Out-of-Print Film & Movie Books - pg. 4 including Images - My Life in Filmby: Ingmar Bergman

Hardcover. London, Bloomsbury, 1st UK, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 441 pages. An analysis of the cinematic work of Ingmar Bergman by the director himself. Using scripts, working notes and memory, he comments on his failures as well as his successes; the themes that bind his work together; his concerns and anxieties; and on the relationship between his life and art. Clean copy.

Hardcover. NY, Chelsea House, 1st, 1976, Book: Very Good, Dust Jacket: None, Hardcover, oblong pictorial boards, no dust jacket. When explicit images of sex were taboo, stag films secretly shows generations of men everything they wanted to know about sex but were afraid to ask. Here is a richly illustrated nostalgic history of dirty movies, how, when and why they were made. Rather scolarly text with extensive Bibliography and Filmography. No marking.

Hardcover. NY, Doubleday/Dolphin, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 191 pages. Collects articles, interviews, photos on The- Not-Ready-For-Prime-Time-Players: Chevy Chase, Garrett Morris, Laraine Newman, Gilda Radner, John Belushi, Dan Aykroyd, Jane Curtin, Bill Murray and some of the guests: Candice Bergen, Steve Martin, Paul Simon, Lily Tomlin, more. Photos by Edie Baskin. Filled with bios and photos in color and b & w of the early days of Saturday Night Live. Clean copy.

Softcover. NY, Viking Press , 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 148 pages. Lehman's Oscar nominated screenplay for Hitchcock's great 1959 film. Illustrated with 25 b&w stills. Name on front fly leaf otherwise clean, sharp copy.

Hardcover. NY, Flatiron, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 397 pages. Wasson for the first time peels off layers of myth to provide the true account of its creation. Looming over the story of this classic movie is the imminent eclipse of the '70s filmmaker-friendly studios as they gave way to the corporate Hollywood we know today.

Softcover. NY, Avon Books, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, pictorial green wrappers, 124 pages. Black/white photos and illustrations. Reproductions of skit scripts and other ephemera from the early years of the TV show. Small notation on inside front cover, otherwise clean.

Hardcover. NY, Bounty Books , 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. A study of censorship in the cinema. Many illustrations, a few in color. 112 pages. Small ink note on half-title page, otherwise clean.

Hardcover. Chronicle Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 160 pages. Explores the artistic vision upon which the film of an ambitious rat was built with a concept art, including storyboards, full-colour pastels, pencil sketches, maquettes, and others. This book includes extensive quotes from the artists and production team and a foreword by director Brad Bird. 300 plates in color.

Hardcover. NY, Harpercollins , 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 509 pages, color photos. Woke Up This Morning is the definitive behind-the-scenes history of the groundbreaking HBO series that became a worldwide cultural phenomenon, ushered in a new Golden Age of Television, and to this day continues to be one of the most binged shows of all time. Michael and Steve tell all the incredible stories that The Sopranos fans have been waiting to hear for over twenty years. The book covers the entire history of The Sopranos series from the original concept pitch and casting to the infamous cut to black. Clean copy.

Hardcover. NY, Abrams, 1st, 2021, Book: Very Good, Dust Jacket: None, Two large hardcovers in a slipcase, 512 pages. The Story of Marvel Studios is the first-ever, fully authorized, all-access history of Marvel Studios' creation of the Marvel Cinematic Universe, as told by the producers, writers, directors, concept artists, VFX artists, cast, and crew who brought it to life. Year-by-year, project-by-project, the studio's founding and meteoric growth are described through detailed personal stories, anecdotes, and remembrances of noteworthy challenges, breakthrough milestones, and history-making successes. Featuring archival materials, concept art, film stills, memorabilia from cast and crew, and rare promotional art, these volumes will take fans on a journey through Marvel Studios' creative challenges, breakthroughs, and successes of the past decade. These visuals are joined by exclusive interviews with key producers, studio heads, and core cast members such as Kevin Feige, Robert Downey Jr., Scarlett Johansson, Samuel L. Jackson, Chris Evans, and more. Clean, bright set.

Hardcover. NY, Knopf, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 592 pages, b&w illustrations. Samuel Fuller, independent director-producer extraordinaire, tells the story of his life, a life that spanned most of the twentieth century. His twenty-nine tough, gritty pictures made from 1949 to 1989 set out to capture the truth of war, racism, and human frailties, and incorporate some of his own experiences. He writes of his years in the newspaper business--selling papers as a boy on the streets of New York, working for Hearst's New York Journal American, first as a copyboy, then as personal runner for the famous Hearst editor in chief Arthur Brisbane. His film Park Row was inspired by his years as a reporter for the New York Evening Graphic, where his beat included murders, suicides, state executions, and race riots--he scooped every other New York paper with his coverage of the death by drug overdose of the legendary Jeanne Eagels. Fuller talks about directing his first picture (he also wrote the script), I Shot Jesse James . . . and how, as a result, he was sought after by every major studio, choosing to work for Darryl Zanuck of Twentieth Century Fox. We see him becoming one of the most prolific, independent-minded writer-directors, turning out seven pictures in six years, among them Pickup on South Street, House of Bamboo, and China Gate. He writes about making Underworld U.S.A., a movie that shows how gangsters in the 1960s were no longer seen as thugs but as "respected" tax-paying executives . . . about the making of the movie Shock Corridor--about a journalist trying to solve a murder in a lunatic asylum--which exposed the conditions in mental institutions . . . and about White Dog (written in collaboration with Curtis Hanson), a film so controversial that Paramount's then studio heads, Jeffrey Katzenberg and Michael Eisner, refused to release it. Clean copy.

Hardcover. NY, Harry N. Abrams , 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 352 pages. A visual history of 100 years of filmmaking in New York City, featuring exclusive interviews with NYC filmmakers. Fun City Cinema gives readers an in-depth look at how the rise, fall, and resurrection of New York City was captured and chronicled in ten iconic Gotham films across ten decades: The Jazz Singer (1927), King Kong (1933), The Naked City (1948), Sweet Smell of Success (1957), Midnight Cowboy (1969), Taxi Driver (1976), Wall Street (1987), Kids (1995), 25th Hour (2002), and Frances Ha (2012). A visual history of a great American city in flux, Fun City Cinema reveals how these classic films and legendary filmmakers took their inspiration from New York City's grittiness and splendor, creating what we can now view as "accidental documentaries" of the city's modes and moods.In addition to the extensively researched and reported text, the book includes both historical photographs and production materials, as well as still-frames, behind-the-scenes photos, posters, and original interviews with Noah Baumbach, Larry Clark, Greta Gerwig, Walter Hill, Jerry Schatzberg, Martin Scorsese, Susan Seidelman, Oliver Stone, and Jennifer Westfeldt. Extensive "Now Playing" sidebars spotlight a handful of each decade's additional films of note.

Hardcover. Urbana IL, University of Illinois Press, 1st revised, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 410 pages. The book that re-established Peckinpah's reputation--now thoroughly revised and updated! When critics hailed the 1995 re-release of Sam Peckinpah's masterpiece, The Wild Bunch, it was a recognition of Paul Seydor's earlier claim that this was a milestone in American film, perhaps the most important since Citizen Kane. Peckinpah: The Western Films first appeared in 1980, when the director's reputation was at low ebb. The book helped lead a generation of readers and filmgoers to a full and enduring appreciation of Peckinpah's landmark films, locating his work in the central tradition of American art that goes all the way back to Emerson, Hawthorne, and Melville. In addition to a new section on the personal significance of The Wild Bunch to Peckinpah, Seydor has added to this expanded, revised edition a complete account of the successful, but troubled, efforts to get a fully authorized director's cut released. He describes how an initial NC-17 rating of the film by the Motion Picture Association of America's ratings board nearly aborted the entire project. He also adds a great wealth of newly discovered biographical detail that has surfaced since the director's death and includes a new chapter on Noon Wine, credited with bringing Peckinpah's television work to a fitting resolution and preparing his way for The Wild Bunch.This edition stands alone in offering full treatment of all versions of Peckinpah's Westerns. It also includes discussion of all fourteen episodes of Peckinpah's television series, The Westerner, and a full description of the versions of Pat Garrett and Billy the Kid now (or formerly) in circulation, including an argument that the label "director's cut" on the version in release by Turner is misleading. Additionally, the book's final chapter has been substantially rewritten and now includes new information about Peckinpah's background and sources.

Hardcover. Lanham MD, Rowman & Littlefield, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. While many film fans may not be familiar with Bill Duke's name, they most certainly recognize his face. Dating back to the 1970s, Duke has appeared in a number of popular films, including Car Wash, American Gigolo, Commando, Predator, and X-Men: The Last Stand. Fewer still might be aware of Duke's extraordinary accomplishments off-screen--as a talented director, producer, entrepreneur, and humanitarian. Bill Duke: My 40-Year Career on Screen and behind the Camera is the memoir of a Hollywood original. In an industry that rarely embraces artists of color, Duke first achieved success as an actor then turned to directing. After helming episodes of ratings giants Dallas, Falcon Crest, Hill Street Blues, and Miami Vice, Duke progressed to feature films like A Rage in Harlem, Deep Cover, Hoodlum, and Sister Act 2. In this candid autobiography, Duke recalls the loving but stern presence of his mother and father, acting mentors like Olympia Dukakis, and the pitfalls that nearly derailed his career, notably an addiction to drugs. Along the way, readers will encounter familiar names like Danny Glover, Laurence Fishburne, Forest Whitaker, Arnold Schwarzenegger, and Whoopi Goldberg.

Hardcover. NY, Abrams, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The director Michael Cimino (1939-2016) is famous for two films: the intense, powerful, and enduring Vietnam movie The Deer Hunter, which won Best Picture at the Academy Awards in 1979 and also won Cimino Best Director, and Heaven's Gate, the most notorious bomb of all time. Originally budgeted at $11 million, Cimino's sprawling western went off the rails in Montana. The picture grew longer and longer, and the budget ballooned to over $40 million. When it was finally released, Heaven's Gate failed so completely with reviewers and at the box office that it put legendary studio United Artists out of business and marked the end of Hollywood's auteur era.Or so the conventional wisdom goes. Charles Elton delves deeply into the making and aftermath of the movie and presents a surprisingly different view to that of Steven Bach, one of the executives responsible for Heaven's Gate, who wrote a scathing book about the film and solidified the widely held view that Cimino wounded the movie industry beyond repair. Elton's Cimino is a richly detailed biography that offers a revisionist history of a lightning rod filmmaker. Based on extensive interviews with Cimino's peers and collaborators and enemies and friends, most of whom have never spoken before, it unravels the enigmas and falsehoods, many perpetrated by the director himself, which surround his life, and sheds new light on his extraordinary career. This is a story of the making of art, the business of Hollywood, and the costs of ambition, both financial and personal.

Softcover. Austin TX, University of Texas Press, reprint, 1982, Book: Very Good, Dust Jacket: None, Softcover, 260 pages, b&w photos. There have been very few directors in the history of Hollywood who have ever had as hard a time as Sam Peckinpah did. In a career that lasted only from 1961 to his death near the end of 1984, the man known (rather errantly) as Bloody Sam made only fourteen films--not exactly a large volume work. Despite this, however, and despite (or perhaps because of) his penchant for raising hell with studio heads and producers, Peckinpah was a never-a-dull-moment director. And when he wasn't doing that, he made himself a target for critics, both inside and outside of Hollywood, with his graphic and complex approaches to violence (his 1969 Western epic THE WILD BUNCH), while at the same time also numbering among his films two, largely non-violent gems in THE BALLAD OF CABLE HOGUE and JUNIOR BONNER that prove that the man was able to show sides of the human experience that didn't involve bullets or bloodshed.

Hardcover. NY, Thames & Hudson, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In the first fully illustrated work of his illustrious career, David Thomson re-examines a series of moments - which readers will experience in beautifully reproduced imagery - from seventy-two carefully selected films across a hundred-year time span. His moments range from a set of Eadward Muybridge's pioneering photographs to sequences in films from the classic - Citizen Kane , Sunset Boulevard and The Red Shoes - to the unexpected - The Piano Teacher , Burn After Reading - immersing the reader via a groundbreaking marriage of imagery and the author's accompanying narrative. David Thomson's evocative, unflinching prose and profound understanding of what makes film and art form identify him as one of the great film writers of our time, making it likely that Moments that Made the Movies will be widely viewed as an important classic on the subject of international cinema. Clean copy.

Hardcover. Los Angeles, Really Great Books, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 265 pages.From the co-creator of "Mr. Magoo," and screenwriter for "Gun Crazy" (1950, front for Dalton Trumbo), "Unknown World" (1951), "Bad Day at Black Rock" (1955), and "Klansman" (1974), Millard expands on the craft of screenwriting. Clean copy.

Hardcover. Lanham MD, Rowman & Littlefield , 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 314 pages. A fascinating history of motion pictures through the lens of the Academy Awards, the Best Picture winners, and the box-office contenders. In Best Pick: A Journey through Film History and the Academy Awards, John Dorney, Jessica Regan, and Tom Salinsky provide a captivating decade-by-decade exploration of the Oscars. For each decade, they examine the making of classic films, trends and innovations in cinema, behind-the-scenes scandals at the awards ceremony, and who won and why. Twenty films are reviewed in-depth, alongside ten detailed "making-of" accounts and capsule reviews of every single Best Picture winner in history. In addition, each Best Picture winner is carefully scrutinized to answer the ultimate question: "Did the Academy get it right?" Full of wonderful stories, cogent analysis, and fascinating insights, Best Pick is a witty and enthralling look at the people, politics, movies, and trends that have shaped our cinematic world. Clean copy.

Hardcover. Metuchen NJ, Scarecrow Press], 1st, 1984, Book: Very Good, Dust Jacket: None, Hardcover, brick-red cloth with white lettering, no dust jacket issued. 508 pages. Text illustrations. Study covers period between Dziga Vertov's Man with a Movie Camera and documentary-movement associated with the Sandanista Revolution. This anthology of 25 articles is both historical and cross- cultural, covering the pioneering period of the twenties and thirties and the dynamic growth of committed documentary since the sixties; recent feminist initiatives in North America and Britain; committed documentary in the Third World over the last 25 years; the use of film within the American 'New Left;' and the particular problematic of radical film distribution. Contributors include such well-known activists and scholars as Joan Braderman, Julianne Burton, Guy Hennebelle, John Hess, Claire Johnstone, E. Ann Kaplan, Chuck Kleinhans, Julia Lesage, Steve Neale, Bill Nichols, Anand Patwardhan, and Paul Willemen. Filmmakers and collectives discussed include Dziga Vertov, Joris Ivens, Jean Renoir, Frontier Films, Newsreel, Chris Marker, Barbara Kopple, JoAnn Elam, Michelle Citron, Shinsuke Ogawa, Fernando Birri, Patricio Guzman, Santiago Alvarez, Fernando Solanas, Jean-Luc Godard, Anand Patwardhan, and the Nicaraguan Studio 'Incine.'Clean copy.

Hardcover. Chicago, University of Chicago Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In this daring reexamination of the connections between national politics and Hollywood movies, Lary May offers a fresh interpretation of American culture from the New Deal through the Cold War and one in which a populist, egalitarian ethos found itself eventually supplanted by a far different view of the nation. Clean copy.

Hardcover. NY, Phaidon Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 192 pages, B&w and color illustrations. The Anatomy of an Actor series takes ten roles by a single actor, each studied in a dedicated chapter, and identifies the key elements that made the performances exceptional - carefully examining the actor's craft for both a professional audience and movie fans alike. This title looks at Hollywood icon Tom Cruise. First cast by Francis Ford Coppola in The Outsiders (1983), he gained international notoriety in the mid-1980s thanks to Tony Scott's Top Gun (1986). One of the most sought-after actors, Cruise has oriented his career to blockbusters, with a predilection for action and science fiction, starring in such movies as Michael Mann's Collateral (2004), Steven Spielberg's War of the Worlds (2005), the Mission: Impossible series (1996, 2000, 2006, 2011) and Joseph Kosinski's Oblivion (2013). Still in publisher'sshrinkwrap.

Hardcover. Pittsburgh PA, GoodKnight Books, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The Art of Selling Movies presents the first-ever look at 60 years of newspaper advertising for motion pictures great and small. These ads created by Hollywood and adapted by local and regional exhibitors motivated patrons to leave their homes, part with precious income, and spend time in the dark. Because of the high stakes involved, theater operators used wildly creative means to make that happen. They made movie advertising equal parts art and psychology, appealing to every human instinct (especially sex) in an effort to push product and keep their theatres in business. From the pen-and-ink masterpieces of the 1920s and 30s to location-specific folk art to ad space jam-packed with enticements for every member of the family, The Art of Selling Movies dissects the psyche of the American movie-going public ... and the advertisers seeking to push just the right buttons.

Softcover. NY, Taschen, 1st, 2019, Book: Very Good, Dust Jacket: None, Softcover. Barry Lyndon is a cinematic masterwork without equal. At first misunderstood upon its 1975 release, it is now widely considered to be one of Kubrick's finest achievements. Each set in TASCHEN's Making of a Masterpiece series comes in a deluxe LP sized folio and includes a DVD of the remastered film, the original poster, essays, interviews, and extensive behindthescenes materials from Kubrick's archives. Based on William Makepeace Thackeray's picaresque novel of 1844, Barry Lyndon tells the story of a social-climbing opportunist (Ryan O'Neal) who succeeds in marrying a beautiful aristocrat far above his social station (Marisa Berenson), only to see his gains eventually undone by avarice and spite. Meticulously conceived and sumptuously photographed-using a specially-modified lens and almost exclusively lit by candles and natural light-Barry Lyndon is at once a satirical and sympathetic portrayal of a strangely endearing antihero. (Because "he has charm and courage," said Kubrick, "it's impossible not to like him despite his vanity, his insensitivity, and his weakness.")

Softcover. Edinburgh, National Galleries Of Scotland, 1st, 2020, Book: Very Good, Dust Jacket: None, Softcover. Special-effects superstar Ray Harryhausen elevated stop-motion animation to an art during the 1950s to 1980s. With material drawn from his incredible archive, his daughter, Vanessa, selects 100 creatures and objects, in chronological order, that meant the most to her as she watched her father make world-famous films that changed the course of cinema. Ray Harryhausen's work included the Sinbad films of the 50s and 70s, One Million Years B.C. and Mighty Joe Young, as well as a wider portfolio including children's fairy tales and commercials. He inspired a generation of film-makers such as Peter Jackson, Aardman Animation, Tim Burton, George Lucas and Steven Spielberg, and his influence on blockbuster cinema can be felt to this day. Some of the objects featured in the book, such as Talos from Jason and the Argonauts, are world famous, while others are less well known but hold special personal significance to Vanessa. Many newly restored works that have never previously been seen are included.

Hardcover. NY, Atlantic Monthly Press , 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In 1911, famed cartoonist Winsor McCay debuted one of the first animated cartoons, based on his sophisticated newspaper strip "Little Nemo in Slumberland," itself inspired by Freud's recent research on dreams. McCay is largely forgotten today, but he unleashed an art form, and the creative energy of artists from Otto Messmer and Max Fleischer to Walt Disney and Warner Bros.' Chuck Jones. Their origin stories, rivalries, and sheer genius, as Reid Mitenbuler skillfully relates, were as colorful and subversive as their creations-from Felix the Cat to Bugs Bunny to feature films such as Fantasia-which became an integral part and reflection of American culture over the next five decades. Pre-television, animated cartoons were aimed squarely at adults; comic preludes to movies, they were often "little hand grenades of social and political satire." Early Betty Boop cartoons included nudity; Popeye stories contained sly references to the injustices of unchecked capitalism. "During its first half-century," Mitenbuler writes, "animation was an important part of the culture wars about free speech, censorship, the appropriate boundaries of humor, and the influence of art and media on society." During WWII it also played a significant role in propaganda. The Golden Age of animation ended with the advent of television, when cartoons were sanitized to appeal to children and help advertisers sell sugary breakfast cereals.

Hardcover. Ontario CA, Hanover Square Press, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Uncovers the life and work of Milicent Patrick--one of Disney's first female animators and the only woman in history to create one of Hollywood's classic movie monsters As a teenager, Mallory O'Meara was thrilled to discover that one of her favorite movies, Creature from the Black Lagoon , featured a monster designed by a woman, Milicent Patrick. But for someone who should have been hailed as a pioneer in the genre, there was little information available. For, as O'Meara soon discovered, Patrick's contribution had been claimed by a jealous male colleague, her career had been cut short and she soon after had disappeared from film history. No one even knew if she was still alive. As a young woman working in the horror film industry, O'Meara set out to right the wrong, and in the process discovered the full, fascinating story of an ambitious, artistic woman ahead of her time. Patrick's contribution to special effects proved to be just the latest chapter in a remarkable, unconventional life, from her youth growing up in the shadow of Hearst Castle, to her career as one of Disney's first female animators. And at last, O'Meara discovered what really had happened to Patrick after The Creature's success, and where she went. A true-life detective story and a celebration of a forgotten feminist trailblazer, Mallory O'Meara's The Lady from the Black Lagoon establishes Patrick in her rightful place in film history while calling out a Hollywood culture where little has changed since.

Hardcover. NY, Harry N. Abrams, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The first biography of critically acclaimed then critically derided filmmaker Michael Cimino--and a reevaluation of the infamous film that destroyed his career. The director Michael Cimino (1939-2016) is famous for two films: the intense, powerful, and enduring Vietnam movie The Deer Hunter, which won Best Picture at the Academy Awards in 1979 and also won Cimino Best Director, and Heaven's Gate, the most notorious bomb of all time. Originally budgeted at $11 million, Cimino's sprawling western went off the rails in Montana. The picture grew longer and longer, and the budget ballooned to over $40 million. When it was finally released, Heaven's Gate failed so completely with reviewers and at the box office that it put legendary studio United Artists out of business and marked the end of Hollywood's auteur era. Or so the conventional wisdom goes. Charles Elton delves deeply into the making and aftermath of the movie and presents a surprisingly different view to that of Steven Bach, one of the executives responsible for Heaven's Gate, who wrote a scathing book about the film and solidified the widely held view that Cimino wounded the movie industry beyond repair. Elton's Cimino is a richly detailed biography that offers a revisionist history of a lightning rod filmmaker.

Hardcover. University Press of Kentucky, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 279 pages, b&w photos. With a career that spanned from the silent era to the 1990s, British screenwriter Charles Bennett (1899-1995) lived an extraordinary life. His experiences as an actor, director, playwright, film and television writer, and novelist in both England and Hollywood left him with many amusing anecdotes, opinions about his craft, and impressions of the many famous people he knew. Among other things, Bennett was a decorated WWI hero, an eminent Shakespearean actor, and an Allied spy and propagandist during WWII, but he is best remembered for his commercially and critically acclaimed collaborations with directors Sir Alfred Hitchcock and Cecil B. DeMille. The fruitful partnership began after Hitchcock adapted Bennett's play Blackmail (1929) as the first British sound film. Their partnership produced six thrillers: The Man Who Knew Too Much (1934), The 39 Steps (1935), Sabotage (1936), Secret Agent (1936), Young and Innocent (1937), and Foreign Correspondent (1940). In this witty and intriguing book, Bennett discusses how their collaboration created such famous motifs as the "wrong man accused" device and the MacGuffin. He also takes readers behind the scenes with the Master of Suspense, offering his thoughts on the director's work, sense of humor, and personal life.

Hardcover. Lexington KY, University Press of Kentucky, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A Hollywood screenwriting and movie-making icon, Ernest Lehman penned some of the most memorable scenes to ever grace the silver screen. Hailed by Vanity Fair as "perhaps the greatest screenwriter in history," Lehman's work on films such as North by Northwest, The King and I, Sabrina, West Side Story, and The Sound of Music helped define a generation of movie making. But while his talent took center stage, the public knew little of Lehman himself, a native of Manhattan's Upper West Side and the Five Towns of Long Island devoted to his wife of 50 years. His relentless perfectionism, hypochondria and all-night writing sessions fueled by tequila and grilled cheese sandwiches were some of the quirks that made Lehman a legend in the Hollywood community.

Hardcover. London, Faber and Faber, 1st, 1993, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket. 240 pages, b&w illustrations. "For 35 years Louis Malle has pursued a varied and successful career in cinema. In this book, he discusses his development as an artist and the controversies aroused by his films dealing with subjects like child prostitution, incest and wartime collaboration." Clean copy.

Hardcover. London, Richard Cohen Books, 1st, 1996, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, unclipped dust jacket. Monumental biography and critical study, 810 pages, 200+ photographs, 16 pages in color. Kevin Brownlow, a film editor in his own right and author of the seminal silent film trilogy initiated with The Parade's Gone By. . ., brings to Lean's biography an exhaustive knowledge of the art and the industry. The life and its biographer provide a landmark work on the cinema. Emerging from a childhood of nearly Dickensian darkness, David Lean found his great success as a director of the appropriately titled Great Expectations.There followed his legendary black-and-white films of the 1940s and his four-film movie collaboration with Noel Coward. Lean's 1955 film Summertime took him from England to the world of international moviemaking and the stunning series of spectacular color epics that would gain for his work twenty-seven Academy Awards and fifty-six Academy Award nominations. All are classics, including The Bridge on the River Kwai, Lawrence of Arabia, Doctor Zhivago, and A Passage to India. Ownership name on half-title page, otherwise clean.

Hardcover. Chicago, Chicago Review Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 378 pages, b&w illustrations. Lanza looks at the life and work of director Ken Russell, detailing the wild ideas, surreal moments, personal faith, and the cavalcade of colorful personalities surrounding this eccentric filmaker, on and off the set. Clean copy.

Hardcover. NY, Macmillan Publishing, 3rd pr., 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Here is the story of Joseph Frank "Buster" Keaton, the director, producer, writer and star--the sad-faced little man who was one of the prime masters of silent film comedy. The book includes hilarious accounts of the filming--usually without script--of some of his now-classic films and more the-an 100 photographs. Clean copy.

Hardcover. NY, Abrams Press, 2nd pr., 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The list of films Irwin Winkler has produced in his more-than-fifty-year career is extraordinary: Rocky, Goodfellas, Raging Bull, De-Lovely, The Right Stuff, and Creed. His films have been nominated for fifty-two Academy Awards, including five movies for Best Picture, and have won twelve. In this charming and insightful memoir, Winkler tells the stories of his career through his many films as a producer and then as a writer and director, charting the changes inHollywood over the past decades. Clean copy.

London/NY, Faber & Faber, 1st, 1993, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, edgeworn dust jacket that has a closed 2" tear along spine. 500 pages, b&w illustrations. Don Siegel was one of Hollywood's most controversial directors. Invasion of the Body Snatchers is one of the very few acknowledged science-fiction classics, and Magnum Force - with its catch-phrase 'Make my day' - has become part of our modern consciousness. Siegel's five-film collaboration with Clint Eastwood created a body of films that are as distinctive as they are different, and enriched the reputation of both of them. This autobiography has all the fun and energy one would expect from Don Siegel. From his first days as an assistant editor in the Warner Brothers cutting rooms, Siegel charts his rich and varied career. This is a wonderful book of reminiscences, told in a lively and vivid style, whose cast of characters includes John Wayne, Lee Marvin, Steve McQueen, Bogart and Bacall, studio head Jack Warner and other luminaries of the golden age of the Hollywood studios (including a fading film star called Ronald Reagan, whose last film, The Killers, was directed by Siegel).At the centre of the book is Siegel's relationship with Clint Eastwood, whose directing career was encouraged by Siegel, and who supplies an amusing and appreciative foreword to the book. No markings.

Hardcover. NY/Koln, Taschen, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover. "Bond, James Bond." Since Sean Connery uttered those immortal words in 1962, the most dashing secret agent in the history of cinema has been charming and thrilling audiences worldwide. This impeccably British character created by author Ian Fleming has starred in 25 EON-produced films, played by six different actors over five decades.EON Productions opened their archives of photos, designs, storyboards, and production materials to editor Paul Duncan, who spent two years researching over one million images and 100 filing cabinets of documentation. The result is the most complete account of the making of the series, covering every James Bond film ever made, beginning with Dr. No (1962) and ending with No Time To Die (2021), including the spoof Casino Royale (1967) and Never Say Never Again (1983).The wealth of previously unpublished photography, set designs, storyboards, and production memos is supplemented by an oral history recounted by over 150 cast and crew. From producers to stuntmen, directors to production designers, these personal narratives relate the true inside story from the Bond sets, offering outstanding insight into the personalities and processes behind the most successful and longest-running film franchise in cinema history. " Still in publisher's shrinkwrap. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Harpercollins , 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 509 pages, color photos. Woke Up This Morning is the definitive behind-the-scenes history of the groundbreaking HBO series that became a worldwide cultural phenomenon, ushered in a new Golden Age of Television, and to this day continues to be one of the most binged shows of all time. Michael and Steve tell all the incredible stories that The Sopranos fans have been waiting to hear for over twenty years. The book covers the entire history of The Sopranos series from the original concept pitch and casting to the infamous cut to black. Clean copy.

NY, Farrar, Straus and Giroux, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 399 pages, b&w illustrations. In Solid Ivory, a carefully crafted mosaic of memories, portraits, and reflections, the Academy Award-winning filmmaker James Ivory, a partner in the legendary Merchant Ivory Productions and the director of A Room with a View, Howards End, Maurice, and The Remains of the Day, tells stories from his remarkable life and career as one of the most influential directors of his time. At times, he touches on his love affairs, looking back coolly and with unexpected frankness. Clean copy.

Hardcover. NY, Thames & Hudson, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 412 pages illustrated in color and b&w. In just a few years, what used to be an immobile piece of living room furniture, which one had to sit in front of at appointed times in order to watch sponsored programming on a finite number of channels, morphed into a glowing cloud of screens with access to a near-endless supply of content available when and how viewers want it. With this phenomenon now a common cultural theme, a writer of David Thomson's stature delivering a critical history, or "biography" of the six-decade television era, will be a significant event which could not be more timely. With Television, the critic and film historian who wrote what Sight and Sound's readers called "the most important film book of the last 50 years" has finally turned his unique powers of observation to the medium that has swallowed film whole. Over twenty-two thematically organized chapters, Thomson brings his provocatively insightful and unique voice to the life of what was television. David Thomson surveying a Boschian landscape, illuminated by that singular glow-always "on"-and peopled by everyone from Donna Reed to Dennis Potter, will be the first complete history of the defining medium of our time. Clean copy.

Softcover. NY, Random House, 1st US, 1986, Book: Very Good, Dust Jacket: None, Softcover, unpaginated. Color throughout. Max Headroom, as you may remember, is the hipper alter ego of Edison Carter (Matt Frewer) and his adventures in the future. Carter is a top notch tv reporter, the lovely Theora Ward, the controller, is played by the lovely Amanda Pays. The show gives you a dark smoky view of the future - and this book, the starting movie of the series, replicates that look It has the script from the movie, as well as action shots. Clean, bright copy.

Softcover. London, Hansom Books, 1st, 1962, Book: Very Good, Dust Jacket: None, Softcover magazine, stapled wrappers, 82 pages, b&w illustrations. Tape repair to rear cover otherwise clean.

Hardcover. NY, Crown Publishers, 3rd pr., 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. 312 pages, many b&w illustrations. An attractive copy of Maltin's encyclopedic companion to Disney's work.

Hardcover. Secaucus NJ, Citadel Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 255 pages, many b&w illustrations. The movies featured are: You nazty spy, Three little pigskins, and Men in black. Clean copy.

Hardcover. NY, Harry N Abrams , Revised Ed., 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 208 pages. This generously illustrated volume, now fully updated, which provides a rare view of the 35-year film collaboration of producer Ismail Merchant, screenwriter Ruth Prawer Jhabvala, and director James Ivory. Merchant Ivory's films have long been distinguished by their literate character, superb ensemble acting, and refusal to bow to passing cinematic trends. This book, originally published in 1991, has been revised to include Merchant Ivory's most recent films -- Howard's End, The Remains of the Day, Jefferson in Paris, Surviving Picasso, and The Proprietor -- as well as a discussion of their upcoming projects. Clean copy.

Hardcover. NY, Crown Publishers, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 276 pages with over 400 b&w photographs. Foreword by Lillian Gish. A definitive pictorial and critical account of all the features, with a comprehensive illustrated general survey of the Biographs with a foreword by Lillian Gish. The book provides credits, plot summaries, and rare illustrations for every film he made; it is outstanding for its thoughtful and penetrating critical evaluation of each film. Clean copy.

Hardcover. NY, Abradale Press, reprint, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 222 pages profusely illustrated in color and b&w. Reprint of the 1983 edition published by Abrams. A noted film historian presents an informative look at Disney's innovative animation classic, with more than 170 dazzling illustrations. Clean copy.

Hardcover. NY, McGraw-Hill Book Company, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. "[This book] represents a selection of the most beautiful photographs to ever come out of Hollywood's Golden Years. The motion pictures of that era, stumbling perhaps across a new poetics, projected gorgeous fantasies which soared beyond the plots and elaborate sets, even beyond the luminous glamour of the stars." Black and white photographs of film actors and actresses. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Citadel Press, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly chipped dust jacket. Profusely illustrated review of Ingrid Bergman's films in the classic Citadel Press style. 242 pages. Clean copy.

Hardcover. Louisville KY, Touchstone Publishing , 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, unclipped. Griffith's autobiography was never finished (Griffith died in 1948), here edited and annotated by James Hart, who was a friend of the filmmaker late in his life. Griffith was the leading exponent in the 'blockbuster' genre of popular film, but with style. Chronologic listing of his innovative works, all profusely illustrated. Forward by Frank Capra. Clean copy.