Softcover. Fort Worth TX, Amon Carter Museum, 1st, 1986, Book: Good, Dust Jacket: None, Softcover in sun faded wraps, 339 pages. Laura Gilpin (1891-1979) was a photographer of the American Southwest for over sixty years. She was intrigued by the Navajo Indians but also made excursions to other parts of the United States and to Yucatan as well as documenting life during the Great Depression. The book accompanied a retrospective exhibition and includes a chronological bibliography of her other exhibitions and published work. 167 superb full-page reproductions in tritone, color and duotone. Paper cover with wear, inside bright and clean. DOMESTIC SHIPPING ONLY.

Hardcover. Gottingen GR, Steidl, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. Biography mostly comprised of color and B&W photos of the famed blues musician, and ephemera related to him. Introduction by Tom Waits, foreword by Glenn O'Brien, and poems by Tyehimba Gess. 256 pages.

Softcover. Prestel, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. Roland Penrose met Lee Miller's lips a year before he met the rest of her - in a painting by Man Ray. It was a fitting introduction for two artists who were linked by an art movement that delighted in chance encounters. Together they forged a life joined by a common cause - surrealism. This illustrated joint biography tells the story of how a fashion model turned photographer and an English Quaker turned art collector and surrealist painter influenced modern art with their vision and passion, and created a life together that was in itself a work of art.

Hardcover. NY, Thames & Hudson, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pale rose boards with photo label on front cover. Over one hundred of the most outstanding photographs taken by photographer, model, and surrealist muse Lee Miller, Introduced to photography at an early age, Lee Miller honed her craft in Paris, where she associated with the Surrealists and avant-garde artists including Jean Cocteau and Picasso. Together with Man Ray she accidentally discovered the distinctive technique of solarization to create mesmerizing halo effects. After establishing her own photographic studio in New York, where she became a prominent commercial photographer, she then moved to the Middle East and Europe before becoming the official war photographer for Vogue, a period during which she took many of her most iconic photographs. This evocative book collects Lee Miller's most famous documentary, fashion, and war works, as well as photographs of Miller, all carefully compiled by her son the photographer Antony Penrose, with a foreword by actress Kate Winslet, Cllean copy.

Hardcover. Koln GR, Taschen, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 336 pages. One remarkable woman, five remarkable careers: Leni Riefenstahl is the exception to the rule. From dancer to actress to film-maker to photographer to diver, she has excelled in each field and is one of the most important and controversial artists of the 20th century. Her contributions to the art and technique of film-making were vast, most notably in her epochal film "Olympia" (1938). Critically acclaimed during the 1930's for her work under the Hitler administration and harshly criticized after the war, Riefenstahl surged on, completing the famous "Tiefland" in 1954. In the 1960s and 70s she traveled to Africa and extensively photographed East Africa and the Nuba tribes in Sudan, publishing three books. Ready for yet another change, she took up deep-sea diving at the age of 71, beginning a new chapter as an underwater photographer.Though she has attracted much attention throughout her life and has been the subject of many books, articles, and films, Leni Riefenstahl Five Lives is the first book to showcase her entire career in pictures. Produced in collaboration with Riefenstahl herself, the book includes her most famous images as well as many previously unpublished pictures from her private archives.

Hardcover. NY, Knopf, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 400 pages. The definitive biography of Leni Riefenstahl, the woman best known as "Hitler's filmmaker," one of the most fascinating and controversial personalities of the twentieth century. It is the story of huge talent and huger ambition, one that probes the sometimes blurred borders dividing art and beauty from truth and humanity. Relying on new sources--including interviews with her colleagues and intimate friends, as well as on previously unknown recordings of Riefenstahl herself--Bach gives us an exceptional work of historical investigation that untangles the past and is also an objective but unsparing appraisal of a woman of spectacular gifts corrupted by ruthless personal ambition.

Hardcover. New York, Alfred A. Knopf, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 279 pages. Hardcover with dust jacket. Clean, tight copy with black and white photographs throughout. Light wear to dust jacket.

Hardcover. New York, Doubleday and Co., reprint, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover. Photographs and text by Edward Steichen. Includes a biographical outline. Illustrated end pages. 249 black and white plates. Measures 11.5x10 inches. Edward Steichen (1879-1973) was the most frequently featured photographer in Alfred Stieglitz' groundbreaking magazine Camera Work during its run from 1903 to 1917. Later he worked for Conde Nast magazines Vogue and Vanity Fair. After World War II he became the Director of the Department of Photography at New York's Museum of Modern Art. Note: This book is the First edition, second printing (The book was originally published in 1963 with duotone and color plates, this second printing is in black and white only). In a very good dust jacket.

Hardcover. Boston, David R Godine, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. The FSA archive includes the work of dozens of photographers, from acknowledged giants like Walker Evans, Ben Shahn, and Dorothea Lange to Marion Post Wolcott and Russell Lee, whose names and work may be less familiar. This book collects work from nine of these trips: Evans in Louisana and Alabama, Shahn in West Virginia, Lange in California, and others, uniting them with Stryker's shooting scripts, letters, and other relevant archival documents. Reproduced in duotone, the 175 photographs in The Likes of Us were all printed from the original negatives at the Library of Congress.

Hardcover. Boston, David R Godine, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. The FSA archive includes the work of dozens of photographers, from acknowledged giants like Walker Evans, Ben Shahn, and Dorothea Lange to Marion Post Wolcott and Russell Lee, whose names and work may be less familiar. This book collects work from nine of these trips: Evans in Louisana and Alabama, Shahn in West Virginia, Lange in California, and others, uniting them with Stryker's shooting scripts, letters, and other relevant archival documents. Reproduced in duotone, the 175 photographs in The Likes of Us were all printed from the original negatives at the Library of Congress.

Hardcover. New York , G.P. Putnam's Sons, 1st, 1929, Book: Very Good, Dust Jacket: Good, Hardcover, Anniversary Edition. 320 pages of black & white photos. In the elusive dust jacket! Light soil, fade to spine.

Hardcover. New York, Knopf, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 309 pages, Hardcover with dust jacket. b&w photographs. Clean, tight copy.

Softcover. Boston, David R. Godine / Pocket Paragon, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, b&w illustrations. Introduction and notes by Peter Moriarty. Lotte Jacobi was the fourth generation of her family to seize a camera to earn a living. She was drawn to artists and writers, musicians, poets and scientists. 95 pages.

Hardcover. New York, Harry N. Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 175 pages. Hardcover with dust jacket. A very clean, unmarked copy with minor edgewear. Renowned as the world's leading female fashion photographer from the 1930s to the 1960s, Louise Dahl-Wolfe (1895-1989) was acclaimed for her fashion photographs, still lifes, and portraits.This book is the first comprehensive retrospective on this important photographer. In addition to her fashion images, the 200 photographs gathered here include Louise Dahl-Wolfe's experimental color work and black-and-white portraits of such luminaries as Mae West, Cecil Beaton, Josephine Baker, Christian Dior, Orson Welles, Isamu Noguchi, and others. In sum, they evoke a glamorous and unforgettable era.

Softcover. New York, Grossman Publishers, 1st, 1970, Book: Very Good, Dust Jacket: None, 124 pages. Softcover with moderate wear to spine and paper wrappers. Creasing to spine. Previous owner's writing on front fly leaf, remainder mark.

Hardcover. NY, Ludion/ D.A.P., 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 167 pages with color and b&w photographs & illustrations. Red cloth boards. Dustjacket. A nice crisp copy. Translated from the French by Mark Polizzotti. Includes notes and acknowledgements. Rene Magritte, the Surrealist artist, began experimenting with photography at any early age. This book studies the ways in which the photographic medium played a constant role in Magritte's social and artistic life.

Hardcover. NY, Hastings House, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 316 pages, b&w illustrations. Written by his ex-lover, business associate, and close friend, an explicit memoir offers a new perspective on the renowned celebrity photographer with a taste for kinky sex and drugs who died of AIDS in 1989. Fritscher's brutally frank memoir of his ex-lover, confidant, and colleague, drawn from the author's personal documents, seeks to strip away the notoriety surrounding the defiant photographer Robert Mapplethorpe. As editor and writer for the gay magazine Drummer, Fritscher was the first to publish Mapplethorpe's highly charged camera shots depicting a seamy world of "leathersex," sadomasochism, taboos, and fetishes. Here, Fritscher graphically portrays the masculine subculture of the homosexual community that Mapplethorpe inhabited until his death from AIDS in 1989, at age 42. He also discusses the censorship of Mapplethorpe's work within the mainstream gay community. Clean copy.

Hardcover. NY, W. W. Norton/ Santa Barbara Museum of Art, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 153 pages, b&w illustrations. "Mather and Weston first met in Los Angeles in 1913. They soon developed a close relationship, eventually working together as full-fledged artistic partners and even co-signing the photographs they produced. Weston was also madly in love with Mather, and the two engaged in an affair during his first marriage, even though Mather was more interested in women. This book which features art by both artists, chronicles their twelve-year association and sheds light on Mather, whose artistry, sexual identity, and mysterious past have been overshadowed by the massive reputation of Edward Weston and his subsequent association with Tina Modotti."

Hardcover. US, Dey Street Books, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Like new in publisher's shrink-wrap. A stunning collection of hundreds of rare and unseen photographs, behind-the-scenes notes, and interviews chronicling the media's lifelong love affair with Marilyn, created by the acclaimed curator and author of Marilyn Monroe: Metamorphosis. Drawing on unseen troves from dozens of photographers, archives, and collectors, acclaimed photography expert David Wills brings together an unprecedented array of press photos from throughout Marilyn's career--including hundreds of unpublished and rare photographs that have been beautifully restored; uncropped and unretouched outtakes; handwritten notations; period captions; clippings; and more. With a foreword by Robert J. Wagner and interviews from key press agents and others, this portfolio of images offers a fresh, indelible portrait of one of the most enduring icons in history and illuminates the special alliance she shared with the press as never before.

Hardcover. New York, Alfred A. Knopf, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover, 179 pages, with photographs throughout by Martha Swope. Minor dust jacket edge wear and rub, otherwise, very clean and tight copy.

Hardcover. New York, Ballantine Books, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, 287 pages. Hardcover with dust jacket. Black and white and color pictures throughout. Clean, tight copy. This beautifully printed volume belongs on your Hollywood shelf beside the works of Kobal, Trent & Lawton, Vieira, and anything else on or by George Hurrell. A brief 30-page recap of the history of still photography in the movie industry is followed by 255 pages showing examples of the work of 43 of the most notable stills men (including two women) who snapped the stars, scenes, and environment of the movies during their first 60 years. A brief chronology of the career (as far as it is known) of each photog is included.

Hardcover. New York, Viking Studio, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 175 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap, though part of shrink-wrap is slightly torn. A collection of photographs taken in Memphis brings to life the legends of blues, jazz, rock and roll, and soul, including W.C. Handy, B.B. King, Muddy Waters, Elvis Presley, Aretha Franklin, Al Green, Isaac Hayes, and others.

Softcover. Seattle WA, University of Washington Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrink-wrap. A biography of the celebrated documentary photographer, Milton Rogovin, and catalogue that accompanied an exhibition at the Center for Creative Photography, Tucson, in 2006. Rogovin (1909-2011) was an optometrist in Buffalo, NY, who turned to photography as a means of expression when he was discredited -- and thereafter lost his business -- by the HUAC committee in 1952. For the rest of his life he documented the lives of the working class around the world. Photographs by Milton Rogovin; text by Melanie Anne Herzog; foreword by Douglas R. Nickel; afterword by Catherine Linder Spencer. 176 pages; 126 duo-toned b&w plates + 21 text illustrations; 9 x 11 inches. Bibliography.

Hardcover. Atlanta, Nexus Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Hardcover, 118 pages. Glossy color illustrated boards, color illustrated end-papers, color and black-and-white illustrations from photographs throughout, accompanying 16 page facsimile journal laid in (no publishing info) with reproductions of polaroids of Burke's. 'Mine Fields' (a sequel to Bill Burke's justly famous I Want To Take Picture), is Burke's scrapbook of his life and his pursuit of the history and daily life of Cambodia. Part adventure story, part personal confession, part travelogue, and always fascinating, Burke's negotiation of the mine fields of divorce and war is a compelling collage of photographs, found objects, stories, and the contrast between glorious ancient temples and the horrors of war and genocide.