western

Softcover. NY, Frank Tousey, 1st, 1906, Book: Fair, Dust Jacket: None, Stapled wraps in color, worn, chipping, short tears to margins of cover but not affecting image. Cover art is bright. Owner's name written in ink above masthead. 30 pages, cheap pulp paper. Offered for cover art.

NY, Harper & Brothers, 1st, 1904, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with stamped colored cover illustration of a winter mountain scene framed by a holly leaf wreath. Top edge gilt. Thick card pages all have pictorial borders in soft pale yellow and black by Remington. Remington end papers, tissue covered frontis and two additional full page Remington plates. Christmas story featuring Lin McLean. Beautiful illustrated book. 92 numbered pages. Some rubbing/flecking to red cloth, especially spine and rear cover. Otherwise clean.

Hardcover. Lexington, University Press of Kentucky, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, paper-covered boards, 172 pages. One of the most innovative films ever made, Sam Peckinpah's motion picture The Wild Bunch was released in 1969. From the outset, the film was considered controversial because of its powerful, graphic, and direct depiction of violence, but it was also praised for its lush photography, intricate camera work, and cutting-edge editing. Peckinpah's tale of an ill-fated, aging outlaw gang bound by a code of honor is often regarded as one of the most complex and impactful Westerns in American cinematic history. The issues dealt with in this groundbreaking film-violence, morality, friendship, and the legacy of American ambition and compromise-are just as relevant today as when the film first opened. To acknowledge the significance of The Wild Bunch, this collection brings together some of the leading Peckinpah scholars and critics to examine what many consider to be the director's greatest work. The book's nine essays cover an array of topics. Explored are the function of violence in the film and how its depiction is radically different from what is seen in other movies, the background of the film's production, the European response to the film's view of human nature, and the strong sense of the Texas/Mexico milieu surrounding the film's action. Clean copy.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, red cloth with black lettering, dust jacket with edgewear and chipping, 310 pages. Rear dj lists to Wild Horse Mesa. Name, date on front fly leaf, otherwise clean.

Hardcover. New York, Morrow, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Illustrated in full color. Still in shrink wrap. Beautifully illustrated with 68 full color reproductions, several double page spreads and two foldouts. Impressive paintings of cowboys, Indians, buffalo, cavalry, mountain men, immigrant wagons, spectacular rock formations and vistas, etc. McCarthy was a successful book cover and movie poster illustrator before becoming one of our finest Western artists.

Hardcover. New York, Morrow, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Illustrated in full color. In a clean, bright dust jacket. A commercial artist who started out sketching in the 1930s for pulp magazines, Lovell advanced to the glossier "slicks" in the 1950s and has since specialized in Old West, Plains Indian, and Civil War themes. He here presents from that long career his best canvases, among them his famed depictions of Lee's surrender and the Fifty-fourth Massachusetts' assault (in film, the climax of Glory). His spark of inspiration is usually to visualize an incident he has read of in the journals of the first white explorers and trappers, such as those of Lewis and Clark. Whether it's Clark firing his rifle or Indians encountering a cannon lost by Fremont, Native Americans are generally presented as wary but curious about the newcomers; Lovell puts the warfare outside of the frame. Themes aside, he works expertly with natural color, and though not a modern George Caitlin, his attention to the detail of Indian dress, carriage, and equipage is quite affecting, fully reflective of his respect for the cultures of Apache, Sioux, etc. A rich tribute to a captivating artist who evokes the West's vast landscape and its individual braves and traders in moods of exuberance and perseverance.

Softcover. Missoula MT, Mountain Press , 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 110 pages, profusely illustrated with photos. "The rugged, lonesome life of the rodeo cowboy is captured in Rosamond Norbury's spectacular photographic journey. This isn't a book full of tall tales or flashy rhinestones; it's about real people making a hard living at a very difficult and dangerous job." Clean, bright copy.

Hardcover. Chicago, A.C McClurg & Co., 1st, 1907, Book: Very Good, Dust Jacket: None, Hardcover, 341 pages plus publisher's ads. Color frontispiece by N.C Wyeth. Beige ribbed cloth stamped with a 3-color decoration. Light shelf wear, overall very good, clean.

Softcover. Phoenix, AZ, Phoenix Art Museum, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog. 181pages, illustrated throughout in color and b&w. Gray pictorial stiff wrappers. Light wear to edges and spine, else like enw.

NY, Charles Scribner's Sons, 1st, 1931, Book: Good, Dust Jacket: None, Hardcover, yellow cloth stamped in black and red. James' story of a boy and a horse, born on the same day, who together grow "Big-Enough for most anything" --a delightful tale for readers of all ages. "A" on copyright page. Cloth is soiled and worn, frayed at edges. Owner's name on front fly leaf. some waviness to pages in rear. Binding tight.

Softcover. Fort Worth, TX, Northland Press, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 129 pages, b&w and color illustrations. Light rubbing to spine, else a very clean, tight copy.

Hardcover. Philadelphia, Penn Publishing Company, 1st, 1921, Book: Very Good, Dust Jacket: None, Hardcover, dark green cloth with color paste down on front cover with gilt lettering, 303 pages. Color frontispiece, 4 b&w plates and numerous line drawings by Henry Pitz. "This is the story of the experiences of two boys in the Sierra Nevada mountains in Lassen and Plumas Counties, California. Their adventures take them from Jamesville, a small mining town, up over Old Baldy to Eagle Lake and that spur of the range in which the lake is held."Clean copy.

Hardcover. New York, Harper & Brothers, reprint , 1923, Book: Very Good, Dust Jacket: None, Hardcover, 274 pages. Illustrated with full color and black & white plates by Frederic Remington. Brown paper covered boards with cover pastedown of Remington drawing. black cloth spine. Copyright page with 1923 date and Harper's G-B code indicating later printing of 1st edition. Light foxing to outer edges of some pages and plates. Fraying to cloth at top of spine. Light darkening of pages close to gutter. Still an attractive copy.

Hardcover. New York, Charles Scribner's Sons, Reprint, 1926, Book: Very Good, Dust Jacket: None, 379 pages. Brown pictorial cover, gilt design, gilt lettering on spine. 10 color Illustrations by H. T. Dunn. Frontispiece illustration. Ilustrated end papers. Small pen marking on front end paper.

Hardcover. NY, Frederick A. Stokes, 1st, 1924, Book: Very Good, Dust Jacket: None, Hardcover. Color frontispiece by Howard Hastings, repeated on cover label. Dark blue cloth covers. Previous owner's signature on front fly leaf otherwise clean, tight.

Hardcover. New York, Grosset & Dunlap, Reprint, 1923, Book: Very Good, Dust Jacket: Good, 301 pages. Hardcover. Orange cloth covered boards with black graphic & orange titles to cover & spine. Frontis illustration, "....Let that hand down slowly, keeping it away from that gun," in black & white. Original dust jacket with the same illustration in full color, tears to edges, now protected with a plastic sleeve. Tight binding, light age toning, clean & unmarked pages throughout.

Hardcover. New York, Dodd Mead, 1st, 1956, Book: Very Good, Dust Jacket: None, Hardcover, 277 pages, black cloth spine over beige color boards. Lettering on spine faded, light fraying to top of spine. Front pastedown with previous owner's bookplate and small bookstore sticker. Otherwise clean, tight copy of a scarce book.

Hardcover. Englewood Cliffs, NJ, Prentice-Hall, 1st, 1971, Book: Very Good, Dust Jacket: Good, 150 pages. Hardcover with dust jacket. Black and white pictures throughout. Light edgewear to covers, dust jacket covered in plastic sleeve.

Softcover. Washington D.C., The Smithsonian Institution Press, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog, 127 pages, 74 B&W plates throughout. Edgewear to cover. Small blemish to front of wrapper. Otherwise a very clean and tight copy.

Hardcover. New York, Abrams, Revised Ed., 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 296 pages, illustrated throughout with 80 plates in full color and numerous illustrations in b&w. Clean, unmarked copy with only minor wear to dust jacket. The author, Frederic G. Renner, was a good friend of the artist, and devoted nearly 35 years to collecting and studying Russelliana.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, blue cloth with black lettering in a bright dust jacket with edgewear and chipping, 309 pages. Rear dj lists to Betty Zane. Name on front fly leaf, otherwise clean.

Hardcover. Boston, Houghton Mifflin, 1st, 1922, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in light blue, 318 pages. 1922 on title page so true first. Novel about cowboys and a copper mountain written by an actual cowboy. Spine faded, clean copy.

Softcover. Watertown MA, Charlesbridge Publishing, 1st pbk, 2009, Book: Very Good, Dust Jacket: None, Softcover, oblong format. A cowboy poet who can't rope, whip, or ride? who ever heard of that? Slim knows he could be a real cowboy if the ranch hands would just give him a chance. Action-filled color drawings by Apple capture the excitement of a cattle run to Dodge City. Clean copy.