Hardcover. NY, Humanities Press, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 276 pages. George Lukacs on Appearance and Essence, Erwin Pracht on Socialist Realism, S. Petrov on Realism, Robert Weimann on point of view in fiction, B. G. Zhantieva on Joyce's Ulysses, Werner Mittzenzwei on the Brecht-Lukacs debate, and five other major essays. Clean copy.

Hardcover. Princeton University Press, 1st, 1956, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers with gilt and black title on spine, 353 pages. WITH THE AUTHOR'S INSCRIPTION pasted to front fly leaf. Clean copy.

Hardcover. Twayne Publishers, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 177 pages. Perhaps the most significant and influential figure in this century's wave of American realism, Raymond Carver (1938-1988) is credited not only with reviving the short story as an artistically legitimate form, but also with perfecting minimalist fiction. Moving chronologically through Carver's complete short fiction canon and examining key stories in depth, Ewing Campbell traces the author's development through and beyond literary minimalism, into the tradition of tragic allegory. He explores Carvers persistent use of myth and archetype; motifs of the grotesque; religious iconography; and oppressed, spiritually paralyzed characters. From the earliest stories through the latest, Campbell illuminates Carvers constant fascination with the way individuals connect or fail to connect with one another. Clean copy.

Hardcover. NY, St. Martin's Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a violet dust jacket with light fading to spine, 232 pages. A collection of essays exploring all aspects on a controversial English poet, the 17th century libertine, The Earl of Rochester. Different sections focus on sexual politics, on the poetry of intellect, and on Rochester and his contemporaries. Name, date and light pencil notations on front fly leaf, otherwise clean.

Softcover. Los Angeles, The Augustan Reprint Society , reprint, 1985, Book: Very Good, Dust Jacket: None, Softcover, 12 page introduction by Peter Sabor plus a 56 page facsimile reprint of Sarah Fielding's (Henry"s sister) criticism of Samuel Richardson's novel. Clean copy.

Hardcover. Madison WI, University of Wisconsin Press, 1st, 1989, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with fading to the spine. "Cary Nelson performs an invaluable service to the reader by recovering the work of dozens of forgotten poets, especially women, blacks, and writers on the left, while making it clear that the texts we recover inevitably gain new meaning from their positioning within contemporary culture." Nicely illustrated in b&w and some color, mostly book jackets and title pages of books discussed. Some light pencil marking in margins.

Hardcover. New Haven, Yale University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. INSCRIBED BY AUTHOR on the title page. What motivates us to reread literary works? How is our pleasure, interpretation, involvement, and evaluation different when we read a literary work and when we reread it? This fascinating book by Matei Calinescu is the first to focus on the implications of rereading for critical understanding. Drawing on literary theory, cultural anthropology, psychology, philosophy, and previous theories of reading, Calinescu describes the dynamics of rereading and explores the sometimes complementary, sometimes sharply conflicting relationships between reading and rereading. Calinescu analyzes fictional works by Borges, Nabokov, Proust, Robbe-Grillet, and Henry James, among others, explaining how reading texts is related both to symbolic play or make-believe and to games with rules. He reviews the history of reading in modern times, discussing, for example, how the Reformation led to rereadings of Scripture and how the proliferation of books during the Enlightenment led to a shift from "intensive reading" to "extensive reading." Calinescu looks at the distinctions between reading and rereading from the perspectives of the age, situation, and gender of the individual reader. He discusses the problems raised by secret or oblique languages and codes - devised to evade censors, communicate with a select audience of "secret sharers," or play games of hide-and-seek with the reader - and shows that they naturally lead to rereading a text. Calinescu argues persuasively that an understanding of rereading is useful in formulating both analytic strategies of practical criticism and a poetics of reading. Clean, bright copy.

Softcover. Chicago, University Of Chicago Press, 1st pbk, 2005, Book: Very Good, Dust Jacket: None, Softcover, 123 pages, SIGNED BY AUTHOR on title page. Very clean and tight copy.

Hardcover. Lexington Books , 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover in glazed boards, 299 pages. John McWilliams has written the first, much needed account of the ways the promise and threat of political revolution have informed masterpieces of the historical novel. McWilliams provides close readings of some twenty historical novels, from Scott and Cooper through Tolstoy, Zola and Hugo, to Pasternak and Lampedusa, and ultimately to Marquez and Hilary Mantel, but with continuing regard to historical contexts past and present. He traces the transformation of the literary conventions established by Scott's Waverley novels, showing both the continuities and the changes needed to meet contemporary times and perspectives. Although the progressive hopes imbedded in Scott's narrative form proved no longer adaptable to twentieth century carnage and the rise of totalitarianism, the meaning of any single novel emerges through comparison to the tradition of its predecessors. A foreword and epilogue explore the indebtedness of McWilliams's perspective to the Marxist scholarly tradition of Georg Lukacs and Frederic Jameson, while defining his differences from them. This is a scholarly work of no small ambition and achievement. Clean copy.

Hardcover. London, Faber & Faber, 1st, 1937, Book: Very Good, Dust Jacket: None, Hardcover, green cloth lettered in gilt at the spine. Illustrated with eight photographic plates. 422 pages. Extended passages from Jefferies' work, with a general introduction in two parts: 'The English Genius' and 'To the Two Types of Jefferies Readers', introductions to each section, notes on the text, and the Epigraph. No dust jacket, clean copy.

Hardcover. NY, Thomas Y. Crowell, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 166 pages. Lardner was one of the most remarkable satirists in American literature and one of the sharpest cultural historians of his time but is better known to many people as a successful journalist and popular entertainer. Geismar examines the development of this distinguished writer, a biographical and critical account. Clean copy.

Hardcover. Oxford, Basil Blackwell, 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with faded gilt lettering on spine. 191 pages, b&w frontis. of Hawker. Small name stamp on front fly leaf, otherwise clean copy.

Softcover. Ithaca NY, Cornell University Press, reprint, 1990, Book: Very Good, Dust Jacket: None, Softcover, 309 pages. A major contribution to the cultural and literary history of the Victorian age, Rule of Darkness maps the complex relationship between Victorian literary forms, genres, and theories and imperialist, racist ideology. Critics and cultural historians have usually regarded the Empire as being of marginal importance to early and mid-Victorian writers. Patrick Brantlinger asserts that the Empire was central to British culture as a source of ideological and artistic energy, both supported by and lending support to widespread belief in racial superiority, the need to transform "savagery" into "civilization," and the urgency of promoting emigration.Rule of Darkness brings together material from public records, memoirs, popular culture, and canonical literature. Brantlinger explores the influence of the novels of Captain Frederick Marryat, pioneer of British adolescent adventure fiction, and shows the importance of William Makepeace Thackeray's experience of India to his novels. He treats a number of Victorian best sellers previously ignored by literary historians, including the Anglo-Indian writer Philip Meadows Taylor's Confessions of a Thug and Seeta. Brantlinger situates explorers' narratives and travelogues by such famous author-adventurers as David Livingstone and Sir Richard Burton in relation to other forms of Victorian and Edwardian prose. Through readings of works by Arthur Conan Doyle, Joseph Conrad, H. Rider Haggard, Rudyard Kipling, John Hobson, and many others, he considers representations of Africa, India, and other non-British parts of the world in both fiction and nonfiction. Clean, bright copy.

Hardcover. University Park, Penn State University Press, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a ightly worn dust jacket. 171 pages, INSCRIBED BY BALDWIN on the front fly leaf. The author explores the Christian symbolism throughout a major portion of Beckett;s mature works.

Hardcover. London, Ashgate, reprint, 2010, Book: Very Good, Dust Jacket: Very Good, 248 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Silver gilt on spine. 'Like "the ring" itself, this book is viral: it gathers into itself literature and film, disease and survival, cultural studies and aesthetics, Japan and America, technology and the family. We won't read Suzuki's novels or watch the films in the same way again. A thoroughly readable and teachable text!' Steven Bruhm, Robert and Ruth Lumsden Professor of English, The University of Western Ontario, and author of Reflecting Narcissus: A Queer Aesthetic 'Taking as its point of departure the phenomenon of The Ring in all its manifestations"the Japanese novel, the Japanese film, the American film, and the various sequels"The Scary Screen offers an in-depth and sustained speculation about the anxiety created by the development of communication technologies. The collection introduces startling insights into the relationship between changes in media forms and widespread fears of contagion, while also identifying a new universal form of horror that has emerged in recent decades as the status of reproduction"both technological and biological"has undergone a profound transformation. The essays included here represent a powerful theoretical response to this transformation.' Todd McGowan, University of Vermont, and author of The Impossible David Lynch and The Real Gaze '... The Scary Screen is a useful contribution to studies of The Ring, horror film, and cultural anxieties evoked by technology.' Journal of the Fantastic in the Arts.

Hardcover. New York, Viking Press, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, 276 pages. Hardcover in a bright dust jacket. Clean, tight copy.

Hardcover. New York, Duffield & Company, reprint, 1909, Book: Very Good, Dust Jacket: None, Hardcover, 557 pages, originally compiled by C. M. Ingleby, L. Toulmin Smith and Dr. F. F. Furnivall. Gilt top edge and title on green cloth board. Minor foxing on fore edge, light edge wear and slight spine cock, otherwise, very clean and bright.

Hardcover. New Haven CT, Yale University Press, 1st, 1968, Book: Very Good, Dust Jacket: Fair, Hardcover in a chipped, tape repaired dust jacket. Maroon cloth with gilt lettering on spine. 266 pages. INSCRIBED BY SIPE on the front fly leaf to fellow professor Roger Mitchell. English majors are used to being told that Shakespeare frequently broke the rules of iambic pentameter, and that as he matured artistically, his usage became bolder and freer. Well, it isn't true. Shakespeare's iambics turn out to be extremely orthodox (which just makes all the more impressive the variations he was able to create within the rules). In 1968 Dorothy Sipe went to the remarkable labor of demonstrating this objectively through a painstaking analysis of over 13,000 lines of verse. She also supplied information I've never found anywhere else on the prosodic rules taught by poets to poets in Shakespeare's day. All this said, including a five star rating for the perfect achievement of its goal, the book is definitely not for everyone interested in Shakespeare's verse and methods. It is devoted to proving a highly specific case by means of many, many examples that non-specialists are likely to find tedious. But if you are deeply interested in some subjects -- Shakespeare's iambics, his coinages, and the history of English iambic technique -- it is well worth your time. Dust jacket tanned, otherwise a clean, tight copy.

Hardcover. New Haven, Yale University Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Readers of Shakespeare's greatest tragedies have long noted the absence of readily explainable motivations for some of Shakespeare's greatest characters: Why does Hamlet delay his revenge for so long? Why does King Lear choose to renounce his power? Why is Othello so vulnerable to Iago's malice? But while many critics have chosen to overlook these omissions or explain them away, Millicent Bell demonstrates that they are essential elements of Shakespeare's philosophy of doubt. Examining Hamlet, Othello, King Lear, Macbeth, Julius Caesar, and Antony and Cleopatra, Millicent Bell reveals the persistent strain of philosophical skepticism that runs throughout Shakespeare's plays. Like his contemporary Montaigne, Shakespeare repeatedly calls attention to the essential unknowability of our world. Clean copy.

Hardcover. New York, Hill and Wang, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover, 276 pages, translated from the Russian by Joyce Vinging. Dust jacket with minor edge wear and bump, otherwise, very clean and tight copy.

Hardcover. NY, Simon & Schuster, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, A sociological look at the influence of Shakespeare's Shylock on world mythology describes the character's creation and his evolution on the stage, and presents writing about him by Proust, James, T. S. Eliot, and others. Amazingly, Shylock is in only five scenes in the Merchant of Venice. Yet, as pointed out by Gross, the theater critic for the London Sunday Telegraph , his impact and significance transcend his physical presence, so much so that his name and "pound of flesh" idea are almost universally known. In the first part of this character/cultural study, Gross examines the antecedents of Shylock and the play, and his development within the play. The second part considers "interpretations" both theatrical and literary in England and America until World War II; the third part considers Shylock more broadly as a touchstone (e.g., how his "type" is used by the Victorians--Trollope's Lopez, Dickens's Riah, Ruskin's use of him in Munera Pulveris ). Clean copy.

Softcover. Willamette, Willamette Week, 1st wraps, 1990, Book: Very Good, Dust Jacket: None, Softcover. Columns from her early column in the Willamette Week newspaper. SIGNED BY DUNN.

Hardcover. London, William Pickering, 1st, 1835, Book: Good, Dust Jacket: None, Hardcover, 298 pages. Black leather covers with gilt rules, faded gilt title on ribbed spine. All edges gilt. Covers with edgewear and the top 6th of the spine leather is gone. Marbled endpapers with bookplate inside front cover. Rear flyleaf with a chunk cut out. Interior is very good. Medieval and Renaissance French poetry, translated into English by an acclaimed poet, travel writer, historian, and painter. Louisa Costello (1799-1870), was an accomplished Anglo-Irish artist and prolific poet and author. She was also a fine miniature painter, and her illustrations show her exquisite sensibility. 4 beautifully hand-colored lithograph plates by the author. Not all copies contain these plates.

Hardcover. New York, Random House , 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 402 pages. Cloth boards in a bright dust jacket. Clean, tight copy. The subjects of Salman Rushdie's collection of non-fiction range from The Wizard of Oz, U2, India and Indian writing, the death of Princess Diana, and football, to twentieth-century writers including Angela Carter, Arthur Miller, Edward Said, J. M. Coetzee and Arundhati Roy. In a central section, 'Messages from the Plague Years', Rushdie focuses on the fight against the Iranian fatwa, presenting texts both personal and political, which show for the first time how it was to live through those days. Rushdie's columns for the New York Times confront current issues - Kashmir, Northern Ireland, Kosovo, Islam and the West - as well as lighter topics such as reality TV, sport and sleaze. The book ends with the lectures that give it its title - Rushdie's exploration of the theme of frontiers: crossing them, breaking taboos, and - in the light of September 11 - the world of permeable frontiers in which we all live.

Softcover. London, Routledge, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 214 pages. Horror fiction has provided our culture with some of its most enduring themes. In examining the cultural apparatus surrounding it, Grixti argues that such narratives raise important questions about the relationship between fiction and society. Clean copy.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1940, Book: Very Good, Dust Jacket: Poor, Hardcover, red cloth in a worn and chipped dust jacket with closed tears, 191 pages with index. Dr. Worcester presents a theory of satire, surveying the whole field since Dryden's Discourse of the Origin of Satire and drawing illustrations not only from English but from classical, French, German, and American literature. At the same time he makes a penetrating study of irony and its uses. Name on inside front cover otherwise clean.

Softcover. Totonto, University of Toronto Press, reprint, 1977, Book: Very Good, Dust Jacket: None, Softcover, 444 pages, b&w illustrations. Mild shelf wear, clean copy.

Softcover. Chapel Hill, University of North Carolina , 1st, 1984, Book: Good, Dust Jacket: None, Softcover, cream paper covers with red and black titling, 137 pages. There is underlining and notations to text in red ink to about half the pages.

Softcover. Minneapolis, University of Minnesota Press , 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 305 pages. "In The Dark End of the Street, Maria Damon brings a new sensitivity to modern poetic criticism. She adds an important dimension to cultural theory, revealing the struggles of one group of artists as they address improtant questions about art, social life, and the oppression they encounter. Taking as her premise that the intensity of poetic language is an appropriate venue for representing the 'dark end of the street' of social pain, Damon foregrounds the work and lives of a number of modern American poets in order to argue that the American avant-garde is located in the experimental literary works of social 'outsiders."

Softcover. Los Angeles, Augustan Reprint Society, reprint, 1985, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. The Augustan Reprint Society Number 251-252. Introduction by Janet E. Aikins. Orig. tan card wrappers, stapled binding. An 18th century theatre critic's remarks regarding Otway's play. Clean copy.

Hardcover. Duke University Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, 440 pages. Black cloth, no dust jacket. The Edge of Surrealism is an essential introduction to the writing of French social theorist Roger Caillois. Caillois was part of the Surrealist avant-garde and in the 1930s founded the College of Sociology with Georges Bataille and Michel Leiris. He spent his life exploring issues raised by this famous group and by Surrealism itself. Though his subjects were diverse, Caillois focused on concerns crucial to modern intellectual life, and his essays offer a unique perspective on many of twentieth-century France's most significant intellectual movements and figures. Including a masterful introductory essay by Claudine Frank situating his work in the context of his life and intellectual milieu, this anthology is the first comprehensive introduction to Caillois's work to appear in any language. These thirty-two essays with commentaries strike a balance between Caillois's political and theoretical writings and between his better known works, such as the popular essays on the praying mantis, myth, and mimicry, and his lesser-known pieces. Presenting several new pieces and drawing on interviews and unpublished correspondence, this book reveals Caillois's consistent effort to reconcile intellectual rigor and imaginative adventure. Perhaps most importantly, The Edge of Surrealism provides an overdue look at how Caillois's intellectual project intersected with the work of Georges Bataille and others including Breton, Bachelard, Benjamin, Lacan, and Levi-Strauss.

Hardcover. NY, Sheed and Ward, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket with faded spine, 480 pages. Richard Kostelanetz's monumental evisceration of the American book world circa 1974--the self-appointed backslapping elites, the perpetual disdain for the unconventional, the laziness in book reviewing and fear of losing one's status when criticising the wrong thing--remains, as a final sadness, itself a rare out of print tome. Kostelanetz has written perhaps the most fearless exploration of literary politics in print, taking on and naming the titans at the top of the heap, dissecting the power structures that emerged in the 1950s and 60s, and the emergence of the plutocratic hierarchies that continue to dominate publishing. Outing the various cliques as mobs, and using apt and amusing mafia parallels, Kostelanetz is unrelenting in his meticulousness, and counteracts the status quo with a passionate defence of the avant-garde, using the second half of the book to bring light to the various emerging authors of experimental poetry, fiction, and mixed media works around the time. At times a touch long-winded and overfed with quotes, this nevertheless is an essential read for those requiring a hard slap as to the inherent evil of the corporate book world and why indie is the only way forward. Clean copy.

Hardcover. NY, Columbia University Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 248 pages. Clean copy.

Hardcover. NY, The Free Press, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 330 pages. This book traces the central developments in American literature between and 1919. It opens with an account of the consolidation of realism as the dominant standard of critical value and brings the reader forward to the moment, at the end of World War I, when American writers began to take a recognized place among the masters of literary modernism. The ascendancy of the novel as the principal genre of the realists is presented against a broader cultural and historical background. Professor Berthoff reviews and evaluates American fiction from the time when Howells, Twain, and Henry James were still under attack by old-school idealizers, to the emergence of a new critical and testamentary realism with Crane, Dreiser, and Gertrude Stein. Clean copy.

Softcover. Berkeley, University of California Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 248 pages. Name on front fly leaf whited out, otherwise clean.

Hardcover. Berkeley CA, Bern Porter, 1st, 1945, Book: Fair, Dust Jacket: None, Hardcover. No. 260 out of 750 copies bound for distribution. 157 pages. Tan boards with wear and soiling, gray cloth spine. Shelving information on spine. Front hinge cracked. Ex-library. Printed on various colored paper, with contributions by a lot of well known authors, including Williams, Patchen, Durrell, Lamantia, many others. Edges soiled. Interior very good.

Softcover. Cambridge MA, Harvard University Press, 3rd pr., 1997, Book: Very Good, Dust Jacket: None, Softcover, 541 pages. It wasn't all black or white. It wasn't a vogue. It wasn't a failure. By restoring interracial dimensions left out of accounts of the Harlem Renaissance--or blamed for corrupting it--George Hutchinson transforms our understanding of black (and white) literary modernism, interracial literary relations, and twentieth-century cultural nationalism in the United States. What has been missing from literary histories of the time is a broader sense of the intellectual context of the Harlem Renaissance, and Hutchinson supplies that here: Boas's anthropology, Park's sociology, various strands of pragmatism and cultural nationalism--ideas that shaped the New Negro movement and the literary field, where the movement flourished. Hutchinson tracks the resulting transformation of literary institutions and organizations in the 1920s, offering a detailed account of the journals and presses, black and white, that published the work of the "New Negroes." This cultural excavation discredits bedrock assumptions about the motives of white interest in the renaissance, and about black relationships to white intellectuals of the period. Clean copy.

Hardcover. Pinceton NJ, Princeton University Press, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 315 pages. The Western ideal of individualism had a pervasive influence on the culture of the Meiji period in Japan (1868-1912). Janet Walker argues that this ideal also had an important influence on the development of the modern Japanese novel. Focusing on the work of four late Meiji writers, she analyzes their contribution to the development of a type of novel whose aim was the depiction of the modern Japanese individual. Professor Walker suggests that Meiji novels of the individual provided their readers with mirrors in which to confront their new-found sense of individuality. Her treatment of these novels as confessions allows her to discuss the development of modern Japanese literature and "the modern literary self" both in themselves and as they compare their prototypes and analogues in European literature. The author begins by examining the evolution of a literary concept of the inner self in Futabatei Shimei's novel Ukigumo (The Floating Clouds), Kitamura Tokoku's essays on the inner life, and Tayama Katai's I-novel Futon (The Quilt). She devotes the second half of her book to Shimazaki Toson, the Meiji novelist who was most influenced by the ideal of individualism. Here she traces Toson's development of a personal ideal of selfhood and analyzes in detail two examples of the lengthy confessional novel form that he created as a vehicle for its expression.

Hardcover. NY, Harcourt, Brace & World, 1st, 1955, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket, 309 pages. A collection of essays from the famed literary critic. Clean copy.

Hardcover. Charlestown MA, Printed and Sold By Samuel Etheridge, Revised Ed., 1810, Book: Very Good, Hardcovers, two volumes complete, 432 and 448 pages. bound in 3/4 calf, with red leather spine labels intact, bindings tight. New corrected edition. A collection of biographical studies on the life of important poets in the cannon of English literature, including: Cowley, Milton, Blackmore, Granville, Somerville, Thomson, Mallet, and Lyttelton. Written by Samuel Johnson, an English writer who made lasting contributions as a poet, playwright, essayist, moralist, critic, biographer, editor, and lexicographer. With the original advertisement to the first edition. originally published in 1779-81. Light edgewear to covers, mild water stain to first 4 pages of Vol. 2, otherwise clean, mild foxing, very good set overall.

Hardcover. NY, Pellegrini & Cudahy, 1st, 1952, Book: Very Good, Dust Jacket: Very Good, Hardcover in a mildly soiled dust jacket with tanning to spine,name on front fly leaf, otherwise clean.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1964, Book: Very Good, Dust Jacket: None, Hardcover, cream color cloth stamped in blue, 308 pages. Clean, tight copy.

Softcover. NY, W.W. Norton & Co., 1st pbk., 1962, Book: Very Good, Dust Jacket: None, Softcover, 205 pages. Clean, bright copy.

Hardcover. Cambridge MA, Harvard University Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 194 pages. In this highly original reexamination of North American poetry in English from Ezra Pound to the present day, Christopher Nealon demonstrates that the most vital writing of the period is deeply concerned with capitalism. This focus is not exclusive to the work of left-wing poets: the problem of capitalism's effect on individuals, communities, and cultures is central to a wide variety of poetry, across a range of political and aesthetic orientations. Indeed, Nealon asserts, capitalism is the material out of which poetry in English has been created over the last century. Much as poets of previous ages continually examined topics such as the deeds of King Arthur or the history of Troy, poets as diverse as Jack Spicer, John Ashbery, and Claudia Rankine have taken as their "matter" the dynamics and impact of capitalism-not least its tendency to generate economic and political turmoil. Nealon argues persuasively that poets' attention to the matter of capital has created a corresponding notion of poetry as a kind of textual matter, capable of dispersal, retrieval, and disguise in times of crisis. Offering fresh readings of canonical poets from W. H. Auden to Adrienne Rich, as well as interpretations of younger writers like Kevin Davies, The Matter of Capital reorients our understanding of the central poetic project of the last century.Clean copy.

Hardcover. NY, Free Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 270 pages, b&w illustrations. Light edgewear to dust jacket, else a clean, tight copy. Recounts the life of the English poet who died during World War I, looks at the group of his friends and fellow poets known as the Neo-Pagans, and discusses the influence of homosexuality on his life. His sonnet "The Soldier" and early death in World War I made British poet Rupert Brooke a key figure in the nation's myth of patriotism and youthful valor. Biographer Delaney places him among the Neo-pagans, a small circle of writers, artists, and intellectuals who flourished from 1908 to 1912. The group honored youth, comradeship, and the simple life and aimed to set aside the constraints of Victorianism. Delany shows how the internal dynamics of the group, not shock of war, led to its disintegration.

Hardcover. Athens GA, University of Georgia Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 176 pages. INSCRIBED BY AUTHOR on front end paper. In the 1960s, as the underpinnings of society weakened, the traditional novel form seemed less suited to describe American reality. Theorists groped towards non-mimetic fiction as the tools that had sustained the novel since its birth-coherent characterization, linear plot, symbolism-became tools of New Journalism. The New American Novel of Manners explores the virtual reinvention of the novel of manners in America out of the same subjectivity that charged the works of New Journalism.In place of the rigid social structures that never seemed to depict America, novelists such as Richard Yates, Dan Wakefield, and Thomas McGuane located America's modern-day manners in its semiotics, in the system of signs that envelops us-the blue jeans people wear, the fast food they eat, the decor of the bars they drink in and the rock-and-roll lyrics that play through memories. The new generation of mannerists describe lifestyles that are determined by words and images, by actions that are dictated by what has been read and seen, and patterns of behavior in which life is edited and fictionalized. Klinkowitz reveals a fiction that is once again capable of reflecting the way people live. Clean copy.

Softcover. NY, The Paris Review, 1st, 1963, Book: Good, Dust Jacket: None, Softcover, pictorial wrappers, 180 pages. Interview with Katherine Anne Porter. Also, Malcolm Lowry, Henry Miller, Lawrence Durrell, Robert Creeley, and more. Mild outer soil and some general wear.

Softcover. Seattle, Wave Books, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 219 pages. A collection of essay/talks that the poet Rachel Zucker, expanded from lectures presented for the Bagley Wright Lecture Series in 2016. Devastating in their revelations, yet hopeful in their endurance, these are lectures of protest and reckoning. Zucker declares 'I write against. My poetics is a poetics of opposition and provocation that I never outgrew. Against the status quo or the powers that be, writing out of and into wrongness.' Thus, Zucker deftly dismantles the outdated paradigms of motherhood, aesthetics, feminism, poetics, and politics. Bringing Bernadette Mayer, Marina Abramovic, Alice Notley, Adrienne Rich, Audre Lorde-among many others-into the conversation, Zucker questions the categories that have been imposed on poetry, as well as a poet's need to speak, and the resulting responsibilities. Clean copy.

Softcover. Los Angeles, Augustan Reprint Society, reprint, 1982, Book: Very Good, Dust Jacket: None, Softcover. Facsimile reprint of 18th century edition; stapled wraps; 66 clean, umarked pages, plus introduction by Malcolm Kelsall. Clean copy.

Softcover. NY, Oxford University Press, repriny, 1989, Book: Very Good, Dust Jacket: None, Softcover, 290 pages. Henry Louis Gates, Jr.'s original, groundbreaking study explores the relationship between the African and African-American vernacular traditions and black literature, elaborating a new critical approach located within this tradition that allows the black voice to speak for itself.Examining the ancient poetry and myths found in African, Latin American, and Caribbean culture, and particularly the Yoruba trickster figure of Esu-Elegbara and the Signifying Monkey whose myths help articulate the black tradition's theory of its literature, Gates uncovers a unique system forinterpretation and a powerful vernacular tradition that black slaves brought with them to the New World. His critical approach relies heavily on the Signifying Monkey--perhaps the most popular figure in African-American folklore--and signification and Signifyin(g). Exploring signification in black American life and literature by analyzing the transmission and revision of various signifying figures, Gates provides an extended analysis of what he calls the "Talking Book," a central trope in early slave narratives that virtually defines the tradition of black American letters. Gates uses this critical framework to examine several major works of African-American literature--including Zora Neale Hurston's Their Eyes Were Watching God, Ralph Ellison's Invisible Man, and Ishmael Reed's Mumbo Jumbo--revealing how these works signify on the black tradition and on each other. Clean copy.