Hardcover. Flagstaff, Arizona, Northland Press, 2nd pr., 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 98 pages. INSCRIBED BY PERCEVAL with personal note to previous owner from him and his wife. Cover shows very light wear and soiling. Internally clean. Beautiful color and black & white sketches of Navajos and Arizona landscape. With a descriptive text by Clay Lockett.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, orange cloth with black lettering on the spine and front cover, in a bright dust jacket with edgewear and chipping, 365 pages. Rear dj lists to Betty Zane. No markings.

Softcover. Austin TX, University of Texas Press, reprint, 1982, Book: Very Good, Dust Jacket: None, Softcover, 260 pages, b&w photos. There have been very few directors in the history of Hollywood who have ever had as hard a time as Sam Peckinpah did. In a career that lasted only from 1961 to his death near the end of 1984, the man known (rather errantly) as Bloody Sam made only fourteen films--not exactly a large volume work. Despite this, however, and despite (or perhaps because of) his penchant for raising hell with studio heads and producers, Peckinpah was a never-a-dull-moment director. And when he wasn't doing that, he made himself a target for critics, both inside and outside of Hollywood, with his graphic and complex approaches to violence (his 1969 Western epic THE WILD BUNCH), while at the same time also numbering among his films two, largely non-violent gems in THE BALLAD OF CABLE HOGUE and JUNIOR BONNER that prove that the man was able to show sides of the human experience that didn't involve bullets or bloodshed.

Hardcover. Urbana IL, University of Illinois Press, 1st revised, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 410 pages. The book that re-established Peckinpah's reputation--now thoroughly revised and updated! When critics hailed the 1995 re-release of Sam Peckinpah's masterpiece, The Wild Bunch, it was a recognition of Paul Seydor's earlier claim that this was a milestone in American film, perhaps the most important since Citizen Kane. Peckinpah: The Western Films first appeared in 1980, when the director's reputation was at low ebb. The book helped lead a generation of readers and filmgoers to a full and enduring appreciation of Peckinpah's landmark films, locating his work in the central tradition of American art that goes all the way back to Emerson, Hawthorne, and Melville. In addition to a new section on the personal significance of The Wild Bunch to Peckinpah, Seydor has added to this expanded, revised edition a complete account of the successful, but troubled, efforts to get a fully authorized director's cut released. He describes how an initial NC-17 rating of the film by the Motion Picture Association of America's ratings board nearly aborted the entire project. He also adds a great wealth of newly discovered biographical detail that has surfaced since the director's death and includes a new chapter on Noon Wine, credited with bringing Peckinpah's television work to a fitting resolution and preparing his way for The Wild Bunch.This edition stands alone in offering full treatment of all versions of Peckinpah's Westerns. It also includes discussion of all fourteen episodes of Peckinpah's television series, The Westerner, and a full description of the versions of Pat Garrett and Billy the Kid now (or formerly) in circulation, including an argument that the label "director's cut" on the version in release by Turner is misleading. Additionally, the book's final chapter has been substantially rewritten and now includes new information about Peckinpah's background and sources.

Hardcover. NY, Dutton, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. 256 pages, Index. Maroon cloth, stamped in gilt. Copiously illustrated with watercolors by Karl Bodmer. Map on endpapers. The Firsthand Account of Prince Maximilian's Expedition Up the Missouri River, 1833-34. Wonderful color plates by Swiss-born Bodmer accompany extracts from Maximilian's text, enhanced by historical background from Thomas and Ronnefeldt. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Boston, Houghton Mifflin , reprint, 1932, Book: Very Good, Dust Jacket: None, Hardcover, beige cloth, 260 pages with 5 b&w illustrations by Henry J. Peck. Previous owners inscription on front fly. No dust jacket. Clean, tight copy.

Hardcover. New York , The Macmillan Co., 1st, 1898, Book: Very Good, Dust Jacket: None, Hardcover. A Story of Boys' and Girls' Life on the Frontier. 297 pages, six full-page black & white illustrations, top edge gilt. Spine faded, Last 10 pages with top edge of paper scuffed, frayed. Beautiful gilt drawing on red cover.

Hardcover. New York, Random House, First Edition, 1958, Book: Very Good, Dust Jacket: Good, 232 pages. Hardcover. Navy top edge. Toning throughout. Light foxing to endpapers. Original dust jacket with toning, faint foxing to inside edges, now protected with a plastic cover. Clean, tight copy.

Hardcover. New York, Charles Scribner's Sons, Reprint, 1925, Book: Good, Dust Jacket: None, 384 pages. Hardcover. Features 4 illustrations. Foxing to endpapers. Clean, tight copy.

Hardcover. New York, Burt Franklin, reprint, 1969, Book: Very Good, Dust Jacket: None, Reprint of the original 1898 edition. 15 b&w plates. Red cloth, gilt lettering to spine. Oblong. Spine somewhat loose, not affecting binding. Small stains near spine, else a very nice copy. No dust jacket.

Hardcover. New York, Charles Scribners Sons, 1st, 1929, Book: Good, Dust Jacket: None, 328 pages. Hardcover. Black & white illustrations by Will James. Green cloth covers with some small areas of spotting. Spine slightly cocked. Clean, tight copy.

Chicago, Wilcox and Follett, 1st, 1944, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth covers stamped in black. B&W illustrations by Milo Winter. 189 pages. Small bookstore stamp to front end papers otherwise very good. An "action-packed adventure story based on authentic history of early Illinois" set during the Black Hawk War. Clean copy.

Hardcover. NY, Charles Scribner's Sons, 1st, 1936, Book: Very Good, Dust Jacket: None, Hardcover, terra-cotta cloth with black titles. 312 pages, color frontis and b&w drawings by James. Letter "A" on the copyright page. Mild shelf wear. Previous owner's bookplate on the front leaf otherwise clean.

Hardcover. Amon Carter Museum of American Art, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 238 pages. The first artist to journey into the heart of the Rocky Mountains, Alfred Jacob Miller (1810-1874) executed more than 100 watercolor and pen-and-ink sketches during an expedition to accompany Scottish nobleman William Drummond Stewart. Strong examines how Miller tailored his work to suit the specific needs and interests of local American audiences and explores how his paintings helped promote a vision of Scottish aristocratic identity.

Hardcover. New York, Random House, First Edition, 1958, Book: Very Good, Dust Jacket: Good, 217 pages. Hardcover. Brown tweed cloth with brown & black printed titles to spine. Navy top edge. Toning to edges. Original dust jacket, bright with light toning & edgewear. Very clean & unmarked copy.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, tan cloth with black lettering on spine and front cover, dust jacket with edgewear and chipping, 278 pages. Rear dj lists to Wild Horse Mesa. Clean copy.

Hardcover. Kansas City, MO, Tell-Well Press, 1st, 1949, Book: Very Good, Dust Jacket: Very Good, Nonpaginated. Hardcover. Dust jacket unclipped and in protective brodart. Color illustrations throughout. decorated endpapers. Dust jacket has some age-yellowing. Cover boards decorated in same design as dust jacket. Small superficial tear to top of front cover at spine. Clean inside. In beautiful condition for its age.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, green tweed cloth with black lettering on spine, dust jacket with edgewear and chipping, 321 pages. Rear dj lists to Wild Horse Mesa. Clean copy.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, blue cloth with dark blue lettering on spine and front cover, dust jacket with edgewear and chipping, 349 pages. Rear dj lists to The Young Pitcher. Clean copy.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, orange cloth with dark green lettering and decoration to front cover, in a bright dust jacket with edgewear and chipping, 252 pages. Rear dj lists to The Last of the Great Scouts. No markings.

Softcover. Reno NV, University of Nevada Press, reprint, 1993, Book: Very Good, Dust Jacket: None, Softcover, 211 pages. Neider's novel has been praised as one of the great westerns of all time, up there with "Shane" and "The Ox-Box Incident". It loosely follows the facts of the Billy the Kid story, but it is not intended as a retelling of that story. It is written in the style of a person-to-person narrative as told by the man who shot the Kid. INSCRIBED BY NEIDER on the front fly leaf. Clean copy. First published in 1956, the book was the basis of Marlon Brando's only directing effort, "One-Eyed Jacks", which the author covers in his Preface.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, green cloth with dark blue lettering, decoration in a bright dust jacket with edgewear and chipping, 366 pages. Rear dj lists to Wild Horse Mesa. Name on front fly leaf in pencil, otherwise clean.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, orange cloth with black lettering on spine and decoration on front cover, dust jacket with edgewear and chipping, wraparound color art by Frank Street. 291 pages. Clean copy.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, brown cloth with black lettering on spine and front cover, dust jacket with edgewear and chipping, 377 pages. Dust jacket art and four b&w illustrations by W. H. D. Koerner. Bottom quarter of spine gone, short blue mark to front fly leaf, otherwise a clean copy.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, blue cloth with dark blue lettering on spine and front cover, dust jacket with edgewear and chipping, 314 pages. Rear dj lists to Wild Horse Mesa. Name and stamp to front fly leaf, otherwise clean.

Hardcover. NY, Grosset and Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, red cloth covers in a worn, chipped dust jacket. Previous owner's name on front fly leaf. 4 b&w illustrations by C.M. Relyea. James Oliver Curwood (1878 - 1927) was an American action-adventure writer and conservationist. His books were often based on adventures set in the Yukon or Alaska and ranked among the top-ten best sellers in the United States in the early 1920s.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, light blue cloth with dark blue lettering, in a bright dust jacket with light edgewear, chipping, 323 pages. Rear dj lists to Wild Horse Mesa. Small name on front fly leaf, otherwise clean.

Hardcover. Seattle, Fantagraphics, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 484 pages illustrated in color. In the 1950s, between his legendary EC work and his celebrated Marvel comics, John Severin joined with Mad artist Will Elder and Two-Fisted Tales writer Colin Dawkins to introduce a new level of historical accuracy to the comic-book Western. While Native Americans had generally been vilified or left in the shadows of gun-slinging cowboy heroes, the American Eagle stories featured in Prize Comics Western were built around action-packed tribal intrigues and a heroic Crow warrior.Collected here for the first time are all of the American Eagle stories drawn by Severin from Prize Comics Western #85-#113. Plus Severin-drawn stories featuring The Fargo Kid, Black Bull and The Lazo Kid. More than 55 exciting, gorgeous, Western tales of bullets vs. arrows, stampedes, tribal warfare, prospectors, buffalo hunters, broken treaties, gun battles, cavalry charges, wagon trains, and warriors on horseback. Thanks to Severin's famously exacting art, you'll be able to smell the leather and gunpowder. With commentary by comics historian Howard Leroy Davis. Clean, bright copy.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, blue tweed cloth with dark blue lettering on the spine, in a bright dust jacket with edgewear and chipping, 246 pages. Rear dj lists to Wild Horse Mesa. No markings.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, tan cloth with dark blue lettering, in a bright dust jacket with edgewear and chipping, 401 pages. Rear dj lists to Wild Horse Mesa. No markings.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, green cloth with an orange and black design of a woman astride a horse, in a bright wraparound dust jacket with light edgewear and chipping (featuring a Frank Tenney Johnson illustration). 336 pages plus publisher's ads, 4 b&w plates. Name in pencil on inside front cover. Otherwise clean.

Hardcover. NY, Ariel Books, 1st, 1953, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers stamped in black. A teenage boy's adventure on a cattle drive from Texas to Dodge City in the 1870s. B&w illustrations by Tom Leamon (Tom Lea? Looks like his work). Light shelf wear, no dust jacket, clean copy.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, blue cloth with black lettering in a bright dust jacket with edgewear and chipping, 335 pages. Rear dj lists to Wild Horse Mesa. Name on front fly leaf, otherwise clean.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, light blue cloth with dark blue lettering, in a bright dust jacket with edgewear and chipping, 302 pages plus publisher's ads. Rear dj lists to Wild Horse Mesa. No markings.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, brown cloth with black lettering, dust jacket with edgewear and chipping, 308 pages. Rear dj lists to Wild Horse Mesa. Missing front fly leaf, clean copy.

Hardcover. NY, Bloomsbury Publishing, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 336 pages, b&w illustration. INSCRIBED BY STRATTON on the title page. For the fiftieth anniversary of the film, W.K. Stratton's definitive history of the making of The Wild Bunch, named one of the greatest Westerns of all time by the American Film Institute. Sam Peckinpah's film The Wild Bunch is the story of a gang of outlaws who are one big steal from retirement. When their attempted train robbery goes awry, the gang flees to Mexico and falls in with a brutal general of the Mexican Revolution, who offers them the job of a lifetime. Conceived by a stuntman, directed by a blacklisted director, and shot in the sand and heat of the Mexican desert, the movie seemed doomed. Instead, it became an instant classic with a dark, violent take on the Western movie tradition. In The Wild Bunch, W.K. Stratton tells the fascinating history of the making of the movie and documents for the first time the extraordinary contribution of Mexican and Mexican-American actors and crew members to the movie's success. Clean copy.

NY, Henry Holt, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover. Color illustrations by Maria Cristina Brusca. Light edgewear to dust jacket. When a handsome city slicker shows up at the Z-Bar Ranch to borrow a horse, the cowboys there decide to make him the butt of a joke, offering him Zebra Dun, the meanest bucking bronco they have, in a colorful version of a traditional cowboy song.

Hardcover. Norman, Oklahoma, University of Oklahoma Press, 1st, 1966, Book: Very Good, Dust Jacket: Good, 315 pages, b&w illustrations. Spine slightly cocked. Pictorial dust jacket with light sunfading to spine; edge wear and light rubbing near extremities. Clean text.

Hardcover. New York , Charles Scribner's Sons, 1st, 1933, Book: Very Good, Dust Jacket: None, Hardcover, 338 pages, illustrated in b&w by James, green cloth covers with a black and gilt design. Square, bright copy with a small brownish stain to top inch of spine, Otherwise very good.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, light green cloth with dark green lettering in a bright dust jacket with edgewear and chipping, 309 pages. Rear dj lists to Betty Zane. Name on front fly leaf, otherwise clean.

Hardcover. NY, Harper & Bros., 1st, 1960, Book: Very Good, Dust Jacket: Very Good, Hardcover, 95 pages. Black & white drawings by Richard Floethe.

Hardcover. Chicago, Albert Whitman, 1st , 1944, Book: Very Good, Dust Jacket: None, Hardcover, 32 pages. Illustrated in color, B&W by Tousey. Color label on front cover. Color end papers, light edgewear to green cloth covers. Pencil inscription on front end paper.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, tan cloth with brown lettering on spine and front cover, dust jacket with edgewear and chipping, 301 pages. Rear dj lists Triangle Books. Inscription on front fly leaf, otherwise a clean copy.

Softcover. Fabrica, Deicide Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Softcover. Classic Italian film poster art is renowned as being among the most accomplished, creative and dynamic of its kind. From the post-war period through to the 1980s, Italian artists consistently produced posters with sumptuously stunning designs and imagery '' not least in the Western genre, where the invention of the ''Spaghetti Western'' gave abrasive new life to a dying form of cinematic narrative. ULTRA WILD WEST collects more than 80 film poster designs by a wide range of acclaimed Italian artists, in full-color, full-page reproductions showcasing some of the world''s most innovative and eye-blasting graphic artwork, enhanced by rare production photographs which bring the book''s total images to over 100. Clean, like new.

Hardcover. Philadelphia, John C. Winston Co., 1st, 1936, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth stamped in brown. Sperry's 1936 novel offers a different take on the "settlers going West" story by presenting it through the eyes of 15-year-old Jonathan Starbuck, who leaves Missouri with a wagon train heading to the west. 276 pages. llustrated by the author with b&w line drawings, and with endpapers in color. Clean copy.

Hardcover. Beverly Hills CA, Petersen Galleries, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, the original softcover catalog, bound in faux-leather boards with gilt lettering. 124 pages. 40 color plates, plus numerous black and white photographs. Published in conjunction with the exhibition, October 30 through November 28, 1981. Great reference on the topic and much information on some lesser-known artists. Small ink price on front fly leaf, otherwise clean and bright.

NY, Charles Scribner's Sons, 1st, 1906, Book: Good, Dust Jacket: None, Hardcover, red cloth with 3-color cowboy design on cover, 421 pages. Notable for the 4 color plates by N.C. Wyeth. Hinges cracked, pencil inscription on front fly leaf, spine faded, otherwise good.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, red cloth with black lettering on spine and front cover, dust jacket with edgewear and chipping, 321 pages. Clean copy.

Hardcover. Chicago, A.C. McClurg & Co., 1st, 1914, Book: Very Good, Dust Jacket: Good, Hardcover, 404 pages, color frontispiece and 3 duo-tone plates by J.N. Marchand. With the scarce dustjacket, light edgewear, chipping to corners. Previous owner's stamp on front fly leaf.

Hardcover. Racine WI, Whitman Publishing, 1956, Book: Very Good, Dust Jacket: None, Hardcover in glossy pictorial boards, illustrated by Robert Doremus. 282 pages. Tight, bright copy.