebrities as Mary Pickford, Fanny Brice, the Gish Sisters, and Louise Brooks, fell out of the spotlight with the demise of the revue. A sumptuous snapshot of an era, this book is also a look at the work of this "lost" photographer. Clean copy.
Softcover. Taschen, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 232 pages. Mario Testino is recognized as the ultimate fashion photographer of his generation but his pictures of Kate Moss transcend fashion. The result of two decades of extraordinary friendship, and phenomenal glamour, this iconic collaboration is an intimate insight into the lives and minds of two of the world's definitive style leaders. This book follows the journey of this exceptional fashion partnership, from early days backstage at the shows to behind-the-scenes glimpses of the groundbreaking editorials they continue to produce for the world's most respected magazines. Of the 100-plus images, many photographs have been chosen from Testino's private archive and are published here for the first time. They are accompanied by a foreword by Testino and an exclusive essay by Kate Moss.
Hardcover. London, Quartet Books, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. A great collection of photographs , mainly taken in and around a bordello in Mexico , during the years 1900-1915 They are very reminiscent of the bordello photographs that Ernest J. Bellocq took in New Orleans during the twenties. Ava Vargas , the compiler of these photographs, masterfully restored the original glass plates , and also managed to get them reproduced on the good quality paper of this enjoyable book.
Hardcover. New York , Thames & Hudson, 1st, 1995, Book: Very Good, Dust Jacket: None, Illustrated throughout in b&w. Faint foxing to top edge, otherwise a clean, tight copy. From the legendary David Bailey comes this collection of photographs - a tribute to his wife, the model Catherine Bailey. Divided into five sections - nudes, fashion, pregnancy, children and beauty - these images capture her in different incarnations, as wife, mother, lover, seductress...and as tramp. The text is provided by Fay Weldon, a close friend of both David and Catherine Bailey. She explores the relationship between the photographer and his wife, and wider themes such as the interaction of commerce and art, the status of photography as a "real" art-form and the different ways men and women see the world.
Softcover. San Francisco, Chronicle Books, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 400 pages. A sequel to "The Body", this volume contains over 300 images, discovered during a lifetime's discriminating research into a century and a half of photography. They represent love and desire in all its many forms: the love of parents for their children and vice versa; the love between men and women; between men; between women. There is forbidden love. There is love as a saleable commodity and love as a symbol of absolute generosity. There is love of the body and love of the divine. Sex, affection, adoration, adulation; all these words have their visual equivalents in these images.
Hardcover. Koln GR, Taschen , reprint, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 233 pages. Edited by Steve Crist and Shirley T. Ellis De Dienes. Very large, heavy book, smooth glossy white covers, gray lettering on front and spine, light blue background with pattern of photographer's name inside covers and adjacent end papers, 233 very heavy glossy pages with photographs of the young and virtually undiscovered Marilyn Monroe. No nudity. Author's notes. Clean copy. DOMESTIC SHIPPING ONLY.
Hardcover. New York, St. Martin's Press, 2nd Printing, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, 155 pages, large black & white photographs throughout. Minor dust jacket edge wear and fade, otherwise, very clean and tight copy.
Hardcover. New York, Aperture, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages, color and b&w pictures by various photographers. In a bright dust jacket, clean. Essays by Karen Finley, Dario Fo, Charles Simic. Alluring symbols of womanhood, breasts have fascinated generations of image-makers. Here, for the first time in book form, is the breast in photography: the titillating, maternal ageing and symbolic.
Hardcover. NY, Random House, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages with photographic images throughout. Text by Francoise Sagan and Federico Fellini. Illustrated in black & white, some color. 12" high X 9" wide. More than seventy-five images from Paine?s first solo exhibition, and they look charmingly innocent by today?s standards. Working with a trio of regular models, the photographer was able to achieve a sense of sweet, playful intimacy and suggest moments of sexual abandon. Clean copy.
Hardcover. NY, Thames and Hudson, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 plates in color and duotone. 144 pages. A posthumous retrospective of his pioneering and experimentally dazzling female nudes (with a few male nudes thrown in for good measure, including a full-frontal self-portrait of the photographer). Features never-before-published photographs as well as celebrated images such as "Nude Under Wet Silk". One of the greatest fashion and lifestyle photographers of our time, Blumenfeld is also recognized as one of the most innately and profoundly erotic portrayers of the nude.
Hardcover. US, Schiffer Publishing, Ltd., 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 176 pages, illustrated throughout in color and b&w. Light edgewear to dust jacket, else a clean, tight copy. Roy Kemp's previously unpublished burlesque portfolio presents thirty-nine dancers performing in authentic clubs and backstage settings in 1950s New York. This nostalgic collection includes nearly 250 never-before-seen black and white and color photographs of well-known dancers, including Tempest Storm, Liz O'Leyar, Murine, Rita Gable, and Princess Domay, as well as other sultry performers, quite famous in their heyday. Kemp's talents as a photojournalist provide a fresh perspective on the lives of burlesque performers in this golden era. An artist as well as an investigator, Kemp created striptease photo montages and composed biographies for several dancers, giving the reader an intimate feel for the campy burlesque culture. This time capsule depicts live performances and peeps into club dressing rooms, and offers unedited material from pin-up photo sessions. It is a must-have for aspiring dancers, aficionados, or any modern-day guy or gal who appreciates the style and grit of this fabulous art form.