Softcover. New Britain, CT, New Britain Museum of American Art ; London : University Press of New England, 1st, 2009, Book: Very Good, Dust Jacket: None, 84 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout. This catalogue explores the often uneasy relationship between the art of painting and the art of illustration, featuring American artists who practiced both styles of painting between 1850 and 1950. The catalogue charts the development of both types of art through the eyes of a select group of artists of who engaged in both fine art and illustration.

Softcover. Baltimore MD, Baltimore Museum of Art, 1st, 1985, Book: Very Good, Dust Jacket: None, Large softcover, 202 pages illustrated in color and b&w. Less famous than Gertrude Stein and her brother Leo, the Cone sisters were important patrons of early modernism and the School of Paris. Their collection, which is especially rich in works by Matisse, now resides in the Baltimore Museum of Art. Clean copy.

Hardcover. Univ of Georgia Georgia Museum, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 360 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket.

Softcover. Los Angeles :, Los Angeles County Museum of Art, 1st, 1984, Book: Very Good, Dust Jacket: None, Exhibition catalog. 191 pages, illustrated throughout with numerous plates in b&w. Cream dye-cut textured wrappers. Light wear and staining to covers, else a very nice, tight copy.

Softcover. New York, The Pierpont Morgan Library, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover. Approx. 130 pages. 123 plates. B&W illustrations throughout. Green cover with slight wear and fading. Slight soiling to edges. Overall, a clean, tight copy.

Hardcover. New Haven, Yale University Press, 1st, 1964, Book: Very Good, Dust Jacket: None, Two hardcover volumes. V.1; 164 pages with text, V.2; 227 plates in color and b&w. Gray cloth, gilt title spine. Lacking slipcase and dust jacket, but in excellent shape. A very nice, tight, clean set.

Softcover. New York, Jill Newhouse, 1st, 1983, Book: Good, Dust Jacket: None, Unpaginated, staple-bound pamphlet, with 47 black-and-white illustrations. Price list for works laid in. Light soiling, edge-wear, and shelf-wear to covers. A little foxing to top edge. Otherwise, clean, tight copy.

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Very clean, like new in publishers shrink-wrap. This publication presents the first in-depth survey of the Conley Harris and Howard Truelove Collection of Indian Drawings, which was recently acquired by the Philadelphia Museum of Art. This exceptional collection, which has never previously been published, consists of 65 works on paper created between the 16th and 19th centuries.

Softcover. Cambridge, MIT Press, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalogue featuring the famed architect's travel sketches along with photographs of the buildings he encountered and essays on their influence on his work. 11'' x 8.5''. In original dark orange pictorial wrappers. Illustrated throughout in black and white, some color, 136 pages. Spine sun faded.

Hardcover. NY, The Morgan Library & Museum, 1st, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 294 pages. Clean, bright copy. A sumptuous collection of master drawings from the Renaissance to the current era, all reproduced in color.

Hardcover. Philadelphia PA/New Haven CT, Philadelphia Museum of Art/Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 336 pages, hardcover with dust jacket. Published to commemorate the centenary of Levy's birth. With 300 photographs, including many unfamiliar works by well-known artists, the catalogue presents a stunning survey of this collection, long hidden from public view. Fading to dust jacket spine and fore edges. Unmarked. A clean and tight copy.

Softcover. London, Tate Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 248 pages, color and b&w illustrations. This book examines the work of Duchamp, Man Ray, and Picabia, three pioneering figures in the history of modernism. It explores the points of convergence and the parallels in their development throughout their careers. Central to this is their response to photography and film, and to the challenges posed to fine art by the development of mass production. Duchamp's paintings of 1911-12 were influenced by the representation of movement in photography, while Picabia's were shaped in part by the belief that the advent of the camera spelled the end of traditional painting. Man Ray used photography first to record his own art works and those of others, but soon saw in it a means of creating images of a status and inventiveness traditionally restricted to fine art. And, as this fully illustrated book shows, humor and eroticism were themes common to the work of all three artists.

Hardcover. San Francisco, Last Gasp, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 48 pages in color. A catalog of Gary Baseman's "I Melt in Your Presence" solo art show in San Francisco. Baseman's paintings reflect an oozing, sexual frenzy and dripping, cream-filled energy. This large-format hardcover collector's edition features beautiful reproductions of Baseman's nude studies in mixed media and his paintings such as "Dripping With Desire." Still in publisher's shrinkwrap. DOMESTIC SHIPPING ONLY due to size.

Hardcover. Boston/NY, Bulfinch/Little Brown, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages. Essay by Maria Morris Hambourg. Includes 54 tritones, 10 text illustrations and 4 gatefolds. A clean and tight near fine copy. Published in conjunction with a traveling show that ran January 14 through April 21, 2002 at The Metropolitan Museum of Art

Softcover. NY, Whitney Museum of American Art, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps. Beautiful reproductions of paintings and drawings throughout, with 12 color plates. Pages are crisp and clean, binding is tight. 126 pages. Catalogue of the exhibition held March 28 to May 14, 1972, at the Whitney Museum of American Art.

Softcover. London, Sotheby's, 1st, 2005, Book: Very Good, Dust Jacket: None, 367 pages, photographs throughout. Very slight corner and edge wear, otherwise, very clean and tight copy.

Hardcover. New Haven, CT, Yale University Press, 1st, 2018, Book: Very Good, Dust Jacket: None, 47 pages. Hardcover with no dust jacket. Very clean, LIKE NEW in publishers shrinkwrap. Ruscha's work comprises five black-and-white Los Angeles landscapes made in 1992 paired with color representations of the same sites as they appeared ten years later and draws attention to how often-overlooked changes in the evolving urban landscape are redolent of economic might and globalization or decline and stagnation.

Softcover. The Norton Gallery of Art, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 122 pages illustrated in color and b&w. Here the Norton Gallery of Arts Museum shows the exhibition of works by the distinguished Norwegian painter and printmaker Edvard Munch. For him, art must do nothing less than reveal the essential human condition. Having emerged as an accomplished Naturialist painter in the 1880s, he rejected Naturalism in his artistic manifesto of 1889-90. He began to paint images reflecting the stormy human psyche, and arranged his paintings into friezes to better communicate their meaning. At his death in 1944, his legacy included several thousand oil prints, reams of drawings, literary fragments, photographs and sculpture. Light sticker residue to front cover otherwise clean and bright.

Hardcover. New York, The Museum of Modern Art, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor dust jacket wear. Very light yellow fading to textblock edges. Otherwise a tight copy. 250 illustrations, 207 in color, 43 black & white.

Softcover. NY, Christie's, 2013, Book: Very Good, Dust Jacket: None, Softcover, illustrated wraps, 34 pages. BW & color illus. Issued in conjunction with an auction of Edward Hopper's painting "Blackwell's Island." Offers historical background with substantial text and archival and contemporary photographs Includes related works by fellow artists Robert Henri, Georgia O'Keeffe, George Wesley Bellows, and additional paintings by Hopper. Clean, bright copy.

Softcover. NY, Hirschl & Adler Galleries, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 40 pages illustrated in color and b&w. 6 color, 32 b&w plates, frontispiece. Showcases select artwork by Edward Hopper. With an essay by Douglas Dreishpoon. Many of these works were included in a traveling exhibition entitled "Edward Hopper: The Early Years", and held Mar. 14 to Apr. 18, 1987. The exhibition checklist cites 81 pieces, and about 40 are shown here. Clean copy.

Softcover. NY, Hirschl & Adler Galleries, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 60 pages, 67 illustrations (13 color). Catalogue of 106 paintings, watercolors, etchings and drawings, with notes on selected works. Essay by Peter Schjeldahl. Includes a collection of drawings, forming the basis of the exhibition, bequeathed by the artist's widow Jo Hopper to her friend Mrs. Mary R. Schiffenhaus. Clean, bright copy.

Softcover. Northampton, Mass., Smith College Museum of Art, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 170 pages, b&w and color illustrations. Light edge wear, rubbing to wrappers. Else a clean, tight copy.