Hardcover. Rochester, Chase Brothers Company, 1st, Book: Very Good, Dust Jacket: None, Flexible tan cloth covers, 134 pages. Illustrated with beautiful, bright, full color illustrations and blow-in sheets of flowers and fruit. A fine, bright copy. No date but appears to be early 1900s.
Hardcover. London, Macdonald, 1st, 1966, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers with gilt lettering on spine, 109 pages with color photos, b&w illustrations. Small name on front fly leaf, otherwise clean.
Softcover. Evansville, Evansville Museum of Arts & Science, First Edition, 1990, Book: Very Good, Dust Jacket: None, 32 pages. Softcover SIGNED & INSCRIBED BY ARTIST to title page. Bright illustration to covers with french flaps, published to accompany the exhibition of the same title held at the Evansville Museum of Arts & Science, Evansville, Indiana, April 22 - May 27, 1990 among other touring locations.
Hardcover. Austin, University of Texas Press , 1st, 1978, Book: Very Good, Dust Jacket: None, Hardcover, 249 pages, color photos. Green cloth, gilt title on spine. No dust jacket. Faint foxing to top edge and end papers. Clean, tight copy.
Hardcover. Toronto, Fruit Growers' Assoc. of Ontario, 1st, 1884, Book: Very Good, Dust Jacket: None, A year's bound collection (Jan.- Dec. 1884) of the journal. Features eight bright color lithographs of flowers and fruit. One black & white plate. Portrait of editor Beadle. 295 pages. Half-leather with marbled boards. Spine with gilt lettering, label, raised bands.
Hardcover. Toronto, Fruit Growers' Assoc. of Ontario, 1st, 1885, Book: Very Good, Dust Jacket: None, A year's bound collection (Jan.-Dec. 1885) of the journal. Features 12 bright color lithographs of flowers & fruit. 292 pages. Half-leather with marbled boards with light corner wear. Spine with gilt lettering, label, raised bands.
Hardcover. London, Merrell Holberton/Natural History Museum, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages, 62 color plates, 33 b&w illustrations. A detailed monograph on this early 19th century natural history artist. In publisher's shrinkwrap.
Hardcover. Burlington, VT, Self Published, 2nd Edition, 1935, Book: Very Good, Dust Jacket: None, 130 pages. Hardcover. Contributions to the Botany of Vermont, IX. Inscribed by author's husband. Previous owner's stamp on front endpapers. Ex-library book with some label residue and markings expected. B/w frontispiece (picture of author). Blue cloth cover boards, gilt title on spine and front cover board. Spine straight. Pages clean, slightly tanned with age. Very good copy.
Hardcover. NY, Rizzoli International , 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Introduction by Donald Sultan. Celebrity portrait photographer Lynn Goldsmith turns to a new subject, flowers, in this interesting book. As Donald Sultan comments in his introduction, this is "an entirely new and compelling way of experiencing this classic subject." Each image is "shot in natural light with a macro lens from unexpected angles." The purpose: "I don't want to be looking at the flower, I wanted to be in it." Donald Sultan feels the results are "a tribute to the minimalist and abstract expressionist schools." The work "imparts a sense of digital eroticism to the color which is at once referential and intensely real." Lynn Goldsmith says, "I desired to create a highly subjective impression [of flower as] . . . the transcendental image . . . ." Clean, bright copy.
Hardcover. NY, Harry N. Abrams, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover 148 pages. Esther Heins' watercolors of leaves and flowers organized by month of bloom, crisp interior. A full color botanical drawing left-hand page is dedicated to each species. On the right page is explanatory text. Free of any markings, not ex-library. INSCRIBED BY THE ARTIST HEINS on the front fly leaf. Otherwise clean.
Hardcover. US, Bulfinch, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 139 pages, illustrated throughout in color. Light shelf-wear to dust jacket with small tear to upper edge. Clean, tight copy. Foliage is an amazing plant book filled with artistic photos of "the architecture of nature." Close-up photos fill the 13" x 11" pages. From grasses and ferns, edibles, leaf coloration, cati and succulents, the essence of green, to seeds of change the reader is in for a visual treat.
Hardcover. New York, W.W. Norton, 2nd, 2004, Book: Very Good, Dust Jacket: Very Good, 627 pages. Hardcover with dust jacket. Clean, tight copy with minor wear to edges. Color pictures in center.
Hardcover. London, Groombridge and Sons, NA, NA, Book: Good, Dust Jacket: None, 310 pages. Hardcover. No date. Green cloth covers with gilt titles and decoration, wear along spine hinges, edges. Features 36 tissue guarded full color plates, and many black and white illustrations. Foxing to preliminary pages up to page 2 including full color front and one plate; light foxing scattered throughout book. Interior hinges tender with hinge cloth exposed. Clean, unmarked text.
Hardcover. New York, George Braziller Incorporated, 1st, 1988, Book: Very Good, Dust Jacket: Good, 192 pages. Hardcover with dust jacket. Heavy damage on 2 inches of bottom right corner. Otherwise, tight copy. Color pictures throughout. Endlessly experimenting with design, composition, and color, Hiroshige captured in these paintings, as no where else in his work, his poetic and idyllic sense of nature.
Hardcover. New York, George Braziller/ Rhode Island School of Design, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, 91 large format color plates. Introduction by Cynthea J. Bogel, poetry translated by Alfred H. Marks.
Hardcover. privately printed, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 pages. With over 60 beautiful color plates, this gorgeous book of flower photographs is bound to appeal to a wide audience of anyone interested in Nature, Beauty, Meditation or Art. Tenneson explores the world of botanicals in a way that is completely unique. These photographs transcend mere documentation; they encourage the viewer to see flowers in a whole new way. Joyce Tenneson's breathtaking photographs have graced the covers of major magazines, as well as museums and galleries. Her ethereal portraits of roses, tulips, poppies and other garden blooms also come accompanied by select quotes from authors such as Emily Dickinson, William Carlos Williams, and Anais Nin.
Hardcover. London, George Routledge and Sons, unknown , nd., Book: Good, Dust Jacket: None, A small book, illustrated by Kate Greenaway. Soiling to spine & covers. Edgewear. Corners rubbed, bumped. Previous owner's bookplate and booksellers label front pastedown. Some soiling throughout, otherwise good. Spots on spine.
Softcover. New York, Andrew Crispo Gallery, Inc., 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 74 color and B&W illustrations. Foreword by Andrew J. Crispo. Overall very tight and clean copy.
Softcover. Washington DC, National Geographic Society, 1st, 1917, Book: Very Good, Dust Jacket: None, Softcover, illustrated with b&w photos, maps, advertisements. Original yellow and black wrappers, spine with light wear, good to very good. Articles include: Our State Flowers (16 color pages), Our First Alliance, Madonnas of Many Lands.
Hardcover. London, Scriptum, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 335 pages illustrated in color. The story of this flower, from the hunt for new varieties in the wild in the 1800s to the development of the more than 100,000 hybrids that exist today, is related in fascinating detail in "Orchids". This beautiful book features text by one of the world's foremost orchid authorities alongside spectacular watercolor portraits of prize-winning orchids from the Royal Horticultural Society in London, which spearheaded orchid cultivation in Western Europe beginning in the 19th century. This exquisite collection of paintings commissioned by the RHS every year since 1897 represents the ultimate orchid pictorial history. "Orchids" is an indispensable sourcebook for those captivated by the beauty and infinite variety of this glamorous flower.
1968, Book: Very Good, Color art by Martin of brick building with window framing white flowers in pot. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1977, Book: Very Good, Color art of pale blue roses by Simpson. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1967, Book: Very Good, Color art of blooming purple flower by Birnbaum, 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1973, Book: Very Good, Color art by Low of a giant blooming plant on a penthouse balcony. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.