Film & Movies

Hardcover. New Rochelle NY, Arlington House, 1st, 1973, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jackrt. 347 pages including index, 92 b&w photos. Introduction by Frank Capra. Memoirs by the director of "The Postman Always Rings Twice". Clean copy.

Hardcover. Cinecitta Holding, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 174 pages. Illustrated in color and b&w. Text in Italian and English. Clean copy.

Hardcover. Metuchen NJ, Scarecrow Press], 1st, 1984, Book: Very Good, Dust Jacket: None, Hardcover, brick-red cloth with white lettering, no dust jacket issued. 508 pages. Text illustrations. Study covers period between Dziga Vertov's Man with a Movie Camera and documentary-movement associated with the Sandanista Revolution. This anthology of 25 articles is both historical and cross- cultural, covering the pioneering period of the twenties and thirties and the dynamic growth of committed documentary since the sixties; recent feminist initiatives in North America and Britain; committed documentary in the Third World over the last 25 years; the use of film within the American 'New Left;' and the particular problematic of radical film distribution. Contributors include such well-known activists and scholars as Joan Braderman, Julianne Burton, Guy Hennebelle, John Hess, Claire Johnstone, E. Ann Kaplan, Chuck Kleinhans, Julia Lesage, Steve Neale, Bill Nichols, Anand Patwardhan, and Paul Willemen. Filmmakers and collectives discussed include Dziga Vertov, Joris Ivens, Jean Renoir, Frontier Films, Newsreel, Chris Marker, Barbara Kopple, JoAnn Elam, Michelle Citron, Shinsuke Ogawa, Fernando Birri, Patricio Guzman, Santiago Alvarez, Fernando Solanas, Jean-Luc Godard, Anand Patwardhan, and the Nicaraguan Studio 'Incine.'Clean copy.

Hardcover. NY, Abrams Press, 2nd pr., 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The list of films Irwin Winkler has produced in his more-than-fifty-year career is extraordinary: Rocky, Goodfellas, Raging Bull, De-Lovely, The Right Stuff, and Creed. His films have been nominated for fifty-two Academy Awards, including five movies for Best Picture, and have won twelve. In this charming and insightful memoir, Winkler tells the stories of his career through his many films as a producer and then as a writer and director, charting the changes inHollywood over the past decades. Clean copy.

Hardcover. NY, Holt, Rinehart and Winston, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 341 pages, b&w photos. In a nice, unclipped dust jacket. From Margaret Drabble: "[Bogarde]...is also a lively and interesting writer; his books are in a different class from the ghosted, pedestrian or anecdotal memoirs which so many stars of stage and screen produce..."

Hardcover. London, Faber and Faber, 1st, 1993, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket. 240 pages, b&w illustrations. "For 35 years Louis Malle has pursued a varied and successful career in cinema. In this book, he discusses his development as an artist and the controversies aroused by his films dealing with subjects like child prostitution, incest and wartime collaboration." Clean copy.

Hardcover. London/New York , Faber and Faber, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 164 pages, b&w illustrations. Clean, bright copy in a similar dust jacket.

Softcover. New York, Warner Brothers, N/A, n/a, Book: Very Good, Dust Jacket: None, Paper wrappers, screenplay xeroxed on 3-hole punched paper and bound with metal brads. No draft mentioned, no date, 146 pages. Probably a pirated copy. Clean, very good.

Hardcover. Berkeley CA, University of California, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 310 pages, b&w photos. In a bright, unclipped dust jacket.

Hardcover. NY, Doubleday, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover, 318 pages, b&w photos. Dust jacket bright, unclipped. Light shelf wear. Previous owner's sticker on front fly leaf.

Hardcover. New York, Crown Publishers, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 463 pages, b&w illustrations. What do you need to make money making movies? The answer, according to cult hero, creator of the sexploitation film, and the man the Wall Street Journal once dubbed the King Leer of Hollywood, Russ Meyer, is: "big bosoms and square jaws." In the first candid and fiendishly researched account of the late cinematic instigator's life, Jimmy McDonough shows us how Russ Meyer used that formula to turn his own crazed fantasies into movies that made him a millionaire and changed the face of American film forever.

Softcover. Beverly Hills CA, MGM/Brooksfilms, N/A, 1981, Book: Very Good, Dust Jacket: None, Orange title wrappers, rubber-stamped copy No. 199, dated August 3, 1981, with credits for screenwriter Steinberg and director Benjamin, and producer Michael Gruskoff. Title page present, dated August 3, 1981, noted as FINAL DRAFT, with a credit for screenwriter Steinberg. 119 leaves, photographically reproduced, with the last leaf of text numbered 117. Pages and wrapper Near Fine, bound with two gold brads. Shot on location in New York City. O'Toole received an Oscar nomination for his role.

Softcover. Detroit, Wayne State University, reprint, 2010, Book: Very Good, Dust Jacket: None, Softcover, 280 pages. Originally published in 1977 and long out of print, Maurice Yacowar's Hitchcock's British Films was the first volume devoted solely to the twenty-three films directed by Alfred Hitchcock in his native England before he came to the United States. As such, it was the first book to challenge the assumption that Hitchcock's 'mature' period in Hollywood, from the late 1940s to the early 1960s, represented the director's best work. In this traditional auteurist examination of Hitchcock's early work, author Maurice Yacowar considers Hitchcock's British films in chronological order, reads the composition of individual shots and scenes in each, and pays special attention to the films' verbal effects.Yacowar's readings remain compelling more than thirty years after they were written,

Hardcover. Atlanta, Turner Publishing, 1st, 1994, Book: Very Good, Dust Jacket: None, Hardcover in a bright dust jacket, 192 pages. Illustrated in color and b&w. Showcases some of the greatest cartoons of all time, including characters from Disney, Warner Brothers, Fleischer Studio, Walter Lantz, MGM, and others. A bright, clean copy that has a light smoker's odor.

Hardcover. NY, Alfred A. Knopf, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, tape-repaired dust jacket. 343 pages plus index, b&w photos. An intimate no-holds-barred light and dark portrait of the Norwegian soprano Kirsten Flagstad from her first Metropolitan operas house performance through her career and retirement and more. Written by her accompanist- and often her orchestral conductor. Front fly leaf clipped, otherwise clean, tight copy.

Hardcover. NY, Exposition Press, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket, 115 pages. Foreword by Carl Sandburg, The story of the original Ellie May of Tobacco Road for 2,013 performances. Clean copy.

Hardcover. NY, W. W. Norton & Company, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Written by two members of archaeological expeditions which have excavated at Caesarea, the ancient city on the coast of Israel built by Herod the Great, this book tells the story of the great city, from its beginnings to its destruction in the 13th century. Readers discover this past through archaeologists' eyes, as the text considers not only artifacts and written sources but the processes by which archaeologists reconstruct the past. A companion volume to a traveling exhibition of Caesarean artifacts, this is very highly recommended for both its clarity and creativity. 244 pages illustrated in color plus index. Clean.

Hardcover. NY, Regan Arts, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. The never-before-published edition of Francis Ford Coppola's notes and annotations on The Godfather novel by Mario Puzo reveals the story behind one of the worlds most iconic films. The most important unpublished work on one of the greatest films of all time, The Godfather, written before filming, by the man who wrote and directed it-Francis Ford Coppola, then only thirty-two years old-reveals the intense creative process that went into making this seminal film. With his meticulous notes and impressions of Mario Puzos novel, the notebook was referred to by Coppola daily on set while he directed the movie. The Godfather Notebook pulls back the curtain on the legendary filmmaker and the film that launched his illustrious career. Complete with an introduction by Francis Ford Coppola and exclusive photographs from on and off the set, this is a unique, beautiful, and faithful reproduction of Coppolas original notebook. Clean, bright copy.

Softcover. Durham NC, Duke University Press, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 340 pages, b&w illustrations. Various critics continue the film lovers' ongoing conversation about the low, the bad, and the sleazy face of cinema, this book examines the ineffable quality of "sleaze" in relation to a range of issues, including the production realities of low-budget exploitation pictures and the ever-shifting terrain of reception and taste.

Softcover. NY, Marlowe and Company, reprint, 1988, Book: Very Good, Dust Jacket: None, Softcover, 337 pages, b&w photos. More a biography than a study of Fellini's films. Alpert is the author of various books on screen and stage personalities. Clean copy.

United Artists, 1939, Book: Very Good,

Hardcover. NY, H.N. Abrams, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. On-set photographs and reminiscences of the the making of the film White Nights, starring Mikhail Baryshnikov, Isabella Rossellini, and Gregory Hines. Photographs and text by Eve Arnold, Anthony Crickney, Josef Koudelka, and Terry O'Neill; introduction by filmmaker Taylor Hackford. 176 pages; 110 color and 65 b&w plates. Clean copy.

Hardcover. New York, Harry N. Abrams, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. Large format, profusely illustrated review of Polanski's films, from Knife in the Water (1962) to Carnage (2011). Over 200 color and black-and-white images.Light edgewear to dust jacket, else a clean, tight copy.

Softcover. NY, Overlook Books, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 281 pages. Slight wear to wraps, otherwise, clean and tight copy.

Hardcover. Englewood Cliffs NJ, Prentice-Hall, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. A different way of looking at movies. Designed by Mel Byars. 188 pages, index, numerous illustrations. Great movie trivia.

Hardcover. New York , Taschen, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes in a slipcase. Like new in publisher's shrink-wrap. Presents the most memorable movies of the 1990s into a list of 100 titles from around the world. Packed full of photos and film stills, this title features: four to ten pages for each film; list of Academy and film festival awards; bloopers, trivia, memorable lines, gossip; and actor, director, subject, and title indexes. NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Abrams Books, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover with pictorial boards, 336 pages. This New York Times bestselling overview of Wes Anderson's filmography features previously unpublished behind-the-scenes photos, artwork, and ephemera, with an introduction by Michael Chabon. Writer/director Wes Anderson guides movie/television critic Matt Zoller Seitz through Anderson's life and career in a hardcover book-length conversation, woven together with original illustrations and production images from Bottle Rocket, Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou, The Darjeeling Limited, Fantastic Mr. Fox, and Moonrise Kingdom.The result is a meticulously designed book that captures and reflects the spirit of Wes Anderson's movies: melancholy, playful, wise, and wonderfully unique.

Atgen PA, Schiffer, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 144 pages illustrated in color and b&w. In 1942, Ed Vebell landed with the US Army in North Africa and was recruited by Stars & Stripes, the US armed forces newspaper, as their official staff artist. Daily, he drew illustrations and reported on the progress of World War II throughout Europe. This book offers a selection of his sketches, drawings, paintings, and photographs from that time, and presents one artist's view of the war from North Africa, through the campaigns in Italy, France, and Germany. After the war, the author spent two weeks with the Russians in Berlin, and was then assigned as the courtroom artist during the Nuremberg War Crimes Trials. Along the way are Ed's reminiscences about such personalities as famed war correspondent and artist Bill Mauldin, singers Josephine Baker and Edith Piaf, Charles de Gaulle, Gen. Teddy Roosevelt Jr., and many others. Ed also reminisces about his two years photographing backstage at the Folies Bergere in Paris, as well as his time as an Olympic fencer. Clean copy.

Hardcover. Chicago, University of Chicago Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In this daring reexamination of the connections between national politics and Hollywood movies, Lary May offers a fresh interpretation of American culture from the New Deal through the Cold War and one in which a populist, egalitarian ethos found itself eventually supplanted by a far different view of the nation. Clean copy.

Hardcover. NY, Filipacchi, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 408 pages, 700 black and white photographs. Foreword by John Lithgow. Introduction by Jean-Louis Ginibre. Index and Credits. Female impersonators in motion pictures.

Softcover. NY, Taschen, 1st, 2019, Book: Very Good, Dust Jacket: None, Softcover. Barry Lyndon is a cinematic masterwork without equal. At first misunderstood upon its 1975 release, it is now widely considered to be one of Kubrick's finest achievements. Each set in TASCHEN's Making of a Masterpiece series comes in a deluxe LP sized folio and includes a DVD of the remastered film, the original poster, essays, interviews, and extensive behindthescenes materials from Kubrick's archives. Based on William Makepeace Thackeray's picaresque novel of 1844, Barry Lyndon tells the story of a social-climbing opportunist (Ryan O'Neal) who succeeds in marrying a beautiful aristocrat far above his social station (Marisa Berenson), only to see his gains eventually undone by avarice and spite. Meticulously conceived and sumptuously photographed-using a specially-modified lens and almost exclusively lit by candles and natural light-Barry Lyndon is at once a satirical and sympathetic portrayal of a strangely endearing antihero. (Because "he has charm and courage," said Kubrick, "it's impossible not to like him despite his vanity, his insensitivity, and his weakness.")

Softcover. London, Hansom Books, 1st, 1962, Book: Very Good, Dust Jacket: None, Softcover magazine, stapled wrappers, 82 pages, b&w illustrations. Tape repair to rear cover otherwise clean.

Hardcover. NY, Wynwood Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, b&w photos. In a bright, unclipped dust jacket. Rozsa was both a classical composer and extremely successful Hollywood film composer. Hence the title. He scored such films as Ben Hur, El Cid and Lust for Life and many others.

Softcover. NY, E.P. Dutton, 1st, 1973, Book: Good, Dust Jacket: None, Softcover, unpaginated, b&w plates. Illustrated with stills from the 1924 film. compiled and annotated with a foreword by Herman Weinberg. Probably Stroheim"s best remembered work as a director is Greed, a detailed filming of the novel McTeague by Frank Norris. Previous owner's name inside front cover, otherwise clean. Light soiling to wrappers, shelfwear.

Hardcover. New York, Universe Books, 1st, 1975, Book: Very Good, Dust Jacket: Good, 256 pages. Hardcover. Illustrated with 1,500 black & white frame blow-ups, and the entire dialogue. Dust jacket worn with curling/tears along edges. Clean, tight copy.

Hardcover. New York , The Museum of Modern Art, 1st, 2006, Book: Very Good, Dust Jacket: None, 375 pages, many b&w, some color illustrations. A stunning catalog from the world-renowned film archives of The Museum of Modern Art, New York. From Charlie Chaplin to Andy Warhol to Martin Scorsese, Still Moving contains over 500 stills from silent, documentary, animated, avant-garde, independent and Hollywood movies, representing the complete art and history of the moving image. Color printed boards.

Hardcover. NY, Overlook Duckworth, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages, b&w photos. Very good in a bright dust jacket.

Hardcover. NY, Atria Books, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. In this genre-defying work of cultural history, the chief film critic of Slate places comedy legend and acclaimed filmmaker Buster Keatons unique creative genius in the context of his time. Born the same year as the film industry in 1895, Buster Keaton began his career as the child star of a family slapstick act reputed to be the most violent in vaudeville. Beginning in his early twenties, he enjoyed a decade-long stretch as the director, star, stuntman, editor, and all-around mastermind of some of the greatest silent comedies ever made, including Sherlock Jr., The General, and The Cameraman. Even through his dark middle years as a severely depressed alcoholic finding work on the margins of show business, Keatons life had a way of reflecting the changes going on in the world around him. He found success in three different mediums at their creative peak: first vaudeville, then silent film, and finally the experimental early years of television. Remainder mark on top edge, otherwise like-new.

Hardcover. NY, Harper & Row, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 435 pages, b&w illustrations. An illustrated world history of the Yiddish theatre covering five continents and more than 300 years. Mild wear to rear panel of dust jacket, clean copy.

Softcover. Hanover NH, Wesleyan University Press, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 542 pages. Now, Voyager, Stella Dallas, Leaver Her to Heaven, Imitation of Life, Mildred Pierce, Gilda ...these are only a few of the hundreds of "women's films" that poured out of Hollywood during the thirties, forties, and fifties. The films were widely disparate in subject, sentiment, and technique, they nonetheless shared one dual to provide the audience (of women, primarily) with temporary liberation into a screen dream--of romance, sexuality, luxury, suffering, or even wickedness--and then send it home reminded of, reassured by, and resigned to the fact that no matter what else she might do, a woman's most important job was...to be a woman. Now, with boundless knowledge and infectious enthusiasm, Jeanine Basinger illuminates the various surprising and subversive ways in which women's films delivered their message. Basinger examines dozens of films, exploring the seemingly intractable contradictions at the convoluted heart of the woman's genre--among them, the dilemma of the strong and glamorous woman who cedes her power when she feels it threatening her personal happiness, and the self-abnegating woman whose selflessness is not always as "noble" as it appears. Basinger looks at the stars who played these women and helps us understand the qualities--the right off-screen personae, the right on-screen attitudes, the right faces--that made them personify the woman's film and equipped them to make believable drama or comedy out of the crackpot plots, the conflicting ideas, and the exaggerations of real behavior that characterize these movies.

Hardcover. US, Walt Disney Family Foundation Press, 1sr, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 351 pages. Clean, unmarked copy with only minor wear to dust jacket. Black and white & color photographs. In 1940, Walt Disney released his second feature film: Pinocchio, based on Carlo Collodi's 1883 Italian children's novel. The film was groundbreaking: it pioneered the latest animation and sound technology of the era, and established a blueprint for Disney filmmaking that remains intact today. It became the first animated feature to win a competitive Academy Award® (in fact, it won two), and earned a place on the roster of the National Film Registry.

Hardcover. NY, Clarkson N. Potter, 1st, 1961, Book: Very Good, Dust Jacket: Good, Hardcover in a bright dust jacket that has some closed tears repaired on the reverse side. A pictorial history of American movie palaces which sprung up after the end of Prohibition and ended by the time of the Great Depression. Per the jacket flap, ". . .the Golden Age of Movie Palaces. . .swept in on a floodtide of splendor, fantastic architecture, music, laughter and dreams." With dozens of black & white photos and illustrations showing the interiors and exteriors of some of these palaces, and many of the actors, theatergoers, advertisements and marquees of them. Also with a few pages of color illustrations showing painted designs for some of the theaters. --- In full red cloth-covered boards with spine titling in yellow. Foreword by Bosley Crowther. Clean copy.

Softcover. Surrey UK, FAB Press, 4th pr., 2022, Book: Very Good, Dust Jacket: None, Softcover, 192 pages, b&w illustrations. A mind-melting compilation of gonzo writing, illustration and comics about the most insane, sexy, awkward, cheesy, hilarious, upsetting and jaw-dropping movies in the history of film, 'Cinema Sewer' joyously celebrates the sleaziest aspects of the moviegoing experience, whilst delving deep into bizarre cinematic history. Adults only material. Like new copy.

Softcover. UK, FAB Press, 3rd pr., 2024, Book: Very Good, Dust Jacket: None, Softcover, 191 pages illustrated in b&w. A mind-melting compilation of gonzo writing, illustration and comics about the most insane, sexy, awkward, cheesy, hilarious, upsetting and jaw-dropping movies in the history of film, Cinema Sewer joyously celebrates the sleaziest aspects of the moviegoing experience, whilst delving deep into bizarre cinematic history. Author and comic artist Robin Bougie takes a dive to the bottom of the cesspool of sexploitation, doing so in a distinctive manner that has made him famous amongst a loyal following of cult film fans. Issues 17 to 20 of this celebrated underground smash magazine are exhaustively revised and collated in this third wild volume, together with an additional 80 pages of never-before-seen interviews, rants, comics, hard-to-find classic movie advertising, and graphic illustrations by Bougie and a host of his talented friends from both the comic book and animation industries. Clean copy.

Softcover. Beverly Hills CA, EMI Films, N/A, 1979, Book: Very Good, Dust Jacket: None, Softcover, 139 pages, three-hole punched photocopied screenplay for the 1980 movie starring Angela Lansbury and Edward Fox, directed by Guy Hamilton. Title page states 2nd Draft and is dated September 1979. The final screenwriter credit added Barry Sandler. Dark blue plastic cover with title lettered on bottom edge and on tape stuck to spine. Otherwise very clean.

Hardcover. Urbana IL, University of Illinois Press, 1st revised, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 410 pages. The book that re-established Peckinpah's reputation--now thoroughly revised and updated! When critics hailed the 1995 re-release of Sam Peckinpah's masterpiece, The Wild Bunch, it was a recognition of Paul Seydor's earlier claim that this was a milestone in American film, perhaps the most important since Citizen Kane. Peckinpah: The Western Films first appeared in 1980, when the director's reputation was at low ebb. The book helped lead a generation of readers and filmgoers to a full and enduring appreciation of Peckinpah's landmark films, locating his work in the central tradition of American art that goes all the way back to Emerson, Hawthorne, and Melville. In addition to a new section on the personal significance of The Wild Bunch to Peckinpah, Seydor has added to this expanded, revised edition a complete account of the successful, but troubled, efforts to get a fully authorized director's cut released. He describes how an initial NC-17 rating of the film by the Motion Picture Association of America's ratings board nearly aborted the entire project. He also adds a great wealth of newly discovered biographical detail that has surfaced since the director's death and includes a new chapter on Noon Wine, credited with bringing Peckinpah's television work to a fitting resolution and preparing his way for The Wild Bunch.This edition stands alone in offering full treatment of all versions of Peckinpah's Westerns. It also includes discussion of all fourteen episodes of Peckinpah's television series, The Westerner, and a full description of the versions of Pat Garrett and Billy the Kid now (or formerly) in circulation, including an argument that the label "director's cut" on the version in release by Turner is misleading. Additionally, the book's final chapter has been substantially rewritten and now includes new information about Peckinpah's background and sources.

Hardcover. NY, Harper Business/ Harper Collins , 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 532 pages, b&w photos. In a bright, unclipped dust jacket. Notes and Sources. Bibliography. Index. This is a story of loyalty and betrayal, a multigenerational saga that culminates in the emergence of Michael Ovitz and his Creative Artists Agency as the dominant force in Hollywood. Good in very good dust jacket. Clean copy.

Hardcover. NY, Holt Rinehart Winston, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 268 pages, illustrated with b&w photos and the author's pen sketches. Dust jacket with light shelf wear, clean copy.

New York, Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 191 pages. Color and black & white photography and illustrations. "Chicken Run" is the first feature from Aardman Animation, the animation studio responsible for the award-winning "Wallace & Gromit" films. This book tells the complete story of the making of this epic adventure, taking the reader into Aardman's magical world.

Columbia Pictures, 1979, Book: Very Good, Two glossy photos of the actress/dancer: one in color, one in b&w.