Hardcover. NY, Oxford University Press, 1st, 1929, Book: Very Good, Dust Jacket: Very Good, Illust. with black & white line drawings by Elizabeth Montgomery. 77 pges. Browning to front and back end-papers. Dust jacket with wear to corners, spine edges. Dust jacket with color illustration on cover. Scarce.
Hardcover. London, Channing Press, 1st Ltd Ed., 1933, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers stamped in gilt on front, 29 pages. With frontispiece photograph tipped in of the author with tissue guard. Number 24 of 100 copies SIGNED BY LORING ON TIPPED-IN PAGE. Glassine wrapper.
Hardcover. NY, Norton, 1st, 1000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Poems that deal with experiences of Irish women in love, marriage, motherhood, and modern society. 'Eavan is a marvelous poet, and Outside History is the best possible introduction to her work. Love and anxiety, memories and mysteries-she's woven them all into a rich verse fabric, thrown like a flowered shawl over her shoulders as she stands out under the chilling night sky, no other soul around but (for that haunting moment) the reader's own.' -J. D. McClatchy. Clean copy.
New York, North-South Books, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 61 pages. SIGNED BY HAGUE on half title-page. Color illustrations by Michael Hague.
Hardcover. Oxford UK, Clarendon Press, 1st, 1951, Book: Very Good, Dust Jacket: None, 467 pages. Hardcover with dust jacket. B&w plates. Light edgewear to black covers. Dust jacket has heavy chipping and short tears. Gutter cracking in places.
Hardcover. New York , Oxford University Press , 1st, 1955, Book: Very Good, Dust Jacket: Fair, 224 pages, illustrated throughout in b&w by Joan Hassall. Dust jacket is worn, torn and sun-faded, protected by a mylar cover. Book itself is in lovely condition. Contains 800 nursery rhymes and ditties which are the heritage of our oral tradition. All the well-known rhymes are included as well as many rare ones.
Softcover. London, Quartet Encounters, 1st, 1991, Book: Very Good, Dust Jacket: None, 163 pages. Softcover. A very clean, unmarked copy with only minor edgewear.
Hardcover. New York, Crowell, 1937, Book: Very Good, Dust Jacket: None, Hardcover. 41 pages. Color illustrations by Roese. Oversize book. Some darkening, rubbing to covers. Otherwise clean, tight copy. An promotional piece directed at potential advertisers by Woman's Home Companian Magazine. Scarce.
Hardcover. NY, Atheneum, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Illustration in color, black & white by Erik Blegvad. Clean, tight copy.
Hardcover. Cambridge, MA, Harvard University Press, 2nd printing, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover, 73 pages. Third book in the Poets' Theatre Series. Dark blue cloth covers, white titles to spine dust jacket with b&w illustration. Slight soiling to dust jacket, clean boards, pages crisp and unmarked; a very clean, tight copy.
Hardcover. NY, W W Norton, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 175 pages. SIGNED BY AUTHOR on title page. Clean, unmarked copy with only minor wear to dust jacket.
Softcover. Los Angeles, Red Hen Press, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 104 pages. Signed and inscribed by author on title page. Book is in excellent condition, text is unmarked and pages are tight.
Hardcover. Boston, Houghton Mifflin, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, 57 pages, in a bright unclipped dust jacket. Complete number line on copyright page. SIGNED BY KINNELL on the title page. Clean, bright copy.
Hardcover. Syracuse University Press , 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 493 pages. Remainder line and foxing to top edge, light edgewear to dust jacket, else a clean, tight copy.
Hardcover. New York, Farrar, Straus and Giroux, 1st, April 18, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover. SIGNED BY AUTHOR. 479 pages. Light smudges to bottom and fore-edge. Else a very clean, tight copy.
Hardcover. New York, Henry Holt and Company, 1st US, 1913, Book: Very Good, Dust Jacket: None, 127 pages. Hardcover with no dust jacket. Gilt decoration of peacock on front. Moderate wear to edges. Tight copy. Illustrations by C. Lovat Fraser.
Hardcover. New York , Doubleday and Co., 1st US, 1960, Book: Very Good, Dust Jacket: None, 64 page, green cloth covers. Illustrated in 2-colors by Edward Ardizzone. Light shelf wear, clean.
Hardcover. Garden City, NY, Doubleday & Company, Inc., 1st US, 1960, Book: Good, Dust Jacket: Good, 63 pages, illustrated throughout by Edward Ardizzone. Light edgewear to dust jacket with tiny hole on front cover and small chip missing from lower edge of rear flap. Clean, tight copy.
Hardcover. Cambridge MA, Harvard University Press, 1st, 1930, Book: Very Good, Dust Jacket: None, Hardcover, 338 pages, several b&w woodcut illustrations. Black cloth spine with marbled boards, top edge gilt. Author Theodore Morrison's copy with his signature on front fly leaf. Minor corner wear.
Hardcover. Cambridge MA, Harvard University Press, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, 352 pages, several b&w woodcut illustrations. Black cloth spine with marbled boards, top edge gilt. Minor corner wear.
Hardcover. Cambridge MA, Harvard University Press, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, 319 pages, several b&w woodcut illustrations. Black cloth spine with marbled boards, top edge gilt. Minor corner wear.
Hardcover. Boston, Lee and Shepard, 1st, 1894, Book: Very Good, Dust Jacket: None, Hardcover, original attractive olive cloth with a garland of leaves and flowers in gilt on the front cover. All edges gilt. Oblong llustrated book with poems by Dorr and full page illustrations in charcoal of the Rutland, Vermont area by Zulma Delacy Steele. Clean, bright copy.
Hardcover. NY, New Directions, 5th pr., Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket ($5.00), 273 pages. If the invention of literary modernism is usually attributed to James Joyce, T. S. Eliot and Ezra Pound, it was Pound alone who provided (in Hugh Kenner's words) "the synergetic presence" to convert individual experiment into an international movement. In 1926 Pound carefully sculpted his body of shorter poems into a definitive collection which would best show the concentration of force, the economy of means, and the habit of analysis that were, to him, the hallmarks of the new style. This collection, where Pound presented himself in a variety of characters or "masks," was called Personae. In 1926, Personae's publication gave solidity to a movement today the work stands as one of the classic texts of the twentieth century. Clean copy.