Softcover. London, Sotheby's, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, cream wraps with color illustration; blue spine with white lettering. Unpaginated, approx 50 pages. 15 color plates and additional images, 1 fold-out. Auction catalogue for sale 21 June 2004. Lots 21-35, sale L04007.

Softcover. Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover,

Softcover. Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover,

Softcover. Washington DC, The Corcoran Gallery Of Art, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover in stapled gray wraps 24 pages, color plates. Introduction by Paige Turner. Clean, like new exhibition catalog.

Softcover. NY, Rosenberg & Stiebel, Inc., 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 68 pages, illustrated throughout with photos in b&w. Pictorial stiff wrappers. Light wear and rubbing to edges and slightly foxed spine, else a very nice, tight copy. Good scope to text and examples: Mounts and corner mounts on all manner of furniture and decorative arts.

Hardcover. New York, Abrams/Whitney Museum, 1st, March 1, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages. 245 plates and figures, 95 bw and 150 color. Published in conjunction with an exhibition held at the Whitney Museum of American Art, April 3 to July 20, 2003. This book is the most comprehensive publication to date on the work of Elie Nadelman (1882-1946), an important sculptor and a key member of the New York art scene in the first half of the 20th century.

Softcover. Philadelphia Museum of Art, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover 215 pages. Many illustrations, 78 in full color. Published on the occasion of the exhibition from the National Gallery of Art, Washington DC September 22, 1996-January 26, 1997 and the Philadelphia Museum of Art, Philadelphia PA March 2-May 11, 1997. Still in publisher's shrinkwrap.

Softcover. Bennington VT, North Bennington Indepent Artists Space, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 16 pages, 5 color plates. Essay by Ron Morosan. Clean copy.

Softcover. Saskatoon, Saskatchewan, Canada, Mendel Art Gallery, na, 1985, Book: Very Good, Dust Jacket: None, Softcover, 56 pages. Foreword by Linda Milrod. Essays by Jean-Christophe Ammann, Donald B. Kuspit, Bruce W. Ferguson. 21 full page plates in color and b&w. Cover in black with blue lettering. Creasing across front and back covers as well as rubbing, otherwise a very good clean copy.

Softcover. Saskatoon, Mendel Art Gallery , 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 56 pages. Exhibition catalog. Features essays by Jean-Christophe Ammann, Donald B. Kuspit, Bruce W. Ferguson. Includes 21 plates with 14 in color. A very good plus copy in wrappers.

Softcover. Saskatoon, Mendel Art Gallery , 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 56 pages. Exhibition catalog. Features essays by Jean-Christophe Ammann, Donald B. Kuspit, Bruce W. Ferguson. Includes 21 plates with 14 in color. A very good plus copy in wrappers. This is a catalog of an exhibition organized to celebrate the 10th anniversary of the artist's first one-man show, and contains over 30 black and white and color plates and well as the "Eric Fischl's To Whom Does it Belong" by Jean-Christophe Ammann; "Voyeurism, Eric Fischl's Vision Of The Perverse" by Donald B. Kuspit; and, "Corrupting Four Probes Into A Body Of Work" by Bruce W. Ferguson.

Hardcover. Christie's, 1987-1989, Book: Very Good, Dust Jacket: None, Complete 7 volume set including index, bound handsomely in red cloth over boards with gilt lettering and insignia to front covers, gilt titles to spines. Part I, Eighteenth Century Books Including the Gutenberg Bible; Part II, Medieval and Renaissance Manuscripts; Part III, Printed Books and Manuscripts Including Western Americana; Part IV, Printed Books and Manuscripts Including Early Printing, Literature, and Fine Bindings; Part V, Printed Books and Manuscripts Including Americana, Literature, and Fine Bindings; Part VI, Printed Books and Manuscripts Concerning William Morris and His Circle; Index and Price Lists. (12" x 9"). 302pp, 125pp, 320pp, 344pp, 316pp, 102pp, 99pp. Color and b/w plates throughout.

Softcover. NY, Solomon Guggenheim Museum, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 114 pages. This posthumous exhibition presents not only a deeper look into Eva Hesse's work but also undertakes an examination of her biography to discern her working practices and artistic motivations. The catalogue includes two essays. Critic Robert Pincus-Witten begins with an examination of Hesse's Post-Minimalist aesthetic, while curator Linda Shearer explores the last of Hesse's work before her untimely death. Both essays highlight excerpts from the artist's notes and personal writings on her art and process. The catalogue also includes a section of images depicting Hesse's works in color and black and white, a brief chronology of the artist's life, a bibliography, a list of works in the exhibition, and a list of past exhibitions.

Softcover. New Haven, Yale University Art Gallery, 1at, 1992, Book: Very Good, Dust Jacket: None, Softcover, 253 pages, b&w and color illustrations, illustrated end paper. Bottom front left corner slightly bumped. Light marks to bottom edge. Else a very clean, tight copy. The book includes essays by five noted authorities: Linda Norden discusses Hesse's early career in New York following her years as a student of Josef Albers; Maria Kreutzer writes on Hesse's work in Germany in the mid-sixties, when she moved from two to three dimensions; Robert Storr places Hesse in relation to the central American artistic concerns of the 1960s, focusing on her links to such artists as Jasper Johns, Sol LeWitt, and Claes Oldenburg; Anna Chave analyzes Hesse's mature work in light of contemporary feminist theory on authorship and subjectivity; and Maurice Berger examines Hesse's radical and personal approach to the sculptural object following her rejection of painting. In addition, Helen Cooper draws on the artist's extensive diaries, notebooks, and correspondence for a chronology detailed as much as possible in Hesse's own words.

Hardcover. NY, Jewish Museum / Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Eva Hesse: Sculpture focuses on the artist's large-scale sculptures in latex and fiberglass and provides a rare opportunity to look at Hesse's artistic achievement within the historical context of her life in never-before-seen family diaries and photographs. Essays consider Hesse's art from a variety of angles: Elisabeth Sussman discusses the sculptures shown in the 1968 solo exhibition; Fred Wasserman delves into the Hesse family's life in Nazi Germany and in the German Jewish community in New York in the 1940s; Yve-Alain Bois examines Hesse's works within the context of the art and aesthetic theories of the 1960s; and Mark Godfrey analyzes the importance of Hesse's celebrated hanging sculptures of 1969-70. In addition to color reproductions of the artist's sculpture, the book features a copiously illustrated chronology of the artist's life.

Softcover. NY, Berry-Hill Galleries, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. 5 b&w, 55 color plates. Issued in conjunction with an exhibition featuring the work of Ashcan artist Everett Shinn (1876-1953). A tremendous presentation of text and richly printed color illustrations. Clean copy

Softcover. New York, Berry - Hill Galleries, 1st, Book: Very Good, Dust Jacket: None, 176 pages. Softcover. Extensive color illustrations by Everett Shinn throughout. Clean, unmarked copy with only minor wear to wrappers. Illustrated with 55 plates in color and 7 figures in the text.

Softcover. Athens, Benaki Museum, 1st, 1978, Book: Very Good, Dust Jacket: None, 334 pages, softcover exhibition catalog, b&w illustrations. Printed on glossy stock. Sculpture, pottery, vases, jewelry and other art from ancient Greece and the Cycladic civilization. Previous owner's embossed stamp on front fly leaf, otherwise clean, very good.

Hardcover. Paris, Librairie d'Art, 1st, 1889, Book: Good, Dust Jacket: None, Hardcover, 348 pages, half leather with decorated cloth, raised bands on spine, red leather label with gilt title. Profusely illustrated throughout in b&w with FRENCH TEXT. Minor corner and edge wear and fade, otherwise, very clean and tight copy.

Hardcover. Weatherhill, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 239 pages. 266 illustrations including 163 in full color. The batik designs of Java's North Coast are particularly varied in both design and color. With their fanciful, highly imaginative motifs and luminous tints, they are more immediately appealing than the sombre blue and brown batik of Central Java. It was a chance encounter in a Hong Kong antique shop that inspired photojournalist Inger McCabe Elliot to devote over three decades to assembling one of the world's finest collections, which she presented to the Los Angeles Country Museum of Art in 1991. This volume, published in conjunction with an exhibition at the Museum, celebrates Elliott's gift and presents her collection. Essays by authorities on the subject examine the 82 featured batik textiles from historical, cultural and aesthetic perspectives. The essays are followed by biographies of some of the most distinguished batik designers and entrepreneurs and a descriptive catalogue of the batiks. Appendices document design formats and motifs, as well as the complete production process of North Coast batiks. Clean copy,

Softcover. Mineola, NY, Dover Publications, 1st, 2019, Book: Very Good, Dust Jacket: None, 96 pages. Softcover. A very clean, unmarked copy with only minor edgewear. This original compilation features more than 80 color plates selected from two of Phillips' early collections, A Gallery of Girls and A Young Man's Fancy, in addition to images from other sources. An Introduction by illustrator and graphic designer Scott M. Fischer provides a modern appraisal and speaks to Phillips' lasting influence. Students of illustration, graphic design, and advertising as well as fans of 1920s fashion will appreciate this collection of striking works by a Golden Age designer-illustrator.

Softcover. NY, Hirschl & Adler Galleries, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 20 plates (including cover), 16 in color, stapled exhibitin catalog listing 63 works of art by Porter. Minor bump to bottom corner otherwise like new.

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 440 pages. Hardcover in purple slipcase. Very clean, unmarked copy still in shrink wrap. Gilt lettering on spine. Profusely illustrated with over 200 color plates. Tight copy. Prior to the invention of photography, European and American magazines used colorful prints to depict the latest fashion trends. These illustrations, known as "fashion plates," conveyed the cutting-edge styles embraced by the fashion-conscious elite and proved inspirational to the upwardly mobile. This lavishly illustrated book provides a comprehensive survey of 200 color plates from publications dating from 1778 to the early 20th century, accompanied by authoritative and fascinating texts. Organized chronologically and featuring both men's and women's garments, these lively and colorful vignettes not only are beautiful, but also deftly illustrate the evolution of fashion over time.

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 168 pages. Hardcover with no dust jacket. Very clean, like new in publishers shrink-wrap. A lavishly illustrated tribute to one of the most remarkable self-invented personalities on the New York fashion scene. Featuring approximately 80 looks from Bartsch's personal collection of clothing and accessories, including designs by Rachel Auburn, Body Map, Leigh Bowery, John Galliano, Jean Paul Gaultier, Thierry Mugler, Mr. Pearl, Vivienne Westwood, Zaldy, and many others. Dazzling color photographs allow readers to witness the incredible art of transformation.