Film & Movies

Softcover. Hollywood CA, Republic Pictures, 1942, Book: Very Good, Dust Jacket: None, Softcover, 16-page booklet, 8 X 10 1/2", staple bound. Features b&w stills from the Republic Pictures serial "Spy Smasher", starring Kane Richmond (on cover). Mild soil to front cover otherwise very good, clean.

Hardcover. NY, Knopf, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 400 pages. The definitive biography of Leni Riefenstahl, the woman best known as "Hitler's filmmaker," one of the most fascinating and controversial personalities of the twentieth century. It is the story of huge talent and huger ambition, one that probes the sometimes blurred borders dividing art and beauty from truth and humanity. Relying on new sources--including interviews with her colleagues and intimate friends, as well as on previously unknown recordings of Riefenstahl herself--Bach gives us an exceptional work of historical investigation that untangles the past and is also an objective but unsparing appraisal of a woman of spectacular gifts corrupted by ruthless personal ambition.

Hardcover. NY, Pantheon , 1st US, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 123 pages, b&w photos.

London, Faber & Faber, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 384 pages. Orson Welles was a metamorphic man, a magical shape-changer who made up myths about himself and permitted others to add to their store. On different occasions, he likened himself to Christ--mankind's redeemer--and to Lucifer--the rebel angel who brought about the fall. His persona compounded the roles he played--kings, despots, generals, captains of industry, autocratic film directors--and the more or less fictitious exploits with which he regaled other people or which they attributed to him. Hailed in childhood as a genius, he remained mystified by his own promise, unable to understand or control an intellect that he came to think of as a curse; and he ended his days shilling wine and performing magic tricks on talk shows. At times, he saw the collapse of his early ambitions as a tragedy; in other moods, he viewed his life as a humbling comedy, and settled down--like another favorite character, Shakespeare's Falstaff --to eat, drink and be irresponsibly merry. Rather than producing another conventional biography of Welles, Peter Conrad has set out to investigate the stories Welles told about his life--the myths and secret histories hidden in films both made and unmade, in the books Welles wrote and those he read. The result takes us deep into Welles' imagination, showing how he created, then ultimately destroyed himself. Clean copy.

Hardcover. NY, Abrams, 1st, 2021, Book: Very Good, Dust Jacket: None, Two large hardcovers in a slipcase, 512 pages. The Story of Marvel Studios is the first-ever, fully authorized, all-access history of Marvel Studios' creation of the Marvel Cinematic Universe, as told by the producers, writers, directors, concept artists, VFX artists, cast, and crew who brought it to life. Year-by-year, project-by-project, the studio's founding and meteoric growth are described through detailed personal stories, anecdotes, and remembrances of noteworthy challenges, breakthrough milestones, and history-making successes. Featuring archival materials, concept art, film stills, memorabilia from cast and crew, and rare promotional art, these volumes will take fans on a journey through Marvel Studios' creative challenges, breakthroughs, and successes of the past decade. These visuals are joined by exclusive interviews with key producers, studio heads, and core cast members such as Kevin Feige, Robert Downey Jr., Scarlett Johansson, Samuel L. Jackson, Chris Evans, and more. Clean, bright set.

Softcover. NY, Taschen, 1st, 2019, Book: Very Good, Dust Jacket: None, Softcover. Barry Lyndon is a cinematic masterwork without equal. At first misunderstood upon its 1975 release, it is now widely considered to be one of Kubrick's finest achievements. Each set in TASCHEN's Making of a Masterpiece series comes in a deluxe LP sized folio and includes a DVD of the remastered film, the original poster, essays, interviews, and extensive behindthescenes materials from Kubrick's archives. Based on William Makepeace Thackeray's picaresque novel of 1844, Barry Lyndon tells the story of a social-climbing opportunist (Ryan O'Neal) who succeeds in marrying a beautiful aristocrat far above his social station (Marisa Berenson), only to see his gains eventually undone by avarice and spite. Meticulously conceived and sumptuously photographed-using a specially-modified lens and almost exclusively lit by candles and natural light-Barry Lyndon is at once a satirical and sympathetic portrayal of a strangely endearing antihero. (Because "he has charm and courage," said Kubrick, "it's impossible not to like him despite his vanity, his insensitivity, and his weakness.")

Hardcover. NY, Thames & Hudson, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 412 pages illustrated in color and b&w. In just a few years, what used to be an immobile piece of living room furniture, which one had to sit in front of at appointed times in order to watch sponsored programming on a finite number of channels, morphed into a glowing cloud of screens with access to a near-endless supply of content available when and how viewers want it. With this phenomenon now a common cultural theme, a writer of David Thomson's stature delivering a critical history, or "biography" of the six-decade television era, will be a significant event which could not be more timely. With Television, the critic and film historian who wrote what Sight and Sound's readers called "the most important film book of the last 50 years" has finally turned his unique powers of observation to the medium that has swallowed film whole. Over twenty-two thematically organized chapters, Thomson brings his provocatively insightful and unique voice to the life of what was television. David Thomson surveying a Boschian landscape, illuminated by that singular glow-always "on"-and peopled by everyone from Donna Reed to Dennis Potter, will be the first complete history of the defining medium of our time. Clean copy.

Softcover. Lexington KY, University Press of Kentucky, 2nd Ed., 2001, Softcover, 377 pages. The first part of the book deals with the production code as it existed from 1922-34 with the introduction of figures such as Will Hays, Mae West and Joe Breen. The second part deals with the administration of the production code from 1934-66. Specific detail is given on the movies Dead End; Gone With the Wind; The Outlaw and The Postman Always Rings Twice; The Bicycle Thief; Detective Story and A Streetcar Named Desire; The Moon is Blue and The French Line; Lolita and Who's Afraid of Virginia Woolf. This second edition is updated to include the introduction of the PG-13 and NC-17 ratings of the 1990s. Mild wear to covers, clean.

Hardcover. NY, Disney Press, 1st thus, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 248 pages. A new edition of a book first published by Abrams in 1981 as "Walt Disney's Treasury of Silly Symphonies". The Silly Symphonies were a series of 76 cartoon shorts produced by the Disney Studio between 1929 and 1939. In 1932. one of them became the first ever animated short film produced in color, and over the years eight of them won Academy Awards. This book features 19 of the stories, illustrated with reproductions from the films, and includes an introductory piece, "The Silly Symphonies - How They Came to Be", and a Filmography of the 76 cartoons. Clean copy.

Hardcover. NY, G. P. Putnam's Sons, 1st, 1956, Book: Very Good, Dust Jacket: None, Hardcover, light gray cloth stamped in black. 301 pages, b&w photos. SIGNED BY PASTERNAK on the front fly leaf. Pasternak's career as a producer spanned 40 years and he produced more than ninety feature-length films earning him both Oscar and Golden Globe Award nominations. He produced a number of popular films, including Destry Rides Again (1939), The Great Caruso (1951) and musicals with Elvis Presley, Doris Day and Connie Francis. Clean, square copy, no dust jacket.

Hardcover. Cambridge MA, Harvard University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 334 pages, b&w photos. In May 1941, Gertrude van Tijn arrived in Lisbon on a mission of mercy from German-occupied Amsterdam. She came with Nazi approval to the capital of neutral Portugal to negotiate the departure from Hitler's Europe of thousands of German and Dutch Jews. Was this middle-aged Jewish woman, burdened with such a terrible responsibility, merely a pawn of the Nazis, or was her journey a genuine opportunity to save large numbers of Jews from the gas chambers? In such impossible circumstances, what is just action, and what is complicity? A moving account of courage and of all-too-human failings in the face of extraordinary moral challenges, The Ambiguity of Virtue tells the story of Van Tijn's work on behalf of her fellow Jews as the avenues that might save them were closed off. Between 1933 and 1940 Van Tijn helped organize Jewish emigration from Germany. After the Germans occupied Holland, she worked for the Nazi-appointed Jewish Council in Amsterdam and enabled many Jews to escape. Some later called her a heroine for the choices she made; others denounced her as a collaborator. Clean copy.

Hardcover. NY, Jonathan Cape & Harrison Smith, 1st, 1929, Book: Very Good, Dust Jacket: None, Hardcover, purple cloth, gilt lettering on spine, 288 pages with index, b&w illustrations. Previous owner's inscription on front fly leaf. Light fading to spine. Otherwise clean.

Softcover. NY, Noonday Press, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, full color as well as B&W illustrations. Detailed overview of American Black movies from 1915 to 1965. Introduction by Donald Bogle. Foreword by Spike Lee. A collection of movie posters featuring black actors, with brief comments on each plus a brief history of the black cinema. Pages are bright and clean (no writing, underlining, or highlighting). Binding is tight with no cracks or breaks.

Softcover. Jefferson NC, McFarland & Company, 1st, 2015, Book: Very Good, Dust Jacket: None, Softcover, 222 pages. The changes Cuba experienced following the collapse of the Soviet Union compelled Cuban filmmakers to rethink the values developed after the 1959 Castro revolution. Long-forgotten genres re-emerged, established auteurs incorporated new aesthetics into their films and an influx of foreign capital led to the repackaging of revolutionary ideology into more visually attractive narratives.Films such as Alice in Wondertown (1991), Strawberry and Chocolate (1993) and Juan of the Dead (2011) stirred controversy, criticized revolutionary discourse and helped establish new models that allowed post-Castro cinema to find global audiences on an unprecedented scale. This book offers a detailed analysis of key post-Cold War Cuban films. Recurrent sociopolitical tropes are examined to reveal how Cuban cinema reflects the turbulent changes in the island.

Hardcover. NY, Regan Arts, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. The never-before-published edition of Francis Ford Coppola's notes and annotations on The Godfather novel by Mario Puzo reveals the story behind one of the worlds most iconic films. The most important unpublished work on one of the greatest films of all time, The Godfather, written before filming, by the man who wrote and directed it-Francis Ford Coppola, then only thirty-two years old-reveals the intense creative process that went into making this seminal film. With his meticulous notes and impressions of Puzo's novel, the notebook was referred to by Coppola daily on set while he directed the movie. The Godfather Notebook pulls back the curtain on the legendary filmmaker and the film that launched his illustrious career. Complete with an introduction by Francis Ford Coppola and exclusive photographs from on and off the set, this is a unique, beautiful, and faithful reproduction of Coppola's original notebook. Clean, bright copy.

Hardcover. Berghahn Books, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 193 pages, b&w illustrations. With six Academy Awards, four entries on the American Film Institute's list of 100 greatest American movies, and more titles on the National Historic Register of classic films deemed worthy of preservation than any other director, Billy Wilder counts as one of the most accomplished filmmakers ever to work in Hollywood. Yet how American is Billy Wilder, the Jewish emigre from Central Europe? This book underscores this complex issue, unpacking underlying contradictions where previous commentators routinely smoothed them out. Wilder emerges as an artist with roots in sensationalist journalism and the world of entertainment as well as with an awareness of literary culture and the avant-garde, features that lead to productive and often highly original confrontations between high and low. Clean copy.

Softcover. Beverly Hills CA, EMI Films, N/A, 1979, Book: Very Good, Dust Jacket: None, Softcover, 139 pages, three-hole punched photocopied screenplay for the 1980 movie starring Angela Lansbury and Edward Fox, directed by Guy Hamilton. Title page states 2nd Draft and is dated September 1979. The final screenwriter credit added Barry Sandler. Dark blue plastic cover with title lettered on bottom edge and on tape stuck to spine. Otherwise very clean.

Softcover. US, Wiley-Academy, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 92 pages, illustrated throughout in color. Light shelf-wear to wrappers, else a clean, tight copy.

Softcover. West Plains, MO, Bruce Hershenson, 1st, nd, Book: Very Good, Dust Jacket: None, Softcover. Color reproductions of old cowboy movie posters. Light shelfwear.

Hardcover. NY, Knopf, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Black & white photos. 579 pages. A massive and well-researched biography of one of the most powerful and influential men in Hollywood, from his days as a poor Polish immigrant through his steady climb to prominence. Photographs, notes, and sources, index.

Hardcover. New York, Harry N. Abrams, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. Large format, profusely illustrated review of Polanski's films, from Knife in the Water (1962) to Carnage (2011). Over 200 color and black-and-white images.Light edgewear to dust jacket, else a clean, tight copy.

Hardcover. Bath, England, Parragon Publishing, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 320 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Movie Stars uses stunning pictures from the Daily Mail archives, many reproduced here for the first time, Movie Stars Unseen Archives features a stellar cast of acting greats, from the stars of the silent era to those taking the honors at the 2005 Oscars.

Hardcover. NY, Knopf, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 331 pages, b&w illustrations. Very good in a bright, unclipped dust jacket.

Hardcover. NY, Grove Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 578 pages, b&w photos. In a bright, unclipped dust jacket. Remainder line on top edge, otherwise clean. The first major biography of David Samuel Peckinpah, who began writing scripts for Gunsmoke, The Rifleman, and The Westerner and went on to direct phenomenal films such as Riding the High Country, Straw Dogs, The Getaway, Pat Garrett and Billy the Kid, and The Wild Bunch.

Hardcover. Boston, Little Brown, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 162 pages, b&w photos. Biography of the producer who made four great movies: On the Waterfront; African Queen; Bridge on the River Kwai; and Lawrence of Arabia and lots of mediocrities. Most successful when he assembled talent and let them work, he became controlling and destructive. Very good in a bright dust jacket.

Hardcover. Taschen, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, In this sumptuous over-sized volume, Taschen celebrates a remarkably candid, confident and exuberantly sexual woman: the Latina porn star Vanessa Del Rio. Presented through Vanessa's own archive, in her own words, is a life at once shocking, titillating, amusing, and inspiring. And because paper and ink can't do justice to a personality this big, an original 140 minute DVD documentary is included. First Trade Edition. DOMESTIC SHIPPING ONLY.

Hardcover. Lexington KY, University Press of Kentucky, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 448 pages. Greta Garbo proclaimed him as her favorite director. Actors, actresses, and even child stars were so at ease under his direction that they were able to deliver inspired and powerful performances. Academy-Award-nominated director Clarence Brown (1890-1987) worked with some of Hollywood's greatest stars, such as Clark Gable, Joan Crawford, Mickey Rooney, Katharine Hepburn, and Spencer Tracy. Known as the "star maker," he helped guide the acting career of child sensation Elizabeth Taylor (of whom he once said, "she has a face that is an act of God") and discovered Academy-Award-winning child star Claude Jarman Jr. for The Yearling (1946). He directed more than fifty films, including Possessed (1931), Anna Karenina (1935), National Velvet (1944), and Intruder in the Dust (1949), winning his audiences over with glamorous star vehicles, tales of families, communities, and slices of Americana, as well as hard-hitting dramas. Although Brown was admired by peers like Jean Renoir, Frank Capra, and John Ford, his illuminating work and contributions to classic cinema are rarely mentioned in the same breath as those of Hollywood's great directors. In this first full-length account of the life and career of the pioneering filmmaker, Gwenda Young discusses Brown's background to show how his hardworking parents and resilient grandparents inspired his entrepreneurial spirit. She reveals how the one-time engineer and World War I aviator established a thriving car dealership, the Brown Motor Car Company, in Alabama-only to give it all up to follow his dream of making movies. He would not only become a brilliant director but also a craftsman who was known for his innovative use of lighting and composition.

Hardcover. Geneva, Liber, 1st, 1995, Book: Very Good, Dust Jacket: None, Harcover, glazed boards, 120 pages, mostly b&w, some color illustrations. FRENCH TEXT. No dust jacket issued.

Hardcover. NY, Flatiron, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 397 pages. Wasson for the first time peels off layers of myth to provide the true account of its creation. Looming over the story of this classic movie is the imminent eclipse of the '70s filmmaker-friendly studios as they gave way to the corporate Hollywood we know today.

Softcover. Westport CT, Praeger , 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 217 pages. B&w illustrations. Stanley Kubrick's name is widely recognizable; he is revered for making films that are entertaining and intellectually stimulating. This volume offers a detailed analysis of his major films beginning with The Killing (1956) and ending with Full Metal Jacket (1987). Students of film as well as the general public will be interested in learning new strategies for watching these extraordinary films, since there are few instructive books on this master filmmaker.

Hardcover. NY, Abrams Press, 2nd pr., 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The list of films Irwin Winkler has produced in his more-than-fifty-year career is extraordinary: Rocky, Goodfellas, Raging Bull, De-Lovely, The Right Stuff, and Creed. His films have been nominated for fifty-two Academy Awards, including five movies for Best Picture, and have won twelve. In this charming and insightful memoir, Winkler tells the stories of his career through his many films as a producer and then as a writer and director, charting the changes inHollywood over the past decades. Clean copy.

Hardcover. Louisville KY, Touchstone Publishing , 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, unclipped. Griffith's autobiography was never finished (Griffith died in 1948), here edited and annotated by James Hart, who was a friend of the filmmaker late in his life. Griffith was the leading exponent in the 'blockbuster' genre of popular film, but with style. Chronologic listing of his innovative works, all profusely illustrated. Forward by Frank Capra. Clean copy.

Softcover. Detroit, Wayne State University, reprint, 2010, Book: Very Good, Dust Jacket: None, Softcover, 280 pages. Originally published in 1977 and long out of print, Maurice Yacowar's Hitchcock's British Films was the first volume devoted solely to the twenty-three films directed by Alfred Hitchcock in his native England before he came to the United States. As such, it was the first book to challenge the assumption that Hitchcock's 'mature' period in Hollywood, from the late 1940s to the early 1960s, represented the director's best work. In this traditional auteurist examination of Hitchcock's early work, author Maurice Yacowar considers Hitchcock's British films in chronological order, reads the composition of individual shots and scenes in each, and pays special attention to the films' verbal effects.Yacowar's readings remain compelling more than thirty years after they were written,

Softcover. Providence RI, Berghahn Books, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 256 pages. Known as one of the great producers and promoters of the film industry, Eric Pommer had a life-long commitment to German film - despite his emigration in 1933 - and worked in France and Britian, as well as the United States. As German producer, studio executive, and film politician in the pre-Hitler era Erich (later Eric) Pommer (1889-1966), a native of Germany, was an innovator and pioneer, a vital force in leading German cinema to international acclaim with successes such as The Cabinet of Dr Caligari, The Nibelungen and The Blue Angel. As Motion Picture Control Officer of the US Military Government he undertook , from 1946-49, the difficult task of rebuilding West Germany's film industry from the ashes of the Second World War. He succeeded brilliantly, but not without paying the hefty price of becoming embroiled in the turmoil of postwar German politics which made him many friends, but also many enemies. This book is the first detailed account in English of the remarkable career of Pommer who became a legend in his own lifetime. Clean copy.

Hardcover. NY, St. Martin's Press, 1st US, 1970, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket. 180 pages with index. An account of the infamous showman and his adventures after descending on Victorian London in the 1840s. Clean copy.

Hardcover. NY, Wynwood Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket with light fading to spine. Biography of the comedian from Toronto who married a Title in England, went on to become an international star as a comedienne on the stage and screen. She experienced the death of her only son in WWII. The author was a friend and confidant until Lillie's death at the age of 90. Clean copy.

Hardcover. NY, Forum/Prima Publishing, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 652 pages. As relevant today as the day it was written; to truly comprehend why peace in the Middle East-an end coveted for so long by so many-is becoming more and more illusive, one must read this excellent book. Clean copy.

Hardcover. NY, Rizzoli, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 317 pages plus index. Definitive chronicle of Fellini's work, published on the 50th anniversary of "La Dolce Vita." Features the director's drawings, storyboards, notes, and commentary, and behind the scenes photos. Material is drawn primarily from archives of the Fondazione Federico Fellini and covers each film from his entire career. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Dutton, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 399 pages, illustrations. SIGNED by actress Brooke Shields on a blank prelim page. A memoir of Shields life in modeling and acting through the prism of her complex relationship with her mother/manager. Brooke Shields never had what anyone would consider an ordinary life. She was raised by her Newark-tough single mom, Teri, a woman who loved the world of show business and was often a media sensation all by herself. Brooke's iconic modeling career began by chance when she was only eleven months old, and Teri's skills as both Brooke's mother and manager were formidable. But in private she was troubled and drinking heavily. As Brooke became an adult the pair made choices and sacrifices that would affect their relationship forever. And when Brooke's own daughters were born she found that her experience as a mother was shaped in every way by the woman who raised her. But despite the many ups and downs, Brooke was by Teri's side when she died in 2012, a loving daughter until the end. Clean copy.

Softcover. UK, Abacus, reprint, 2008, Book: Very Good, Dust Jacket: None, Softcover, 468 pages, b&w illustrations. Presents a revealing biography, based on primary sources, of the life and works of Riefenstahl and her role as photographer and filmmaker in Germany and during the Nazi regime. Bright, clean copy.

Softcover. Los Angeles, Paul Monash Productions, N/A, Book: Good, Dust Jacket: None, 138 pages, pale blue paper wraps with die-cut screen revealing title, 3-hole punched pages with two brads holding pages, top of rear cover loose from brad. Title page states: adapted from the novel by STEVEN KING (note that STEPHEN KING" is misspelled in this First Draft as "STEVEN KING"). This is an ORIGINAL REVISED FIRST DRAFT SCREENPLAY. At this point the film, Carrie, was in early development. This was, perhaps, a spec script under the umbrella of Producer Paul Monash. Stamped with logo and address of the Ziegler Ross Agency. This draft has handwritten notations, crossed-out sections, some pages initialed (unreadable) - in xeroxed image, not original. Light overall wear.

Hardcover. New York, Museum of Modern Art, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 152 pages, illustrated throughout in color. Spotless and tight copy. 128 Italian film posters that are a rich array of both Italian films and the international cinema. Includes text and notes on each poster. Arranged by genre from the 30's to the late 50's.

Hardcover. London, Heinemann, 1st UK, 1991, Book: Very Good, Dust Jacket: Very Good, 251 pages. Hardcover. Clean, tight copy. The Previously Unpublished Introduction, Commentary and Script for the Film VIVA ZAPATA! Clean copy.