Hardcover. New York, Graphis Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 106 pages, 45 full-page nude photographs by the Hungarian-born photographer Ferenc Berko, who worked in in Aspen Colorado since 1949. Like new in publishers shrink-wrap.

Hardcover. Albuquerque NM, University of New Mexico , 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 204 pages. B&w illustrations throughout. gilt titles on spine. Includes extensive bibliography. Faint foxing to top edge, otherwise a clean, tight copy. The photographs of Simeon Schwemberger, who worked as lay brother at the Franciscan Mission of St. Michaels near Windowrock, AZ, from 1901 through 1908. His outstanding photographs of the Native American Indians in that area are coupled with the fine essay by Michele M. Penhall. This photographers work has been compared with the work of Charles Lummis, A.C. Vroman, and J.K. Hillers.

Hardcover. Boston, Little Brown and Company, 1st, 1991, Book: Near Fine, Dust Jacket: Very Good, Hardcover, 130 full-page photographs by Matthew Rolston with an introduction by Tim Burton. Very clean and tight copy.

Hardcover. Washington, D. C., National Geographic, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 200 pages. INSCRIBED BY DIANA WALKER ON TITLE PAGE. Illustrated with full color and black & white photographs by Diana Walker. Dust jacket with light wear. Clean, tight copy.

Hardcover. NY, Ecco Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 60 pages. Gathers portraits of ministers, drifters, amputees, jockies, circus performers, night people, family members, miners, couples, musicians, and fisherman, and discusses the nature of portraiture.

Hardcover. New York, Damiani, 1st, 2008, Book: Very Good, Dust Jacket: None, 224 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 170 b&w and color photographs. A comprehensive monograph, this volume consists of several sections of work from 1969 to the present, opening at the height of flower power, with images of the Beat generation, Woodstock and the protests against Vietnam.

Hardcover. New York, Damiani, 1st, 2008, Book: Very Good, Dust Jacket: None, 224 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 170 b&w and color photographs. A comprehensive monograph, this volume consists of several sections of work from 1969 to the present, opening at the height of flower power, with images of the Beat generation, Woodstock and the protests against Vietnam.

Softcover. Surrey UK, FAB Press, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 165 pages The Satanic Sluts are 666 of the world's most attitudinal, creative and original women, linked by a shared interest in all things dark, sexual and Satanic. Here, in a series of unique photographic portraits and personal statements, 50 elite members of the official Satanic Sluts open up their souls and their bodies to display their sexual fantasies, lusts and twisted ideologies for the first time.

Softcover. Surrey UK, FAB Press, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 165 pages The Satanic Sluts are 666 of the world's most attitudinal, creative and original women, linked by a shared interest in all things dark, sexual and Satanic. Here, in a series of unique photographic portraits and personal statements, 50 elite members of the official Satanic Sluts open up their souls and their bodies to display their sexual fantasies, lusts and twisted ideologies for the first time.

Softcover. NY, Edition 7L, 1st, 2007, Book: Very Good, Dust Jacket: None, Flexible vinyl covers, 232 pages. Out documents an era at once so close and so far away: the wild, glamorous, disco-and-drugs decade between the end of the Vietnam war and the advent of AIDS, when, in certain parts of Manhattan, every night was party night. As the editor of Andy Warhol's Interview from 1971 to 1983, Bob Colacello was perfectly placed to record this life of art openings, movie premieres, cocktail parties, dinner parties, charity balls and after-hours clubs; he wrote about the best of them in a monthly column called "Out." In 1975, Swiss art dealer Thomas Ammann gave Colacello one of the first miniature 35mm cameras, a black plastic Minox small enough to hide in his jacket pocket, and Colacello began snapping photographs too. Sneaking a shot of Henry Kissinger holding forth at a dinner party, or Bianca Jagger letting loose at Studio 54, Colacello was in the middle of the action, "an accidental photographer" more akin to a secret agent than any typical paparazzo. With their skewed angles, multilayered compositions, and moody lighting, his images have an immediacy and grit not often found in the work of professional party photographers. And what subjects! Diana Vreeland, Calvin Klein, Jack Nicholson, Richard Gere, Cher, Raquel Welch, Mick Jagger, Diane von Furstenberg, Barry Diller, Valentino, Yves Saint Laurent, Nan Kempner, Robert Rauschenberg, Roy Lichtenstein and always Warhol himself. Because space in Interview was limited, only a handful of Colacello's pictures were published each month. Most of those collected in Out have never been seen before.

Softcover. NY, Edition 7L, 1st, 2007, Book: Very Good, Dust Jacket: None, Flexible vinyl covers, 232 pages. Out documents an era at once so close and so far away: the wild, glamorous, disco-and-drugs decade between the end of the Vietnam war and the advent of AIDS, when, in certain parts of Manhattan, every night was party night. As the editor of Andy Warhol's Interview from 1971 to 1983, Bob Colacello was perfectly placed to record this life of art openings, movie premieres, cocktail parties, dinner parties, charity balls and after-hours clubs; he wrote about the best of them in a monthly column called "Out." In 1975, Swiss art dealer Thomas Ammann gave Colacello one of the first miniature 35mm cameras, a black plastic Minox small enough to hide in his jacket pocket, and Colacello began snapping photographs too. Sneaking a shot of Henry Kissinger holding forth at a dinner party, or Bianca Jagger letting loose at Studio 54, Colacello was in the middle of the action, "an accidental photographer" more akin to a secret agent than any typical paparazzo. With their skewed angles, multilayered compositions, and moody lighting, his images have an immediacy and grit not often found in the work of professional party photographers. And what subjects! Diana Vreeland, Calvin Klein, Jack Nicholson, Richard Gere, Cher, Raquel Welch, Mick Jagger, Diane von Furstenberg, Barry Diller, Valentino, Yves Saint Laurent, Nan Kempner, Robert Rauschenberg, Roy Lichtenstein and always Warhol himself. Because space in Interview was limited, only a handful of Colacello's pictures were published each month. Most of those collected in Out have never been seen before.

Hardcover. Los Angeles, Chronicle Chroma, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 376 pages. This is the first comprehensive, large-format monograph of Bob Willoughby's photographs of film and television stars from the 1950s to the 1970s. Considered the first on-set still photographer in the film industry, Bob Willoughby photographed numerous movie stars of the era, including Audrey Hepburn, Marilyn Monroe, Jean Seberg, Elizabeth Taylor, Natalie Wood, Frank Sinatra, Cary Grant, Doris Day, James Dean, and many more. These stars continue to influence fashion and culture, from Baby Boomers all the way to Gen Z. The iconic celebrities and others featured have lasting presence, still gaining fans today via both social media and the availability of classic films through streaming channels.This compendium features vintage and never-before-seen photographs of the most beloved stars of film and television. Willoughby's images include many taken during the filming of classics such as THE GRADUATE, MY FAIR LADY, ROSEMARY'S BABY, and others. In addition to on-set photography, there are also many candid portraits of actors at home, such as those of Audrey Hepburn. This compendium includes both black-and-white and color photographs of some of the greatest icons from this Golden Age of Hollywood. DOMESTIC SHIPPING ONLY.

Hardcover. FR, Marval, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. color photographs featuring body tattoos and piercings. FRENCH TEXT.

hardcover. NY, Aperture, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 105 pages. Hardcover with dust jacket. Black & white photos by Klich. Review-slip laid-in. Essays by Cornell Capa and Bengt Borjeson. By combining his intimate and disturbing photographs with police and hospital records, handwritten notes left behind by Beth, and other texts, author Ken Klich searches for a rationale -what could cause this intelligent child to end up as a prostitute and drug addict?

Hardcover. Santa Fe NM, Twin Palms Pub, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages, Like new in publisher's shrink-wrap. In a series of intimate portraits infused with purpose, determination, and the physical and emotional struggles of intense training, Markus gives a more human face to a sport that rewards only those from its highest ranks. Far from the bright lights and stereotyped fame, these young fighters possess unrivaled dignity and grace.

Hardcover. Santa Fe NM, Twin Palms Pub, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages, Like new in publisher's shrink-wrap. In a series of intimate portraits infused with purpose, determination, and the physical and emotional struggles of intense training, Markus gives a more human face to a sport that rewards only those from its highest ranks. Far from the bright lights and stereotyped fame, these young fighters possess unrivaled dignity and grace.

Hardcover. NY, Assouline, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 190 pages, color plates. Step inside the fabulous lives of 40 architects, artists, designers, and writers to discover why they embody everything London is known for: wit, cutting-edge style, and glamour. Along with elegant photographs by Vanity Fair photographer Jonathan Becker are intimate anecdotes written by the people who know these bright young things best. In a bright, unclipped dust jacket.

Hardcover. New York, powerHouse Books, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, glazed boards, 160 pages. For over three years, writer Anthony LaSala and photographer Seth Kushner trekked tirelessly across the borough, documenting these charismatic characters in 'The Brooklynites,' a collection of images, interviews, and essays. Clean, bright copy. No dust jacket issued.

Hardcover. NY, Agrinde Publications, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in publisher's unclipped dust jacket, brown paper-covered boards over beige cloth spine, gilt lettering to spine, copiously illustrated with mostly full-page or two-page renderings of Davidson's photography, 167 pages, 11 1/4 X 11 3/4", 116 black and white photos. Introduction by Henry Geldzahler. Small ink notation on rear free endpaper otherwise clean.

Hardcover. NP, Daylight Books, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, oblong pictorial covers. Bull City Summer: A Season At The Ballpark unites a group of artists and documentarians (Hiroshi Watanabe, Alec Soth, and Hank Willis Thomas) around the 2013 season of minor league baseball in Durham, North Carolina, evoking an atmosphere described by The New York Times as "lazing out on the porch of a summer's night and meditating to your favorite ball team." INSCRIBED BY EDITOR STEPHENSON on the title page. Clean copy.

Softcover. Atglen PA, Schiffer , 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, b&w photos throughout. As the 1950s dawned, a new level of sexual openness developed in behavior and dress. In magazines and on beaches, women appeared in revealing two-piece bathing suits called bikinis. Bunny Yeager, model and commercial photographer, forged a unique role in 1952, photographing bikinis and the beautiful women who wore them. This collection of Bunny's work from the 1950s features 169 original photographs and featuring little known models and women she helped launch to fame, such as Betty Page. The bikinis they wore were often of Bunny's own creation, sewn with her own hands. Clean, bright copy.

Hardcover. NY, powerHouse Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 268 pages. A privileged witness to the glamorous spirit of the 1950s and 60s, Milton H. Greene photographed the greatest artists, actors, and personalities of the twentieth century, including Marilyn Monroe, Frank Sinatra, Grace Kelly, Marlene Dietrich, Sammy Davis Jr., Elizabeth Taylor, Cary Grant, Sophia Loren, Groucho Marx, Audrey Hepburn, Judy Garland, Lauren Hutton, Alfred Hitchcock, Sir Laurence Olivier, Ava Gardner, Steve McQueen, Claudia Cardinale, Paul Newman, Lauren Bacall, Dizzy Gillespie, and Catherine Deneuve, amongst countless others. Renowned for his fashion photographs, Greene perfectly captured the fantasy, elegance, and beauty of his models, for which he secured assignments from major national publications and prestigious advertising clients. But That's Another Story: A Photographic Retrospective of Milton H. Greene reproduces, in their original clarity and integrity, pictures that have been largely unavailable since Greene's death in 1985. Organized thematically, the book features both the widely published fashion and celebrity series (including the campaign Greene shot for American Airlines in the 1950s), and intimate backstage candids. A whole chapter is dedicated to photos of Marilyn Monroe, where some of her most iconic portraits mix with private moments from her life. Ultimately, Greene's photography invites us back to an era when film and fashion, art and style were at their highest.

Hardcover. New York, Oxford University Press, reprint, 1990, Book: Very Good, Dust Jacket: Good, 320 pages. Hardcover with dust jacket. Light edge wear to dust jacket. LIght chipping. Internally clean and tight.

Hardcover. Garden City, N.Y., 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover. Unpaginated, b&w photographs throughout, 2 photographs of Casals laid in. Light edge wear, rubbing to price-clipped dust jacket. Else a very clean, tight copy.