Softcover. Seattle, Wave Books, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 219 pages. A collection of essay/talks that the poet Rachel Zucker, expanded from lectures presented for the Bagley Wright Lecture Series in 2016. Devastating in their revelations, yet hopeful in their endurance, these are lectures of protest and reckoning. Zucker declares 'I write against. My poetics is a poetics of opposition and provocation that I never outgrew. Against the status quo or the powers that be, writing out of and into wrongness.' Thus, Zucker deftly dismantles the outdated paradigms of motherhood, aesthetics, feminism, poetics, and politics. Bringing Bernadette Mayer, Marina Abramovic, Alice Notley, Adrienne Rich, Audre Lorde-among many others-into the conversation, Zucker questions the categories that have been imposed on poetry, as well as a poet's need to speak, and the resulting responsibilities. Clean copy.

Hardcover. New Haven CT, Yale University Press, 2nd pr., 1955, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket, 375 pages. Name, date on front end paper otherwise clean.

Softcover. Berkeley CA, University of California Press, 1st, 1951, Book: Very Good, Dust Jacket: None, Softcover, 165 pages. Examining 20 poets and their poetry of the 1940s with relation to the prose of that period. Clean copy. University of California Publication Vol. 19 No. 3.

Hardcover. County Meath IR, Gallery Books, 1st , 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 78 pages, black cloth covers. Bright, unclipped dust jacket.

Hardcover. NY, Random House, reprint, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 245 pages illustrated in color and b&w by Arnold Lobel. The Random House Book of Poetry for Children offers both funny and illuminating poems for kids personally selected by the nation's first Children's Poet Laureate, Jack Prelutsky. Featuring a wealth of beloved classic poems from the past and modern glittering gems, every child who opens this treasury will finda world of surprises and delights which will instill a lifelong love of poetry. Featuring 572 unforgettable poems, and over 400 one-of-a-kind illustrations from the Caldecott-winning illustrator of the Frog and Toad series, Arnold Lobel, this collection is, quite simply, the perfect way to introduce children to the world of poetry. Clean copy.

Softcover. Middletown CT, Wesleyan University Press, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 72 pages. A lovely copy of this vintage book of Edson's landmark prose poetry. The author's 7th collection. Clean copy.

Softcover. Chicago, University of Chicago Press;, reprint, 2009, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 123 pages. SIGNED BY AUTHOR on title page and INSCRIBED by him on front fly leaf. Poems inspire our trust, argues James Longenbach in this bracing work, because they don't necessarily ask to be trusted. Theirs is the language of self-questioning--metaphors that turn against themselves, syntax that moves one way because it threatens to move another. Poems resist themselves more strenuously than they are resisted by the cultures receiving them. But the resistance to poetry is quite specifically the wonder of poetry. Considering a wide array of poets, from Virgil and Milton to Dickinson and Gluck, Longenbach suggests that poems convey knowledge only inasmuch as they refuse to be vehicles for the efficient transmission of knowledge. In fact, this self-resistance is the source of the reader's pleasure: we read poetry not to escape difficulty but to embrace it. An astute writer and critic of poems, Longenbach makes his case through a sustained engagement with the language of poetry. Each chapter brings a fresh perspective to a crucial aspect of poetry (line, syntax, figurative language, voice, disjunction) and shows that the power of poetry depends less on meaning than on the way in which it means--on the temporal process we negotiate in the act of reading or writing a poem. Readers and writers who embrace that process, Longenbach asserts, inevitably recoil from the exaggeration of the cultural power of poetry in full awareness that to inflate a poem's claim on our attention is to weaken it.

Hardcover. NY, Moffat, Yard and Company , 1st, 1909, Book: Very Good, Dust Jacket: None, Hardcover, 56 pages, illustrated endpapers. Beige linen cloth over boards. Previous owner gift inscription on verso of frontispiece. No bumping or soiling. Bright gold foil titling, and double circle with illustration pasted on front cover. images by Jessie Willcox Smith on each page plus a color frontispiece and six color plates all by Smith.

Softcover. Madison MN, Seventies Press Spring , 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 95 pages. Poems translated mostly by Bly (in two cases with James Wright) of Federico Garcia Lorca, Cesar Vallejo, Blas de Otero, Pablo Neruda, Robert Bly, Tomas Transtromer, Allen Ginsberg, Gary Snyder, John Wieners, Jerome Rothenberg, Philip Lamantia, et al. Name on front fly leaf otherwise clean.

Hardcover. UK, Carcanet Press, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 41 pages. SIGNED BY LEARY on the title page. Also inscribed by author on the front fly leaf.

Hardcover. NY, Cady & Burgess, 2nd Ed., 1852, Book: Very Good, Dust Jacket: None, Hardcover, small format, dark blue cloth with gilt design, lettering on the spine. 126 pages. This collection brings together the best-known songs and ballads of G.P. Morris, one of the most popular American writers of the 19th century. First edition with "First Complete Edition" stated on title page. Includes 68 "Melodies" (including "woodman, Spare That Tree") and 10 "Songs and Duets, from the Opera of The Maid of Saxony". scattered foxing to the text, endpaper paste-downs worn, otherwise clean.

Hardcover. Albuquerque NM, University of New Mexico Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 217 pages. Includes essays on William Everson, Robert Duncan, Gary Snyder, Kenneth Rexroth, Michael McClure, Nathaniel Tarn, Thom Gunn and more. Notes, bibliography. Clean copy.

Hardcover. NY, Farrar, Straus, and Giroux, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with minor edgewear, unclipped, 334 pages. Poet/critic's posthumously published third volume of essays, here mostly writer's he loved, including: Stead, Frost, Stevens, Kipling, Auden, Graves and Chekov and other Russians. Name on blank prelim page, otherwise clean.

Hardcover. NY, George Braziller, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket, 191 pages, 74 pages illustrated in color by Chobunsai Eishi. Exquisite illustrations in color throughout connecting beautifully with the text which includes one poem in English and Japanese by each poet. Historical background for each poet. Mild sunning to bottom edge of dust jacket. Clean copy.

Hardcover. NY, C.S. Francis & Co., 1st, 1850, Book: Very Good, Dust Jacket: None, Hardcover, embossed tan cloth with the publisher's Little Library motif on the cover, 160 pages, two illustrated title pages, several b&w line drawings throughout, not credited. Title page dated 1850. Inscription on blank prelim page, otherwise clean with only mild foxing.

Hardcover. Boston, Houghton Mifflin , 1st, 1912, Book: Very Good, Dust Jacket: None, Hardcover, blue publisher's cloth with titles and harp logo in gilt to front and spine, top edge gilt, on laid paper, 112 pages. The Philadelphia-born poet Florence Van Leer Earle Coates (1850-1927) came from a family of abolitionists and philanthropists. This mid-career volume was published in the same period she was regularly contributing to titles such as Atlantic Monthly, The Century Magazine and The Lippincott Magazine. Her family entertained various Roosevelt relatives at their Adirondak summer house. Clean, bright copy.

Softcover. Milwaukee, Membrane Press, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover, 63 pages. Photo of author as frontis., clean copy.

Hardcover. Hartford, Joel Barlow, 1st, 1787, Book: Very Good, Dust Jacket: None, 258 pages. Red leather covers with gilt lines along cover edges, and decorations on spine. Covers with light rubbing to edges and at corners. Title on spine in gilt on black. Marbled endpapers. Previous owners name on preliminary page and at top of title page. Includes Dedication to The King of France, and Introduction. All edges gilt.

Softcover. Madison WI, Coda Press, 1st, 1979, Book: Very Good, Dust Jacket: None, Square softcover. Two titles bound in one volume, texts in English and French. The Voice in the Closet by Raymond Federman has text in English. Bound upside down at other end of book is La Voix Dans le Cabinet de Debarras by Federman, now in French, plus Echoes by Maurice Roche, also in French. English cover is white; French cover is black. INSCRIBED BY AUTHOR on the title page.

Hardcover. San Francisco, Sierra Club Books, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. 51 pages, illustrated with wood engravings by Michael McCurdy. Bly's commentary sheds important new light on the intellectual and spiritual development of a major American literary figure. Mild fade to dj spine. Clean copy.

Hardcover. Chicago, Henry Regnery Company, 1st, 1958, Book: Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket with closed tears to rear panel. 147 pages. INSCRIBED BY INGALLS on the front fly leaf. Owner's small stamp on same page.

Hardcover. UK, Oxford University Press, reprint, 2005, Book: Very Good, Dust Jacket: None, Hardcover in glossy boards, 712 pages. John Wilmot, second Earl of Rochester (1647-80), was a leading member of the group of "court wits" surrounding Charles II and one of the wittiest and most sexually explicit poets in English. In this long-awaited edition, Harold Love, a leading scholar of seventeenth-century manuscript circulation, presents a scholarly text based on detailed examination of Wilmot's manuscripts, with full textual and explanatory notes. This is a reprint of the 1999 first printing. Light notations to about 30 pages, otherwise bright, tight copy.

Hardcover. NY, W.W. Norton & Co., 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 299 pages. The author investigate the trauma behind poets Robert Lowell, Elizabeth Bishop, Sylvia Plath, John Berryman, Randall Jarrell, and Delmore Schwartz. They formed one of the great constellations of talent in American literature. In the decades after World War II, they changed American poetry forever by putting themselves at risk in their poems in a new and provocative way. Their daring work helped to inspire the popular style of poetry now known as 'confessional.' But partly as a result of their openness, they have become better known for their tumultuous lives-afflicted by mental illness, alcoholism, and suicide-than for their work. This book reclaims their achievement by offering critical 'biographies of the poetry'-tracing the development of each poet's work, exploring their major themes and techniques, and examining how they transformed life into art. Clean copy.

Hardcover. Chapel Hill, University of North Carolina, 1st, 1969, Book: Very Good, Dust Jacket: None, Hardcover, blue boards, black cloth spine with gilt lettering. 101 pages, two b&w frontispieces, clean copy. No dust jacket.