Hardcover. St. Petersburg, Palace Editions, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. A book more about art than a book of art. Khardzhiev, though apparently not a painter himself, was an heroic figure in the world of Russian art. Despite official discouragement and prohibitions, he assembled an awesome personal collection of avant-garde Soviet art. He knew the artists personally, and gave them aid and comfort. there are samples of his writing (in English). There are 100 pages of large, high-quality reproductions of drawings and paintings in his collection with notes and bibliography. Most of the works are from the Khardzhiev-Chaga Foundation in Amsterdam,though a few are in private collections, and there are some which Khardzhiev was not allowed to take out of Russia, and were thus previously unknown in the West.

Hardcover. Konemann, 1st US, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, large format, 344 pages. Profusely illustrated with black & white photographs by Alexander Rodchenko. Dust jacket shows light rubbing to back cover. Large, heavy book. Clean, tight copy. This is the most complete volume published outside of Russia to capture the photographic work of Alexander Rodchenko, one of the former Soviet Union's greatest artists

Hardcover. Moscow, Progress Publishers, 1966, Book: Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket with faded spine. Anthology of writings by American journalist, poet and Communist activist. Includes portions of "Insurgent Mexico" and "Ten Days That Shook the World,"as well as stories, articles, documents, poetry and drama. Illustrated with photos. Text in English with introductory section in Russian. 299 pages, b&w illustrations. No date but indicates "2.6.66" Clean copy.

Hardcover. New York, Scribners, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover. Non-paginated. Etchings by Barbara Garrison. Not Ex-library. A bright, clean copy. Boris the bear receives dancing lessons from his friend Max, a dancing bear with the Moscow Circus.

Hardcover. New York , Tekhne, 1st, 1960, Book: Very Good, Dust Jacket: None, 109 pages of text, 292 plates, almost all in b&w, some color. Blue cloth covers with gilt design. INSCRIBED BY ARCIPENKO on the page following the title. One page has been carefully excised and laid back in (plate #33-35). Otherwise clean, tight copy.

Softcover. Russia, Contemporary Art Museum, 1st, 2007, Book: Very Good, Dust Jacket: None, 514 pages. Only 2000 copies printed. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout.

Hardcover. London, Thames and Hudson, 1st UK, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 92 pages, 50 color photos by Boyd Norton. Forward by Yevgeny Yevtushenko. The 1990 journey of Matthiessen, Paul Winter and a group of Russian environmentalists who traveled around Siberia's Lake Baikal, the world's oldest and deepest lake, containing one-fifth of the planet's fresh water, is chronicled in diary form. Norton's 50 color photos enhance the text. Map.

Hardcover. NY, The Overlook Press, 2nd pr., 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 203 pages. A pictorial survey with over 300 rare b&w photos. Clean copy.

Softcover. New Haven, Yale University Press, 3rd, 1988, Book: Very Good, Dust Jacket: None, 152 pages, illustrations in color and b&w. Previous owner's signature scribbled over on front end paper, light wear to edges and spine, else a clean, tight copy.

Hardcover. NY, Charles Scribner's Sons, 1st US, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 188 pages, b&w illustrations, endpapers map. Rear of dj with 2"X1" piece missing from bottom edge. Otherwise very good.

Hardcover. Sweden, Scalo Publishers, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 87 pages. Very slight dust jacket edge wear, otherwise, very clean and tight copy. Foreword by Gunilla Knape. Essay by Boris Groys. Illustrated with black-and-white and color photographs by Boris Mikhailov.

Hardcover. New York, Greenwich House, Reprint, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. 185 photographs, including more than 100 in full color. Brown leatherette. gilt lettering to spine. Pictorial dust jacket. Minor wear to edges, otherwise like new. Journeys through the world of Carl Faberge to explore some of his elaborate and exquisite gold pieces and to provide information on his craftsmen, art, and aristocratic patrons.

Hardcover. NY, Hill and Wang, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, b&w photos. Translated & with additional material by David Robinson. Very good, clean. In a bright, unclipped dust jacket.

Hardcover. London, Harper Collins, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Green cloth-covered boards in excellent condition; slight top edge wear to pictorial dust jacket. 256 pp. This rare title includes extensive photographic documentation of the diversity of bird life in the former Soviet Union. This book also discusses the rich physical geography of the region, accompanied by more than 300 color and b/w photos.

Hardcover. NY, Praeger, 1st, 1956, Book: Very Good, Dust Jacket: None, Cloth spine and border of boards faded, otherwise very clean, tight.

New York, Van Nostrand Reinhold, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 196 pages. Black & white photography. Reveals the war with Russia, the first war to be extensively recorded by photography. Here are 85 photos and commentary. Many of the photos were taken by two Englishmen, Roger Fenton and William Robertson.

Hardcover. Munchen GR%, C. Bertelsmann, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 255 pages, profusely illustrated with b&w photographs. GERMAN TEXT.

Hardcover. New York, E. P. Dutton & Co., 1st US, 1941, Book: Good, Dust Jacket: None, Hardcover, 352 pages. Translated from Russian by Malcolm Burr. Cloth covers, blue stamped titles, 3 b&w illustrated maps, blue top edge stain. Rubbing and light soiling to covers, spine lightly cocked, previous owner's bookplate and signature to front endpapers, light foxing and discoloration to endpapers, discoloration to page block ends; otherwise, a neat, tight copy of a scare book.

Hardcover. Ithaca NY, Cornell University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 835 pages. Sergey Prokofiev, a compulsive diarist and gifted and idiosyncratic writer, possessed an incorrigibly sardonic curiosity about individuals and events. When he left Russia after the 1917 Revolution, his diaries were recovered from the family flat in Petrograd and later hidden at considerable personal risk by the composer Nikolai Myaskovsky. Prokofiev himself smuggled them out of the country after his first return to the Soviet Union in 1927. The later diaries, written in the West, were brought back by legal decree after the composer's death in 1953, to be kept in an inaccessible section of the Soviet State Archive. Eventually Prokofiev's son Sviatoslav was allowed to transcribe the voluminous contents. When he and his son Sergei eventually emigrated to Paris, they undertook the gigantic task of reproducing the partially encoded manuscript in an intelligible form.Diaries, 1907-1914, the first of three volumes that extend to 1933, covers Prokofiev's years at the St. Petersburg Conservatoire. Simultaneously attached to and exasperated by the tradition exemplified by composers such as Rimsky-Korsakov, Glazunov, and Tcherepnin, the brash young genius relishes the power of his talent to irritate, challenge, and finally overcome the establishment. Clean copy.

Hardcover. London, Elek, 1st, 1975, Book: Very Good, Dust Jacket: Good, Hardcover, 537 pages, illustrated throughout with 420 plates, including 86 in full color. Very large, heavy book. Light edgewear, rubbing and de-lamination to dust jacket. Clean, tight copy.

Softcover. Oxford UK, Museum of Modern Art , 1982, Book: Very Good, Dust Jacket: None, 88 pages, b/w illustrations, very good paperback (exhibition catalogue). The essay is: Soviet photography between the wars. The photographers are: Max Alpert; Dimitr Dyebabov; Semyon Fridlyand; Boris Ignatovich; Yelizaveta Ignatovich; Georgi Lipskerov; Moisei Nappelbaum; Georgi Petrusov; Alexander Rodchenko; Galina Sanyko; Arkadi Shaikhet; Shaikhet/Alpert/Tules; Abram Shterenberg; Georgi Zelma.

Hardcover. NY, G. P. Putnam's Sons, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 374 pages. Russia has a fascinating history and author Robert Coughlan has provided us with an informative and compelling peek into a particularly notable segment of it, essentially the 1700s. The book covers the period from Tsar [Czar] Alexis (briefly) up to the reign of Tsar Alexander I, probably the most beloved of all the Romanovs. The focus of the work is on Catherine the Great. Her mentor, Elizabeth, was important through her shrewd handling of the many bumps and potholes which eventually allowed Catherine to take the throne against many rivals and usurpers. Clean copy.

Hardcover. Munchen GR%, C. Bertelsmann, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 255 pages, profusely illustrated with b&w photographs, text illustrations., maps, bibliog., Foreword by Lew Kopelew. GERMAN TEXT. Highly pictorial account of the disastrous German campaign 1942-43. Cllean copy.

Hardcover. New York, E.P. Dutton - New York, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 191 pages, profusely illustrated throughout in full color. Large folio. Clean, unmarked copy with only minor wear to dust jacket. A stunning showcase of Erte"s graphics completed at the time of publication with an additional 27 graphics added since the first edition (Erte at Ninety). Erte was a leading light in the Art Deco style and this book belongs in the library of anyone with an interest in the genre.

Hardcover. New York, E. P. Dutton, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages illustrated throughout with 156 plates including 74 in full color. Remainder mark on bottom edge. Large folio. Light edgewear to dust jacket, else a clean, tight copy. Follows the artist from his birth in St. Petersburg, Russia in 1892, through the 1980's. Beautiful color plates include costume design, magazine covers (Harper's Bazar), sculpture, vases, mirrors, medallions, jewelry, labels, bottles, playing cards, watches.

Hardcover. New York , E. P. Dutton, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 199 pages, illustrated throughout in color and b&w. Text and Commentaries by Erte. Introduction by Alistar Duncan. Edited by Marshall Lee. Light shelf-wear to dust jacket with very faint tanning to upper edge of front cover. Clean, tight copy. Lavishly illustrated with full page color plates/ photographs by Lee Boltin depicting multiple views of forty-one bronze sculptures by the author. A fabulous cataloguing of Erte's evocative art deco sculpture.

Hardcover. New York, Dutton Studio, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, illustrated throughout with 176 plates in full color. Additional text by Ray Perman and David Rogath and photographs by Daniel Kramer. Light edgewear to dust jacket, else a clean, tight copy. Romain de Tirtoff, who worked under the pseudonym Erte (the French pronunciation of his initials), was a celebrated artist and designer who produced 250 covers for "Harper's Bazaar" as well as fashion designs for some of the world's most glamorous stars, and costume & set designs for Hollywood and stage productions.

Hardcover. New York , Bollingen Foundation/Pantheon, 1st thus, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcovers, four volumes in a slipcase. Blue cloth covers with red spine labels, gilt lettering. Unclipped dust jackets. 345,547,540, and volume 4 index 109 pages and photo reproduction of the original 1837 edition in Russian. Bollingen Series LXXII. Slipcase is sound. Clean, bright set with only minoe shelf wear.

Hardcover. Los Angeles, Getty Research Institute, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 199 pages. The artists' books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets--including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky--collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning 'beyond the mind') that was distinctive in its emphasis on 'sound as such' and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval' (Explodity). In addition, Nancy Perloff examines the profound difference between the Russian avant-garde and Western art movements, including futurism. Still sealed in publisher's shrinkwrap.

Hardcover. NY, Hugh Lauter Levin Associates, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 128 pages illustrated in color. Featuring forty-eight magnificent close-up views of each piece, a collection of stunning photographs and informative essays shows the variety of original variations of the "shells" of the Faberge eggs, as well as the delightful surprises hidden inside. Clean copy.

Hardcover. Milano, Skira, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 320 pages. Hardcover. Profusely illustrated in full color. Clean, tight copy. This catalog of over three hundred artworks related to the Saisons Russes between 1909 and 1929 is the official companion to an exhibition in Monte Carlo. The legendary productions are brought to life through stage designs, costumes, paintings, sculptures, photographs, and programs. The artwork comes from a wide variety of public and private collections, including the Fokine collection in the St. Petersburg Theatre Museum.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 353 pages, illustrated throughout in color and b&w. Light edgewear and two tiny closed tears to pictorial dust jacket and faint foxing to edges of textblock. Otherwise, a clean, tight copy.

Hardcover. NY, Bonanza Books, reprint, Book: Good, Dust Jacket: Good, Hardcover in a worn and chipped dust jacket, 153 pages. Mild musty odor, clean copy. Vsevolod Illarionovich Pudovkin was a Soviet film director, screenwriter and actor who developed influential theories of montage. These are his complete cinematic writings.

Hardcover. New York, Aurora, 1st, Aurora, Book: Good, Dust Jacket: Good, Hardcover, 459 pages, 1430 illustrations, including 705 plates in full color. Light edgewear and rubbing to dust jacket with small scratch to front cover. Excellent reference copy.

Hardcover. Zurich, Scalo, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 205 pages, color photos throughout by Mayer. Edited by Gunther Doeker-Mach. Like new in a bright, unclipped dust jacket. Color photographs of native peoples of Russian Far East hunting, fishing, reindeer herding and their environment. Includes three essays describing problems of these peoples arising from tension between Russian colonisation and their struggle to preserve their identity.

Hardcover. NY, Houghton Mifflin Harcourt, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In 2008, when Michael McFaul was asked to leave his perch at Stanford and join an unlikely presidential campaign, he had no idea that he would find himself at the beating heart of one of today's most contentious and consequential international relationships As President Barack Obama's adviser on Russian affairs, McFaul helped craft the United States' policy known as "reset" that fostered new and unprecedented collaboration between the two countries And then, as US ambassador to Russia from 2012 to 2014, he had a front-row seat when this fleeting, hopeful moment crumbled with Vladimir Putin's return to the presidency This riveting inside account combines history and memoir to tell the full story of US-Russia relations from the fall of the Soviet Union to the new rise of the hostile, paranoid Russian president From the first days of McFaul's ambassadorship, the Kremlin actively sought to discredit and undermine him, hassling him with tactics that included dispatching protesters to his front gates, slandering him on state media, and tightly surveilling him, his staff, and his family. 506 pages, illustrations, clean copy.

Hardcover. Moscow, Co-operative Publishing Society of Foreign Workers in the U.S.S.R., reprint, 1934, Book: Good, Dust Jacket: Fair, Hardcover, 364 pages. Dust jacket w/ edge wear, pieces missing; protected by mylar cover. Staining to end papers. Else a clean, tight copy.

Hardcover. NY, Praeger, Revised Ed., 1958, Book: Very Good, Dust Jacket: Good, Dust jacket spine faded, worn. 530 pages.

Hardcover. New Delhi, Calcutta, 1st, 1977, Book: Very Good, Dust Jacket: Good, Hardcover, 485 pages. Underlining in brown felt tip on pages 129-133. Otherwise clean, tight copy. Dust jacket shows standard wear with sunfaded spine.

Hardcover. NY, Clarion Books, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A young Jewish girl from a middle-class Russian family recalls the events of her childhood, both good and bad, in a small village just before the Revolution of 1917. Though classed as fiction, this reads more like a vivid memoir of the author's childhood. B&w drawings by Gennady Schikarioff.

NY, Holiday House, 1st , 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Robert Sauber. Frolya, a talking dove, weaves a beautiful rug for the archer Frol, which leads to a series of exciting adventures for the archer when the wicked czar covets the dove, adventures that lead Frol to the magical Land of I-Know-Not-Where.

Hardcover. Cambridge MA, The MIT Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 326 pages, illustrated in color, b&w. How Constructivist artists in Russia between 1923 and 1925 developed a counterproposal to capitalism's commodity fetish by producing objects meant to be "comrades" in the creation of an egalitarian socialist culture. Very good in a bright dust jacket.

Hardcover. New York, Da Capo Press, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, 327 pages. Hardcover. Gilt title on spine. Dust jacket unclipped. B/w illustrations throughout. In excellent condition, clean inside and out. Remainder mark on bottom edge. Binding tight, looks barely read.

Hardcover. NY, Knopf, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 600 pages, in a bright, price-clipped dust jacket. In this substantial work, Berberova, a renowned writer who left her homeland along with many compatriots in the wake of the 1917 Revolution, chronicles the travails she encounters in poverty-stricken Russia, poverty-stricken Berlin, and poverty-stricken Paris, where she lived from 1925-1950.

Softcover. NY, Guggenheim Museum, 1st, 2003, Book: Very Good, Dust Jacket: None, 267 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers. In 1915, Kazimir Malevich changed the future of modern art when his experiments in painting led the Russian avant-garde into pure abstraction. He called his innovation Suprematism--an art of pure geometric form meant to be universally comprehensible regardless of cultural or ethnic origin. His Suprematist masterpiece, White Square on White (1920-27), continues to inspire artists throughout the world. Focused exclusively on this defining moment in Malevich's career, Kazimir Malevich: Suprematism features nearly 120 paintings, drawings and objects, among them several recently discovered masterworks. In addition, the book includes previously unpublished letters, essays and diaries, along with essays by international scholars, who shed new light on this popular figure and his devotion to the spiritual in art.

Hardcover. New York, The New Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 515 pages. Hardcover. Gray cover boards, gilt title on spine. In nice shape, Dust jacket unclipped, has just a touch of age yellow. Edges show a little soil (shelfwear). Binding very tight, clean inside. Very good condition.

Hardcover. Leningrad, Aurora Art Publishers, 1st, 1975, Book: Very Good, Dust Jacket: None, 170 pages. Brown cloth w/ color pictorial label on front. Color pictorial slipcase shows minor edgewear. Text in French, captions next to pictures also in English. Beautiful color plates throughout. Tight, clean, unmarked.

Hardcover. NY, Harper & Row, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 494 pages with index. Translated by Michael Henry Heim, and with the selection, Commentary & Introduction by Simon Karlinsky. This is a new translation that includes many letters never before available in English "revealing the brilliance, originality and ardent humanism of a unique genius". Clean copy.

Hardcover. NY, Macmillan, 1st, 1942, Book: Very Good, Dust Jacket: None, Hardcover. Front of dust jacket is cut out and glued onto title-page. Nicely done. Blue cloth covers with mild shelf wear. Translated from Russian by Tatiana Balkoff Drowne. Nice color illustrations by Vera Bock. No markings.