Softcover. Paris, Pierre Seghers, 1st, 1953, Book: Very Good, Dust Jacket: None, 54 pages. INSCRIBED BY AUTHOR ON HALF TITLE PAGE. Hand stamped #35 of 300. Maroon paper covers with paste down titles on spine and front cover. Clean, tight copy.

Hardcover. New York , Random House , 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 65 pages, black cloth covers, in an unclipped dust jacket that has light fading to spine.. Previous owner's signature on front fly leaf otherwise clean, very good.

Hardcover. Boston, Little, Brown and Co, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 68 pages. INSCRIBED WITH DRAWING BY AUTHOR TO FRONT PRELIM PAGE. Collection of children's poems with b&w illustrations by Marc Simont. Color illustrated dust jacket show light wear. Overall a tight, clean copy.

Hardcover. London, William Pickering, 1st, 1835, Book: Good, Dust Jacket: None, Hardcover, 298 pages. Black leather covers with gilt rules, faded gilt title on ribbed spine. All edges gilt. Covers with edgewear and the top 6th of the spine leather is gone. Marbled endpapers with bookplate inside front cover. Rear flyleaf with a chunk cut out. Interior is very good. Medieval and Renaissance French poetry, translated into English by an acclaimed poet, travel writer, historian, and painter. Louisa Costello (1799-1870), was an accomplished Anglo-Irish artist and prolific poet and author. She was also a fine miniature painter, and her illustrations show her exquisite sensibility. 4 beautifully hand-colored lithograph plates by the author. Not all copies contain these plates.

Hardcover. NY, Macmillan, 1st, 1929, Book: Very Good, Dust Jacket: Good, Hardcover, Non-paginated. Color illust. by Elsa Eisgruber. In the scarce dust jacket with light soil and chipping. Clean, tight copy.

Hardcover. US, Farrar Straus & Giroux, 4th printing, 1996-01-01, Book: Very Good, Dust Jacket: Very Good, 70 pages. SIGNED BY AUTHOR on title page. Clean, unmarked copy with only minor wear to dust jacket. Dj wrapped in clear plastic brodart.

Softcover. Iowa City, University of Iowa Press, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 91 pages. INSCRIBED BY HULL on the title page. Previous owner's name on the front fly leaf. Clean, bright copy.

Hardcover. US, Farrar Straus & Giroux (T), 1st US, 1985, Book: Very Good, Dust Jacket: Good, 123 pages. SIGNED AND DATED BY AUTHOR on front end paper. Light shelf-wear and sun-fade to dust jacket spine. Faint foxing to edges, otherwise a clean, tight copy.

Hardcover. NY, Farrar Straus & Giroux, 1st US, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 123 pages. The title poem is set on an island that has been a site of pilgrimage in Ireland for over a thousand years. A narrative sequence, it is an autobiographical quest concerned with "the growth of a poet's mind.'" There are also many poems with richly meditative lyrics and the final section is in the voice of the legendary Sweeney, a king of Ulster. A marvelous group of poems, this was Heaney's sixth major collection and many believe it ranks among his best. Previous owner's name, date on the front fly leaf, otherwise clean.

Softcover. Santa Monica, The Lapis Press, First Edition, 1987, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover with french flaps & light wear to edges. Previous owner's signature to front flyleaf. Pen marking to several pages in commentary sections. Poetry is clean & unmarked throughout. Black printed illustrations.

Hardcover. NY, Oxford University Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 627 pages, b&w illustrations. The literary, political, and artistic interests of poet and cultural icon Stephen Spender (1909-1995) are illuminated in this narrative based on his private papers, tracing his rise to success as a poet in the 1930s through his later years as cultural statesman of the twentieth century, and examining his relationships with such luminaries as Dylan Thomas, Sylvia Plath, T. S. Eliot, and Virgina Woolf. Clean copy.

Hardcover. London, Faber & Faber, 1st, 2008, Hardcover, 524 pages, b&w illustrations. SIGNED BY BOTH HEANEY & O'DRISCOLL on title page. Widely regarded as the finest poet of his generation, Seamus Heaney is the subject of numerous critical studies; but no book-length portrait has appeared until now. Through his own lively and eloquent reminiscences, Stepping Stones retraces the poet's steps from his early works, through to his receipt of the 1995 Nobel Prize for Literature and his post-Nobel life. It is supplemented with a large number of photographs, many from the Heaney family album and published here for the first time.

Softcover. Boulder CO, Colorado Quarterly, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 83 pages. A Bonus Issue of Colorado Quarterly August 1978. INSCRIBED BY BARNSTONE on the title page. Illustrated by Karmen Effenberger. Clean copy.

Hardcover. Chicago, University of Chicago Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 141 pages. INSCRIBED BY PACK on the title page. Clean, bright copy in a dust jacket.

Hardcover. Chicago, University of Chicago Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 141 pages. Clean, bright copy in a dust jacket.

Garden City, NY, Doubleday, 1st, 1963, Book: Good, Dust Jacket: Good, Hardcover. 71 pages. Black & white illustrations by Jim McMullan, his first book. Previous owner's inscription front end paper. Dust jacket price clipped. Creases, large tears, light soiling. Clear plastic protective cover.

Softcover. Leicester UK, Troubador Publishing Ltd, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, glossy wrappers, 104 pages. INSCRIBED BY AUTHOR on the front fly leaf. Clean copy.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 2005, Hardcover in a bright, unclipped dust jacket. A poetic interpretation of the summer evenings of childhood. Seizing their moment, the children steal away from the dinner table to play out of doors, until it's too dark to see the ball and their mothers call them home. Finely wrought oil paintings, beguiling and dreamlike in their detail, give a free-spirited interpretation of the poem. Together, words and pictures evoke the lush scents, sounds, and feel of the full lingering days of summer, when outside and inside is lost in the doorways. INSCRIBED BY ILLUSTRATOR WITH A SKETCH on front fly leaf.

Hardcover. London, William Heinemann, 1st, 1927, Book: Good, Dust Jacket: Good, 295 pages. Hardcover with plastic protected dust jacket. Previous owner's name on front fly leaf and light pencil markings throughout. Spine faded and heavily tanned.

Hardcover. NY, Alfred A. Knopf, 1st, 1945, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering and design on spine and front cover. INSCRIBED BY AUTHOR on the front fly leaf. Additionally with a note to the title page stating she has hand-corrected some 20 errors in the printed text, unique thus. An epic poem "on the lives of a young composer-aviator and his intimates and casual acquaintances the accumulated wisdom and lore of the world in which we live." Winner of the Yale Poetry Award. No dust jacket. Mildred Dodge Jeremy Ingalls was an American poet and scholar of Chinese literature. In 1943, she received a Guggenheim Fellowship to work on her major poem, The Thunder Saga of Tahi, this being the result. Spine gilt faded.

Hardcover. New York, Harcourt, Brace and company, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 111 pages. Hardcover with dust jacket. Illustrations by Gary Kelley. Stiker on rear dust jacket. otherwise clean, tight copy.

Softcover. NY, New Directions, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover, 276 pages. A collection of eight talk poems that were previously only performed spontaneously, by American poet and performance artist, David Antin. Clean, bright copy.

Hardcover. NY/San Francisco, New Directions / San Francisco Review, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good dust jacket with toning on the spine and edges, unclipped. A stark panorama of late 19th and early 20th-century America-the underside of the Gilded Age, beset by racism and casual violence, poverty and disease-in a radically stripped-down language. A legendary book that stands alongside Louis Zukofsky's "A" and William Carlos Williams' Paterson as a milestone of modern American poetry. 115 pages, no markings.

Softcover. Providence RI, Burning Deck, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 16 pages, oblong stapled wrappers. One of 500 copies on Strathmore Pastell paper. Original silkscreen cover by Linda Lutes. This is an advance copy with publisher's note laid in, unnumbered. Tanning to spine edge, clean copy.