Hardcover. Augusta, Georgia, Morris Museum of Art, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 89 pages. Hardcover with no dust jacket. Gilt edged page block, clean covers with inset painting and gilt lettering. Tight copy.
Softcover. Fort Worth, Amon Carter Museum , 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog of William M. Harnett's still-life paintings. 334 pages; 223 illustrations, including 52 in full color. Edited by Doreen Bolger, Marc Simpson, and John Wilmerding. Light scratching to covers, else a tight, clean copy.
Softcover. Washington, D.C., Corcoran Gallery of Art, 1st, 1962, Book: Very Good, Dust Jacket: None, Biography of American Painter William Ranney with catalog of his works and 53 b&w as well as 2 color reproductions. Softcover with flaps. Some wear along the spine and markings on back cover, overall in very good condition.
Softcover. Philadelphia, Pa. , Pennsylvania Academy of the Fine Arts, 1st, 1982, Book: Very Good, Dust Jacket: None, Exhibition catalog. 211 pages, illustrated throughout in color and b&w. Pictorial gray stiff wrappers. Light wear and rubbing to edges and spine, lower front corner dog-eared, else a very nice, tight copy.
Hardcover. Los Angeles, CA, J. Paul Getty Museum, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. The Window in Photographs includes more than eighty color plates spanning the history of photography, all drawn from the J. Paul Getty Museum's permanent collection.
Softcover. Burlington VT, The Wascowmium, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 36 pages, color illustrations. Essay by Mark Waskow. INSCRIBED BY MCGARRELL on the title page. Clean copy.
Softcover. Princeton, N.J., Princeton University Press, 1st, June 1990, Book: Very Good, Dust Jacket: None, Softcover, 77 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers. A catalog published on the occasion of the eponymous exhibition at The Art Museum, Princeton University, and the Wadsworth Atheneum in 1990. Appendix, bibliography, exhibition catalogue, chronology. Foreword by Allen Rosenbaum, 12 color plates and numerous other illustrations and photographs. ; Oblong 4to 11" - 13".
Softcover. Washington DC, Smithsonian Institution Press, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, 106 bw repros. Essay by John Wilmerding. Catalog, prepared by Elaine Evans Dee, lists 106 works. Includes Drawings, Oils, Etching and Wood Engraving. The vast majority of these drawings were found in Homer's studio after his death and given to the Cooper-Hewitt.
Hardcover. NY, Holt, Rinehart, Winston, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Delightful chronicle of a cat named Revey- a red tiger with white shirt, white shoes & splotch of red on nose - and the story of a year in his life & how very much Revey (& his siblings) are intrigued with snow. All told with b&w photos by the author.
Hardcover. NY, Thomas Y. Crowell, 1st, 1942, Book: Very Good, Dust Jacket: Very Good, Hardcover, 59 pages, illustrated in 2-colors by Alden A. Watson. In a bright, unclipped dust jacket.
Hardcover. New York, Glitterati Inc, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black & white photographs throughout.
Hardcover. Philadelphia, PA, Philadelphia Museum of Art in association with Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Very clean, like new in publishers shrinkwrap. Peter Paul Rubens (1577-1640) proudly described his monumental painting Prometheus Bound as first among "the flower of my stock." This singular work demonstrates how Rubens engaged with and responded to his predecessors Michelangelo and Titian, with whom he shared an interest in depictions of physical torment. The Wrath of the Gods offers an in-depth case study of the Flemish artist's creative process and aesthetic, while also demonstrating why this particular painting has appealed to viewers over time. Many scholars have elaborated on Rubens's affinity for Titian, but his connection to Michelangelo has received far less attention. This study presents a new interpretation of Prometheus Bound, showing how Rubens created parallels between the pagan hero Prometheus and Michelangelo's Risen Christ from the Sistine Chapel's Last Judgment. Christopher D. M. Atkins expands our understanding of artistic transmission by elucidating how Rubens synthesized the works he saw in Italy, Spain, and his native Antwerp, and how Prometheus Bound in turn influenced Dutch, Flemish, and Italian artists. By emulating Rubens's composition, these artists circulated it throughout Europe, broadening its influence from his day to ours.
Softcover. Chicago, Stephen Daiter Gallery, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 32 pages. The catalog for an exhibition of Wynn Bullock's nudes and landscapes. Photographs by Bullock; essay by James Rhem. 32 pages; duo-toned b&w plates + text illustrations; 8.5 x 10.5 inches. Clean copy.
Softcover. Dallas TX, Adams-Middleton Gallery, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 24 pages illustrated in color. Second brochure laid-in, all text, 4 pages. An exhibition catalog of the Spanish sculptor's work.
Hardcover. Philadelphia, Penn Publishing, 1st, 1931, Book: Good, Dust Jacket: None, Hardcover, cream color cloth stamped in black with a color paste-down illustration on cover. Color frontispiece, 4 b&w plates by Ralph Carlyle Prather. Worn copy, previous owners notation on prelim page.
Softcover. Switzerland, Musee historique et des porcelaines de Nyon, 1st, 2008, Book: Very Good, Dust Jacket: None, 144 pages. Softcover with light wear to paper wrappers. 202 BW and color illustrations. FRENCH TEXT