NY, Golden Press, Reprint, 1972, Book: Very Good, Dust Jacket: None, Hardcover, glossy boards. Color illustrations by Leonard Weisgard. Corners of laminated board edges and top spine edge with light wear.

Softcover. NY, Whitney Museum of Art, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers. 160 pages, 150 illustrations (50 in color), bibliography/exhibition list. A very colorful, well documented catalogue of this twentieth-century painter, best known for his "Overseas Highway" and his stark, solid colored industrial images from the 1930s.

Softcover. Bogota COL, Galeria Alfred Wild, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 20 pages with color photos of the Colombian artist's wood sculptures. Clean copy.

Softcover. Washington, D.C., Smithsonian Institution Press, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover in very good condition. Catalog of exhibition at the Hirshorn Museum and Sculpture Garden in Washington D.C., Aug. 5-Oct. 3, 1982. 87 pages., illustrations., bibliography, index. Tight, clean copy.

Softcover. New York, Poster Auctions International, 1st, 2015, Book: Very Good, Dust Jacket: None, Unpaginated. Softcover. Color pictures throughout. Light edgewear to wrappers.

Softcover. US, Poster Auctions International, 1st, 2015, Book: Very Good, Dust Jacket: None, Unpaginated. Softcover. Color pictures throughout. Light edgewear to wrappers.

Softcover. New York , Poster Auctions International, 1st, 2016, Book: Very Good, Dust Jacket: None, Unpaginated. Softcover. Color pictures throughout. Light edgewear to wrappers.

Hardcover. NY, Asia Society, 1st, 1975, Book: Very Good, Dust Jacket: Good, Hardcover, 121 pages, illustrated in b&w, some color. Dust with light edgewear, minor fade to spine. Previous owner's embossed stamp on front fly leaf. Errata pamphlet laid in.

Softcover. Germany, Steidl, 1st, 2015, Book: Very Good, Dust Jacket: None, 224 pages. Softcover. Very clean, unmarked copy still in publishers shrink-wrap. Adieu Saigon covers a varied range of imagery from Saigon, where Depardon photographed two wars and, on visits as recent as 2014, the unrecognizable, globalized city now called Ho Chi Minh. Depardon's work bears witness to a city in transition.

Softcover. Germany, Steidl, 1st, 2015, Book: Very Good, Dust Jacket: None, 224 pages. Softcover. Very clean, unmarked copy still in publishers shrink-wrap. Adieu Saigon covers a varied range of imagery from Saigon, where Depardon photographed two wars and, on visits as recent as 2014, the unrecognizable, globalized city now called Ho Chi Minh. Depardon's work bears witness to a city in transition.

Hardcover. NY, Walker & Company , 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 141 pages, BW illustrations. Catalog of an exhibition held at M. Knoedler and Company from October 10 through November 4, 1967. Notes by William C. Agee. Clean.

Softcover. Durham NH, University of New Hampshire, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, original publisher's sewn paperback, pictorial frontcover, square format, 78 pages, 13 text-illustrations, catalogue of 72 items depicted and described, credits.

Hardcover. Zurich, Scalo, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Over sized book, 12 inches in height, 391 pages, heavily illustrated with approximately 200 full color photographs, many from her movies, Contributions by Carsten Ahrens, Lynne Cooke, Doris von Drathen, Bruce W. Ferguson, Carl Haenlein and Katharina Schmidt. Includes a list of illustrations, biography, exhibition history, filmography and a bibliography. Rebecca Horn is a multi-talented artist whose kinetic sculptures, films and installations have contributed to her unique international reputation. Her surreal installations and objects work as metaphors; often playfully erotic, they arouse curiousity and childlike amazement, yet also subconsciously evoke fear and uncertainty Glance of Infinity is a comprehensive survey of Rebecca Horn's work from 1970 up to the present day, This full scale monograph includes an interview with the artist, and essays by Brace W. Ferguson, Lynne Cooke, Doris von Drahten and Rebecca Horn, as well as a comprehensive index. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. New York, Robert Miller Gallery, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Softcover with minimal wear to paper wrappers. 14 black and white plates. Exhibition catalog for a show that ran April 9 through May 4, 1996. Photographs of Strand's first wife, Rebecca Salisbury made between 1921 and 1932, and reproduced actual size from Strand's vintage platinum and silver prints. Edited and designed by John Cheim. Includes a total of 16 images with 14 internal plates and 2 images on the dust jacket. Tight copy with dust jacket wrapper.

Softcover. Berkeley CA, University of California Worth Ryder Art Gallery, 1st, 1964, Book: Very Good, Dust Jacket: None, Softcover, b&w pictorial wraps. exhibition catalog, April-May 1964 23 pages, B&W frontispiece photo of artist in his studio, and 5 full color reproductions of artworks: "Fantasia," "Effervescence," "Le Gilotin," "The Lark," and "Heraldic Call."

Softcover. Canberra AU, National Portrait Gallery, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, color plates. Percy Leason was one of Max Meldrum's followers who painted over 30 'full blood' aborigines for 'The Last of the Victorian Aborigines' exhibition which he held at the Athenaeum Gallery (Melb) as part of Victoria's centennary celebrations (1934). This book documents these portraits and the politics that produced them. Clean copy.

Softcover. South Hadley MA, Mount Holyoke College, 1st, 1984, Book: Very Good, Softcover, 56 pages. Many black and white photos, exhibition checklist, glossary, index, notes, bibliography. Published in conjunction with an exhibition of copper jewelry, sculptures, vessels, musical instruments, stools and other African decorative arts. Mild rubbing to wrappers, clean copy.

Softcover. NY, Marlborough Callery, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 40 pages. Catalog for an exhibit held April 6-May 1, 1984. Color and b&w plates. Clean copy.

Hardcover. Washington DC, Smithsonian Institution Scholarly Press , 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. At least since the Renaissance, artists have created wonderful images of themselves. Some self-portraits are the equivalent of a painter's "signature," while others were inspired by the need to establish social status or gain a commission. In the twentieth century, however, self-representation turned inward, becoming a means by which artists sought to navigate passageways of the mind. In Reflections/Refractions, some of the greatest modern artists--including Andy Warhol, Edward Hopper, Grant Wood, Jasper Johns, Robert Rauschenberg, Jacob Lawrence, Louise Bourgeois, David Hockney, Alexander Calder, and Alex Katz--use sinuous line and gorgeous color to trace the intricacies of their personalities, whether dark and gloomy or bright and fanciful. The book is at once a catalog of twentieth-century self-portraits in the collection of the National Portrait Gallery, Smithsonian Institution, and an exploration of how modern artists view themselves and the world. Eighty color illustrations--drawings and paintings--are accompanied by lively and informative captions, making this volume an endlessly fascinating book. Clean copy.

Softcover. Hong Kong, Christie's Inc., 1st, 2007, Book: Very Good, Dust Jacket: None, 113 pages, photographs throughout with English and Chinese text. Very slight corner and edge wear, otherwise, very clean and tight copy.

Hardcover. London, Tate Publishing, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, pictorial boards with an acetate dust wrapper, 304 pages. Warhol brought to the art world a unique awareness of the relationship that art might have with popular consumer culture and tabloid news, with celebrity, and with sexuality. Each of these themes is explored through visual dialogues between warhol and some sixty artists, among them John Baldessari, Vija Celmins, Gilbert & George, Felix Gonzalez-Torres, Robert Gober, Nan Goldin, Damien Hirst, Alfredo Jaar, Deborah Kass, Alex Katz, Jeff Koons, Barbara Kruger, Glenn Ligon, Robert Mapplethorpe, Vik Muniz, Takashi Murakami, Bruce Nauman, Cady Noland, Elizabeth Peyton, Sigmar Polke, Richard Prince, Gerhard Richter, Ed Ruscha, Cindy Sherman and Luc Tuymans. Clean copy. DOMESTIC SHIPPING ONLY.

Softcover. New York, Metropolitan Museum of Art, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 304 pages, color and b&w illustrations. Includes interviews, conducted by Marla Prather, with Polly Apfelbaum, John baldessari, Vija Celmins, Chuck Close, Robert Gober, Hans Haacke, Alfredo Jaar, Deborah Kass, Alex Katz, Jeff Koons, Julian Schnabel, Ryan Trecartin, and Luc Tuymans. Beginning essay, Dialogues with Warhol, by Mark Rosenthal. Clean, bright copy.

Hardcover. New Haven, Yale University Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Two volume set. Hardcovers in very clean slipcase. Very clean, unmarked copies. Dertailed study of fifty-one paintings by Rembrandt. This is followed by sections for his pupils in which paintings once given to Rembrandt are reatributed to memebers of his workshop. This also serves as a catalogue of the exhibition organized by curators from Berlin, Amsterdam and London - galleries which have three of the finest collections of Rembrandts.

Hardcover. London, National Gallery London, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 360 pages. Softcover with dust jacket. Slight soiling to dust jacket. An otherwise clean, unmarked copy with only minor edgewear. Color illustrations throughout.