Softcover. MA, Harvard College, 1st, 1966, Book: Very Good, Dust Jacket: None, Exhibition catalog. 107 pages. 21 B&W plates, 61 B&W figures. B&w pictorial wrapper with soiling to both covers and some edgewear. Bottom edge slightly soiled. Previous owner name and date on front flyleaf. Overall, a nice, tight copy.

Softcover. London, Anthony d'Offay Gallery, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, unpaginated (46 pages), catalogue of 64 works all illustrated in b/w, 15 full-page color plates and essay 'After Image' by Will Ameringer. Interesting catalog of rarely seen works on paper by Smith, lent by the artist's daughters for this exhibition. Clean copy.

Softcover. New York, The Whitney Museum of American Art, 1st, 1979, Book: Good, Dust Jacket: None, Softcover. Exhibition Catalog, 128 pages. Color and B&W plates throughout. Light edge wear and light soiling to wrapper. Some small amount of wrinkling to rear bottom left corner. Otherwise a tight and clean copy.

Hardcover. New York , Knoedler & Co./Rizzoli, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover. Unpaginated (68 pages), 55 illustrations (53 color). Published in conjunction with exhibition shown at Knoedler & Company, April 29 to May 20, 1995, and at Akira Ikeda Gallery, Tokyo, September 1 to September 30, 1995, with checklist of 53 sculptures, paintings and drawings exhibited. Introductory essay, "David Smith's Embrace" by Michael Brenson. Bright, clean copy.

Softcover. Washington, DC, National Gallery of Art, 1st, 1982, Book: Very Good, Dust Jacket: None, Exhibition catalog. 225 pages. 8 plates, B&W photographs throughout. pictorial cover with slight bending of back bottom corner and slight wear to spine. Frontispiece. Overall, a clean, tight copy.

Softcover. Washington D.C, National Gallery of Art, 1st, 1982, Book: Very Good, Dust Jacket: None, Exhibition catalog. 225 pages, illustrated throughout with photos in b&w and color. Pictorial stiff wrappers. Light wear to edges and spine, else a very nice, tight, clean copy.

Softcover. The Art Institute of Chicago, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog of decorative arts of The Art Institute of Chicago. 112 pages; 24 color plates. Text by Milo M. Naeve and Lynn Springer Roberts. In very good condition; no marks on cover.

Softcover. The Saint Louis Art Museum, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 158 pages illustrated in color and b&w. From well-known luminaries of the medium such as Arbus, Goldin, Lange, Cunningham, Cindy Sherman and Annie Leibovitz, to far less known figures, this book celebrates the role women have had in shaping photography's vision. Clean, bright copy.

Softcover. Amsterdam, Stedelijk Museum, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 128 pages, text in English by Rudi Fuchs and Jan Hein Sassen. Exhibition catalog for a 2001 Amsterdam retrospective. A very good copy in tall bound wrappers in very good photo-illustrated dustwrapper. Black-and-white and color reproductions of photography and art by Dennis Hopper.

Hardcover. France, Editions du ChIne, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 167 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Black & white and color photographs throughout.

Softcover. Yonkers NY, Hudson River Museum, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, stapled exhibition catalogue. Pictorial wraps, 32 pages, 37 illustrations (9 color). Lists 92 posters, magazine covers, book illustrations, sketches, etc. Foreword by Rick Beard.

Softcover. Pittsfield MA, The Berkshire Museum, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 32 pages, sepia toned illustrations. Essay by Fels. Clean copy.

Softcover. New York, Aperture, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. Illustrated with black & white photographs by Diane Arbus. Arbus's commercial photography and articles are less well known than her other works. Her assignments for 'Esquire', 'Harper's Bazaar' and the 'Sunday Times Magazine' in London covered the leaders of theater, fashion, show business and literature. Here are over 100 portraits and feature profiles which originally accompanied them. Remainder stamp to bottom edge, otherwise a clean, tight copy.

Softcover. New York, Aperture, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. Illustrated with black & white photographs by Diane Arbus. Arbus's commercial photography and articles are less well known than her other works. Her assignments for 'Esquire', 'Harper's Bazaar' and the 'Sunday Times Magazine' in London covered the leaders of theater, fashion, show business and literature. Here are over 100 portraits and feature profiles which originally accompanied them. Luminaries include Jayne Mansfield, Mae West, William Golding, Susan Sontag, Norman Mailer, and many others. Clean, tight copy.

Hardcover. New York, Metropolitan Museum of Art, 1st, 2016, Book: Very Good, Dust Jacket: None, 272 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. Over 100 of Diane Arbus' early photographs in black and white. Tight copy. Diane Arbus (1923-1971) is one of the most distinctive and provocative artists of the twentieth century. Her photographs of children and eccentrics, couples and circus performers, female impersonators and nudists, are among the most recognizable images of our time. This book is the definitive study of the artist's first seven years of work, from 1956 to 1962. Drawn primarily from the rich holdings of the Metropolitan Museum's Diane Arbus Archive--a remarkable treasury of photographs, negatives, appointment books, notebooks, and correspondence--it is an essential contribution to our understanding of Arbus and her oeuvre.

Hardcover. Italy, Damiani, 1st, 2012, Book: Very Good, Dust Jacket: None, 240 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 200 color illustrations throughout. Portraits of famous celebrities such as Jessica Alba, Gabriel Byrne, Sofia Coppola, Diane von Furstenberg, Lazaro Hernandez of Proenza Schouler, Jack McCollough, Julianne Moore and Sting, as well as landscape photographs.

Softcover. Williamstown MA, Trustees of Williams College, 1st, 1979, Book: Near Fine, Dust Jacket: None, Softcover. Cover features "Self Portrait," by Chuck Close. Features numerous black and white works from 39 artists. Complete with biographical and critical text. Slight wear and blemishes on cover. Interior is clean.

Hardcover. New York , Norton, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover, 59 pages, b&w line drawings by Paul Kennedy. In an unclipped dust jacket with light shelf wear.

Softcover. Bloomington IN, Indiana University Press/Electa , 1st, 1996, Book: Very Good, Dust Jacket: None, 253 pages, color and b&w illustrations. Softcover in excellent, clean condition. Domenico Tiepolo, 1727-1804, the son of Giambattista, left a corpus of drawings which show him to be one of the talented Venetian artists of the 18th century. 176 drawings plus many photographs of details and of paintings.

Hardcover. Stuttgard GR, Cantz, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, 159 pages. Hardcover. Text in English and German. Illustrated with full color photographs. Exhibition catalog of Judd's work presented by the Stankowski Foundation. Slightest darkening to page edges. A clean, bright copy.

Hardcover. New York , Skira Rizzoli, 1st, 2011, Book: Very Good, Dust Jacket: None, 224 pages, many illustrations, 72 in color. Bibliography, chronology. Published on the occasion of an exhibition held at the Contemporary Arts Museum, Houston, TX, October 1, 2011 to January 8, 2012. Like new in publishers shrink-wrap.

Hardcover. Chicago, IL, Laird & Lee, 1st, 1906, Book: Very Good, Dust Jacket: None, 186 pages. Hardcover. Illustrated front cover. Photo illustrated throughout. Green cloth spine. Original binding with a touch of water staining on front cover right corner. Pages and edges have a touch of tanning from age, doesn't affect text or images. Spine is becoming separated from coverboard, but still attached and repairable. "A vivid and realistic story graphically depicting San Fancisco's great fire."

Hardcover. Koln GDR, Walther Konig, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 242 pages 152 illustrations 87 in color. Text is in German and English Preface by Dietrich Karner. Introduction by Sabine Breitwieser. Published on the occasion of the exhibition from the Generali Foundation, Vienna 11 May-12 August 2001. List of Works in Exhibition. Biographies and Bibliography. To be able to take one's self off like a jacket and put on another self--who hasn't occasionally wished it were possible? Identity and transformation are among the central issues for contemporary art making, and Double Life pulls together a diverse selection of artists whose work embraces the possibilities of personality and appearance, racial and sexual stereotype, role-playing and reality. The artists in Double Life--from Marina Abramovic, Adrian Piper, and Andy Warhol to Ion Grigorescu, Eleanor Antin, Pierre Huyghe and Cindy Sherman--have all employed various strategies in their desire to assume different roles. Whether ironic, eccentric, utopian or critical, their methods have ranged from the subtle to the extreme. Zoe Leonard's pin-up calendar is filled with sexy portraits of her bearded self. Early black-and-white photographs by Cindy Sherman show the artist casually dressed as a random sampling of everyday people. Pierre Huyghe's Ann Lee is an anime extra, a digital character completely lacking any discernible identity. But artist Lynn Hershman perhaps best articulates the issue when she writes, "I always told the truth for the person who I was, but the person kept fluctuating."

Softcover. New Britain, CT, New Britain Museum of American Art ; London : University Press of New England, 1st, 2009, Book: Very Good, Dust Jacket: None, 84 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout. This catalogue explores the often uneasy relationship between the art of painting and the art of illustration, featuring American artists who practiced both styles of painting between 1850 and 1950. The catalogue charts the development of both types of art through the eyes of a select group of artists of who engaged in both fine art and illustration.