New York, Collectors Editions Ltd., reprint , nd, Book: Very Good, Dust Jacket: None, Hardcover. 375 pages. Corners lightly bumped. Entries comprise 863 illustrated books and 1251 caricatures and separate prints. Bibliographic collations are provided for the illustrated books with some annotations. Prints are arranged by title with imprints noted, a statement of any signature, and with a short description.

Softcover. Springfield, MA, George Walter Vincent Smith Art Museum, 1st, 1946, Book: Very Good, Dust Jacket: None, Softcover, vintage exhibition catalog, 87 pages, b&w illustrations, color frontispiece. Small tear on spine. Else a clean, tight copy.

Hardcover. NY, Museum of Modern Art, 1st, 1949, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, lightly chipped dust jacket. 170 pages, 135 illustrations with 10 in color. Bibliography. Bump to bottom of cloth cover otherwise a clean, square copy.

Hardcover. Washington, D.C., Phillips Collection, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 158 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout. Explores O'Keeffe's unmatched accomplishments in still-life painting in two essays accompanied by reproductions of her work and photographs of her studios.

Softcover. Albuquerque, NM, Museum of New Mexico Press, 1st, 1985, Book: Near Fine, Dust Jacket: None, Exhibition catalog. x, 102 pages illustrated throughout in color and b&w. Pictorial stiff wrappers with light wear to edges, else like new.

Softcover. New York, The Whitney Museum of American Art, 1st, 1970, Book: Very Good, Dust Jacket: None, Softcover.This catalog of paintings by Georgia O'Keeffe features 117 black and white prints and 4 color prints. The front and back cover features "Sky Above Clouds IV." The cover is slightly smudged and worn, particularly on the back. All else is in fine condition.

Hardcover. New York, Museum of Modern Art, 3rd pr., 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 303 illustrations 138 in color. Essay by Robert Storr and with an interview of Richter by Storr as well. Includes numerous color and black and white illustrations, artist chronology, list of previous exhibitions, and a selected bibliography. Published on the occasion of the exhibition from The Museum of Modern Art, New York NY February 14-May 21, 2002. In a bright, unclipped dust jacket.

Softcover. NY, Museum of Modern Art , 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 340 pages illustrated in color and b&w. A survey of works by German artist Gerhard Richter (born 1932), one of the most influential painters working today from every phase of Richter's career. ranging from photography-based pictures to gestural abstraction, and includes a rare interview with the artist. This was the catalog for the traveling exhibit 2002-2003 at The Museum of Modern Art, NY, the Art Institute of Chicago, the San Francisco Museum of Modern Art and the Hirshhorn Museum in Washington DC. Clean copy. DOMESTIC SHIPPING ONLY.

Softcover. London, Anthony D'Offay Gallery, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, Unpaginated (49 pages) with 29 illustrations 21 in color. Published on the occasion of the exhibition from the Anthony d'Offay Gallery, London 11 March-16 April 1988. Selected Biography and Bibliography. Clean copy.

Softcover. Baltimore MD, C. Grimaldis Gallery, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 20 pages illustrated in color. Essay by Angela Tamvaki. Clean copy.

Softcover. NY, The Drawing Centre, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 94 pages. B&w illustrations throughout. Penone's sculptures, installations, and drawings are distinguished by his emphasis on process and his use of natural materials, such as clay, stone, metal, and wood. Exhibition catalog. Clean copy.

Softcover. London, P&D Colnaghi & Co. Ltd, University of Clasgow Press, 1st, 1973, Book: Very Good, Dust Jacket: None, Nonpaginated. Softcover. Color and b/w illustrations throughout. Just a little age wear to the wrapper, otherwise very good. A touch of age-yellowing to edges and pages, doesn't affect text or illustrations.

Hardcover. Dunlop Art Gallery, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, 169 pages. Illustrated in color and b&w. Text in English and French. Clean, bright copy.

Hardcover. London, V&A Publications, 1st, 2007, Book: Very Good, Dust Jacket: Good, 224 pages. Hardcover with dust jacket. Soiling and wear to dust jacket edges. Light yellowing to inside pages. Small tears to dust jacket rear. An otherwise tight copy. 97 color plates, 80 black and white illustrations. In 1947, Christian Dior?s ?New Look? was greeted with both shock and delight, making headlines around the world. Accompanying the exhibition opening at the Victoria and Albert Museum in September 2007, this lavish book focuses on Parisian and British couture between 1947 and 1957, the decade Dior hailed as fashion?s ?golden age.? The ?New Look? symbolized a new femininity. The full skirts and hourglass silhouettes were considered highly decadent, synonymous with luxury and prosperity, in marked contrast to the austerity of the WWII years. Nevertheless, the ?New Look? caught the public imagination and ushered in a period of remarkable creativity. The Golden Age of Couture features stunning gowns and exquisite tailoring from Dior as well as from such designers as Balenciaga, Balmain, and Givenchy, along with evocative photographs by the likes of Richard Avedon and Cecil Beaton.

Softcover. Pittsburgh PA, Museum of Art/Carnegie Institute, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 53 pages, 5 color plates, many b&w illustrations. A complete catalogue of his graphic prints selected by Gene Baro. SIGNED BY HOUSE in pencil on front cover. Exhibition catalog.

Softcover. New York, Associated American Artists, 1st, 1970, Book: Very Good, Dust Jacket: None, Softcover with blue wraps. Unpaginated. Compiled and edited by Sylvan Cole, Jr., 2 b&w frontispieces, 66 b&w plates, errata slip laid in. A clean, tight copy.

Softcover. NY, Brooklyn Museum, 1st, 1978, Book: Very Good, Dust Jacket: None, 208 pages. Softcover published for the exhibition, May 13 - July 16, 1978. Cover image from Robert Rauschenberg, "Airport" series. Full color and black & white photographs throughout. Sections devoted to Philip Pearlstein, Charles Hinman, Mel Ramos, Ed Ruscha, James Rosenquist, Robert Rauschenberg, Jim Dine, more. Clean unmarked text.

Softcover. San Francisco, Pomegranate, Revised Ed., 2001, Book: Very Good, Dust Jacket: None, Softcover, 168 pages. Many cans of tuna have been opened and emptied since the collection's first mostly black-and-white edition, in 1981; the revised edition adds more color art as well as coverage of classics including The Cat in the Hat, Bill the Cat, and pets penned by B. Kliban and Edward Gorey. The volume covers cartoon depictions of the cat dating back to 1100 B.C., though the bulk of the images date to the 20th century. Brief essays about printing, literature, contemporary society, and other historical facts are interspersed with the goods selections from the comics themselves. Editor Whyte is a publisher who founded the Cartoon Art Museum in San Francisco.

Softcover. San Francisco, Pomegranate, Revised Ed., 2001, Book: Very Good, Dust Jacket: None, Softcover, 168 pages. Many cans of tuna have been opened and emptied since the collection's first mostly black-and-white edition, in 1981; the revised edition adds more color art as well as coverage of classics including The Cat in the Hat, Bill the Cat, and pets penned by B. Kliban and Edward Gorey. The volume covers cartoon depictions of the cat dating back to 1100 B.C., though the bulk of the images date to the 20th century. Brief essays about printing, literature, contemporary society, and other historical facts are interspersed with the goods selections from the comics themselves. Editor Whyte is a publisher who founded the Cartoon Art Museum in San Francisco.

Softcover. Los Angeles, CA, Wizard Promotions, 1st, 1980, Book: Very Good, Dust Jacket: None, 136 pages. Softcover with black and white photos. Minor wear to paper wrappers.

Softcover. NY, Metropolitan Museum of Art, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 238 pages. Illustrated profusely in b&w and 16 plates in color. An exhibition sponsored by the government of the Republic of Greece and the Musee du Louvre. Metalwork, bronze, clay, marble: all manner of objects 4th millennium B.C. to 4th century B.C.

Hardcover. Portland, OR, Nazraeli Press, 1st, 2010, Book: Very Good, Dust Jacket: None, 108 pages. This printing limited to 1000 copies. Hardcover with no dust jacket. Creasing to a few pages. An otherwise clean, unmarked copy with only minor edgewear. In the mid-1980s, Stu Levy began making 'grid-portraits' in order to overcome his his frustration with traditional portraiture's limited point of view. These constructs of photographs, consisting of twelve to twenty-five individual images, scan the architecture and flow of time in a subject's living or working environment. The resulting portraits, usually of artists, craftspeople and musicians, are made in the subjects' studios or living spaces and serve as a backstage tour of the artist s mind and creative process. Levy is fascinated by the artifacts that fill these spaces the possessions by which the subjects are themselves possessed. Rather than confining himself to a single 'decisive' moment, Levy explore its antithesis, a maze of scrambled time. These are made with a view camera using 4 x 5-inch negatives to allow for precision of detail. The sections are printed together to form the illusion of glancing through a window at a 'snapshot' of an event, which in reality might consist of fragmentary views made months apart and in totally separate rooms or environments. Among the subjects included in this important new monograph are Dr. Stanley Burns, Linda Connor, Barbara Crane, Jay Dusard, David Hockney, Graham Nash, and Jerry Uelsmann. Beautifully printed in duotone on matt art paper and bound in black Japanese cloth, this first printing of Grid-Portraits is limited to 1,000 copies.

Softcover. NY, Brooklyn Museum : exclusively distributed by H. N. Abrams, 1st, 1978, Book: Good, Dust Jacket: None, 176 pages, illustrated throughout in color and b&w. Previous owner's blind stamp on front end paper. Light edgewear, rubbing and creasing to wrappers, else a clean, tight copy.

Softcover. New York, WMAA/Prestel, 1st, 1990, Book: Very Good, Dust Jacket: None, 200 pages. Softcover. Full color illustrations. Shallow crease at bottom right corner of front cover. Clean, unmarked copy. Goodman's book, with essays by Clement Greenberg and Irving Sandler and the artist's own statements, provides an excellent introduction to the life and work of the man frequently called the dean of the New York School of Abstract Expressionism.