Hardcover. NY, Rizzoli, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Pictorial photography is noted for its artistic expressiveness, careful design and composition, and muted focus. In 1914 Clarence White (1871-1925) left Alfred Stieglitz's Photo-Secession group, abandoned his ambitions to be a photographic illustrator, and opened the Manhatten-based Clarence H. White School of Photography. Lecturers at his school included Stieglitz, Paul Strand, and Edward Steichen. White's unique teaching skills, especially his encouragement of women students, nurtured the careers of such talented photographers as Margaret Bourke-White, Laura Gilpin, and Dorothea Lange. Presented by the Detroit Institute of Arts and the George Eastman House, this companion volume for a traveling exhibition contains the elegant photographic imagery of White and his students. The clear text by two photography curators imparts how the revered teacher's romantic pictorialism became the foundation for the student's avant-garde modernism. By far the most substantial review of White's work and influence in print.

Softcover. New York, Citadel Press, 1st Thus, 1991, Book: Good, Dust Jacket: None, Softcover, oblong format, 158 pages. Illustrated with black & white photographs. Diagonal crease across lower left corner of back cover. Clean, tight copy.

Hardcover. NY, Holt Rinehart Winston, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. Profusely illustrated in b&w.

Softcover. Washington DC, Smithsonian Institute, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 95 pages, b&w illustrations. Originally conceived to accompany the exhibition, Photographs from the National Portrait Gallery. Presents the development of photography accompanied by portraits illustrating various photographic techniques. Includes suggestions for organizing and maintaining a collection of prints. Clean copy.

Hardcover. NY, Charles Scribner's Sons, 1st, 1947, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket. 308 pages with 393 b&w photographs, endpapers map. As proclaimed on the dust jacket: "This volume, carefully prepared under the direction of the Picture Maker's son, Mr. C. S. Jackson, contains an unrivaled pictorial record which can never be duplicated. It was created by a great artist and photographer who himself played a part in the opening of the frontier country." A truly wonderful work-attractive and informative. "A" On Copyright Page. Light bump to top corner of text block causing a mild crimp to pages at corner. Otherwise very good.

Hardcover. Bulfinch, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Haynes provides an insider's look at the remarkable photographs and stories of UPI's news photographers, providing a unique window on the second half of the 20th century. Clean copy.

Softcover. Durham NC, Duke University Press, 2012, Book: Very Good, Dust Jacket: None, Softcover, 387 pages. Pictures and Progress explores how, during the nineteenth century and the early twentieth, prominent African American intellectuals and activists understood photography's power to shape perceptions about race and employed the new medium in their quest for social and political justice. They sought both to counter widely circulating racist imagery and to use self-representation as a means of empowerment. In this collection of essays, scholars from various disciplines consider figures including Frederick Douglass, Sojourner Truth, Ida B. Wells, Paul Laurence Dunbar, and W. E. B. Du Bois as important and innovative theorists and practitioners of photography. In addition, brief interpretive essays, or "snapshots," highlight and analyze the work of four early African American photographers. Featuring more than seventy images, Pictures and Progress brings to light the wide-ranging practices of early African American photography, as well as the effects of photography on racialized thinking. Still in publisher's shrinkwrap.

Hardcover. Chicago, The Lakeside Press, 1st, 1918, Book: Very Good, Dust Jacket: None, Hardcover, dark green cloth stamped in gilt, top edge gilt, 186 pages. Tight, attractive copy of this early "Lakeside Classic," the annual keepsake presented by this printer/publisher to friends and clients starting in 1903. This volume contains Morris Birkbeck's "Observations of an English Immigrant in 1817," William Newnham Blake's "A Tour in Southern Illinois in 1822" and Henry R. Schoolcraft's "A Journey Up the Illinois River in 1821." includes an index and a 23 page historical introduction by the renowned historian Dr. Milo Milton Quaife. There is a tissue guarded captioned frontispiece entitled "Moris Birkbeck" by courtesy of H. W. Fay of DeKalb. Clean copy.

Softcover. NY, The Museum of Modern Art, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. Selected from 17 million prints preserved in the archives of The New York Times, the spectacular photographs in this book provide a spellbinding sample from the rich archive that is the twentieth century, as seen through the eyes of a great newspaper. Revealed is the extraordinary and omnivorous breadth of photography's gaze: vivid pictures of both World Wars; of presidents, mayors, dictators and celebrities; of Beatles fans and Halley's comet; of victims and perpetrators, riots and disasters; of Bill Bradley on the court and Willie Mays sliding into home--and a great many more. Underlying them all is the gripping immediacy that makes news photography not only an indispensable presence in the daily paper but a vital part of history. This book includes an illustrated chronology that traces the evolution of the technology and business of news photography, with special attention to the role of The New York Times and to the recent rise of digital technologies in newspaper production. Originally published to accompany an exhibition at The Museum of Modern Art, New York.

Hardcover. NY, Charles Scribner's Sons, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear. Introduction by Richard Burton. An in depth look at the career and films of Joseph Mankiewicz whose career spanned nearly half a century. His credits include such classics as The Philadelphia Story; A Letter to Three Wives; All About Eve, and Five Fingers. 443 pages, b&w photos. Clean copy.

Hardcover. NY, William Edwin Rudge, 1st, 1930, Book: Good, Dust Jacket: None, Hardcover, red cloth, 46 pages + 51 b&w plates (color frontispiece). Russian artist and diplomatic secretary Paul or Pavel Svinin (1787-1839) toured the northeastern United States in the early 1800s. Here are excerpts of his notes, details about the time and his trip, and 51 BW reproductions of landscapes he rendered along the way. Most of the paintings show scenes from Pennsylvania, New York, New Jersey, Virginia and Maryland. Of interest to both cultural and art historians. With an introduction by R.T.H. Halsey. One of 1000 copies. Ex-lib with stamping, residue to endpapers, gilt lettering on spine faded, otherwise clean.

Hardcover. US, Univ of New Mexico Press, 1st, 1995-10-01, Book: Very Good, Dust Jacket: Very Good, 227 pages. Minor edgewear to dust jacket, else a clean, tight copy. A in depth study of the exhibition held at the Museum of Modern Art in 1955, and its influence, with a final chapter on "Edward Steichen, Robert Frank and American Modernism".

Softcover. NY, Burns Archive Press, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 272 pages. SIGNED BY STANLEY BURNS on title page. Picturing Freedom chronicles and celebrates the photographic history of African Americans and their cars by focusing on personal images of the pride and joy of car ownership (1900-1980+). Owning a car was a significant life-changing achievement. It offered special freedoms--the freedom to travel, the freedom to work further from home, the freedom to visit family and friends, the freedom to avoid Jim Crow laws, and the freedom to migrate. The car was unequivocal evidence of Black success and an important symbol of status in a country that had long fought their advancement in every area. Car ownership was purposely and proudly photographed. All of the photographs were taken in Black communities by a family member or a friend and reveal how African Americans represented themselves. This 2022 IPPY award-winning compilation of over 450 unique photographs is an inspiring visual narrative of American life. Clean, bright copy.

Hardcover. NY, Harry N Abrams, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 232 pages. The first photographic record of the Manhattan Project--the U.S. Government-sponsored effort to build an atomic bomb. With an introduction by Richard Rhodes. The granddaughter of Enrico Fermi, a key participant in the Manhattan Project, presents a pictorial survey of the making of the atomic bomb, containing many never-before-published photographs and snapshots of the many aspects of the Project.Illustrated with over 100 B&W photographs, some color. Clean copy. DOMESTIC SHIPPING ONLY.

Softcover. Durham NC, Historic Preservation Society of Durham, reprint, 2001, Book: Good, Dust Jacket: None, Softcover, 229 pages, mild shelf wear. Piedmont Plantation tells the history of a unique plantation complex in North Carolina and of the Bennehan and Cameron families that owned and developed it. The narrative covers one hundred and fifty years and is based primarily on research in the many thousands of family papers deposited in the Southern Historical Collection at the University of North Carolina at Chapel Hill. Interwoven with the family history of four generations are descriptions of their slaves and overseers and of the buildings they erected and lived or worked in, all correlated with the agricultural enterprise that underpinned this 30,000-acre domain. Carefully researched, Piedmont Plantation will appeal to the specialist and general reader alike. Scholars looking for primary material will discover here much useful information as well as guideposts to additional sources. Originally published in hardcover in 1985. Clean copy.

Hardcover. Florence, Italy, Cantini, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 271 pages. Hardcover with dust jacket in SLIPCASE cover. ITALIAN TEXT. Color pictures. Previous owner's bookplate on end paper, otherwise clean, unmarked copy with only minor wear to dust jacket. Slipcase has some tape repair on bottom edge. Red cloth covers with gilt lettering on spine.

Hardcover. Cambridge UK, Cambridge University Press , 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 283 pages. This book offers a comprehensive treatment of the philosophical system of the seventeenth-century philosopher Pierre Gassendi. Gassendi's importance is widely recognized and is essential for understanding early modern philosophers and scientists such as Locke, Leibniz and Newton. Offering a systematic overview of his contributions, LoLordo situates Gassendi's views within the context of sixteenth- and early seventeenth-century natural philosophy as represented by a variety of intellectual traditions, including scholastic Aristotelianism, Renaissance Neo-Platonism, and the emerging mechanical philosophy. LoLordo's work will be essential reading for historians of early modern philosophy and science. Name on front fly leaf, otherwise clean.

Hardcover. NY, Macmillan Company, 1st US, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 461 pages. Laval began his career as a socialist, but over time drifted far to the right. Following France's defeat and armistice with Germany in 1940, he served in prominent roles in Philippe Petain's Vichy Regime, first as the vice-president of the Council of Ministers from 11 July 1940 to 13 December 1940, and later as the head of government from 18 April 1942 to 20 August 1944. After the liberation of France in 1944, Laval was arrested by the French government under General Charles de Gaulle. In what was widely regarded as a flawed trial, Laval was found guilty of plotting against the security of the State and collaboration with the enemy, and after a thwarted suicide attempt, he was executed by firing squad. His manifold political activities left a complicated and controversial legacy, resulting in more than a dozen conflicting biographies of him. Name on front fly leaf, otherwise a bright, clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 183 pages. This beautiful book examines the art of Pieter de Hooch, one of the most famous and innovative painters of Holland's Golden Age. It discusses de Hooch's position in Dutch genre painting, his favorite themes and their cultural context, his artistic development, and his approach to narration. The book was the catalogue for an exhibition at the Wadsworth Atheneum in Hartford. A 75-page text covering the artist's life and techniques and themes of his work is followed by nearly 100 pages presenting plates of works in the show; eight entries bring the catalog raisonne up to date. Sutton has achieved the rare feat of creating a work that is both a significant addition to scholarship and a reader-friendly introduction for those not already familiar with the artist. Clean copy.

Hardcover. New York, Macmillan Company, 1st Edition, 1918, Book: Very Good, Dust Jacket: None, 310 pages including publisher advertisements. B/w illustrations throughout, including frontispiece. Decorated ribbon bookmark, no longer attached, but laid in. Black cloth cover boards, gilight title on spine. Tanning to pages and edges, otherwise unmarked.

Hardcover. New York, William Morrow and Company, Inc., 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover. Color and b/w illustrations throughout. Dust jacket unclipped. Gilt title on spine. Dust jacket has a little bit of chipping at top of spine, patched with tape. Otherwise great. Clean and unmarked inside. Gilt endpapers.

Hardcover. New York, Neale Publishing Co., 1st, 1914, Book: Very Good, Dust Jacket: None, Hardcover, 324 pages, dark blue cloth with gilt lettering on spine. An account of a Civil War battle fought in Missouri. Tight, clean copy.

Hardcover. New York, McGraw-Hill, 2nd, 1986, Book: Very Good, Dust Jacket: Very Good, 298 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. ames Oberg (Red Star in Orbit, Mission to Mars, etc.) is a spaceflight engineer at Houston Mission Control; Alcestis Oberg is the author of Spacefarers of the 80s and 90s. Here they offer an engrossing and vivid account of what life is like in an earth-orbiting spacecraft. Because relatively few American space-travelers have published tales of their experiences, the Obergs lean heavily on the diaries and memoirspublished in Russia and little known hereof pioneering Soviet astronauts, notably veterans of long-term Salyut missions like Ryumin and Berezovoy. Here is the human side of life in orbit. Few readers can fail to be grippedand occasionally amusedby revelations of the immediate problems (how astronauts contend with toilets, hygiene, sleeping), their technical perils (e.g., air contamination) and the psychological hazards they face, from crewmate incompatibility to depression and homesickness for Earth. Photos.

Hardcover. Springfield MA, Milton Bradley Co., 1st, 1929, Book: Good, Dust Jacket: None, Hardcover in worn, frayed black cloth with yellow lettering. The best reason to buy this book are the 12 bright color plates by Riesenberg. They include The Explorers Lewis & Clarke, The Pioneer Daniel Boone, The Trapper Kit Carson, The Riverboat Pilot Mark Twain right up to The Aviator Charles Lindbergh. Internally clean, very good, the outside, not so much.