Hardcover. NY, Norton, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Dust jacket price clipped. "From a marketplace in Bangkok to the fields of New Hampshire, from recollections of her own childhood to celebrations of an infant grandson, Kumin stakes her far-flung claims with authority in her tenth book of poetry."--Publishers Weekly

Hardcover. New York, Farrar, Straus and Giroux, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 656 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy.

Hardcover. New York , Farrar Straus Giroux , 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages, black cloth covers in a bright, unclipped dust jacket with minor edgewear to extremities. Previous owner's signature on front fly leaf otherwise clean, very good.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 497 pages. "The critic Adam Plunkett expertly teases out the many meanings of Frost's poems . . . Blending biography and criticism, Plunkett shows how the circumstances of Frost's peripatetic life gave rise to some of his most successful poems. As in the best critical biographies, Plunkett does not merely track down real-world inspiration for a given work. Rather, he brings together Frost's personal life, literary sources, and publication history to enrich our understanding of the poems, then uses the poems to enhance our understanding of the life. The result is a thorough, elegant, and, at times, surprising study of Frost, who emerges as a remarkably complex poet and a compelling but complicated man." -Maggie Doherty, The New Yorker. Clean copy.

Hardcover. Berkeley, CA, Counterpoint, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. A very clean unmarked copy with only minor wear to dust jacket edges. A tight copy.

Softcover. NY, Stone Street Press, 1st , 1983, Book: Very Good, Dust Jacket: None, Softcover, black paper wrappers with illustrated label on front. SIGNED BY MCCORMICK on (C) page Lino cut Illustrations, calligraphy & translation by McCormick. Clean, bright copy.

Hardcover. New York, Viking, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Clean, tight copy. Minor wear to dust jacket. Light rubbing to covers, fading to spine. Illustrations by Wendy Watson.

Hardcover. NY, Holt Rinehart Winston, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY JONG on front fly leaf. Clean copy.

Softcover. San Diego, Junction Press, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 220 pages. A veteran of the New York avant-garde still best remembered for her rebellious '60s play Futz, Owens resurrects the painter Leonardo da Vinci; two of his models, Flora and Mona (Lisa); his student Salia; and Luca, his teacher. Luca is given the poem's near-omniscient "I"; the piece as a whole is less concerned with the biographical Leonardo than with the physical, social and emotional circumstances of representative creation and the elaboration of sexual expression in portraits. To this end there are many descriptions of women's bodies that are spat back at the reader-as-observer in colloquial bursts. INSCRIBED BY OWENS on the half-title page. Clean copy.

Hardcover. Ann Arbor, MI, University of Michigan Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 246 pages. Hardcover. Red cloth cover boards, gilt title on spine. Previous owner's name and information on front flyleaf. Dust jacket unclipped, some light fading to spine of dj, glossy, excellent. This difinitive edition incorporates a commentary on the translation as well as an invaluable introduction, which includes new information about Hutchinson's life and writings, and a discussion of the De rerem natura and its impact on the seventeenth century.

Hardcover. Chicago, Big Table, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover, 60 pages. Illustrated with black & white photographs. Some spotting to black cloth covers. Unclipped dust jacket shows fading to spine and some light soil, rubbing to paper. Scarce in hardcover. Clean, tight copy.

Hardcover. New York, Dodd Mead , reprint , 1902, Book: Good, Dust Jacket: None, Hardcover. 227 pages. Green cloth covers with gold lettering and decoration by Margaret Armstrong. Rubbing to spine, corners. Top edge gilt. Frontispiece portrait of the author. First published in 1899, this is a 1902 printing. Clean.

Hardcover. New York , G. P. Putman, reprint, 1864, Book: Very Good, Dust Jacket: None, Hardcover, 322 pages. Dark green cloth, gilt title to spine, top edge gilt. Light edgewear to covers, internally a very clean, tight copy

Hardcover. NY, Harcourt, Brace and Co, 1st, 1938, Book: Good, Dust Jacket: None, Hardcover, blue cloth covers with gilt lettering on spine. INSCRIBED BY AUTHOR on the front fly leaf. Frontispiece illustration by Rockwell Kent. 1000 pages plus commentary in rear by John Crowe Ransom, William Carlos Williams and others. Previous owner's name on title page, gutter loose at title page. Rear hinge cracked. Clean copy.

Hardcover. NY, Harpercollins Childrens Books, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, color illustrations by Barry Moser.

Hardcover. New York, Harcourt Brace, 1st, 1927, Book: Good, Dust Jacket: None, Hardcover. 88 pages. Black silhouette illustrations by Decie Merwin. Rubbing to spine, corners. Spine faded.

Hardcover. NY, Knopf, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Very good in an unclipped dust jacket. The scenery of Iceland, the South seas, and the American South, the awakening of first love, and the meaning of speech are some of the topics treated in this collection of poems by the novelist and critic. He is a poet the same way Somerset Maugham is a thinker; the poems are set in dozens of exotic locales and glitter like fireflies against the night of the page. As the title suggests, one exotic locale is pretty much the same as any other for Brad Leithauser, as long as you get mail from it. The messages that come through tell little stories, almost as though they weren't big enough to be used as the raw material for his novels.

Hardcover. New York, Alfred A. Knopf, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, 84 pages. Hardcover with dust jacket. SIGNED AND INSCRIBED BY AUTHOR on front fly leaf. Rear inside flap has ripped corner. Light rubbing on rear dust jacket.

Softcover. NY, Corinth Books, 1st, 1969, Book: Very Good, Dust Jacket: None, Softcover, 47 pages, limited to 1500 copies. The cover design is from a collage by Joe Brainard. Crease to bottom corner of front cover, clean copy.

Hardcover. London, Frederick Warne, reprint, nd, Book: Good, Dust Jacket: None, Hardcover. Color illustrations throughout by Greenaway. Some foxing to illustrated endpapers, otherwise very good, clean. Illustrated cardboard covers with brown cloth spine. Mild edgewear to covers.

Softcover. New York , Bouwerie Editions, 1st Ltd. Ed., 1970, Book: Very Good, Folded signature laid into gray wrappers with Bouwerie blindstamped on the front wrap. Text and wrappers rubberstamped by William Katz, and contains a color photograph by Katz of "Mary"s Fancy." This copy is designated 47 of 100 and is signed by Creeley. Clean, bright copy in folded brown wrapping paper with a label sticker and the title stamped in black, limitation lettered in blue ink.

Hardcover. Boston, Houghton Mifflin Harcourt, 1st, 2010-10-06, Book: Very Good, Dust Jacket: Very Good, Hardcover, 75 pages. INSCRIBED BY AUTHOR on half title page. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Hopewell NJ, Ecco Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 146 pages, dark gray boards with black cloth spine. Bright dust jacket, unclipped.

Hardcover. London, Macmillan & Co., 1st , 1922, Book: Good, Dust Jacket: None, Hardcover, 8 color (frontispiece with tissue guard), and black & white illustrations by Edmund J. Sullivan. 103 pages. Spine fade. Silver lettering, decorated front cover. Browning to pages. Front paste down separated from front flyleaf. Previous owner's bookplate on front pastedown.